More in dystopia
A Best Book of the Year, London Times and Daily Mail
An Exceptional Novel, Sunday Times
Best Book of the Year, British Book Industry Awards
A Best Summer Book, Publishers Weekly
“The terrors of this novel feel timeless . . . There are abominations here, and miracles.”—New York Times Book Review
“An amazing piece of fiction.”—Stephen King
“Completely terrifying.”—Paula Hawkins
“Vibrantly written.” —Entertainment Weekly
“Stunning” —Jeff VanderMeer
When Smith was a boy, he and his family went on an Easter pilgrimage with their local parish to the Loney, a bleak stretch of the English coastline, to visit an ancient shrine, in search of healing for Smith’s disabled brother. But the locals were none too pleased to welcome them, and the two brothers soon became entangled in a troubling morass of dangerous rituals. For years after, Smith carries the burden of what happened that spring. And when he hears that the body of a young child has been found during a storm at the Loney, he’s forced to reckon with his darkest secrets, no matter the cost. “The masterpiece by which Hurley will enter the Guild of the Gothic” (Guardian), The Loney marks the arrival of a remarkable new talent.
“Fans of Shirley Jackson are sure to savor . . . Tight, suspenseful writing makes this masterful novel unsettling in the most compelling way.”—Washington Post
The New York Times • The Chicago Reader • Nylon • The Boston Globe • The Huffington Post • The Rumpus • The AV Club • Southern Living • The Millions • Buzzfeed • Esquire • Publishers Weekly
A powerful and moving new novel from an award-winning, acclaimed author: in the wake of a devastating revelation, a father and son journey north across a tapestry of towns
When a widower receives notice from a doctor that he doesn’t have long left to live, he is struck by the question of who will care for his adult son—a son whom he fiercely loves, a boy with Down syndrome. With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son.
Traveling into the country, through towns named only by ascending letters of the alphabet, the man and his son encounter a wide range of human experience. While some townspeople welcome them into their homes, others who bear the physical brand of past censuses on their ribs are wary of their presence. When they press toward the edges of civilization, the landscape grows wilder, and the towns grow farther apart and more blighted by industrial decay. As they approach “Z,” the man must confront a series of questions: What is the purpose of the census? Is he complicit in its mission? And just how will he learn to say good-bye to his son?
Mysterious and evocative, Census is a novel about free will, grief, the power of memory, and the ferocity of parental love, from one of our most captivating young writers.
“Stunning.”—Emily St. John Mandel, author of Station Eleven • “A startling, beautiful portrait of a community in peril.”—Entertainment Weekly
One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her dorm room, falls asleep—and doesn’t wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, Mei finds herself thrust together with an eccentric classmate as panic takes hold of the college and spreads to the town. A young couple tries to protect their newborn baby as the once-quiet streets descend into chaos. Two sisters turn to each other for comfort as their survivalist father prepares for disaster.
Those affected by the illness, doctors discover, are displaying unusual levels of brain activity, higher than has ever been recorded before. They are dreaming heightened dreams—but of what?
Written in luminous prose, The Dreamers is a breathtaking and beautiful novel, startling and provocative, about the possibilities contained within a human life—if only we are awakened to them.
Praise for The Dreamers
“Walker’s roving fictive eye by turns probes characters’ innermost feelings and zooms out to coolly parse topics like reality versus delusion. . . . [It has] the perfect ambiguous frame for a tense and layered plot.”—O: The Oprah Magazine
“[Walker’s] gripping, provocative novel should come with a warning: may cause insomnia.”—People (Book of the Week)
“Powerful and moving . . . written with symphonic sweep.”—The New York Times Book Review
“2019’s first must-read novel . . . Alternately terrifying and moving . . . The Dreamers is overflowing with humanity.”—Jezebel
“This is an exquisite work of intimacy. Walker’s sentences are smooth, emotionally arresting—of a true, ethereal beauty. . . . This book achieves [a] dazzling, aching humanity.”—Entertainment Weekly
The world Cal and Frida have always known is gone, and they've left the crumbling city of Los Angeles far behind them. They now live in a shack in the wilderness, working side-by-side to make their days tolerable in the face of hardship and isolation. Mourning a past they can't reclaim, they seek solace in each other. But the tentative existence they've built for themselves is thrown into doubt when Frida finds out she's pregnant.
Terrified of the unknown and unsure of their ability to raise a child alone, Cal and Frida set out for the nearest settlement, a guarded and paranoid community with dark secrets. These people can offer them security, but Cal and Frida soon realize this community poses dangers of its own. In this unfamiliar world, where everything and everyone can be perceived as a threat, the couple must quickly decide whom to trust.
A gripping and provocative debut novel by a stunning new talent, California imagines a frighteningly realistic near future, in which clashes between mankind's dark nature and deep-seated resilience force us to question how far we will go to protect the ones we love.
In the America of a near future, northern California and the Pacific Northwest have become a desolate wasteland controlled by violent separatist militias and marked by a lack of water and fuel. In a village outside Reno, a middle-aged man visits an undertaker and gathers the ashes of his dead wife to bring to Alaska. There, their children await them—refugees from the destruction of the south. To reach his only remaining family, the man must cross the treacherous, violent landscape north by bike, his dog his only companion.
Thirty years earlier, we meet Roy Bingham. After a rough-and-tumble childhood, Roy is numbing himself with skateboarding, drugs, and sex, when he meets Karen. Sassy, soulful, and arresting, Karen pulls Roy into her orbit until she decides to give up their nomadic lifestyle to put down roots in her hometown of Loyalton, California. Roy’s fidelity buckles under the commitment and after a boozy night in Reno he leaves Karen for the road and skateboarding.
Flashing back and forth in time across four decades in the life of a man who is lost even when he’s found, Trouble No Man delivers a resonant story of survival, violence, and family, set against the tumult of an America on the precipice of becoming an unfree nation.
In Rachel Heng's debut set in near future New York City—where lives last three hundred years and the pursuit of immortality is all-consuming—Lea must choose between her estranged father and her chance to live forever.
Lea Kirino is a “Lifer,” which means that a roll of the genetic dice has given her the potential to live forever—if she does everything right. And Lea is an overachiever. She’s a successful trader on the New York exchange—where instead of stocks, human organs are now bought and sold—she has a beautiful apartment, and a fiancé who rivals her in genetic perfection. And with the right balance of HealthTechTM, rigorous juicing, and low-impact exercise, she might never die.
But Lea’s perfect life is turned upside down when she spots her estranged father on a crowded sidewalk. His return marks the beginning of her downfall as she is drawn into his mysterious world of the Suicide Club, a network of powerful individuals and rebels who reject society’s pursuit of immortality, and instead choose to live—and die—on their own terms. In this future world, death is not only taboo; it’s also highly illegal. Soon Lea is forced to choose between a sanitized immortal existence and a short, bittersweet time with a man she has never really known, but who is the only family she has left in the world.
In an America of the semi-distant future, human knowledge has reverted to a pre-Copernican state. Science and religion are diminished to fairy tales, and Earth once again occupies the lonely center of the universe, the stars and planets mere etchings on the glass globe that encases it. But when an ancient bunker containing a perfectly preserved space vehicle is discovered beneath the ruins of Cape Canaveral, it has the power to turn this retrograde world inside out.
Enter the miscreant Van Zandt clan, whose run-ins with the law leave them with a no-win choice: test-pilot the spacecraft together as a family, or be sent separately to prison for life. Their decision leads to some freakish slapstick, one nasty bonfire, and a dissolute trek across the ass-end of an all-too-familiar America.
As told to his daughter by Rowan, the Van Zandt son who flees the ashes of his family in search of a new one, the story is a darkly comic road trip that pits the simple hell of solitude against the messy consolations of togetherness.
Jeffrey Rotter's The Only Words That Are Worth Remembering is an indelible vision of a future in which we might one day live.
Shawn Curtis Stibbards lives and works in Vancouver, British Columbia. This is his first novel.
The collapse of civilization has left the survivors scattered amongst a few settlements along the wilderness fringe of a land ravaged by war. Preyed upon by roving bands of sadistic ex-soldiers and ever at the mercy of a natural world that has turned against them, a family is facing their final days. Hope appears in the guise of their young son. Raised in isolation and taught by his father to survive at any cost, he is thrust headlong into a battle for the future of humankind after rescuing a girl fleeing from a savage and relentless cult bent on burning the world back to Eden.
Raw and unflinching, A Desolate Splendoræweaves a stark, and eerily familiar, portrayal of life on the brink of extinction and heralds the rise of an exciting new voice in apocalyptic fiction.
It is more than 100 years in the future and the horrors of factory farming, combined with the widespread abuse of antibiotics, have led to mass extinctions. The majority of all mammals, birds, and fish that humans have eaten for millennia no longer exist. Those not fully capable are deemed undeserving of an equal share of scarce medical resources and are ultimately classified as less than human. As paranoia about our food supplies spreads, a forceful new logic takes hold; in the blink of a millennial eye the disenfranchised have become our food.
Don LePan’s “well-plotted” and “formally audacious” novel shows us a world at once eerily foreign and disturbingly familiar (Booklist). It follows the dramatic events that unfold within a family after they take in an abandoned mongrel boy. In the sharp-edged poignancy of the ethical questions it poses, in the striking narrative techniques it employs, and above all, in the remarkable power of the story it tells, Animals proves itself a transformative work of fiction.
Detroit has descended into ruin. Kelly scavenges for scrap metal from the hundred thousand abandoned buildings in a part of the city known as “the zone”—an increasingly wild landscape where one day he finds something far more valuable than the copper he’s come to steal: a kidnapped boy, crying out for rescue.
Briefly, Kelly is celebrated as a hero. But even after he has brought the boy to safety, he is driven to secretly avenge this crime and solve the mystery behind the kidnapping—a task that will take him deeper into the zone, and into a confrontation with his own past and long-buried traumas.
From the acclaimed author of In the House Upon the Dirt Between the Lake and the Woods, Scrapper is a devastating reimagining of one of America’s greatest cities, its beautiful architecture, its lost houses, shuttered factories, boxing gyms, and storefront churches. With precise, powerful prose, it asks: What do we owe for our crimes, even those we’ve committed to protect the people we love?
In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation.
The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival.
Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets.
The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.
It's 1973, and David Leveraux has landed his dream job as a Flavorist-in-Training, working in the secretive industry where chemists create the flavors for everything from the cherry in your can of soda to the butter on your popcorn.
While testing a new artificial sweetener--"Sweetness #9"--he notices unusual side-effects in the laboratory rats and monkeys: anxiety, obesity, mutism, and a generalized dissatisfaction with life. David tries to blow the whistle, but he swallows it instead.
Years later, Sweetness #9 is America's most popular sweetener--and David's family is changing. His wife is gaining weight, his son has stopped using verbs, and his daughter suffers from a generalized dissatisfaction with life. Is Sweetness #9 to blame, along with David's failure to stop it? Or are these just symptoms of the American condition?
David's search for an answer unfolds in this expansive novel that is at once a comic satire, a family story, and a profound exploration of our deepest cultural anxieties. Wickedly funny and wildly imaginative, Sweetness #9 questions whether what we eat truly makes us who we are.
“Refreshingly unique...I love this novella.” —LitStack
The must-read prequel to the “highly original” (The Seattle Times) New York Times bestseller Warm Bodies—now a major motion picture—from the author whose genre-defying debut turned the classic horror story on its head.
The end of the world didn’t happen overnight.
After years of societal breakdowns, wars and quakes and rising tides, humanity was already near the edge. Then came a final blow no one could have expected: all the world’s corpses rising up to make more.
Born into this bleak and bloody landscape, twelve-year-old Julie struggles to hold on to hope as she and her parents drive across the wastelands of America, a nightmarish road trip in search of a new home.
Hungry, lost, and scared, sixteen-year-old Nora finds herself her brother’s sole guardian after her parents abandon them in the not-quite-empty ruins of Seattle.
And in the darkness of a forest, a dead man opens his eyes. Who is he? What is he? With no clues beyond a red tie and the letter “R,” he must unravel the grim mystery of his existence—right after he learns how to think, how to walk, and how to satisfy the monster howling in his belly.
The New Hunger is a crucial link between Warm Bodies and The Burning World, a glimpse into the past that sets the stage for an astonishing future.
“Time travel” — and its hazards—are made literal in this astonishing new novel in which a recklessly idealistic girl dares to test the perimeters of her tightly controlled (future) world and is punished by being sent back in time to a region of North America — “Wainscotia, Wisconsin”—that existed eighty years before. Cast adrift in time in this idyllic Midwestern town she is set upon a course of “rehabilitation”—but cannot resist falling in love with a fellow exile and questioning the constrains of the Wainscotia world with results that are both devastating and liberating.
Arresting and visionary, Hazards of Time Travel is both a novel of harrowing discovery and an exquisitely wrought love story that may be Joyce Carol Oates’s most unexpected novel so far.
Pre-empted by publishers around the world within days of the 2016 London Book Fair, The End We Start From heralds the arrival of Megan Hunter, a dazzling and unique literary talent. Hunter’s debut is a searing original, a modern-day parable of rebirth and renewal, of maternal bonds, and the instinct to survive and thrive in the absence of all that’s familiar.
As London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place, shelter to shelter, to a desolate island and back again. The story traces fear and wonder, as the baby’s small fists grasp at the first colors he sees, as he grows and stretches, thriving and content against all the odds.
Written with poise and poeticism, The End We Start From is an indelible and elemental first book—a lyrical vision of the strangeness and beauty of new motherhood, and a portentous tale of endurance in the face of ungovernable change.
But all is not well in this concrete shell of one man’s American Dream. His wife, Synthea, once the world’s foremost industrial designer, roams the corridors in a drugged dream state. His son, River, locks himself away in his room, living vicariously through dozens of virtual pseudonyms. And Missy, his daughter, has just deleted her online profile and driven away through the gates, never to return.
As River tries to track his sister down, he lights upon Deep Sky. Is it a cult? And if so, what do they want with Missy? Is she running away from home or toward a darker mystery? And why? Is it something Casey did?
Versailles is a fable for the digital age. In an era of perpetual connectivity and mass surveillance, the novel explores our dual need to be witnessed and to be alone.
Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset.
As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
“Smith’s excellent command of language gives life to arresting characters and their creepy surroundings, keeping the suspense in this dark environmental thriller running high.”—Elle
It has been twenty years since Lucie Bowen left the islands—when the May Day Quake shattered thousands of lives; when Lucie’s father disappeared in an explosion at the Marrow Island oil refinery, a tragedy that destroyed the island’s ecosystem; and when Lucie and her best friend, Katie, were just Puget Sound children hoping to survive.
Now, Katie writes with strange and miraculous news. Marrow Island is no longer uninhabitable and no longer abandoned. She is part of a community that has managed to conjure life again from Marrow’s soil. Lucie returns. Her journalist instincts tell her there’s more to this mysterious “Colony” and their charismatic leader—a former nun with an all-consuming plan—than its members want her to know. As she uncovers their secrets, will Lucie endanger more than their mission? And what price will she pay for the truth?
“Beautifully wrought.”—O, The Oprah Magazine
“Engrossing and atmospheric, a thorny meditation on environmental responsibility with a big haunted heart.”—Laura van den Berg,Miami Herald
The sound of children's speech has become lethal. In the park, adults wither beneath the powerful screams of their offspring. For young parents Sam and Claire, it seems their only means of survival is to flee from their daughter, Esther. But they find it isn't so easy to leave someone you love, even as they waste away from her malevolent speech. On the eve of their departure, Claire mysteriously disappears, and Sam, determined to find a cure for this new toxic language, presses on alone into a foreign world to try to save his family.
According to the medical staff, Dr. Georg Amberg has been in the hospital for five weeks, recovering from a brain hemorrhage after being run down by a car. But his memories say it’s only been five days. And little else syncs up with the official story he’s been given. The more he tries to understand what happened to him, the more questions arise: What of the violent events in the rural village of Morwede? The old woman threatening the priest with a bread knife, angry peasants with rakes and cudgels, Baron von Malchin defending his dreams for the Holy Roman Empire with a pistol—how could Dr. Amberg ignore these? And what of the secret experiment to make a mind-altering drug from a white mildew called Saint Peter’s Snow.
Leo Pertuz, much admired by Jorge Luis Borges, Italo Calvino, Ian Fleming, and Graham Greene, offers a mystery of identity and a fable of faith and political fervor. Banned by the Nazis when it was first published in 1933, Saint Peter’s Snow is an elegant novel that is taut with suspense and full of Old World irony and humor.
“Rich in narrative and erotic suspense. . . . Worth reading in any language.” —San Francisco Chronicle
“Masterly. It possesses the desperate inevitably of Edgar Allen Poe.” —The Jewish Chronicle
“Ranks with 1984 in its portrait of a manipulated populace . . . Perutz’s writing remains significant today.” —Library Journal (starred review)
“A compelling story, not only about the terrible consequences of fanaticism and delusion, but also about the reluctance to accept their existence. . . . A timeless tale.” —Kirkus Reviews
Collin James is young, creative, and unhappy. A college dropout, he waits tables and spends his free time beautifying the streets of Cambridge, Massachusetts, with his medium of choice: chalk. Collin’s art captivates passersby with its vibrant colors and intricate lines—until the moment he wipes it all away. Nothing in Collin’s life is meant to last. Then he meets Nina. . . .
The daughter of a tech mogul who is revolutionizing virtual reality, Nina Lazare is trying to give back as a high school teacher—but her students won’t listen to her. When Collin enters her world, he inspires her to think bigger. Nina wants to return the favor—even if it means losing him.
Against this poignant backdrop, Allegra Goodman paints a tableau of students, neighbors, and colleagues: Diana, a teenage girl trying to make herself invisible; her twin brother, Aidan, who’s addicted to the games produced by Nina’s father; and Daphne, a viral-marketing trickster who unites them all, for better or worse.
Wise, warm, and enchanting, The Chalk Artist is both a finely rendered portrait of modern love and a celebration of all the realms we inhabit: real and imagined, visual and virtual, seemingly independent yet hopelessly tangled.
Praise for The Chalk Artist
“The virtual world Goodman conjures is as feverishly vivid as it is mysterious and alluring. Not since I pushed my way through C. S. Lewis’s fusty mothballed wardrobe and stepped out into the frozen, pine-scented forests of Narnia can I remember being so effectively transported into a viscerally, sometimes terrifyingly plausible alternate universe. . . . This is a novel full of wit and spark. . . . Irresistible and arresting.”—The New York Times Book Review
“Enjoyably sharp dialogue and convincing portraits of multiple mindsets and terrains . . . One can’t help but marvel at how Goodman has captured the atmosphere of this virtual fantasy land so effectively in words.”—NPR
“Mesmerizing depictions of virtual-reality landscapes of ‘Neverwhen’ and ‘Underworld’ make the games’ dangerous power over one of Nina’s students very real.”—People
“Goodman’s latest combines fantastical flourishes (an imagined video game called ‘Underworld’) and realistic Cambridge details . . . in a narrative about art and ambition.”—The Boston Globe
“Allegra Goodman creates suspense where you might least expect to find it.”—The Atlantic
2003: Europe's Summer of Madness...
It plays tricks on people's minds and makes them do things they otherwise would not have done.
It even gets to Tom Stark, who is used to it.
Tom took part in the Gulf War as a mercenary.
Now he is a Christian missionary in Germany.
He lives outside a gritty town with a crime rate way too high for its size.
Tom's world is about to unravel when seduction walks into his life in the form of Gina Delors, wife of the village carpenter.
Gina has what Tom misses in Romy, his own wife...
Will their love survive?
A powerful story full of surprises that will leave you amazed, apalled, stirred, touched and inspired. It will entertain both men and women.
Please be aware that this is not a stock genre romance!
christian literary fiction, christian fiction, christian suspense, clean suspense, clean historical, christian family life, christian dystopian, christian romance, ministry fiction, pastors fiction, military thriller fiction europe germany, mercenary fiction, christian coming of age
With soaring literary prose and the tense pacing of a thriller, the first-time novelist Peyton Marshall imagines a grim and startling future. At the end of the twenty-first century—in a transformed America—the sons of convicted felons are tested for a set of genetic markers. Boys who test positive become compulsory wards of the state—removed from their homes and raised on "Goodhouse" campuses, where they learn to reform their darkest thoughts and impulses. Goodhouse is a savage place—part prison, part boarding school—and now a radical religious group, the Holy Redeemer's Church of Purity, is intent on destroying each campus and purifying every child with fire.
We see all this through the eyes of James, a transfer student who watched as the radicals set fire to his old Goodhouse and killed nearly everyone he'd ever known. In addition to adjusting to a new campus with new rules, James now has to contend with Bethany, a brilliant, medically fragile girl who wants to save him, and with her father, the school's sinister director of medical studies. Soon, however, James realizes that the biggest threat might already be there, inside the fortified walls of Goodhouse itself.Partly based on the true story of the nineteenth-century Preston School of Industry, Goodhouse explores questions of identity and free will—and what it means to test the limits of human endurance.
Insomnia has claimed everyone Biggs knows. Even his beloved wife, Carolyn, has succumbed to the telltale red-rimmed eyes, slurred speech and cloudy mind before disappearing into the quickly collapsing world. Yet Biggs can still sleep, and dream, so he sets out to find her.
He ventures out into a world ransacked by mass confusion and desperation, where he meets others struggling against the tide of sleeplessness. Chase and his buddy Jordan are devising a scheme to live off their drug-store lootings; Lila is a high school student wandering the streets in an owl mask, no longer safe with her insomniac parents; Felicia abandons the sanctuary of a sleep research center to try to protect her family and perhaps reunite with Chase, an ex-boyfriend. All around, sleep has become an infinitely precious commodity. Money can’t buy it, no drug can touch it, and there are those who would kill to have it. However, Biggs persists in his quest for Carolyn, finding a resolve and inner strength that he never knew he had.
Kenneth Calhoun has written a brilliantly realized and utterly riveting depiction of a world gripped by madness, one that is vivid, strange, and profoundly moving.
When I was younger I didn't know a thing about death. I thought it meant stillness, a body gone limp. A marionette with its strings cut. Death was like a long vacation--a going away. Not this.
Storms and flooding are worsening around the world, and a mysterious immune disorder has begun to afflict the young. Sophie Perella is about to begin her senior year of high school in Toronto when her little sister, Kira, is diagnosed. Their parents' marriage falters under the strain, and Sophie's mother takes the girls to Oxford, England, to live with their Aunt Irene. An Oxford University professor and historical epidemiologist obsessed with relics of the Black Death, Irene works with a Centre that specializes in treating people with the illness. She is a friend to Sophie, and offers a window into a strange and ancient history of human plague and recovery. Sophie just wants to understand what's happening now; but as mortality rates climb, and reports emerge of bodily tremors in the deceased, it becomes clear there is nothing normal about this condition--and that the dead aren't staying dead. When Kira succumbs, Sophie faces an unimaginable choice: let go of the sister she knows, or take action to embrace something terrifying and new.
Tender and chilling, unsettling and hopeful, The Migration is a story of a young woman's dawning awareness of mortality and the power of the human heart to thrive in cataclysmic circumstances.
In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades.
When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her—freedom, prison or death.
With The Testaments, the wait is over.
Margaret Atwood's sequel picks up the story fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
"Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in." —Margaret Atwood
“Just try to put this gripping thriller down once you pick it up.” —AARP
“A shock on every other page.” —Wall Street Journal
How far would you go to find The One?
A simple DNA test is all it takes. Just a quick mouth swab and soon you’ll be matched with your perfect partner—the one you’re genetically made for.
That’s the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance and love.
Now five very different people have received the notification that they’ve been “Matched.” They’re each about to meet their one true love. But “happily ever after” isn’t guaranteed for everyone. Because even soul mates have secrets. And some are more shocking than others…
A word-of-mouth hit in the United Kingdom, The One is a fascinating novel that shows how even the simplest discoveries can have complicated consequences.
A blazingly original, wildly stylish, and pulpy debut novel
"City of Bohane, the extraordinary first novel by the Irish writer Kevin Barry, is full of marvels. They are all literary marvels, of course: marvels of language, invention, surprise. Savage brutality is here, but so is laughter. And humanity. And the abiding ache of tragedy." —Pete Hamill, The New York Times Book Review (front page)
Forty or so years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the North Rises, and the eerie bogs of the Big Nothin' that the city really lives. For years it has all been under the control of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. They say Hartnett's old nemesis is back in town; his trusted henchmen are getting ambitious; and his missus wants him to give it all up and go straight.
From the author of Silence Once Begun, a beguiling new novel about a man starting over at the most basic level, and the strange woman who insinuates herself into his life and memory.
A man and a woman have moved into a small house in a small village. The woman is an “examiner,” the man, her “claimant.” The examiner is both doctor and guide, charged with teaching the claimant a series of simple functions: this is a chair, this is a fork, this is how you meet people. She makes notes in her journal about his progress: he is showing improvement yet his dreams are troubling. One day the examiner brings the claimant to a party, where he meets Hilda, a charismatic but volatile woman whose surprising assertions throw everything the claimant has learned into question. What is this village? Why is he here? And who is Hilda? A fascinating novel of love, illness, despair, and betrayal, A Cure for Suicide is the most captivating novel yet from one of our most audacious and original young writers.
He Who Was Living is the second book in the Ishtato Saga, after Into the Wasteland. This series follows one young woman's journey through treacherous landscapes, backstabbing strangers, and lethal challenges. If she survives, her path will lead her to a final destination beyond anything she could have imagined.
All author's proceeds from sales of Lisa Shea's dystopian novellas benefit battered women’s shelters.
Lisa's novellas are teen-friendly. They are written without explicit intimacy or violence.
One Sunday, eight people gather at a school to record a television programme. But the show is never made, because the end of the world has arrived. The authorities order all windows, doors and curtains to be closed. And stay closed. They hear nothing more for days, then weeks.
Through the eyes of TV editor Merel, a young woman, we see the group trying to survive in a new world, a world of darkness and isolation, of sleeping on gym mats and living on ten grains of rice a day. The survivors play cards, talk about their past, sleep together: anything to pass the time until their rescue. As food supplies dwindle, tensions mount. And when will the authorities arrive?
At once arresting, original and richly entertaining, Everything There Was is a gripping and disorientating novel that will enthrall readers of The Road or Station Eleven.
Hanna Bervoets writes novels, columns and scripts. Her columns for Volkskrant Magazine, collected in That’s Nice, Bye, are hugely popular in the Netherlands. Bervoets won the 2009 Debutant of the Year Award for her first novel Or, How, Why. Its follow-up, Dear Céline, was awarded the 2012 Opzij Literature Prize.Praise for Everything There Was
‘An eye-opening novel that takes a fresh look at everything we’re taking for granted’ Opzij
‘This book grabs you by the throat’ nu.nl
‘One truly clever novel’ De Groene Amsterdammer
There is a trip to a million head Beefalo ranch run by only eight people, an electronic device that solves the worlds language problems, a dome over the French Quarter of New Orleans, electronic interstates, body organ cloning, multi-purpose gene pills, cybernetic homo-sapiens, talking homes, mile high buildings, and a visual, yet hidden, manifestation of evil in everyday life. There are seven different languages all interpreted including a new one I invented.
Newsman Victor goes through his extraordinary life, until his general lifestyle gets him in trouble and he is hauled into court by Lucifer, where his “Crimes against the State” are put on display.
From there on the book becomes a satirical religious allegory, a cross between Paradise Lost and the Bible. It is a classic fight between good and evil in a true courtroom from Hell.
Ultimately, good triumphs over evil, - or does it?
In spite of many good intentions, he was unknowingly at logger-heads with an autocratic, authoritarian church. He was accused of turning the rectory into a rooming house, of cavorting with a female and of favoring euthanasia. His blossoming romance conflicted with his love of the priesthood. Choosing the alternative created turmoil in his soul. The dramatic ending solves his dilemma.
“When a maaan loves a woman,” sang a hearty and soulful voice both inside and outside the compartment, and Jeremiah knew they were close, else the driver wouldn’t have cued the music, and when he scanned the other Witch Doctors, strapped in six to a bench in the wagon’s cramped confines, he knew that they knew it too. What was more, he knew that, however fearsome they looked in their black jumpsuits and white flame-retardant vests, their goggled respirators, their buckled hats—they were frightened, too.
But then the wagon ground to a halt and there was no time to be feel anything, much less fear, as Jeremiah unbuckled and piled out with the others. And yet, as he paused momentarily to take in the building—a ramshackle six-story brownstone which looked as though it had been built before the Betrayal, much less the Pogrom—a strange thing happened. He thought he heard a voice; not from without but entirely from within—a woman’s voice, a witch’s voice. And it said to him, as faintly as the cymbals at the start of the music, Why have you come for us, Witch-Doctor? And he found himself scanning the illuminated windows of the brownstone as if someone had perhaps shouted to him (rather than reaching directly into his mind), and saw behind one of the uppermost panes a figure so small and motionless that he might have thought it a piece of furniture, a lamp, perhaps, had it not slid to one side and vanished.
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NEW YORK TIMES BESTSELLER
“A stunner.”—Justin Cronin
“It’s never the disasters you see coming that finally come to pass—it’s the ones you don’t expect at all,” says Julia, in this spellbinding novel of catastrophe and survival by a superb new writer. Luminous, suspenseful, unforgettable, The Age of Miracles tells the haunting and beautiful story of Julia and her family as they struggle to live in a time of extraordinary change.
On an ordinary Saturday in a California suburb, Julia awakes to discover that something has happened to the rotation of the earth. The days and nights are growing longer and longer; gravity is affected; the birds, the tides, human behavior, and cosmic rhythms are thrown into disarray. In a world that seems filled with danger and loss, Julia also must face surprising developments in herself, and in her personal world—divisions widening between her parents, strange behavior by her friends, the pain and vulnerability of first love, a growing sense of isolation, and a surprising, rebellious new strength. With crystalline prose and the indelible magic of a born storyteller, Karen Thompson Walker gives us a breathtaking portrait of people finding ways to go on in an ever-evolving world.
“Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post
“Pure magnificence.”—Nathan Englander
“Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld
“Riveting, heartbreaking, profoundly moving.”—Kirkus Reviews (starred review)
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A New York Times Editor's Choice
A Time Magazine Best Book of the Year
An Amazon Best Book of the Month
An Indie Next Pick
One of Wall Street Journal's Twelve Books to Read This Winter
An Esquire most anticipated book of 2018
An Elle Best Book of Winter
A Popsugar most anticipated book of Fall
A Ploughshares most anticipated book of Fall
A Nylon Best Book of the Month
One of Publishers Weekly's most anticipated titles of Fall 2017
Five women. One question. What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt.
RED CLOCKS is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking THE HANDMAID'S TALE for a new millennium. This is a story of resilience, transformation, and hope in tumultuous-even frightening-times.
The paperback edition of Sarah Schulman's dystopian satire about urban mores set in New York sometime in the future, when the city has morphed into an idealized version of itself: where rent is cheap, homelessness is nonexistent, and the only job left is marketing. But all is not as it seems, culminating in a murder committed by a prominent New Yorker and a resulting trial that transfixes the city.
Kessler Award-winner Sarah Schulman's other books include Rat Bohemia, The Child, and Ties that Bind.
An astonishing literary debut about a young girl’s coming of age in the haunting, enchanting world of an English commune—a modern gothic novel with echoes of Room and Never Let Me Go
Foxlowe is a crumbling old house in the moors—a wild, secluded, and magical place. For Green, it is not just home, but everything she knows.
Outside, people live in little square houses, with unhappy families and tedious jobs. At Foxlowe, Green runs free through the hallways and orchards, in the fields and among the Standing Stones. Outside, people are corrupted by money. At Foxlowe, the Family shares everything. Outside, the Bad is everywhere. At Foxlowe, everyone in the Family is safe—as long as they follow Freya’s rules and perform her rituals. But as Green’s little sister, Blue, grows up, she shows more and more interest in the Outside. Before long she starts to talk about becoming a Leaver. . . .
Building inexorably to its terrifying climax, Foxlowe tells a chilling, irresistible story of superstition and survival, betrayal and redemption, and a utopia gone badly wrong.
Ravaged by the Change, an island nation in a time very like our own has built the Wall—an enormous concrete barrier around its entire coastline. Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls who are trapped amid the rising seas outside and are a constant threat. Failure will result in death or a fate perhaps worse: being put to sea and made an Other himself. Beset by cold, loneliness, and fear, Kavanagh tries to fulfill his duties to his demanding Captain and Sergeant, even as he grows closer to his fellow Defenders. A dark part of him wonders whether it would be interesting if something did happen, if they came, if he had to fight for his life…
John Lanchester—acclaimed as "an elegant and wonderfully witty writer" (New York Times) and "a writer of rare intelligence" (Los Angeles Times)—has written a taut, hypnotic novel of a broken world and what might be found when all is lost. The Wall blends the most compelling issues of our time—rising waters, rising fear, rising political division—into a suspenseful story of love, trust, and survival.
In an unnamed Middle Eastern security state, a young Arab-Indian hacker, who goes by Alif, shields his clients—dissidents, outlaws, revolutionaries, and other watched groups—from surveillance, and tries to stay out of trouble.
The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the state’s electronic security force, putting his clients and himself on the line. Then it turns out his lover’s new fiancé is the “Hand of God,” as they call the head of state security, and his henchmen come after Alif, driving him underground.
When Alif discovers The Thousand and One Days, the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen.
This “tale of literary enchantment, political change, and religious mystery” was a New York Times Notable Book and winner of the World Fantasy Award for Best Novel (Gregory Maguire).
“Wilson has a deft hand with myth and with magic.” —Neil Gaiman, author of American Gods
In the not-so-distant future, the forecasted “death of print” has become a reality. Bookstores, libraries, newspapers, and magazines are things of the past, and we spend our time glued to handheld devices called Memes that not only keep us in constant communication but also have become so intuitive that they hail us cabs before we leave our offices, order takeout at the first growl of a hungry stomach, and even create and sell language itself in a marketplace called the Word Exchange.
Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language (NADEL), where Doug is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-Meme, anti-tech intellectual who fondly remembers the days when people used email (everything now is text or videoconference) to communicate—or even actually spoke to one another, for that matter. One evening, Doug disappears from the NADEL offices, leaving a single written clue: ALICE. It’s a code word he devised to signal if he ever fell into harm’s way. And thus begins Anana’s journey down the proverbial rabbit hole . . .
Joined by Bart, her bookish NADEL colleague, Anana’s search for Doug will take her into dark basements and subterranean passageways; the stacks and reading rooms of the Mercantile Library; and secret meetings of the underground resistance, the Diachronic Society. As Anana penetrates the mystery of her father’s disappearance and a pandemic of decaying language called “word flu” spreads, The Word Exchange becomes a cautionary tale that is at once a technological thriller and a meditation on the high cultural costs of digital technology.
A searing dystopian vision of a young boy's flight through an unnamed, savaged country, searching for sanctuary and redemption—a debut novel from one of Europe's bestselling literary stars.
A young boy has fled his home. He’s pursued by dangerous forces. What lies before him is an infinite, arid plain, one he must cross in order to escape those from whom he’s fleeing. One night on the road, he meets an old goatherd, a man who lives simply but righteously, and from that moment on, their paths intertwine.
Out in the Open tells the story of this journey through a drought-stricken country ruled by violence. A world where names and dates don’t matter, where morals have drained away with the water. In this landscape the boy—not yet a lost cause—has the chance to choose hope and bravery, or to live forever mired in the cycle of violence in which he was raised. Carrasco has masterfully created a high stakes world, a dystopian tale of life and death, right and wrong, terror and salvation.
A brutal civil war has ravaged the country, and contagious fevers have decimated the population. Abandoned farmhouses litter the isolated mountain valleys and shady hollows. The economy has been reduced to barter and trade.
In this craggy, unwelcoming world, the central character of Scribe ekes out a lonely living on the family farmstead where she was raised and where her sister met an untimely end. She lets a migrant group known as the Uninvited set up temporary camps on her land, and maintains an uneasy peace with her cagey neighbors and the local enforcer. She has learned how to make paper and ink, and she has become known for her letter-writing skills, which she exchanges for tobacco, firewood, and other scarce resources. An unusual request for a letter from a man with hidden motivations unleashes the ghosts of her troubled past and sets off a series of increasingly calamitous events that culminate in a harrowing journey to a crossroads.
Drawing on traditional folktales and the history and culture of Appalachia, Alyson Hagy has crafted a gripping, swiftly plotted novel that touches on pressing issues of our time—migration, pandemic disease, the rise of authoritarianism—and makes a compelling case for the power of stories to both show us the world and transform it.
In her third short story collection, following When the Messenger is Hot and All This Heavenly Glory, Elizabeth Crane presents a quirky cast of characters all searching for, showing off, or seriously questioning what makes them happy. There’s a woman who speaks in all exclamation points, one enamored by her boyfriend’s closet, a zombie reality TV star, a mother whose baby turns into Ethan Hawke, and a woman whose moods are printed on her forehead.
Whether breathlessly enthusiastic, serenely calm, or really concentrating right now on their issues, Elizabeth Crane’s characters shine a spotlight on our spirituality-starved, self-improvement-seeking, celebrity-obsessed culture.
“In her third collection of inventive short stories, Crane continues to ingeniously satirize our muddled quest for meaning in all the wrong places.” —Booklist
“A well-crafted collection of short stories, one whose clarity of tone and theme unites each and every piece into a cohesive whole. At a time when it seems almost antediluvian to be optimistic, Crane’s sincerity stands as a bewitching reminder that there is more to literature than tragedy.” —Bookslut
“Zombies, time travelers, reality TV contestants and even a few normalish folks populate the pages of Elizabeth Crane’s quirky, charming new collection.” —PopMatters
“Am I a person?” Borne asked me.
“Yes, you are a person,” I told him. “But like a person, you can be a weapon, too.”
In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company—a biotech firm now derelict—and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech.
One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump—plant or animal?—but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts—and definitely against Wick’s wishes—Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford.
“He was born, but I had borne him.”
But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same.
Told in two storylines divided by geography and time, Swarm is a suspenseful and powerful debut novel about survival and coming to terms with life�â��s regrettable choices.
In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.
It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.
When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.