Narrated by Simon Prebble
Scotland Yard's Ian Rutledge must contend with two dangerous enemies in this latest complex mystery in the New York Times bestselling series
London, summer 1920. An unidentified body appears to have been run down by a motorcar and Ian Rutledge is leading the investigation to uncover what happened. While the signs point to murder, vital questions remain: Who is the victim? And where, exactly, was he killed?
One small clue leads Rutledge to a firm built by two families, famous for producing and selling the world's best Madeira wine. Lewis French, the current head of the English enterprise, is missing. But is he the dead man? And does either his fiancée or his jilted former lover have anything to do with his disappearance—or possible death? What about his sister? Or the London office clerk? Is Matthew Traynor, French's cousin and partner who heads the Madeira office, somehow involved?
The experienced Rutledge knows that suspicion and circumstantial evidence are not proof of guilt, and he's going to keep digging for answers. But that perseverance will pit him against his supervisor, the new acting chief superintendent. When Rutledge discovers a link to an incident in the French family's past, the superintendent dismisses it, claiming the information isn't vital. He's determined to place the blame on one of French's women despite Rutledge's objections. Alone in a no-man's-land rife with mystery and danger, Rutledge must tread very carefully, for someone has decided that he, too, must die so that cruel justice can take its course.
Scotland Yard’s best detective, Inspector Ian Rutledge, must solve a dangerous case that reaches far into the past in this superb mystery in the acclaimed series
Declaring he needs to clear his conscience, a dying man walks into Scotland Yard and confesses that he killed his cousin five years earlier during the Great War. When Inspector Ian Rutledge presses for details, the man evades his questions, revealing only that he hails from a village east of London. With little information and no body to open an official inquiry, Rutledge begins to look into the case on his own.
Less than two weeks later, the alleged killer’s body is found floating in the Thames, a bullet in the back of his head. Searching for answers, Rutledge discovers that the dead man was not who he claimed to be. What was his real name—and who put a bullet in his head? Were the “confession” and his own death related? Or was there something else in the victim’s past that led to his murder?
The inspector’s only clue is a gold locket, found around the dead man’s neck, that leads back to Essex and an insular village whose occupants will do anything to protect themselves from notoriety. For notoriety brings the curious, and with the curious come change and an unwelcome spotlight on a centuries-old act of evil that even now can damn them all.
In the latest mystery from New York Times bestselling author Charles Todd, Inspector Ian Rutledge is summoned to the quiet, isolated Fen country to solve a series of seemingly unconnected murders before the killer strikes again
August 1920. A society wedding at Ely Cathedral in Cambridgeshire becomes a crime scene when a guest is shot just as the bride arrives. Two weeks later, after a fruitless search for clues, the local police are forced to call in Scotland Yard. But not before there is another shooting in a village close by. This second murder has a witness; the only problem is that her description of the killer is so horrific it's unbelievable. Badgered by the police, she quickly recants her story.
Despite his experience, Inspector Ian Rutledge can find no connection between the two deaths. One victim was an Army officer, the other a solicitor standing for Parliament; their paths have never crossed. What links these two murders? Is it something from the past? Or is it only in the mind of a clever killer?
Then the case reminds Rutledge of a legendary assassin whispered about during the war. His own dark memories come back to haunt him as he hunts for the missing connection—and yet, when he finds it, it isn't as simple as he'd expected. He must put his trust in the devil in order to find the elusive and shocking answer.
THE STAKES ARE DEADLY AT STRATTON PARK
Architect and family man Lee Morris never gave much thought to the shares he inherited of the Stratton Park racecourse, the multi-million dollar property owned by the powerful Stratton family. His mother had first received the shares to keep her quiet about the abuse she had suffered at the hands of her first husband, Keith Stratton. Now, much to Lee's chagrin, he is being drawn into the thick of the Stratton family squabbles as they wage a furious debate over the future of the race track.
So when Lee packs his six sons into his renovated old bus to visit the racetrack, he finds himself embroiled in a supremely dangerous game that extends much deeper than horse racing. And perhaps too late, Lee realizes his involvement in the racetrack may cost him more than he bargained for...It may cost him his life...
A baffling murder on a remote country lane puts Alan Banks and his team to the test in the detective’s most intense and gripping case yet – from an author hailed by Louise Penny as “a writer at the top of his game.”
With Detective Inspector Annie Cabbot investigating the young woman’s death, newly promoted Detective Superintendent Banks finds himself taking on the coldest of cases: a fifty-year-old assault allegedly perpetrated by beloved celebrity Danny Caxton. Now Caxton stands accused at the center of a media storm, and it’s Banks’ job to discover the shocking truth.
As more women step forward with accounts of Caxton’s manipulation, Banks must piece together decades-old evidence – as the investigation leads him down the darkest of paths…
Suspenseful, powerful, and surprising, When the Music’s Over is the finest novel to date from one of the foremost suspense writers at work today.
Scotland Yard’s Ian Rutledge seeks a killer who has eluded Scotland Yard for years in this next installment of the acclaimed New York Times bestselling series.
An astonishing tip from a grateful ex-convict seems implausible—but Inspector Ian Rutledge is intrigued and brings it to his superior at Scotland Yard. Alan Barrington, who has evaded capture for ten years, is the suspect in an appalling murder during Black Ascot, the famous 1910 royal horserace honoring the late King Edward VII. His disappearance began a manhunt that consumed Britain for a decade. Now it appears that Barrington has returned to England, giving the Yard a last chance to retrieve its reputation and see justice done. Rutledge is put in charge of a quiet search under cover of a routine review of a cold case.
Meticulously retracing the original inquiry, Rutledge begins to know Alan Barrington well, delving into relationships and secrets that hadn’t surfaced in 1910. But is he too close to finding his man? His sanity is suddenly brought into question by a shocking turn of events. His sister Frances, Melinda Crawford, and Dr. Fleming stand by him, but there is no greater shame than shell shock. Questioning himself, he realizes that he cannot look back. The only way to save his career—much less his sanity—is to find Alan Barrington and bring him to justice. But is this elusive murderer still in England?
On a deserted road, late at night, Scotland Yard’s Ian Rutledge encounters a frightened woman standing over a body, launching an inquiry that leads him into the lair of a stealthy killer and the dangerous recesses of his own memories in this twentieth installment of the acclaimed New York Times bestselling series.
Hours after his sister’s wedding, a restless Ian Rutledge drives aimlessly, haunted by the past, and narrowly misses a motorcar stopped in the middle of a desolate road. Standing beside the vehicle is a woman with blood on her hands and a dead man at her feet.
She swears she didn’t kill Stephen Wentworth. A stranger stepped out in front of their motorcar, and without warning, fired a single shot before vanishing into the night. But there is no trace of him. And the shaken woman insists it all happened so quickly, she never saw the man’s face.
Although he is a witness after the fact, Rutledge persuades the Yard to give him the inquiry, since he’s on the scene. But is he seeking justice—or fleeing painful memories in London?
Wentworth was well-liked, yet his bitter family paint a malevolent portrait, calling him a murderer. But who did Wentworth kill? Is his death retribution? Or has his companion lied? Wolf Pit, his village, has a notorious history: in Medieval times, the last wolf in England was killed there. When a second suspicious death occurs, the evidence suggests that a dangerous predator is on the loose, and that death is closer than Rutledge knows.
In this absorbing new entry in the acclaimed New York Times bestselling series, Scotland Yard’s Ian Rutledge is caught up in a twisted web of vengeance and murder.
On the north coast of Cornwall, an apparent act of mercy is repaid by an arrest for murder. Four young women have been accused of the crime. A shocked father calls in a favor at the Home Office. Scotland Yard is asked to review the case.
However, Inspector Ian Rutledge is not the first Inspector to reach the village. Following in the shoes of a dead man, he is told the case is all but closed. Even as it takes an unexpected personal turn, Rutledge will require all his skill to deal with the incensed families of the accused, the grieving parents of the victim, and local police eager to see these four women sent to the infamous Bodmin Gaol. Then why hasn’t the killing stopped?
With no shred of evidence to clear the accused, Rutledge must plunge deep into the darkest secrets of a wild, beautiful and dangerous place if he is to find a killer who may—or may not—hold the key to their fate.
Scotland Yard’s Ian Rutledge finds himself caught in a twisted web of vengeance, old grievances, and secrets that lead back to World War I in the nineteenth installment of the acclaimed bestselling series.
On the eve of the bloody Battle of the Somme, a group of English officers having a last drink before returning to the Front make a promise to each other: if they survive the battle ahead—and make it through the war—they will meet in Paris a year after the fighting ends. They will celebrate their good fortune by racing motorcars they beg, borrow, or own from Paris to Nice.
In November 1919, the officers all meet as planned, and though their motorcars are not designed for racing, they set out for Nice. But a serious mishap mars the reunion. In the mountains just north of their destination, two vehicles are nearly run off the road, and one man is badly injured. No one knows—or will admit to knowing—which driver was at the wheel of the rogue motorcar.
Back in England one year later, during a heavy rainstorm, a driver loses control on a twisting road and is killed in the crash. Was it an accident due to the hazardous conditions? Or premeditated murder? Is the crash connected in some way to the unfortunate events in the mountains above Nice the year before? The dead driver wasn’t in France—although the motorcar he drove was. If it was foul play, was it a case of mistaken identity? Or was the dead man the intended victim after all?
Investigating this perplexing case, Scotland Yard Inspector Ian Rutledge discovers that the truth is elusive—and that the villages on the South Downs, where the accident happened, are adept at keeping secrets, frustrating his search. Determined to remain in the shadows this faceless killer is willing to strike again to stop Rutledge from finding him. This time, the victim he chooses is a child, and it will take all of Rutledge’s skill to stop him before an innocent young life is sacrificed.