One of the problems with approaching Chesterton is that he was so prolific that the reader is simply overwhelmed. But Ahlquist makes the literary giant accessible, highlighting Chesterton’s amazing reach, keen insight, and marvelous wit. Each chapter is liberally spiced with Chesterton’s striking quotations.
There is something special that runs throughout Chesterton’s books that sets him apart from the confusing philosophies of the modern world. That common thread in Chesterton’s writings is common sense. It is instantly recognizable and utterly refreshing.
Wheelock’s Latin 7th Edition retains its signature core of authentic Latin readings—curated from the works of Cicero, Vergil, and other major Roman authors of classical literature, drama, and poetry, as well as inscriptions, artifacts, and even authentic graffiti—that demonstrate the ancient Romans’ everyday use of Latin: Latin as a living language.
With expanded English-Latin/Latin-English vocabulary sections, tightly retooled comprehension and discussion questions, self-tutorial exercises, translation tips, etymological aids, maps, and dozens of photos and illustrations that capture aspects of classical culture and mythology, Wheelock’s Latin 7th Edition is the essential resource for students beginning their journey into the heart of the classical world.
As Thomas Howard notes, Williams's tales might best be described as "metaphysical thrillers," in which Williams used occult "machinery" in much the same way that Conrad used exotic locales and Joyce used the subconscious: to vivify human experience and awaken readers to its range and possibilities. One tale might feature a chase for the Holy Grail across Hertfordshire fields, while in another "the picture may switch with no apology at all from a policeman at a crossroad to the Byzantine Emperor." As Howard lucidly demonstrates, the controlling factor behind Williams's work is an essentially Christian worldview in which "heaven and hell seem to lurk under every bush" and the constant theme is order versus disintegration.
Concentrating on Williams's novels, Howard brilliantly illuminates the major concerns that informed all of Williams's thinking. Howard also considers Williams's work in the context of modern fictional practice and assesses its place in the tradition of the English language novel.
"Howard understands the Cloud of Glory through which Williams's works must be seen better than anyone else I know. The wonderful light of paradox and parable is unfolded to us through Thomas Howard's works and he, as he says of Williams, leaves us 'chastened, sobered, even transfigured.' "
— Madeleine L'Engle
In ways at once provocative and original, the contributors deal with major modern artists and philosophers, including Miguel de Cervantes, Friedrich Nietzsche, Emmanuel Levinas, Iris Murdoch, and James Joyce. The essays in Tolkien among the Moderns also point forward to postmodernism by examining its implications for Tolkien's work. Looking backward, they show how Tolkien addresses two ancient questions: the problems of fate and freedom in a seemingly random universe, as well as Plato's objection that art can neither depict truth nor underwrite morality. The volume is premised on the firm conviction that Tolkien is not a writer who will be soon surpassed and forgotten—exactly because he has a permanent dwelling place "among the moderns."
Ian Kerner offers a radical new philosophy for pleasuring women in She Comes First—an essential guidebook to oral sex from the author of Be Honest—You’re Not That Into Him Either. The New York Times praises Kerner’s “cool sense of humor and an obsessive desire to inform,” as he “encourages men through an act that many find mystifying.” An indispensable aid to a healthier, more fulfilling sex life for her and him, She Comes First offers techniques and philosophy that have already earned raves from the likes of bestselling author and Loveline co-host Dr. Drew Pinsky as well as Playgirl magazine, which cheers, “Hallelujah!”
From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life. With Dubliners, James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental.
The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.”
Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”