In Perfect Spy, Larry Berman, who An considered his official American biographer, chronicles the extraordinary life of one of the twentieth century's most fascinating spies.
The last Mughal emperor, Zafar, came to the throne when the political power of the Mughals was already in steep decline. Nonetheless, Zafar—a mystic, poet, and calligrapher of great accomplishment—created a court of unparalleled brilliance, and gave rise to perhaps the greatest literary renaissance in modern Indian history. All the while, the British were progressively taking over the Emperor's power. When, in May 1857, Zafar was declared the leader of an uprising against the British, he was powerless to resist though he strongly suspected that the action was doomed. Four months later, the British took Delhi, the capital, with catastrophic results. With an unsurpassed understanding of British and Indian history, Dalrymple crafts a provocative, revelatory account of one the bloodiest upheavals in history.
Anatol Lieven's book is a magisterial investigation of this highly complex and often poorly understood country. Engagingly written, combining history and profound analysis with reportage from Lieven's extensive travels as a journalist and academic, Pakistan: A Hard Country is both utterly compelling and deeply revealing.
Older, richer and more distinctive than almost any other, India’s culture furnishes all that the historian could wish for in the way of continuity and diversity. The peoples of the Indian subcontinent, while sharing a common history and culture, are not now, and never have been, a single unitary state; the book accommodates Pakistan and Bangladesh, as well as other embryonic nation states like the Sikh Punjab, Muslim Kashmir and Assam.
Above all, the colonial era is seen in the overall context of Indian history, and the legacy of the 1947 partition is examined from the standpoint of today.
Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization.
Shedding light on the city's past and present, Mumbai Fables offers an unparalleled look at this extraordinary metropolis.
The Men Who Killed Gandhi is a spellbinding non fictional recreation of the events which led to India’s partition, the eventual assassination of Gandhi, and the prosecution of those who were involved in Gandhi’s murder. This historical reenactment is set against the tumultuous backdrop of the British Raj. Malgonkar’s book is a result of painstaking research and from also having privileged access to many important documents and photographs related to the assassination.
There is no doubt that Mahatma Gandhi played a leading role in obtaining independence from the British. But the problems that ensued afterwards, such as the structural rebuilding of the country and the Partition, led to many riots, massive migrations, and deep racial and cultural divides. Not everyone agreed with Gandhi and his ideals. As a result, a plot to assassinate Gandhi was devised by six individuals named, Narayan Apte, Gopal Godse, Madanlal Pahwa, Digambar Badge, and Nathuram Godse. This was eventually carried out in New Delhi, on the 30th of January, 1948. Eventually, these six individuals were tried and convicted. Four of them received life sentences while two of them received the death penalty.
The first publication of The Men Who Killed Gandhi occurred in 1978, during the Emergency years. As a result, Malgonkar omitted many vital facts including Dr. Ambedkar’s role in minimizing Savarkar’s criminal conviction. This 11th edition of the text contains these omitted facts as well as rare documents, and photographs obtained from National Archives. After the four individuals who were convicted for Gandhi’s murder completed their life sentences, they were interviewed by Malgonkar. These individuals revealed many details to him which were never known before. The author also received access to the Kapur Commission from his friend Mr. Nayar, who was in the Indian Police Service. As a result, The Men Who Killed Gandhi is considered the most historically accurate account of Gandhi’s assassination plot.
The stunning true story of an untouchable family who become teachers, and one, a poet and revolutionary
Like one in six people in India, Sujatha Gidla was born an untouchable. While most untouchables are illiterate, her family was educated by Canadian missionaries in the 1930s, making it possible for Gidla to attend elite schools and move to America at the age of twenty-six. It was only then that she saw how extraordinary—and yet how typical—her family history truly was. Her mother, Manjula, and uncles Satyam and Carey were born in the last days of British colonial rule. They grew up in a world marked by poverty and injustice, but also full of possibility. In the slums where they lived, everyone had a political side, and rallies, agitations, and arrests were commonplace. The Independence movement promised freedom. Yet for untouchables and other poor and working people, little changed. Satyam, the eldest, switched allegiance to the Communist Party. Gidla recounts his incredible transformation from student and labor organizer to famous poet and founder of a left-wing guerrilla movement. And Gidla charts her mother’s battles with caste and women’s oppression. Page by page, Gidla takes us into a complicated, close-knit family as they desperately strive for a decent life and a more just society.
A moving portrait of love, hardship, and struggle, Ants Among Elephants is also that rare thing: a personal history of modern India told from the bottom up.
Using photographs, old and new documents, excerpts from letters, books and informal writings, the author documents the growing involvement of women and the formation of the early women’s organizations; she examines the foregrounding of the 'women’s issue’ during the reform and nationalist movements and its subsequent disappearance from the agenda of public debate until the post independence period of the Sixties and Seventies when it surfaces again. Key questions raised are regarding the nature of the contemporary movement, the kinds of issues (such as rape, dowry, environment, work, health) it has taken up, its directions and perspectives, its differences from western movements, the role of autonomous women's organizations and their relationship with political parties, especially those of the left. Visually rich, this book provides a wealth of information in an easily written and accessible style and should appeal to a wide cross-section of readers.
Published by Zubaan.
Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation.
Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims.
Winner, Great Lakes Colleges Association New Writers Award, 2014
Winner, Binghamton University Milt Kessler Poetry Book Award, 2015
Winner, Drake University Emerging Writers Award, 2015
James Achilles Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Kahir un-Nissa—'Most excellent among Women'—the great-niece of the Nizam's Prime Minister and a descendant of the Prophet. Kirkpatrick had gone out to India as an ambitious soldier in the army of the East India Company, eager to make his name in the conquest and subjection of the subcontinent. Instead, he fell in love with Khair and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company.
It is a remarkable story, involving secret assignations, court intrigue, harem politics, religious and family disputes. But such things were not unknown; from the early sixteenth century, when the Inquisition banned the Portuguese in Goa from wearing the dhoti, to the eve of the Indian mutiny, the 'white Mughals' who wore local dress and adopted Indian ways were a source of embarrassments to successive colonial administrations. William Dalrymple unearths such colourful figures as 'Hindoo Stuart', who travelled with his own team of Brahmins to maintain his temple of idols, and who spent many years trying to persuade the memsahibs of Calcutta to adopt the sari; and Sir David Ochterlony, Kirkpatrick's counterpart in Delhi, who took all thirteen of his wives out for evening promenades, each on the back of their own elephant.
In White Mughals, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of love, seduction and betrayal. It possesses all the sweep and resonance of a great nineteenth-century novel, set against a background of shifting alliances and the manoeuvring of the great powers, the mercantile ambitions of the British and the imperial dreams of Napoleon. White Mughals, the product of five years' writing and research, triumphantly confirms Dalrymple's reputation as one of the finest writers at work today.
"Elizabeth Flock takes us on an intimate cruise on the shifting sea of the heart, in the best book set in Bombay that I've read in years. Flock's total access to her characters, and her highly sympathetic and nonjudgmental gaze, prove that love and literature know no borders. Easily the most intimate account of India that I've read, and of value to anybody that believes in love and marriage."—Suketu Mehta, author of Maximum City
"This remarkable debut is so deeply reported, elegantly written, and profoundly transporting that it reads like a novel you can’t put down. It’s both a nuanced and intimate evocation of Indian culture, and a provocative and exciting meditation on marriage itself."—Katie Roiphe, author of The Violet Hour
In the vein of Behind the Beautiful Forevers, an intimate, deeply reported and revelatory examination of love, marriage, and the state of modern India—as witnessed through the lives of three very different couples in today’s Mumbai.
In twenty-first-century India, tradition is colliding with Western culture, a clash that touches the lives of everyday Indians from the wealthiest to the poorest. While ethnicity, class, and religion are influencing the nation’s development, so too are pop culture and technology—an uneasy fusion whose impact is most evident in the institution of marriage.
The Heart Is a Shifting Sea introduces three couples whose relationships illuminate these sweeping cultural shifts in dramatic ways: Veer and Maya, a forward-thinking professional couple whose union is tested by Maya’s desire for independence; Shahzad and Sabeena, whose desperation for a child becomes entwined with the changing face of Islam; and Ashok and Parvati, whose arranged marriage, made possible by an online matchmaker, blossoms into true love. Though these three middle-class couples are at different stages in their lives and come from diverse religious backgrounds, their stories build on one another to present a layered, nuanced, and fascinating mosaic of the universal challenges, possibilities, and promise of matrimony in its present state.
Elizabeth Flock has observed the evolving state of India from inside Mumbai, its largest metropolis. She spent close to a decade getting to know these couples—listening to their stories and living in their homes, where she was privy to countless moments of marital joy, inevitable frustration, dramatic upheaval, and whispered confessions and secrets. The result is a phenomenal feat of reportage that is both an enthralling portrait of a nation in the midst of transition and an unforgettable look at the universal mysteries of love and marriage that connect us all.
In vivid, inventive, and engaging prose, Pandian weaves together ethnographic encounters, archival investigations, and elements drawn from Tamil poetry, prose, and popular cinema. Tacking deftly between ploughed soils and plundered orchards, schoolroom lessons and stationhouse registers, household hearths and riverine dams, he reveals moral life in the postcolonial present as a palimpsest of traces inherited from multiple pasts. Pursuing these legacies through the fragmentary play of desire, dream, slander, and counsel, Pandian calls attention not only to the moral potential of ordinary existence, but also to the inescapable force of accident, chance, and failure in the making of ethical lives. Rarely are the moral coordinates of modern power sketched with such intimacy and delicacy.
The stroke of midnight on August 15, 1947, liberated 400 million people from the British Empire. With the loss of India, its greatest colony, Britain ceased to be a superpower, and its king ceased to sign himself Rex Imperator.
This defining moment of world history had been brought about by a handful of people. Among them were Jawaharlal Nehru, the fiery Indian prime minister; Mohammed Ali Jinnah, the leader of the new Islamic Republic of Pakistan; Mohandas Gandhi, the mystical figure who enthralled a nation; and Louis and Edwina Mountbatten, the glamorous but unlikely couple who had been dispatched to get Britain out of India. Within hours of the midnight chimes, their dreams of freedom and democracy would turn to chaos, bloodshed, and war.
Behind the scenes, a secret personal drama was also unfolding, as Edwina Mountbatten and Jawaharlal Nehru began a passionate love affair. Their romance developed alongside Cold War conspiracies, the beginning of a terrible conflict in Kashmir, and an epic sweep of events that saw one million people killed and ten million dispossessed.
Steeped in the private papers and reflections of the participants, Alex von Tunzelmann's Indian Summer reveals, in vivid, exhilarating detail, how the actions of a few extraordinary people changed the lives of millions and determined the fate of nations.