Stop looking for the camera. Dilbert has become a hugely successful strip because Adams feels your pain. How? Because this former employee of a major telecommunications company has been there. He's seen the road to failure firsthand. And he knows that to successfully navigate the ludicrous world of business, you can't expect common sense to prevail, you need to keep a sense of humor, and above all, you must always be ready to blame the other guy.
The strip's enormous popularity stems from the fact that its millions of readers easily identify with the crazy plots and wacky characters found within the corporate environment. Sure, most companies don't have a bespectacled engineer with a tie permanently curled up, a cynical talking dog, and a manager with two pointy tufts of hair. But it's the outrageous things Dilbert characters do and say that leave readers knowingly nodding their heads and, of course, laughing uproariously. The antics of Dilbert's cast are based not only on Adams's own corporate experiences, but on the numerous e-mails he receives each day about the office dramas of his devoted fans.
Created in 1989 by Adams, in his own cubicle as a doodle distraction, Dilbert has found a home in the workplace, this generation's home away from home. Adams amuses readers with his portrayal of the absurdities of this environment with unfailing accuracy and precision. As readers of more than 2,000 newspapers, millions of books, and the newly revamped Dilbert.com site know, the familiar mouthless character with the upturned tie, his dog, Dogbert, the pointy-haired Boss, over-achieving Alice and underachieving Wally, Human Resources director Catbert, depict a world that's all too easy to recognize, complete with shrinking cubicles, clueless co-workers, focus groups and ill-conceived management concepts.
In this all-new chronological collection, Adams further exploits the fodder of workaday life, making even the most cynical cubicle dweller laugh at our shared, absurd work lives.
In How's That Underling Thing Working Out for You?, Adams takes on the challenges of Elbonian sensitivity training, employee satisfaction surveys, confusopoly consultants, and more inside this new Dilbert book.
If you agree that every indeterminable project has to have at least one WDG (Worthless Dumb Guy), or are subjected to results-free sensitivity training, questionable employee surveys, and freelance consultants that seem to offer little more than exorbitant invoices, then chances are you find the corporate cubicle culture philosophy represented inside How's That Underling Thing Working Out for You? alive and well inside your own work environment--and that's exactly what makes Dilbert one of the most successful and popular comic strips of all time.
From Dogbert's invention of a beheading app to Dilbert's PowerPoint presentation that proves two monkeys could lead better than current management, How's That Underling Thing Working Out for You? chronicles corporate cubicle culture questionable training seminars and employee satisfaction surveys, along with made-up consultancies one Dilbert strip at a time.
It’s an office code violation to be this good after so many years, but Dilbert keeps doing what he does best: passive-aggressively out-witting his superiors and exercising conflict avoidance. And he is so good. No wonder office drones and workforce automatons alike can’t resist the cold embrace of Dilbert’s workplace.
Dilbert, the benchmark of office humors, continues to use its considerable powers of humor for the greater good, helping us to fight the good fight at work despite those around us whose job descriptions seem to include undercutting morale and generally doing everything possible to lead us into economic ruin.
In Freedom's Just Another Word for People Finding Out You're Useless, fans get a hilarious collection of great Dilbert strips that are anything but useless. From office politics and reams of red tape, to mayhem due to new technologies and, of course, the crazy cast of co-workers, Dilbert gets it done.
Scott Adams offers up his this Dilbert collection exploring themes of sloth and corporate indifference. The arbitrary, unspoken rules of interoffice emailing, the random policy generator, and the knowledge that management has indeed given up ever trying to win an award for best place to work all combine to make life in the Dilbert workplace as demoralizing as real life.
Dilbert navigates through the same corporate 9 to 5 existence in which his readers physically dwell. Dilbert, Dogbert, the boss, Wally, Alice, and Catbert tackle corporate indolence, avarice, and pretense one strip at a time, from the neighboring cubicle whistler to the project naysayer to the guy who's always just too busy to lend a hand.
In Cubes and Punishment: A Dilbert Book, Dilbert sardonically skewers the Dostoevskian sense of despair and anxiety that corporate life breeds. And nowhere is this sense more alive than in the desolation of the cubicle. In Dilbert's world, cubicle dwellers are relegated to everything from the half-size intern cubicle to the patented head cubicle and are even sentenced to adopt and decorate empty cubicles.
* Dilbert continues to be the voice for the embattled cubicle-dwelling Everyman. With best-friend Dogbert, and a veritable who's who in accompanying office characters ranging from the Boss and Wally to Alice and Catbert, Dilbert offers a welcome dose of laughter in response to the inanity of corporate culture and middle-management mores.
* Dilbert appears in 2,500 newspapers in 65 countries and is translated into 19 languages for more than 150 million fans.
Proving that corporate CEOs are indeed clueless, that PowerPoint presentations are at best perfunctory, and that the Office Nemesis is an omnipresent force to be reckoned with, Dilbert creator Scott Adams offers his 29th comic compilation all in four-color-collecting all cartoons published from June 19, 2006, through March 31, 2007.
* Dilbert continues to be the voice for the embattled cubicle-dwelling Everyman. With best-friend Dogbert, and a veritable who's who in accompanying office characters ranging from the Boss and Wally to Alice and Catbert, Dilbert offers a reflective critique of corporate.
Maybe, just maybe, the reason Scott Adams is able to so completely and utterly skewer the absurdities of the modern workplace is that deep down he really enjoyed his many years as a cubicle dweller. Perhaps his comic strip Dilbert is nothing more than a cleverly disguised 17-year-long love letter to corporate America.
And maybe, just maybe, monkeys will fly out of Donald Trump's butt.
In Try Rebooting Yourself, AMP's 28th Dilbert collection, the world's most dysfunctional office family is back and doing what it does best. Wally adroitly steers clear of new assignments-and perfects his "work grimace." The Pointy-Haired Boss (PHB) thinks of new ways to demoralize and disenfranchise his employees. (As part of a new strategy to make the pension plan solvent, he reminds employees "Smoking is cool.") Dogbert continues his lucrative consulting business. And Dilbert, alas, he soldiers and smolders on, searching for intelligent life in the corporate universe-and maybe, just maybe, a little action. (Fat chance.)
This time out, the gang is joined by a host of odd (but strangely familiar) guest characters including the clueless Hammerhead Bob, and Petricia, the PHB's fawning but ferocious sycophant. All office workers may now nod knowingly.
When it became syndicated in 1989, Dilbert struck a nerve with workers everywhere. Through its frames they saw life on the job as they knew it, with all the absurdity, craziness, and dry humor that underlies any living, breathing organization. The fact that the strip focused on a hapless engineer and his cynical dog just made it all the more funny.
Now work life seems downright unimaginable without Dilbert and Dogbert's take on everything from management ill-practices to nonperformance reviews. What Would Wally Do?, delivers that same combination of pain and humor that readers count on. This collection especially highlights Wally, Dilbert's colleague, fellow engineer, foil, and fool.
Wally's that short quirky guy with little hair, plenty of horn-rimmed frames, and almost zero work ethic. After all, who's got time for a job, thinks the self-proclaimed "Lord Wally the Puppet Master," when you're busy surviving the "Mobility Pool," turning your cubicle into a tourist attraction called "Sticky-Note City," and selecting a mail-order bride from Elbonia? Weasel-Boy makes a point of highlighting his poor performance and lack of respect . . .and usually gets another raise for his efforts. Such is life in Dilbert and Wally's world. Such are the laughs in What Would Wally Do?
Dilbert and the gang are back for this 26th collection, Thriving on Vague Objectives.
Adams has his finger on the pulse of cubicle dwellers across the globe. No one delivers more laughs or captures the reality of the 9 to 5 worker better than Dilbert, Dogbert, Catbert, and a cast of stupefying office stereotypes—which is why there are millions of fans of the Dilbert comic strip.
Dilbert is a techno-man stuck in a dead-end job (sound familiar?). Power-mad Dogbert strives to take over the world and enslave the humans. The most intelligent person in Dilbert's world is his trash collector, who knows everything about everything.
Artist and creator Scott Adams started Dilbert as a doodle when he worked as a bank teller. He continued doodling when he was upgraded to a cubicle for a major telecommunications company. His boss (no telling if he was pointy-haired or not) suggested the name Dilbert. Adams is so dead-on accurate in his depictions of office life that he has been accused of spying on Corporate America.
The notion that Dilbert creator Scott Adams has secretly bugged every office, cubicle, and conference room in America—a belief widely held by Dilbert fans—has been debunked by pointy-haired experts. This discovery leads to an even more sinister yet inescapable conclusion: that the lunacy you thought was unique to your workplace is spreading with a viral malignancy across the nation's business landscape.
Yes, the Corporate America brand of insanity has garnered a majority market share among white-collar managers and so-called leaders at companies large and small. Product features (let's not call them "benefits") of this insanity include inflated executive salaries, irrelevant performance objectives, insipid management fads, inscrutable e-mail, interminable meetings, and oppressive work environments.
Dilbert is the inadvertent poster child for the Corporate America brand. In The Fluorescent Light Glistens Off Your Head, he and his power-hungry dog, Dogbert, provide much-needed comic relief to working stiffs toiling in cubicles everywhere.
Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier!
Since 1989 Dilbert has lampooned not only the people but also the accepted conventions and practices of the business world. Office politics, management trends, business travel, personnel policies, corporate bureaucracy, irrational strategies, unfathomable accounting practices, unproductive meetings, dysfunctional organizations, oppressive work spaces, silly protocols, and inscrutable jargon are all targets of Adams's darkly goofy satirical pen. Dilbert strikes a deeply resonant chord with fans because it casts such a dead-on reflection of the realities of the white-collar workplace, even with its off-the-wall delivery.
It's Not Funny If I Have to Explain It, features Adams's personal all-time favorite selections, along with his own handwritten commentary about the strips.
Why is Dilbert such a phenomenon? People see their own dreary, monotonous lives brought to comedic life in the ubiquitous strip. In the 23rd collection of Scott Adams' tremendously popular series, Don't Stand Where the Comet Is Assumed to Strike Oil, suppressed and repressed workers everywhere can follow the latest developments in the so-called careers of Dilbert, power-hungry Dogbert, Catbert, Ratbert, the pointy-haired boss, and other supporting—but don't you dare call them supportive—characters. Each "funny because it's true" scenario bears an uncanny, hysterical, and sometimes uncomfortable similarity to cubicle-filled corporate America.
Words You Don't Want to Hear During Your Annual Performance Review updates loyal readers on the mind-numbing careers of Dilbert, Wally, Alice, the PHB himself, and an ever-expanding cast of walk-on "guest stars." In this installment, a cash-sucking "consultick" burrows under the boss's skin, a not-so-grim reaper pops anti-depressants, and a lab accident turns Dilbert into a sheep-a transformation which goes barely noticed by his beleaguered coworkers. All the while, Adams takes his patented over-the-top but right-on-the-money jabs at the inanity of the corporate world.
Dilbert's fans are legion and loyal. They have purchased seven million cartoon collection books and counting. The Dilbert comic strip appears in 2,000 newspapers and in 65 countries in 19 languages.
This marks the 21st collection of Adams' wildly popular comic strip, Dilbert, which is featured in more than 2,000 newspapers worldwide. This book updates loyal readers on the so-called careers of Dilbert, Alice, Wally, Asok the intern, and other regulars as they wallow through pointless projects, mismanaged company takeovers, futile team-building exercises, and other inane company initiatives like the "name the rest room" contest.
In addition to the strips' familiar characters, this collection showcases Adams' masterful ability to create hilarious "guest stars." There's the network design engineer known as Psycho Hillbilly, who was going for the gentle biker look until he decided it was overdone. Then, there's M. T. Suit, who is merely an empty suit walking the office halls spewing corporatese, such as "promising to enhance core competencies by leveraging platforms."
Adams says that about 80 percent of his initial ideas come from his 150 million-plus readers. Those worldwide readers are sure to celebrate the humor found in When Body Language Goes Bad, his latest satirical look at the modern workplace.
The former occupant of cubicle 4S700R at Pacific Bell seems to have made a go of this cartoon strip thing. What began as a doodling diversion that Scott Adams shared with his officemates has exploded into one of the most read cartoon strips worldwide.
This Dilbert treasury, What Do You Call a Sociopath in a Cubicle? Answer: A Coworker, brings together all of the office psychos who have annoyed Dilbert and entertained millions. This compilation pays homage to some of the most annoying and outrageous characters Adams' has ever drawn-characters he likes to call office "sociopaths."
* Edfred the two-faced man
* Anne L. Retentive
* Nervous Ted
* Loud Howard
* Alice and her fist of death
This full-color treasury reinforces everything that makes the strip great by lampooning the people and processes of business. Adams homes in on all the quirky coworkers that drive us crazy in the corporate world. He has fun at the expense of office oafs found in workplaces everywhere--creatures like the Office Sociopath, who listens to voice mail on his speaker phone, and the Exactly Man, who punctuates everything with a finger point, exclaiming "Exactly!" The result is a book that leaves readers knowingly rolling their eyes and, of course, laughing uproariously.
Since Dilbert was first syndicated in 1989, Adams has built a following that would be the envy of any corporate sales and marketing team. His work not only generates howls from readers as they rush to plaster it on lunch-room refrigerators and scan it into interoffice e-mails, it has those same fans reading about "their" workplaces every Sunday in a multiple-panel, color format. And that's what this treasury, The Collected Dilbert Sundays, provides. This collection offers yet another glimpse into the zany life of Dilbert, Dogbert, Ratbert, and the rest of the crazy cube crew through the masterpiece Sunday comics. Here's even more of the great Adams's irony, sarcasm, and satire that so many have come to depend upon to cope with the corporate workplace. The Collected Dilbert Sundays humorously continues the tradition of poking fun at the world of business from which we all seek to temporarily escape.
Creator Scott Adams tells it like it is through the insane business world inhabited by Dilbert. If frustration and lunacy are an inevitable part of your workday, appropriate measures must be taken immediately. Andrews McMeel has the perfect antidote to your workplace stress. Dilbert is universally recognized as the definitive source of office humor. What makes this 14th Dilbert book so unique is that it is a collection of the most popular strips requested by fans for reprints and downloads from Dilbert.com gathered together. Arranged by topics for quick reference, this hilarious book is the comprehensive Dilbert source book, sure to alleviate work burnout.
Packed within these colorful pages, fans will find all their favorite characters, including Dilbert, as he encounters daily issues from delegating to decision-making, trade shows to telecommuting, and downsizing to annoying coworkers. It's business as usual for the Dilbert clan. . . . Dilbert is continually updating his resume, Dogbert continues his pursuit of world domination, Wally strives to do the least amount of work possible, and Alice is eternally frustrated by the Boss. Welcome to the all-too-familiar world of Dilbert-the lowly engineer who has become an icon for oppressed and burntout workers everywhere!
The most popular business-oriented cartoon in the world, Dilbert speaks to millions of fans who toil in the corporate trenches. No matter how outrageous a tale he spins, Dilbert creator Scott Adams inserts sufficient nuggets of truth in every strip to keep his believers laughing. In part, that's because Dilbert is based on his own former corporate experiences-and is kept current by culling inspiration from the 350-plus E-mails he receives each day. Keep Dilbert Gives You the Business close at hand-as you would your phone book, Internet diversion tool, browser, and any other work.
Dilbert first gave a voice to frustrated cube dwellers in 1989, and today the world’s fastest growing cartoon is in more than 1,700 newspapers in 51 countries and 19 languages.
In the tradition of The Complete Far Side and The Complete Calvin and Hobbes, Dilbert 2.0 celebrates the 20th anniversary of Scott Adams's Dilbert, the touchstone of office humor.
This special slipcased collection-weighing in at more than ten pounds with 600 pages and featuring almost 4,000 strips-takes readers behind the scenes and into the early days of Scott Adams's life pre-Dilbert and on to the success that followed when Dilbert became an internationally syndicated sensation.
Divided into five different epochs, Dilbert 2.0 gives readers a glance at some of Adams's earliest strips, like those created for Playboy, and a peek at an abundance of special content ranging from numerous rejection letters to Adams's first cartooning check, and more.
Adams personally selected the material for this collection and offers original comments and humorous asides throughout. Also included is a disc that contains every Dilbert comic strip to April 2008.