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In fifteen funny, colorful, poignant and mysterious stories, the irreverent modernist Katherine Mansfield, a friend and contemporary of D. H. Lawrence and Virginia Woolf, examines a range of themes integral to the human experience, from marriage, family, and death to duty, disillusionment, and regret in this commanding collection, part of the Ecco Art of the Story series.
Written towards the end of Katherine Mansfield’s tragically short life in the chaotic years after World War I, the fifteen stories in The Garden Party are as fresh, perceptive, and vivid today as they were nearly a century ago. Many are set in the author's native New Zealand while others take place in England or on the French Riviera. In each, Mansfield explores the small yet transformative epiphanies in every day life and illuminates the unspoken, often misunderstood emotions common to us all.
In the wry "The Daughters of the Late Colonel," two sisters discover that freedom from their father isn’t quite what they expected it to be. A lonely and naïve older woman’s contrived sense of self is painfully challenged in "Miss Brill." "At the Bay" considers the plight of a happily married young woman who struggles to find equality with her husband.
The Garden Party is an enduring work of literary craftsmanship from a marvelous modern artist.
Part The Wizard of Oz, part Dante's Inferno, and part Australian Book of the Dead, Bliss is a triumph of uninhibited storytelling from a writer of extravagan gifts.
"Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
"Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century."
--Michael Cunningham, author of The Hours