Based on the author's own life as well as the life of Ohio itinerant preacher Jacob Young, this 1874 novel of a frontier Methodist minister and Bible agent presents a rollicking yet realistic view of early American life in the Midwest. Corn-shuckings, camp meetings, revivals, revels, and highwaymen color this novel-as-social-history.
Continuing the biographical approach to teaching history found in his Stories of Great Americans for Little Americans, Eggleston draws a more in-depth picture of the development of the United States using the stories of the living and breathing Americans who made it all happen.
This is the tale of the rise and fall of a gullible young woman who comes under the tutelage of a "quack," a practitioner of faith healing. Phillida firmly believes that she has the gift of healing and the reader finds herself wanting to warn her that she is about to unwittingly harm herself and others. The polemic against this form of medical charlatanism is only thinly veiled in the "art" of the romance form in which it is written. The plot itself is much less intriguing than the cast of characters Eggleston creates to expose the methods of late nineteenth century spiritual mesmerism as a means of public exploitation. --litmed.med.nyu.edu.
Including sketches of George Rogers Clark, Simon Kenton, William Henry Harrison, Cornstalk, Blackhoof, Bluejacket, the Shawnee Logan, and others famous in the frontier wars of Tecumseh's time.