Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.
“A great artist.”—Cincinnati Enquirer
“A shaking up in the kaleidoscope of laughter . . . Reading Vonnegut is addictive!”—Commonweal
Struggling with grueling hours and sudden life-and-death responsibilities, Basch and his colleagues, under the leadership of their rule-breaking senior resident known only as the Fat Man, must learn not only how to be fine doctors but, eventually, good human beings.
A phenomenon ever since it was published, The House of God was the first unvarnished, unglorified, and uncensored portrait of what training to become a doctor is truly like, in all its terror, exhaustion and black comedy. With more than two million copies sold worldwide, it has been hailed as one of the most important medical novels ever written.
With an introduction by John Updike
From the bestselling author of Fight Club comes a dark and brilliant satire about adolescence, Hell, and the Devil.
Madison is the thirteen-year-old daughter of a narcissistic film star and a billionaire. Abandoned at her Swiss boarding school over Christmas, she dies over the holiday, presumably of a marijuana overdose. The last thing she remembers is getting into a town car and falling asleep. Then she's waking up in Hell. Literally. Madison soon finds that she shares a cell with a motley crew of young sinners: a cheerleader, a jock, a nerd, and a punk rocker, united by their doomed fate, like an afterschool detention for the damned. Together they form an odd coalition and march across the unspeakable landscape of Hell--full of used diapers, dandruff, WiFi blackout spots, evil historical figures, and one horrific call center--to confront the Devil himself.
With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.
Clinging blindly to a bale of Jamaican pot, Joey Perrone is plucked from the ocean by former cop and current loner Mick Stranahan. Instead of rushing to the police and reporting her husband’s crime, Joey decides to stay dead and (with Mick’s help) screw with Chaz until he screws himself.
As Joey haunts and taunts her homicidal husband, as Chaz’s cold-blooded cohorts in pollution grow uneasy about his ineptitude and increasingly erratic behavior, as Mick Stranahan discovers that six failed marriages and years of island solitude haven’t killed the reckless romantic in him, we’re taken on a hilarious, full-throttle, pure Hiaasen ride through the warped politics and mayhem of the human environment, and the human heart.
BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.
It was just a stage I was going through.
Now a Major Motion Picture
“Brilliantly done . . . grand, intimate, and joyous.”
—New York Times Book Review
“Mothers, father, sons, and daughters: read this giant-hearted novel.”
—MARIA SEMPLE, author of Where’d You Go, Bernadette
Three minutes and forty-three seconds of intensive warfare with Iraqi insurgents—caught on tape by an embedded Fox News crew—has transformed the eight surviving men of Bravo Squad into America’s most sought-after heroes. Now they’re on a media-intensive nationwide tour to reinvigorate public support for the war. On this rainy Thanksgiving Day, the Bravos are guests of a Dallas football team, slated to be part of the halftime show.
Among the Bravos is nineteen-year-old Specialist Billy Lynn. Surrounded by patriots sporting flag pins on their lapels and support our troops bumper stickers, he is thrust into the company of the team’s owner and his coterie of wealthy colleagues; a born-again cheerleader; a veteran Hollywood producer; and supersized players eager for a vicarious taste of war. Over the course of this day, Billy will drink and brawl, yearn for home and mourn those missing, face a heart-wrenching decision and discover pure love and a bitter wisdom far beyond his years.
Poignant, riotously funny, and exquisitely heartbreaking, Billy Lynn’s Long Halftime Walk is a searing and powerful novel that has cemented Ben Fountain’s reputation as one of the finest writers of his generation.
The only thing Shane cares about is leaving. Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist.
When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.
“The malaise of cubicle culture may be well-trodden comedic territory by now, but Neilan's debut skewers office life with a flourish for the grotesque.” —The Village Voice
At last, the mysterious, feared, and misunderstood being known only as “Death” talks frankly and unforgettably about his infinitely awful existence, chronicling his abusive childhood, his near-fatal addiction to Life, his excruciating time in rehab, and the ultimate triumph of his true nature. For the first time, Death reveals his affairs with the living, his maltreatment at the hands of the Four Horsemen of the Apocalypse, the ungodly truth behind the infamous “Jesus Incident,” and the loneliness of being the End of All Things.
Intense, unpredictable, and instantly engaging, Death: A Life is not only a story of triumph against all odds, but also a tender, moving tale of unconditional love in a universe that, despite its profound flaws, gave Death the fiery determination to carve out a successful existence on his own terms.
Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance.
The basis for the major motion picture starring James Van Der Beek, Shannyn Sossamon, Jessica Biel, and Kate Bosworth.
Told from the perspectives of Mr. 72, Mr. 137, Mr. 600, and Sheila, the talent wrangler who must keep it all under control, Snuff is a dark, wild, and lethally funny novel that brings the presence of pornography in contemporary life into the realm of literary fiction.
Meet Andy Warner, a recently deceased everyman and newly minted zombie. Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence. But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an exposed brain and a penchant for Renaissance pornography. When the group meets a rogue zombie who teaches them the joys of human flesh, things start to get messy, and Andy embarks on a journey of self-discovery that will take him from his casket to the SPCA to a media-driven class-action lawsuit on behalf of the rights of zombies everywhere.
Darkly funny, surprisingly touching, and gory enough to satisfy even the most discerning reader, Breathers is a romantic zombie comedy (rom-zom-com, for short) that will leave you laughing, squirming, and clamoring for more.
Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government—and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.
Praise for Jailbird
“[Vonnegut] is our strongest writer . . . the most stubbornly imaginative.”—John Irving
“A gem . . . a mature, imaginative novel—possibly the best he has written . . . Jailbird is a guided tour de force of America. Take it!”—Playboy
“A profoundly humane comedy . . . Jailbird definitely mounts up on angelic wings—in its speed, in its sparkle, and in its high-flying intent.”—Chicago Tribune Book World
“Joyously inventive . . . gleams with the loony magic Vonnegut alone can achieve.”—Cosmopolitan
“Vonnegut is our great apocalyptic writer, the closest thing we’ve had to a prophet since . . . Lenny Bruce.”—Chicago Sun-Times
“Vonnegut at his impressive best. . . . His imaginative leaps alone . . . are worth the price of admission. . . . His far-reaching metaphysical and cultural concerns . . . are ultimately serious and worth our contemplation.”—The Washington Post
An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place.
Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
Here is the newly discovered novel by Iceberg Slim, the creator and undisputed master of African-American "street literature," a man who profoundly influenced hip hop and rap culture and probably has sold more books than any other black American author of the twentieth century (not that he saw the royalties from those sales). In many ways Iceberg Slim's most mature fictional work, Shetani's Sister relates, in taut, evocative vernacular torn straight from the street corner, the deadly duel between two complex anitheroes: Sergeant Russell Rucker, an LAPD vice detective attempting to clean up street prostitution and police corruption, and Shetani (Swahili for Satan), a veteran master pimp who controls his stable of whores with violence and daily doses of heroin.
There are angels, and they are not beneficent or loving. But they do watch over us. They watch our lives unfold, analyzing us for repeating patterns and redundancies. When they find them, the angels simplify those patterns and remove the redundancies, and the problem that is "you" gets solved.
Carey doesn't much like that idea. As a punk living in New York City, 1977, Carey is sick and tired of watching strange kids with unnoticeable faces abduct his friends. He doesn't care about the rumors of tar-monsters in the sewers or unkillable psychopaths invading the punk scene—all he wants is to drink cheap beer and dispense ass-kickings.
Kaitlyn isn't sure what she's doing with her life. She came to Hollywood in 2013 to be a stunt woman, but last night a former teen heartthrob tried to eat her, her best friend has just gone missing, and there's an angel outside her apartment. Whatever she plans on doing with her life, it should probably happen in the few remaining minutes she has left.
There are angels. There are demons. They are the same thing. It's up to Carey and Kaitlyn to stop them. The survival of the human race is in their hands.
We are, all of us, well and truly screwed.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
For Ben Benjamin, all has been lost--his wife, his family, his home, his livelihood. Hoping to find a new direction, he enrolls in a night class called The Fundamentals of Caregiving, where he will learn to take care of people with disabilities. He is instructed about professionalism, about how to keep an emotional distance between client and provider, and about the art of inserting catheters while avoiding liability. But when Ben is assigned his first client--a tyrannical nineteen-year-old boy named Trevor, who is in the advanced stages of Duchenne muscular dystrophy--he soon discovers that the endless service checklists have done nothing to prepare him for the reality of caring for a fiercely stubborn, sexually frustrated teenager who has an ax to grind with the whole world.
Over time, the relationship between Ben and Trev, which had begun with mutual misgivings, evolves into a close friendship, and the traditional boundaries between patient and caregiver begin to blur. The bond between them strengthens as they embark on a road trip to visit Trev’s ailing father--a journey rerouted by a series of bizarre roadside attractions that propel them into an impulsive adventure disrupted by one birth, two arrests, a freakish dust storm, and a six-hundred-mile cat-and-mouse pursuit by a mysterious brown Buick Skylark. By the end of that journey, Trev has had his first taste of love, and Ben has found a new reason to love life.
Bursting with energy and filled with moments of absolute beauty, this big-hearted and inspired novel ponders life’s terrible surprises as well as what it takes to truly care for another human being.
New York Times-bestselling author Nick Hornby mines the hearts and psyches of four lost souls who connect just when they've reached the end of the line. A Long Way Down is now a major motion picture from Magnolia Pictures starring Pierce Brosnan, Toni Collette, Aaron Paul, and Imogen Poots.
Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives.
In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances.
Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life.
From the Trade Paperback edition.
“The man knows how to grab you—and Pronto is one of the best grabbers in years.”
Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra.
“The Family Fang is a comedy, a tragedy, and a tour-de-force examination of what it means to make art and survive your family….The best single word description would be brilliant.”
—Ann Patchett, author of Bel Canto
“It’s The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf? I’d call The Family Fang a guilty pleasure, but it’s too damn smart….A total blast.”
—Hannah Pittard, author of The Fates Will Find Their Way
Owen King (We’re All in This Together) calls author Kevin Wilson, “the unholy child of George Saunders and Carson McCullers.” With his novel, The Family Fang, the Shirley Jackson Award-winning author of Tunneling to the Center of the Earth comes through in a BIG way, with a funny, poignant, laugh-and-cry-out-loud (sometimes at the same time) novel about the art of surviving a masterpiece of dysfunction. Meet The Family Fang, an unforgettable collection of demanding, brilliant, and absolutely endearing oddballs whose lives are risky and mischievous performance art. If the writing of Gary Shteyngart, Miranda July, Scarlett Thomas, and Charles Yu excites you, you’ll certainly want to invite this Family into your home.
In the wry and subversive further journals of Nick Twisp, we reunite with America’s most literate teen diarist as he accidentally ignites criminal mayhem; seeks union with his love, Sheeni Saunders; and still has to live as a girl to avoid the police—an absolute must-read for all fans of the oddball humor of Youth in Revolt.
Praise for Youth in Revolt
"The funniest book you'll read this year." —Los Angeles Times
"This hilariously cynical sex farce about bright teenagers combines creaky Shakespearean plot twists with real insights about growing up in the present chaos." —The Oregonian
From the Trade Paperback edition.
Welcome to the world of Sellevision, America's premier retail broadcasting network. When Max Andrews, the much loved and handsome (that is, lonely and gay) host of a "Toys for Tots" segment, accidentally exposes himself in front of millions of kids, Sellevision faces its first big scandal. As Max struggles to find a new job in television, the popular and perky host Peggy Jean Smythe is receiving sinister emails from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the young babysitter who lives next door. Then there's Leigh, whose affair with married Sellevision boss Howard Toast is going nowhere until she announces their relationship on air. A blistering satire of our overcharged, scandal-obsessed world, Sellevision is "an absolute howl . . . wicked fun" (New York Daily News).
On a chilly February day, two old friends meet in the throng outside a London crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence: Clive is Britain's most successful modern composer, and Vernon is a newspaper editor. Gorgeous, feisty Molly had other lovers, too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. In the days that follow Molly's funeral, Clive and Vernon will make a pact with consequences that neither could have foreseen…
Ron Currie’s gutsy, funny book is instantly gripping: If God takes human form and dies, what would become of life as we know it? Effortlessly combining outlandish humor with big questions about mortality, ethics, and human weakness, Ron Currie, Jr., holds a funhouse mirror to our present-day world. God has inhabited the mortal body of a young Dinka woman in the Sudan. When she is killed in the Darfur desert, he dies along with her, and word of his death soon begins to spread. Faced with the hard proof that there is no supreme being in charge, the world is irrevocably transformed, yet remains oddly recognizable.
From the Trade Paperback edition.
When Noel Bostock—aged ten, no family—is evacuated from London to escape the Nazi bombardment, he lands in a suburb northwest of the city with Vera Sedge—a thirty-six-year old widow drowning in debts and dependents. Always desperate for money, she’s unscrupulous about how she gets it.
Noel’s mourning his godmother Mattie, a former suffragette. Wise beyond his years, raised with a disdain for authority and an eclectic attitude toward education, he has little in common with other children and even less with the impulsive Vee, who hurtles from one self-made crisis to the next. The war’s provided unprecedented opportunities for making money, but what Vee needs—and what she’s never had—is a cool head and the ability to make a plan.
On her own, she’s a disaster. With Noel, she’s a team.
Together, they cook up a scheme. Crisscrossing the bombed suburbs of London, Vee starts to make a profit and Noel begins to regain his interest in life. But there are plenty of other people making money out of the war—and some of them are dangerous. Noel may have been moved to safety, but he isn’t actually safe at all. . . .
An instant classic upon its initial publication, P.S. Your Cat is Dead received widespread critical acclaim and near fanatical reader devotion. The stage version of the novel was equally successful and there are still over 200 new productions of it staged every year. Now, for the first time in a decade, James Kirkwood's much-loved black humor comic novel of manners and escalating disaster returns to bewitch and beguile a new generation.
Facing new and old monsters alike, Pietro proves he's one of the crime genre's most exciting new heroes, in this darkly funny and lightning-paced sequel to Josh Bazell's bestselling debut.
Walter tells the story of Matt Prior, who’s losing his job, his wife, his house, and his mind—until, all of a sudden, he discovers a way that he might just possibly be able to save it all.... and have a pretty damn great time doing it.
David Sedaris is an exceptional reader. Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.
David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.
Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.
After the events of the first two books of the Vicious Circuit series, Carey and Randall reached LA during the early '80s punk scene, which was heavily mixed up with Chinatown. A young Chinese girl with silver hair is the Empty One that seems to run things there, and her ex-lover, an Empty One named Zang, has apparently turned against them and may or may not be on Carey's side.
In modern times, Kaitlyn and company have also returned to LA because her powers have been growing and she has been having visions that may be telling her how to kill all of the angels. The downside being that they have to find a new one, first--and LA is the only place they know where to do that.
Steeped in the LA punk scene in the '80s, Chinatown, sunken suburbs, the ocean and gargantuan things that swim in it, Kill All Angels is everything that fans of Robert Brockway's irreverent humor have been looking for to end the series with a bang.
The Vicious Circuit Trilogy
The Empty Ones
Kill All Angels
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Time magazine called The Skin of Our Teeth "a sort of Hellzapoppin' with brains," as it broke from established theatrical conventions and walked off with the 1943 Pulitzer Prize for Best Drama. Combining farce, burlesque, and satire (among other styles), Thornton Wilder departs from his studied use of nostalgia and sentiment in Our Town to have an Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way!); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war -- by the skin of their teeth.
A cold-blooded killer-for-hire, Edison North drifts across America from city to city, crime scene to crime scene, leaving behind a world in flames. But during a seemingly random stop at a fast food restaurant, Edison meets Christian, a young girl who mirrors his own sense of isolation and stink of "other." Though it’s been a long time since he felt anything resembling a human connection, something about this desperately lonely child calls to him like a fallen nestling. Edison feels certain she deserves better. And while he is not convinced that he can give her that, he can teach her to fly on her own. So he takes her.
Thus begin the chronicles of Edison North—and his protégé. Weaving together past and present, Edison begins Christian's strange apprenticeship as Christian looks back upon her fractured upbringing and the training that made her into the killer she's become. What emerges is a savage—and ultimately tender—exploration of the unlikely bond between two outsiders: a fledgling assassin and the man who took her under his wing.
The first collection of short stories from the critically acclaimed, prize-winning author of To Rise Again at a Decent Hour.
These eleven stories by Joshua Ferris, many of which were first published in The New Yorker, are at once thrilling, strange, and comic. The modern tribulations of marriage, ambition, and the fear of missing out as the temptations flow like wine and the minutes of life tick down are explored with the characteristic wit and insight that have made Ferris one of our most critically acclaimed novelists.
Each of these stories burrows deep into the often awkward and hilarious misunderstandings that pass between strangers and lovers alike, and that turn ordinary lives upside down. Ferris shows to what lengths we mortals go to coax human meaning from our very modest time on earth, an effort that skews ever-more desperately in the direction of redemption. There's Arty Groys, the Florida retiree whose birthday celebration involves pizza, a prostitute, and a life-saving heart attack. There's Sarah, the Brooklynite whose shape-shifting existential dilemma is set in motion by a simple spring breeze. And there's Jack, a man so warped by past experience that he's incapable of having a normal social interaction with the man he hires to help him move out of storage.
The stories in The Dinner Party are about lives changed forever when the reckless gives way to possibility and the ordinary cedes ground to mystery. And each one confirms Ferris's reputation as one of the most dazzlingly talented, deeply humane writers at work today.
In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don’t intend to produce. As the résumés pile up, only one of the applicants catches Aoyama’s attention—Yamasaki Asami—a striking young former ballerina with a mysterious past. Blinded by his instant and total infatuation, Aoyama is too late in discovering that she is a far cry from the innocent young woman he imagines her to be. The novel’s fast-paced, thriller conclusion doesn’t spare the reader as Yamasaki takes off her angelic mask and reveals what lies beneath.
Intrigue and subterfuge combine with bad luck and good in this darkly comic debut about love, betrayal, tyranny, family, and a conspiracy trying its damnedest to happen.
Ali Shigri, Pakistan Air Force pilot and Silent Drill Commander of the Fury Squadron, is on a mission to avenge his father's suspicious death, which the government calls a suicide.Ali's target is none other than General Zia ul-Haq, dictator of Pakistani. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.
From the Trade Paperback edition.
Harold Silver has spent a lifetime watching his younger brother, George, a taller, smarter, and more successful high-flying TV executive, acquire a covetable wife, two kids, and a beautiful home in the suburbs of New York City. But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.
Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change.
May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together.
In the “literary territory of Tony Parsons and Nick Hornby” (Guardian) Shtum is drawn from Jem Lester’s experience of raising an autistic child. In this darkly funny and emotive debut, Ben Jewell has hit a breaking point. His profoundly autistic ten-year-old son, Jonah, has never spoken, and Ben and his wife Emma are struggling to cope. When Ben and Emma fake a separation—a strategic, yet ill-advised, decision to further Jonah’s case in an upcoming tribunal to determine the future of his education—father and son are forced to move in with Georg, Ben’s elderly and cantankerous father. In a small house in north London, three generations of men— one who can’t talk; two who won’t—are thrown together.
As Ben confronts single fatherhood, he must battle a string of well-meaning social workers and his own demons to advocate for his son, learning some harsh lessons about accountability from his own father along the way. As the tribunal draws near, Jonah, blissful in his innocence, becomes the prism through which all the complicated strands of personal identity, family history, and misunderstanding are finally untangled. This “fiercely funny” (The Times) debut examines the complexities of family and human emotion and gives profound insight into an often-misunderstood disorder.
King B., the world’s most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who’s made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do “serious” work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal’s attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy. Blue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry. This ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.
This is the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself in spite of himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porno theater, the fuck-up's tragi-comedy is perfectly realized by Arthur Nersesian, who manages to create humor and suspense out of urban desperation. "Read it and howl," says Bruce Benderson (author of User), "and be glad it didn't happen to you."
Crime pays. And pays well.
Sal, Max and Enzo Bruschetti have proved this over a lifetime of nefarious activity that they have kept hidden from law enforcement. Nowhere in any file, on any computer is there a record of anything illegal from which they have profited. But Max has a problem. His body is getting old and his doctor has told him to take it easy. Max has decided that the time has come for the family to retire.
But when young actor Harry Murphy overhears the Bruschetti brothers planning changes to their organization, including the murder of a man in London who knows too much, the Bruschetti's plans begin to unravel.
After Harry makes the well-intentioned if egregious mistake of trying to warn the Bruchetti's intended victim he finds himself alone in a foreign country, on the wrong side of the law, with a suitcase full of cash and a dangerous man on his trail. And while his good looks, charm and cheerful persistence may prove assets in the turbulent events that follow, none of Harry's past roles have prepared him for what happens next.
At turns tense and funny, Once a Crooked Man is infused with the infectious charm that has made David McCallum one of television's longest running, most-beloved stars.
Forget the cud. They want blood.
It began with a cow that just wouldn't die. It would become an epidemic that transformed Britain's livestock into sneezing, slavering, flesh-craving four-legged zombies.
And if that wasn't bad enough, the fate of the nation seems to rest on the shoulders of three unlikely heroes: an abattoir worker whose love life is non-existent thanks to the stench of death that clings to him, a teenage vegan with eczema and a weird crush on his maths teacher, and an inept journalist who wouldn't recognize a scoop if she tripped over one.
As the nation descends into chaos, can they pool their resources, unlock a cure, and save the world?
One outcome . . .
Yup, we're screwed.
It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help “write women” into propaganda films—something that the men aren’t very good at.
She is quickly seconded to the Ministry’s latest endeavor: a heart-warming tale of bravery and rescue at Dunkirk. It’s all completely fabricated, of course, but what does that matter when the nation’s morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers: Ambrose Hilliard, third most popular British film-star of 1924; Edith Beadmore, Madame Tussauds wardrobe assistant turned costumier; and Arthur Frith, whose peacetime job as a catering manager has not really prepared him for his sudden, unexpected elevation to Special Military Advisor.
Now in a serious world, in a nation under siege, they must all swallow their mutual distaste, ill-will, and mistrust to unite for the common good, for King and Country, and—in one case—for better or worse....
“Evans displays a fine eye for detail and for the absurdities involved in filming. She also brilliantly evokes the disruption and dangers of wartime London. This funny, heart-warming and beautifully crafted novel is a must-read.”—Daily Mail (London)
A Decent Ride sees Irvine Welsh back in Edinburgh, this time with one of his most compelling and popular characters front and center: the rampaging force of nature that is 'Juice' Terry Lawson, first seen in Glue.
Juice is a man who contains multitudes: he's a top shagger, drug-dealing, gonzo pornstar and taxi driver. As we ride along in Juice's cab through the depraved streets of Edinburgh, Juice encounters a series of charmingly filthy characters, each of whom present their own, uh, unique challenges. Has he finally met his match in Hurricane 'Bawbag'? Can he discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Juice be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without . . . a decent ride? (The meaning of the title is starting to sink in now, huh?). So buckle your seatbelts and prepare for one unforgettable ride.
With tens of millions of books sold, Erskine Caldwell was one of the most daring and popular novelists of the twentieth century. He wrote of bigotry, poverty, social injustice, and sexual squalor in the Deep South. This collection includes three of his bestselling novels.
Tobacco Road: Jeeter Lester and his Southern sharecropper family are struggling to survive before the Great Depression even begins. But as devastating poverty spreads to the families that once supported them, the Lesters slip completely into the abyss. Rather than hold on to one another for support, Jeeter; his wife, Ada; and their twelve children are overcome by the fractured and violent society around them. The basis for one of the longest running Broadway plays, Tobacco Road is a poignant account of a broken family facing great adversity.
God’s Little Acre: Desperation takes its toll on a deluded and impoverished Southern farmer obsessed with sex, violence, and the promise of gold. Meanwhile, his sons and daughters search in vain for their own instant happiness. With more than fourteen million copies sold, this international bestseller lampoons a broken South while holding a light to poverty’s devastating effect on people’s hopes and dreams.
Place Called Estherville: In the pre-civil-rights-era South, a biracial brother and sister, Ganus and Kathyanne, move to a small segregated Southern town to care for their aunt, only to be subjected to systematic racism, sexual violence, and prejudice.
This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.
—Jeffrey Ford, author of A Natural History of Hell
It is the summer of 1914. As the world teeters on the brink of the Great War, a callow American painter, Francis Wyndham, arrives at a renowned European insane asylum, where he begins offering art therapy under the auspices of Alessandro Caligari—sinister psychiatrist, maniacal artist, alleged sorcerer. And determined to turn the impending cataclysm to his financial advantage, Dr. Caligari will—for a price—allow governments to parade their troops past his masterpiece: a painting so mesmerizing it can incite entire regiments to rush headlong into battle.
The Asylum of Dr. Caligari is a timely tale that is by turns funny and erotic, tender and bayonet-sharp—but ultimately emerges as a love letter to that mysterious, indispensable thing called art.
Single father and poor Southern farmer Ty Ty Walden has a plan to save his farm and his family: He will tear his fields apart until he finds gold. While Ty Ty obsesses over his fool’s quest, his sons and daughters search in vain for their own dreams of instant happiness—whether from money, violence, or sex. God’s Little Acre is a classic dark comedy, a satire that lampoons a broken South while holding a light to the toll that poverty takes on the hopes and dreams of the poor themselves. This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.
The United States seems to be on the brink of catastrophe. From the abandoned cars littering the highways (no one remembers how to fix them) to the endless hours spent on the golf course (now open twenty-four hours for those who can’t bother to wait until daylight to putt) to the starkly polarized political and religious factions dividing the country (which are increasingly difficult to tell apart), it is startlingly evident that the great experiment of the American Dream has failed.
The only problem is that no one has noticed. No one, that is, except Dr. Thomas More.
Dr. More, an alcoholic, womanizing, lapsed-Catholic psychiatrist, has invented the lapsometer: a machine capable of diagnosing and curing the spiritual afflictions that are speeding society toward its inevitable collapse. If used correctly, the lapsometer could make anxiety, depression, alienation, and racism things of the past. But, in the wrong hands, it could propel the nation even more quickly into chaos.
Hailed as “vividly entertaining” by the Los Angeles Times and “profoundly moving” by the Milwaukee Journal, Love in the Ruins is a towering, mind-bending work of satirical speculative fiction by the National Book Award–winning author of The Moviegoer.
Chad Kultgen has established himself as one of the most honest and candid chroniclers of human relationships working today. Now, in an eye-opening departure, he turns his gaze on the collision between religious values and human freedoms in American society.
She found herself thinking how strange it was that although we are all animals with roughly the same mental capacity—and roughly the same access to information, both general and specific—we can come to such radically different conclusions about the nature of reality. She wondered if it would always be like this, or if at some point in the future a general knowledge base would be accepted by the whole of humanity on which every individual would base their view of existence. She hoped this would be the case and wished she could live to see it.
Karen Halloway is a philosophy PhD candidate, struggling to find a dissertation topic strong enough to make a mark on the world. When she discovers that she’s pregnant, she finds herself at a crossroads: she has always known that she doesn’t want to be a mother, and feels her only choice is to have an abortion, though she knows that both her boyfriend and her highly religious best friend will object. Yet on the way to the clinic, Karen has the epiphany she’s been looking for—a way to turn her unexpected situation to her advantage.
Fiendishly suspenseful, intellectually provocative, Strange Animals is a surprising novel about freedom, choice, and desperate measures.
In a dive bar in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, takes the stage for his final show. Over the course of a single evening, Dov’s patter becomes a kind of memoir, taking us back into the terrors of his childhood. And in the dance between comic and audience, a deeper story begins to take shape as Dov confronts the decision that has shaped the course of his life—a story that will alter the lives of several of those in attendance. A poignant exploration of how people confront life’s capricious battering, A Horse Walks into a Bar is a searing story of loss and survival.