Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself.
Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it”; nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples.
Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and her judgment of others is equally harsh. This woman whom we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. Tóibín’s tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.
The Blackwater Lightship is a beautifully written, deeply resonant story about three generations of an estranged family reuniting to mourn a tragic, untimely death. In spare, luminous prose, Colm Tóibín explores the nature of love and the complex emotions inside a family at war with itself. His fourth novel is about morals and manners, and the clashes of culture and personality. But most of all, it is a novel about the incomparable capacity of stories to heal the deepest wounds.
Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.
A man buries his mother and converts his grief to desire in one night. A famous singer captivates an audience, yet cannot beguile her own estranged son. And in "A Long Winter," Colm Tóibín's finest piece of cction to date, a young man searches for his mother in the snow-covered mountains where she has sought escape from the husband who controls and confines her.
Winner of numerous awards for his fifth novel, The Master -- including the Los Angeles Times Book Prize and the International IMPAC Dublin Literary Award -- Tóibín brings to this stunning first collection an acute understanding of human frailty and longing. These are haunting, profoundly moving stories by a writer who is himself a master.
In Argentina, in the time of the Generals, the streets are empty at night, and people have trained themselves not to see. Richard Garay lives with his mother, hiding his sexuality from her and from society. Stifled by his job, Richard is willing to take chances, both sexually and professionally. But Argentina is changing, and as his country edges toward peace, Richard tentatively begins a love affair. The result is a powerful, brave, and poignant novel of sex, death, and the diffculties of connecting one's inner life with the outside world.
Eamon Redmond is a judge in Ireland’s high court, a completely legal creature who is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Tóibín reconstructs the history of Eamon’s relationships—with his father, his first “girl,” his wife, and the children who barely know him—and he writes about Eamon’s affection for the Irish coast with such painterly skill that the land itself becomes a character. The result is a novel of stunning power, “seductive and absorbing” (USA Today).
The South is a novel of classic themes—of art and exile, and of the seemingly irreconcilable yearnings for love and freedom—to which Colm Tóibín brings a new, passionate sensitivity.
From Jane Austen’s aunts to Tennessee Williams’s mentally ill sister, the impact of intimate family dynamics can be seen in many of literature’s greatest works. Tóibín, celebrated both for his award-winning fiction and his provocative book reviews and essays, and currently the Mellon Professor in the Humanities at Columbia, traces and interprets those intriguing, eccentric, often twisted family ties in New Ways to Kill Your Mother. Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, and J. M. Synge and his mother, Tóibín examines a world of relations, richly comic or savage in its implications. In Roddy Doyle’s writing on his parents, Tóibín perceives an Ireland reinvented. From the dreams and nightmares of John Cheever’s journals, Tóibín illuminates this darkly comic misanthrope and his relationship to his wife and his children. “Educating an intellectual woman,” Cheever remarked, “is like letting a rattlesnake into the house.” Acutely perceptive and imbued with rare tenderness and wit, New Ways to Kill Your Mother is a fascinating look at writers’ most influential bonds and a secret key to understanding and enjoying their work.
For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere.
Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
“Silence” is a brilliant historical set piece about Lady Gregory, widowed and abandoned by her lover, who tells the writer Henry James a confessional story at a dinner party. In “Two Women,” an eminent Irish set designer, aloof and prickly, takes a job in her homeland, and is forced to confront devastating emotions she has long repressed. “The New Spain” is the story of an intransigent woman who returns home after a decade in exile and shatters the fragile peace her family has forged in the post-Franco world. And in the breathtaking long story “The Street,” Tóibín imagines a startling relationship between two Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence.
Tóibín’s characters are often difficult and combative, compelled to disguise their vulnerability and longings. Yet he unmasks them, and in doing so offers us a set of extraordinarily moving stories that remind us of the fragility and individuality of human life. As The New York Review of Books has said, Tóibín “understands the tenuousness of love and comfort—and, after everything, its necessity.”
Originally published in 1897, Bram Stoker's Dracula has spawned countless new editions, inspired over fifty films, and hundreds of reimaginings. The iconic and terrifying character of Stoker's imagination has permeated our conciousness in such away that Dracula is the seminal vampire of popular culture.
Set across London and into the darkest corners of Eastern Europe, Dracula is told through the journal entries and letters of its protagonists as they strive to survive the presence of Count Dracula in their lives. Young lawyer Jonathan Harker travels to Transylvania to assist in a land transaction, but finds himself trapped in the Count's castle, tormented by strange and unearthly occurrences. After a miraculous escape, he returns to England, only to find that the Count has followed him to London and has begun tracking his fiancé, Mina...
Reprinted in its original form, this edition of Dracula is perfect for a first time reader, or as a classic to keep forever.
“I have been acquainted with the smell of death.” So begins Clytemnestra’s tale of her own life in ancient Mycenae, the legendary Greek city from which her husband King Agamemnon left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.
Judged, despised, cursed by gods she has long since lost faith in, Clytemnestra reveals the tragic saga that led to these bloody actions: how her husband deceived her eldest daughter Iphigeneia with a promise of marriage to Achilles, only to sacrifice her because that is what he was told would make the winds blow in his favor and take him to Troy; how she seduced and collaborated with the prisoner Aegisthus, who shared her bed in the dark and could kill; how Agamemnon came back with a lover himself; and how Clytemnestra finally achieved her vengeance for his stunning betrayal—his quest for victory, greater than his love for his child.
In House of Names, Colm Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. He brilliantly inhabits the mind of one of Greek myth’s most powerful villains to reveal the love, lust, and pain she feels. Told in fours parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes’ story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands.
After four harrowing years on the Western Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby’s cries on the wind. A boat has washed up onshore carrying a dead man and a living baby.
Tom, who keeps meticulous records and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel insists the baby is a “gift from God,” and against Tom’s judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them.
Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him “the bitter neighbor from hell.” But must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time?
Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents’ association to their very foundations.
A feel-good story in the spirit of The Unlikely Pilgrimage of Harold Fry and Major Pettigrew’s Last Stand, Fredrik Backman’s novel about the angry old man next door is a thoughtful exploration of the profound impact one life has on countless others. “If there was an award for ‘Most Charming Book of the Year,’ this first novel by a Swedish blogger-turned-overnight-sensation would win hands down” (Booklist, starred review).
To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
Room is a tale at once shocking, riveting, exhilarating--a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.
Running into a long-ago friend sets memory from the 1970s in motion for August, transporting her to a time and a place where friendship was everything—until it wasn’t. For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.
But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.
Like Louise Meriwether’s Daddy Was a Number Runner and Dorothy Allison’s Bastard Out of Carolina, Jacqueline Woodson’s Another Brooklyn heartbreakingly illuminates the formative time when childhood gives way to adulthood—the promise and peril of growing up—and exquisitely renders a powerful, indelible, and fleeting friendship that united four young lives.
Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?
Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.
In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.
Jacqueline Woodson, the acclaimed author of Another Brooklyn, tells the moving story of her childhood in mesmerizing verse.
Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.
A National Book Award Winner
A Newbery Honor Book
A Coretta Scott King Award Winner
Praise for Jacqueline Woodson:
Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”—The New York Times Book Review
From the Hardcover edition.
Sebastian Barry's novels have been hugely admired by readers and critics, and in 2005 his novel A Long Long Way was shortlisted for the Man Booker Prize. In The Secret Scripture, Barry revisits County Sligo, Ireland, the setting for his previous three books, to tell the unforgettable story of Roseanne McNulty. Once one of the most beguiling women in Sligo, she is now a resident of Roscommon Regional Mental Hospital and nearing her hundredth year. Set against an Ireland besieged by conflict, The Secret Scripture is an engrossing tale of one woman's life, and a vivid reminder of the stranglehold that the Catholic church had on individuals throughout much of the twentieth century. The Secret Scripture is soon to be a film starring Rooney Mara and Vanessa Redgrave.
A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm.
Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan?s wife. But Florian?s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins.
In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.
Now her daughter, Charlotte Muravieff, has hired Kate Shugak to clear her mother's name. Her daughter has always believed in her innocence, and now that Victoria has been diagnosed with terminal cancer, Charlotte wants her free. Kate is the only p.i. Charlotte can find who's willing to take such a long-shot case. Kate, on the other hand, is only willing because she's suddenly a single parent to a teenager, a teenager she hopes will decide to go to college. Besides, it can't be bad to do a favor for the Bannister family, one of the wealthiest and most prominent families in Alaska's short history.
As Kate begins an investigation, Victoria protests, refusing to cooperate. But soon it seems she isn't the only one who wants to leave the past in the past. In this spell-binding novel, Kate's confrontation with thirty years of secrets and regret-and murder-in one of Alaska's most powerful families shows award-winning crime writer Dana Stabenow at the top of her game.
Now featuring a sneak peek at Christina's forthcoming novel A Piece of the World, coming February 2017.
Christina Baker Kline’s #1 New York Times bestselling novel—the captivating story of a 91-year-old woman with a hidden past as an orphan-train rider and the teenage girl whose own troubled adolescence leads her to seek answers to long-buried questions…now with an extended scene that addresses the number one question readers ask, and an excerpt from Kline’s upcoming novel A Piece of the World.
“A lovely novel about the search for family that also happens to illuminate a fascinating and forgotten chapter of America’s history. Beautiful.”—Ann Packer
Between 1854 and 1929, so-called orphan trains ran regularly from the cities of the East Coast to the farmlands of the Midwest, carrying thousands of abandoned children whose fates would be determined by pure luck. Would they be adopted by a kind and loving family, or would they face a childhood and adolescence of hard labor and servitude?
As a young Irish immigrant, Vivian Daly was one such child, sent by rail from New York City to an uncertain future a world away. Returning east later in life, Vivian leads a quiet, peaceful existence on the coast of Maine, the memories of her upbringing rendered a hazy blur. But in her attic, hidden in trunks, are vestiges of a turbulent past.
Seventeen-year-old Molly Ayer knows that a community service position helping an elderly woman clean out her home is the only thing keeping her out of juvenile hall. But as Molly helps Vivian sort through her keepsakes and possessions, she discovers that she and Vivian aren't as different as they appear. A Penobscot Indian who has spent her youth in and out of foster homes, Molly is also an outsider being raised by strangers, and she, too, has unanswered questions about the past.
Moving between contemporary Maine and Depression-era Minnesota, Orphan Train is a powerful novel of upheaval and resilience, of second chances, and unexpected friendship.
Late nights at the office... Hotel rooms and secret rendezvous... Lingering perfume... Sizzling texts...
What takes place in Paris when husbands and wives tangle with infidelity?
In this compulsively readable collection, Tatiana de Rosnay paints a portrait of forbidden loves in many shades - sometimes tragic, sometimes humorous, sometimes heartfelt, always with a dry wit and unflinching authenticity. A PARIS AFFAIR will take you on a vacation overseas, into the hidden lives of husbands, wives, boyfriends and girlfriends, where illicit desire wars with duty, and where a French take on romance will surprise you every time.
Will Freeman may have discovered the key to dating success: If the simple fact that they were single mothers meant that gorgeous women – women who would not ordinarily look twice a Will – might not only be willing, but enthusiastic about dating him, then he was really onto something. Single mothers – bright, attractive, available women – thousands of them, were all over London. He just had to find them.
SPAT: Single Parents – Alone Together. It was a brilliant plan. And Will wasn’t going to let the fact that he didn’t have a child himself hold him back. A fictional two-year-old named Ned wouldn’t be the first thing he’d invented. And it seems to go quite well at first, until he meets an actual twelve-year-old named Marcus, who is more than Will bargained for…
From the Trade Paperback edition.
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
BONUS: This edition includes an excerpt from Colum McCann’s TransAtlantic.
“This is a gorgeous book, multilayered and deeply felt, and it’s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There’s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you’ll find yourself giddy, dizzy, overwhelmed.”—Dave Eggers
“Stunning . . . [an] elegiac glimpse of hope . . . It’s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it’s a novel about families—the ones we’re born into and the ones we make for ourselves.”—USA Today
“Mesmerizing . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day . . . McCann’s marvelously rich novel . . . weaves a portrait of a city and a moment, dizzyingly satisfying to read and difficult to put down.”—The Seattle Times
“Vibrantly whole . . . With a series of spare, gorgeously wrought vignettes, Colum McCann brings 1970s New York to life. . . . And as always, McCann’s heart-stoppingly simple descriptions wow.”—Entertainment Weekly
“An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall.”—O: The Oprah Magazine
Nina has just received a last-minute call from her old boss and mentor in Monterey County, California, where she is enjoying the breathtaking scenery and spending time with her boyfriend, P.I. Paul van Wagoner. Klaus Pohlmann is in desperate straits and begs Nina to take over a seemingly unwinnable case: A luckless two-time felon named Stefan Wyatt has robbed a grave and made off with the long-buried bones of a Russian émigré. When he is caught and arrested, further devastating evidence found in the grave suggests that Stefan is guilty of a far more deadly crime.
A young woman, a classmate of Stefan’s, has been killed, and he is accused of her murder. Now, as a result of California’s Third Strike law, Wyatt is looking at twenty-five years to life whether he’s convicted of grand theft or murder. Either way, he’s in big trouble.
With her client’s blood DNA found in the dead woman’s apartment, Nina faces an uphill battle. Suspecting that her hapless client has been set up, Nina brings in a brilliant forensic pathologist who comes up with a startling theory about the case that could rewrite a crucial page of European history. As the evidence mounts against Nina’s client, Paul launches his own investigation into the shadowy past of the two-decades-old skeleton. But long-held secrets nearly get him killed and reveal a more insidious evil at work—and an extraordinary story dating back to tsarist Russia and the Romanov court. As Wyatt edges closer to the unluckiest verdict of his young life, Nina makes an astounding discovery that just might save her client—or expose a killer who could bury them all.
Brilliantly imagined and compulsively readable, Unlucky in Law is a beguiling mix of wrenching drama and gripping action. And it is Perri O’Shaughnessy’s most accomplished novel to date.
From the Hardcover edition.
Miami criminal defense attorney Jack Swyteck isn't looking for a new client, at least not one who is homeless and in jail for threatening to jump off a bridge. But from the moment Jack is called to defend the man, who goes by the name Falcon, something is amiss. For one thing, Falcon comes up with the $10,000 bail—in cash. Then the body of a brutally murdered woman is found in the trunk of the abandoned car in which he is living.
Panicked and on the run, Falcon takes Jack's best friend, Theo, hostage. They end up barricaded in a motel room, and Theo isn't the only one at Falcon's mercy. Jack must work with the cops and their crackerjack negotiator to free Theo and the other captives before Falcon decides he has nothing to lose by killing them all.
What Jack doesn't know is that Falcon has a much bigger agenda, and that there are people behind the scenes who will stop at nothing to keep their dangerous secrets. Thus unfolds a riveting, lightning-paced story, as only James Grippando can tell it.
Therese is nineteen and working in a department store during the Christmas shopping season. She dates men, although not with real enthusiasm. One day a beautiful older woman comes over to her counter and buys a doll. As the purchase is a C.O.D. order, Therese makes a mental note of the customer’s address. She is intrigued and drawn to the woman. Although young, inexperienced and shy, she writes a note to the customer, Carol, and is elated and surprised when Carol invites her to meet.
Therese realizes she has strong feelings for Carol, but is unsure of what they represent. Carol, in the process of a bitter separation and divorce, is also quite lonely. Soon the two women begin spending a great deal of time together. Before long, they are madly and hopelessly in love. The path is not easy for them, however. Carol also has a child and a very suspicious husband--dangerous ground for the lovers. When the women leave New York and travel west together, they discover the choices they’ve made to be together will have lasting effects on both their lives.
Considered to be the first lesbian pulp novel to break the pulp publishing industry-enforced pattern of tragic consequences for its lesbian heroines, The Price of Salt was written by Patricia Highsmith (under the pseudonym, Claire Morgan) – the author of Strangers on a Train and The Talented Mr. Ripley.
As one reviewer wrote in 1952, “Claire Morgan is completely natural. She has a story to tell and she tells it with an almost conversational ease. Her people are neither degenerate monsters nor fragile victims of the social order. They must—and do—pay a price for thinking, feeling and loving ‘differently,’ but they are courageous and true to themselves throughout.”
Based on the National Public Radio series of the same name, This I Believe features eighty essayists—from the famous to the unknown—completing the thought that begins the book's title. Each piece compels readers to rethink not only how they have arrived at their own personal beliefs but also the extent to which they share them with others.
Featuring a well-known list of contributors—including Isabel Allende, Colin Powell, Gloria Steinem, William F. Buckley Jr., Penn Jillette, Bill Gates, and John Updike—the collection also contains essays by a Brooklyn lawyer; a part-time hospital clerk from Rehoboth, Massachusetts; a woman who sells Yellow Pages advertising in Fort Worth, Texas; and a man who serves on the state of Rhode Island's parole board.
The result is a stirring and provocative trip inside the minds and hearts of a diverse group of people whose beliefs—and the incredibly varied ways in which they choose to express them—reveal the American spirit at its best.
This thrilling tale takes readers on an unforgettable journey through an alternate version of our world in 1941 -- a world filled with magical beings such as dragons in human form, tiny "lap griffins," reincarnations of legendary Chinese warriors, Japanese folk creatures, and goddesses in disguise.
When her older sister dies trying to prevent the theft of one of her people's great treasures, twelve-year-old Scirye sets out to avenge her and recover the precious item. Helping her are Bayang, a dragon disguised as a Pinkerton agent; Leech, a boy with powers he has not yet discovered; and Leech's loyal companion Koko, who has a secret of his own. All have a grudge against the thieves who stole the treasure: the evil dragon Badik and the mysterious Mr. Roland.
Scirye and her companions pursue the thieves to Houlani, a new Hawaiian island being created by magic. There, they befriend Pele, the volatile and mercurial goddess of volcanoes. But even with Pele on their side, they may not be able to stop Mr. Roland from gaining what he seeks: the Five Lost Treasures of Emperor Yu. Together, the treasures will give him the power to alter the very fabric of the universe.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
AnnaFunder delivers a prize-winning and powerfully rendered account of theresistance against East Germany’s communist dictatorship in these harrowing,personal tales of life behind the Iron Curtain—and, especially, of life underthe iron fist of the Stasi, East Germany’s brutal state security force. In thetradition of Frederick Taylor’s The Berlin Wall andPhilip Gourevitch’s WeWish to Inform You That Tomorrow We Will be Killed With Our Families, Funder’s Stasiland isa masterpiece of investigative reporting, written with novelistic vividness andthe compelling intensity of a universal, real-life story.
A string of high-profile murder-suicides has San Francisco more rattled than the string of recent earthquakes. Hired by the SFPD to shed light on the victims' lives, forensic psychiatrist Jo Beckett makes a shocking discovery: all the suicides belonged to a group of A-listers with lots of money and plenty to hide. And soon Jo finds herself trapped in a nightmare from her past when she gets invited to join the club...
National Bestseller * A New York Times Notable Book * Winner of the Lambda Literary Award for Transgender Fiction * Winner of the Rosenthal Foundation Award from the American Academy of Arts and Letters * Finalist for the New York Public Library Young Lions Award * Finalist for the American Library Association Stonewall Book Award
Loosely inspired by a true story, this tender portrait of marriage asks: What do you do when the person you love has to change? It starts with a question, a simple favor asked by a wife of her husband while both are painting in their studio, setting off a transformation neither can anticipate. Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires. The Danish Girl’s lush prose and generous emotional insight make it, after the last page is turned, a deeply moving first novel about one of the most passionate and unusual love stories of the 20th century.
From the Trade Paperback edition.
When Frank Meyer and his family are executed during a home invasion, the police begin investigating the secret life they're sure Meyer had. Joe Pike's on a hunt of his own: to clear his friend's name, and to punish the people who murdered him. What starts out as a simple trail gets twisted fast by old grudges, double crosses, blood vengeance, and a crime so terrible even Pike and his partner Elvis Cole have no way to measure it.
In 1939, as Poland falls under the shadow of the Nazis, young Alma Belasco’s parents send her away to live in safety with an aunt and uncle in their opulent mansion in San Francisco. There, as the rest of the world goes to war, she encounters Ichimei Fukuda, the quiet and gentle son of the family’s Japanese gardener. Unnoticed by those around them, a tender love affair begins to blossom. Following the Japanese attack on Pearl Harbor, the two are cruelly pulled apart as Ichimei and his family—like thousands of other Japanese Americans—are declared enemies and forcibly relocated to internment camps run by the United States government. Throughout their lifetimes, Alma and Ichimei reunite again and again, but theirs is a love that they are forever forced to hide from the world.
Decades later, Alma is nearing the end of her long and eventful life. Irina Bazili, a care worker struggling to come to terms with her own troubled past, meets the elderly woman and her grandson, Seth, at San Francisco’s charmingly eccentric Lark House nursing home. As Irina and Seth forge a friendship, they become intrigued by a series of mysterious gifts and letters sent to Alma, eventually learning about Ichimei and this extraordinary secret passion that has endured for nearly seventy years.
Sweeping through time and spanning generations and continents, The Japanese Lover is written with the same keen understanding of her characters that Isabel Allende has been known for since her landmark first novel The House of the Spirits. The Japanese Lover is a moving tribute to the constancy of the human heart in a world of unceasing change.
A deeply evocative story of ambition and betrayal, The Paris Wife captures the love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott Fitzgerald.
Though deeply in love, the Hemingways are ill prepared for the hard-drinking, fast-living, and free-loving life of Jazz Age Paris. As Ernest struggles to find the voice that will earn him a place in history and pours himself into the novel that will become The Sun Also Rises, Hadley strives to hold on to her sense of self as her roles as wife, friend, and muse become more challenging. Eventually they find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.
NEW YORK TIMES BESTSELLER
WINNER—BEST HISTORICAL FICTION—GOODREADS CHOICE AWARDS
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
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NBCC John Leonard First Novel Prize Finalist
PEN/Robert W. Bingham Prize for Debut Fiction Finalist
New York Public Library Young Lions Award Finalist
An NPR Best Book of 2016
An Entertainment Weekly Best Book of 2016
A Vogue Magazine Best Book of the Year
A Goodreads Choice Award Finalist
One of Elle.com's Best Books of the Year
"Ferociously moving … despite Bennett’s thrumming plot, despite the snap of her pacing, it’s the always deepening complexity of her characters that provides the book’s urgency." –The New York Times Book Review
"Luminous… engrossing and poignant, this is one not to miss." –People, Pick of the Week
"Fantastic… a book that feels alive on the page." –The Washington Post
A dazzling debut novel from an exciting new voice, The Mothers is a surprising story about young love, a big secret in a small community—and the things that ultimately haunt us most.
Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.
"All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."
It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.
In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
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“It was a beautiful, breezy, yellow-and-green afternoon. . . . ” This is how Abby Whitshank always describes the day she fell in love with Red in July 1959. The Whitshanks are one of those families that radiate an indefinable kind of specialness, but like all families, their stories reveal only part of the picture: Abby and Red and their four grown children have accumulated not only tender moments, laughter, and celebrations, but also jealousies, disappointments, and carefully guarded secrets. From Red’s parents, newly arrived in Baltimore in the 1920s, to the grandchildren carrying the Whitshank legacy boisterously into the twenty-first century, here are four generations of lives unfolding in and around the sprawling, lovingly worn house that has always been their anchor.
Praise for A Spool of Blue Thread
“An act of literary enchantment . . . [Anne] Tyler remains among the best chroniclers of family life this country has ever produced.”—The Washington Post
“Quintessential Anne Tyler, as well as quintessential American comedy . . . [She] has a knack for turning sitcom situations into something far deeper and more moving.”—The New York Times Book Review
“By my count I’ve now reviewed around fifty books for USA Today. I’ve never given any of them four stars until today: to A Spool of Blue Thread, the masterful twentieth novel by Anne Tyler.”—USA Today
“By the end of this deeply beguiling novel, we come to know a reality entirely different from the one at the start.”—O: The Oprah Magazine
“Well-crafted, utterly absorbing and compelling . . . probably the best novel you will read all year.”—Chicago Tribune
“A miracle of sorts . . . tender, touching and funny . . . [an] understated masterpiece.”—Associated Press
“Exploring [the] dichotomy—the imperfections that reside within a polished exterior—is Tyler’s specialty, and her latest generation-spanning work accomplishes just that, masterfully and monumentally.”—Elle
“The story of any family is told through the prism of time. And no storyteller compares to Tyler when it comes to unspooling those tales.”—St. Louis Post-Dispatch
“Vintage Anne Tyler . . . [The Whitshanks are] rendered with such immediacy and texture that they might be our next-door neighbors.”—Los Angeles Times
“The magic of Tyler’s novels [is that] you imagine these characters carrying on, muddling through, enduring the necessary sorrows and quiet joys of their lives somewhere beyond the page.”—The Seattle Times
“The sort of novel that’s hard to disentangle yourself from. Warm, charming and emotionally radiant, it surely must be counted as among Tyler’s best.”—The Miami Herald
“Prose so polished it practically glows on the page.”—Houston Chronicle
From the Trade Paperback edition.
Jess and Frank's father has stopped their allowances for four whole months! That means that Jess can't go anywhere or do anything with her friends. Worse yet, Frank owes money to Buster Knell, the bully. How can Jess and Frank earn some cash—fast?
By starting a business, Own Back, Ltd. It specializes in revenge, which every kid needs to seek at some time, they figure. Most don't have the courage themselves. But Jess and Frank do—for a price!
Lots of clients show up. But Jess and Frank soon discover that the revenge business can be pretty complicated, especially when it turns out that there's another one in town—owned by Biddy Iremonger, the fiercely competitive local witch!
Perry L. Crandall knows what it?s like to be an outsider. With an IQ of 76, he?s an easy mark. Before his grandmother died, she armed Perry well with what he?d need to know: the importance of words and writing things down, and how to play the lottery. Most important, she taught him whom to trust?a crucial lesson for Perry when he wins the multimillion-dollar jackpot. As his family descends, moving in on his fortune, his fate, and his few true friends, he has a lesson for them: never, ever underestimate Perry Crandall.
#1 NEW YORK TIMES BESTSELLER
A thrilling tale of betrayal and revenge set against the nineteenth-century American frontier, the astonishing story of real-life trapper and frontiersman Hugh Glass
The year is 1823, and the trappers of the Rocky Mountain Fur Company live a brutal frontier life. Hugh Glass is among the company’s finest men, an experienced frontiersman and an expert tracker. But when a scouting mission puts him face-to-face with a grizzly bear, he is viciously mauled and not expected to survive. Two company men are dispatched to stay behind and tend to Glass before he dies. When the men abandon him instead, Glass is driven to survive by one desire: revenge. With shocking grit and determination, Glass sets out, crawling at first, across hundreds of miles of uncharted American frontier. Based on a true story, The Revenant is a remarkable tale of obsession, the human will stretched to its limits, and the lengths that one man will go to for retribution.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob seeks refuge in the company of the offbeat clerks at his store, who endlessly review their top five films; top five Elvis Costello songs; top five episodes of Cheers.
Rob tries dating a singer, but maybe it’s just that he’s always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think that life with kids, marriage, barbecues, and soft rock CDs might not be so bad.
From the Trade Paperback edition.
Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.
As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband’s best friend—an over-the-hill and perpetually soused private eye—Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.
Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.
In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don’t make anymore.
This is the story of Olav: an extremely talented “fixer” for one of Oslo’s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller’s hypnotic knack for fantasy. He has an “innate talent for subordination” but running through his veins is a “virus” born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . .
From the Hardcover edition.
A classic of postwar American literature, Last Exit to Brooklyn created shock waves upon its release in 1964 with its raw, vibrant language and startling revelations of New York City’s underbelly. The prostitutes, drunks, addicts, and johns of Selby’s Brooklyn are fierce and lonely creatures, desperately searching for a moment of transcendence amidst the decay and brutality of the waterfront—though none have any real hope of escape. Last Exit to Brooklyn offers a disturbing yet hauntingly sensitive portrayal of American life, and nearly fifty years after publication, it stands as a crucial and masterful work of modern fiction. This ebook features an illustrated biography of Hubert Selby Jr. including rare photos from the author’s estate.
Perfect for fans of Thirteen Reasons Why, Looking for Alaska, and Zentner's own The Serpent King, one of the most highly acclaimed YA novels of 2016, Goodbye Days asks what you would do if you could spend one last day with someone you lost.
Where are you guys? Text me back. That's the last message Carver Briggs will ever send his three best friends, Mars, Eli, and Blake. He never thought that it would lead to their death.
Now Carver can’t stop blaming himself for the accident and even worse, a powerful judge is pressuring the district attorney to open up a criminal investigation.
Luckily, Carver has some unexpected allies: Eli’s girlfriend, the only person to stand by him at school; Dr. Mendez, his new therapist; and Blake’s grandmother, who asks Carver to spend a “goodbye day” together to share their memories and say a proper farewell.
Soon the other families are asking for their own goodbye day with Carver—but he’s unsure of their motives. Will they all be able to make peace with their losses, or will these goodbye days bring Carver one step closer to a complete breakdown or—even worse—prison?
"Jeff Zentner, you perfectly fill the John-Green-sized hole in our heart."
“Evocative, heartbreaking, and beautifully written." —Buzzfeed
“Hold on to your heart: this book will wreck you, fix you, and most definitely change you.” —Becky Albertalli, Morris Award-winning author of Simon vs. the Homo Sapiens Agenda
Raised by unconventional Irish Catholics who knew "how to drink, how to dance, how to talk, and how to stir up the devil," Kate Mulgrew grew up with poetry and drama in her bones. But in her mother, a would-be artist burdened by the endless arrival of new babies, young Kate saw the consequences of a dream deferred. Determined to pursue her own no matter the cost, at 18 she left her small Midwestern town for New York, where, studying with the legendary Stella Adler, she learned the lesson that would define her as an actress: "Use it," Adler told her. Whatever disappointment, pain, or anger life throws in your path, channel it into the work.
It was a lesson she would need. At twenty-two, just as her career was taking off, she became pregnant and gave birth to a daughter. Having already signed the adoption papers, she was allowed only a fleeting glimpse of her child. As her star continued to rise, her life became increasingly demanding and fulfilling, a whirlwind of passionate love affairs, life-saving friendships, and bone-crunching work. Through it all, Mulgrew remained haunted by the loss of her daughter, until, two decades later, she found the courage to face the past and step into the most challenging role of her life, both on and off screen.
We know Kate Mulgrew for the strong women she's played--Captain Janeway on Star Trek; the tough-as-nails "Red" on Orange is the New Black. Now, we meet the most inspiring and memorable character of all: herself. By turns irreverent and soulful, laugh-out-loud funny and heart-piercingly sad, BORN WITH TEETH is the breathtaking memoir of a woman who dares to live life to the fullest, on her own terms.
An academic overachiever despondent over getting caught cheating has jumped to her death. At least that’s the story Grace Hall tells Kate. And clouded as she is by her guilt and grief, it is the one she forces herself to believe. Until she gets an anonymous text: She didn’t jump.
Reconstructing Amelia is about secret first loves, old friendships, and an all-girls club steeped in tradition. But, most of all, it’s the story of how far a mother will go to vindicate the memory of a daughter whose life she couldn’t save.
Fans of Gillian Flynn's Gone Girl will find Reconstructing Amelia just as gripping and surprising.
Inspector Harry Hole of the Oslo Crime Squad is dispatched to Sydney to observe a murder case. Harry is free to offer assistance, but he has firm instructions to stay out of trouble. The victim is a twenty-three year old Norwegian woman who is a minor celebrity back home. Never one to sit on the sidelines, Harry befriends one of the lead detectives, and one of the witnesses, as he is drawn deeper into the case. Together, they discover that this is only the latest in a string of unsolved murders, and the pattern points toward a psychopath working his way across the country. As they circle closer and closer to the killer, Harry begins to fear that no one is safe, least of all those investigating the case.
This volume gathers together the poems for which he is best known, and which represent his most important contribution to poetry in the twentieth century. Taken from the definitive edition of Owen’s work, and containing material unavailable to other editions, this selection has been edited by Professor Jon Stallworthy, who has written an illuminating and authoritative introduction.
What were the talents that allowed certain inventors and entrepreneurs to turn their visionary ideas into disruptive realities? What led to their creative leaps? Why did some succeed and others fail?
The Innovators is a masterly saga of collaborative genius destined to be the standard history of the digital revolution—and an indispensable guide to how innovation really happens. Isaacson begins the adventure with Ada Lovelace, Lord Byron’s daughter, who pioneered computer programming in the 1840s. He explores the fascinating personalities that created our current digital revolution, such as Vannevar Bush, Alan Turing, John von Neumann, J.C.R. Licklider, Doug Engelbart, Robert Noyce, Bill Gates, Steve Wozniak, Steve Jobs, Tim Berners-Lee, and Larry Page.
This is the story of how their minds worked and what made them so inventive. It’s also a narrative of how their ability to collaborate and master the art of teamwork made them even more creative. For an era that seeks to foster innovation, creativity, and teamwork, The Innovators is “a sweeping and surprisingly tenderhearted history of the digital age” (The New York Times).
"[Carver's stories] can ... be counted among the masterpieces of American Literature." --The New York Times Book Review
"One of the great short story writers of our time--of any time." --The Philadelhpia Inquirer
"The whole collection is a knock out. Few wriers can match Raymond Carver's entiwining style and language." --The Dallas Morning News
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • The New York Times Book Review • NPR • BookPage • LibraryReads • Minneapolis Star Tribune • St. Louis Post-Dispatch
Look for Elizabeth Strout’s highly anticipated new work of fiction, Anything Is Possible, which is available for pre-order now.
Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.
Praise for My Name Is Lucy Barton
“There is not a scintilla of sentimentality in this exquisite novel. Instead, in its careful words and vibrating silences, My Name Is Lucy Barton offers us a rare wealth of emotion, from darkest suffering to—‘I was so happy. Oh, I was happy’—simple joy.”—Claire Messud, The New York Times Book Review
“Spectacular . . . Smart and cagey in every way. It is both a book of withholdings and a book of great openness and wisdom. . . . [Strout] is in supreme and magnificent command of this novel at all times.”—Lily King, The Washington Post
“A short novel about love, particularly the complicated love between mothers and daughters, but also simpler, more sudden bonds . . . It evokes these connections in a style so spare, so pure and so profound the book almost seems to be a kind of scripture or sutra, if a very down-to-earth and unpretentious one.”—Marion Winik, Newsday
“Potent with distilled emotion. Without a hint of self-pity, Strout captures the ache of loneliness we all feel sometimes.”—Time
“An aching, illuminating look at mother-daughter devotion.”—People
“A quiet, sublimely merciful contemporary novel about love, yearning, and resilience in a family damaged beyond words.”—The Boston Globe
“Sensitive, deceptively simple . . . It is Lucy’s gentle honesty, complex relationship with her husband, and nuanced response to her mother’s shortcomings that make this novel so subtly powerful. . . . [It’s] more complex than it first appears, and all the more emotionally persuasive for it.”—San Francisco Chronicle
“Strout maps the complex terrain of human relationships by focusing on that which is often unspoken and only implied. . . . A powerful addition to Strout’s body of work.”—The Seattle Times
“[Strout] reminds us of the power of our stories—and our ability to transcend our troubled narratives.”—Miami Herald
Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.