In Chasing the Scream, Hari reveals his discoveries entirely through the stories of people across the world whose lives have been transformed by this war. They range from a transsexual crack dealer in Brooklyn searching for her mother to a teenage hit-man in Mexico searching for a way out. It begins with Hari's discovery that at the birth of the drug war, Billie Holiday was stalked and killed by the man who launched this crusade--and it ends with the story of a brave doctor who has led his country to decriminalize every drug, from cannabis to crack, with remarkable results.
Chasing the Scream lays bare what we really have been chasing in our century of drug war--in our hunger for drugs, and in our attempt to destroy them. This book will challenge and change how you think about one of the most controversial--and consequential--questions of our time.
find it here on Google Play!
This book is not
recommended for readers with an aversion to cliffhangers, graphic
depictions of sex or serialized fiction. This book is intended for readers 18 years or older. Reader discretion is advised.
A boring, careless boyfriend. A boring, monotonous day job. Madeline
Lovelace's life seems the very definition of dull until the mysterious
Elias Collingwood takes a job at her office and spices things up. When
her boyfriend suddenly dumps her, Madeline finds comfort in Elias, but
realizes very quickly that he's offering her more than mere 'comfort'...
When she gets involved with the cocky, enigmatic Elias, the
rest of her life is thrown into chaos. Just who is he, and why does he
have such an intense interest in her? As she gets to know him, it
quickly becomes clear that he's keeping some secrets...
Keywords: Collection, Omnibus, Billionaire, Adult, Anthology, Sexy, Erotica, Romantic suspense, Bad boy, Naughty, Serial, Steamy
Ben Hope is unstoppable, unbreakable, unforgettable. For a limited period, discover the first 6 Ben Hope novels at an unbeatable price, to celebrate publication of the seventh and most explosive book yet – The Sacred Sword.
This special offer bundle by bestselling author Scott Mariani comprises of the first six Ben Hope novels, together for the very first time:
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic
"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.
Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.
Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wilde’s texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.
Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.
The Alexandria Quartet is a striking and sensuous masterpiece, breathing vivid life into each of its unforgettable characters and the dusty Mediterranean city in which they live. Set in Alexandria, Egypt, in the years before, during, and after World War II, the books follow the lives of a circle of friends and lovers, including sensitive Darley, passionate Justine, philosophical Balthazar, and elegant Clea. Written in Durrell’s trademark evocative prose, these four novels explore the central theme of modern love, building into a remarkable whole that the New York Times hailed as “one of the most important works of our time.” This ebook features a new introduction by Jan Morris.
TO HIS LADY'S RESCUE (Novella 1)
As children, Arabella Trent and Gilbert St. John were best of friends. Wherever he led, she happily followed. Their friendship held fast until Gilbert went off to fight Napoleon and Bella stayed home. Years passed and their youthful camaraderie faded to pleasant memory.
Now Gilbert is home from the wars and Bella needs his help. From the moment she climbs in his bedroom window, he knows he's in trouble. Can this beautiful desirable young lady be the same hoydenish friend from his childhood? Can Gilbert rescue Bella from her desperate circumstances even if it means . . . marriage?
THE VISCOUNT'S SURPRISE (Novella 2)
Philomena Wheeler has been living a lie for the past twelve years. After her mother dies, she pretends to be a boy so she can work in Lady Hembrough's stables alongside her beloved papa. When she's promoted to the position of groom, her father thinks it's time to call a halt to the dangerous masquerade and wants to send Phil to his sister in York to learn to be a girl again.
Viscount Hembrough pays a rare visit to his mother in London. He's looking for a new groom and hires Phil for a one-month trial period before he returns to his horse-breeding estate in the wilds of Ireland. Under the mistaken belief that she's a he, the viscount takes Phil on a trip to inspect a promising stallion for his stables.
Will Phil be able to guard her secret while traveling with the handsome viscount? And more importantly, will she be able to guard her heart against a forbidden love?
PORTRAIT OF A GENTLEMAN (Novella 3)
Thankful for the chance to leave London and escape the unwelcome advances of an ardent suitor, Abigail Prescott accepts an invitation to Brydmoor Castle to paint the portrait of the reclusive Viscount Devlin and his small son. A young widow in straightened circumstances, she soon finds herself ensconced in his home and the object of his unwavering attention.
Nathan Holt vows never to marry again. He's done his duty and has an heir. But when Abigail Prescott comes into his vicinity, the daily presence of her in his home becomes a temptation too hard to resist. Unable to deny himself any longer, he begins his seduction of her in earnest, only to find that once will never be enough.
KEYWORDS: Anthology, Regency boxed set, romance collection, bundle, ebook bundle, romance bundle, box set, boxed set, series romance
In We Love You More, we learn about the many different ways that Michael Jackson affected people from all walks of life. The participants talk about how Michael’s music, creativity and pubic example affected their lives and helped them to be better people. The contributions are a wonderful cathartic output to help to come to terms with the loss of Michael’s huge talent. They will not only comfort those who have written them, but those who read them. People will learn about the experiences they have in common, with people throughout the world, who followed Michael’s career, his music, his good deeds and the example he set for this generation and generations to come.
The book will also be of comfort to Michael’s own family. They will see that the spirit of Michael will continue in people everywhere and in many ways and for many reasons. It’s also fascinating to learn what people have to say about different songs and what they meant to their lives. I’m impressed by the diverse elements in the book... from eulogies, to memories to poems and beautiful drawings and paintings and even photo montages at the end. Mr. Henning... you’ve done a wonderful service to the Michael Jackson fan community and I commend you.
Sincerely yours, Larry Nimmer
Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. This text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original.
Shakespeare's use of his poetic dramatic structure, especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story, has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.
Romeo and Juliet has been adapted numerous times for stage, film, musical and opera. During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's operatic adaptation omitted much of the action and added a happy ending. Performances in the 19th century, including Charlotte Cushman's, restored the original text, and focused on greater realism. John Gielgud's 1935 version kept very close to Shakespeare's text, and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted in versions as diverse as George Cukor's comparatively faithful 1936 production, Franco Zeffirelli's 1968 version, Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet and the 2013non-Shakespearian adaptation by Carlo Carlei.
First, Best, and Best-Selling
The Best American series is the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, the very best pieces are selected by a leading writer in the field, making the Best American series the most respected—and most popular—of its kind.
The Best American Nonrequired Reading 2011 includes
Daniel Alarcón, Clare Beams, Sloane Crosley, Anthony Doerr, Neil Gaiman, Mohammed Hanif, Mac McClelland, Michael Paterniti, Olivier Schrauwen,
Gary Shteyngart, and others
A new kind of criminal kingpin has arisen: a hybrid of CEO, terrorist, and part rock star, commanding guerrilla attacks, strong-arming governments, and taking over much of the world's trade in narcotics, guns, and humans. What they do affects you now--from the gas in your car, to the gold in your jewelry, to the tens of thousands of Latin Americans calling for refugee status in the United States. Gangster Warlords is the first definitive account of the crime wars unleashing humanitarian disaster in Central and South America and the Caribbean, regions largely abandoned by the United States after the Cold War. Author of the critically acclaimed El Narco, Ioan Grillo has covered Latin America since 2001 and gained access up the cartel chain of command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policymakers, Grillo provides a disturbing new understanding of a war that has spiraled out of control--and needs to be confronted now.
A Perfect Plan
Priscilla King has been planning to marry Chester Lapp since she was sixteen years old, but when wedding plans begin immediately after he pops the question, everything starts to go terribly wrong.
A Recipe for Hope
The Amish kitchen is the heart of the home - and the ideal setting for stories of love and hope.
Becky's desperate prayers are answered, but she discovers the life she imagined for herself pales in comparison to God's plan.
Marie Colvin held a profound belief in the pursuit of truth, and the courage and humanity of her work was deeply admired. On the Front Line includes her various interviews with Yasser Arafat and Colonel Gadaffi; reports from East Timor in 1999 where she shamed the UN into protecting its refugees; accounts of her terrifying escape from the Russian army in Chechnya; and reports from the strongholds of the Sri Lankan Tamil Tigers where she was hit by shrapnel, leaving her blind in one eye.
Typically, however, her new eye-patch only reinforced Colvin’s sense of humour and selfless conviction. She returned quickly to the front line, reporting on 9/11, Afghanistan, Iraq, Gaza and, lately, the Arab Spring.
Immediate and compelling, On the Front Line is a street-view of the historic events that have shaped the last 25 years, from an award-winning foreign correspondent and the outstanding journalist of her generation.
Hau ofa s essays criss-cross Oceania, creating a navigator s star chart of discussion and debate. Spurning the arcana of the intellectual establishments where he was schooled, Hau ofa has crafted a distinctive often lyrical, at times angry voice that speaks directly to the people of the region and the general reader. He conveys his thoughts from diverse standpoints: university-based analyst, essayist, satirist and humorist, and practical catalyst for creativity. According to Hau ofa, only through creative originality in all fields of endeavor can the people of Oceania hope to strengthen their capacity to engage the forces of globalization.
Our Sea of Islands, The Ocean in Us, Pasts to Remember, and Our Place Within, all of which are included in this collection, outline some of Hau ofa s ideas for the emergence of a stronger and freer Oceania. Throughout he expresses his concern with the environment and suggests that the most important role that the people of the sea can assume is as custodians of the Pacific, the vast area of the world s largest body of water.
One of the most celebrated English writers ever, Lawrence Durrell was a bestselling author whose vivid metafictions pushed the boundaries of modern literature. The cosmopolitan provocateur transcended borders, ideologies, and time in his work, and he’s at the height of his powers in the Avignon Quintet.
More formally daring than the Alexandria Quartet, these sweeping and stylish novels set before, during, and after World War II loosely center on the race to uncover a treasure buried by the Knights Templar. Each reveals a seemingly disparate piece of the puzzle. In Monsieur, it’s the bittersweet return to southern France by a British doctor; in Livia, it’s two sisters driven apart by the rise of Nazism in Europe. In Constance, a Freudian analyst struggles for clarity in a world on fire; in Sebastian, she reconnects with the charismatic cult leader she knew in the deserts of Egypt. And in Quinx, long-buried plots reemerge as the past and future are funneled into the present.
Durrell himself described the Avignon Quintet as a “quincunx,” a series of novels “roped together like climbers on a rockface, but all independent.” Together they form a powerful meditation on the search for meaning in a world of chaos and brutality.
Addiction is easy to fall into and hard to escape. It destroys the lives of individuals, and has a devastating cost to society. The National Institute of Health estimates seventeen million adults in the United States are alcoholics or have a serious problem with alcohol. This scourge affects not only those who drink or use drugs but also their families and friends, who witness the horror of addiction. Both the afflicted and those who love them are often baffled by what is happening, never mind what to do about it. With Out of the Wreck I Rise, Neil Steinberg and Sara Bader have created a resource like no other—one that harnesses the power of literature, poetry, and creativity to illuminate what alcoholism and addiction are all about, while forging change, deepening understanding, and even saving lives.
Structured to follow the arduous steps to sobriety, the book marshals the wisdom of centuries and explores essential topics, including the importance of time, navigating family and friends, Alcoholics Anonymous, relapse, and what Raymond Carver calls “gravy,” the reward that is recovery. Each chapter begins with advice and commentary followed by a wealth of quotes to inspire and heal. The result is a mosaic of observations and encouragement that draws on writers and artists spanning thousands of years—from Seneca to David Foster Wallace, William Shakespeare to Patti Smith. The ruminations of notorious drinkers like John Cheever, Charles Bukowski, and Ernest Hemingway shed light on the difficult process of becoming sober and remind the reader that while the literary alcoholic is often romanticized, recovery is the true path of the hero.
Along with traditional routes to recovery—Alcoholics Anonymous, out-patient therapy, and intensive rehabilitation programs—this literary companion offers valuable support and inspiration to anyone seeking to fight their addiction or to a struggling loved one.
In the enchanting novella FORGOTTEN KISSES by Cindy Roland Anderson, costume designer Madison Taylor has no love lost when the male lead playing Sir Lancelot in a TV series is fired. She couldn’t stand working with him anyway. But when she discovers who his replacement is, her heart nearly stops. Caleb Matthews is one of the hottest male actors ever… and not to mention Madison’s former boyfriend. When things got too serious between them, everything fell apart. And now, Madison must play nice or lose her job. She just has to forget all of the reasons she’d fallen for him in the first place.
In THE LAST CHRISTMAS, a sweet romance novella by Annette Lyon, Meredith only has to make it through the Christmas holiday pretending that she and her husband Eric aren’t on the verge of divorce. She doesn’t want to ruin the holiday for her two grown daughters and their boyfriends. But when Eric hurries home after weeks of living in a motel to unpack before their daughters arrive, he starts pressing Meredith with questions about why she filed for divorce. The last thing Meredith wants to do it give Eric a second chance, but it seems that Eric is not willing to let her go without trying to win her back.
In Julie Coulter Bellon’s captivating novella TRUTH OR DARE After a year of recovery, wounded war veteran Jonah Harrison comes home for Christmas. No longer the outgoing high school track star, he just wants to be left alone, away from well-meaning friends and neighbors. But when a blizzard strands him with Cami Jackson—the girl who once knew him best—he can’t hide anything from her, no matter how much he wants to. Cami has a wounded heart of her own, though, and it might take a Christmas miracle for them to find the healing they both long for and the courage to reach for a chance at love.
In the charming novella HOLIDAY BUCKET LIST by Sarah M. Eden, Celeste Lagorio has officially given up on Christmas. A single mother, with her children grown and unable to return for the holiday, Celeste determines to take a break from everything. When her single neighbor and almost-best-friend, Mike Durham, discovers her non-plans, they discuss things they’ve always wanted to do, but never had time. Mike and Celeste put together a friendly competition of checking off the things on their bucket list, all the while drawing closer and discovering they have more in common than they thought.
In CHRISTMAS EVERY DAY, a delightful novella by Heather B. Moore, Monica is on the verge of buying her dream store, but when she tells her boyfriend, he turns it into an embarrassing public argument. Heartbroken, but determined to follow her dream, she goes to her employer’s Christmas party to play Mrs. Claus, only to be paired with someone unexpected. A young Mr. Claus who is the complete opposite of her ex-boyfriend in all the most important ways. Yet, Monica is not sure she can risk opening her heart again.
In Jennifer Griffith’s exciting novella FIRST (AND LAST) CHRISTMAS DATE, pilot Juliet Law has been in a holding pattern, dating the wrong guy, until she gets a holiday shake-up: old flame Tag McClintock e-mails her to ask for second date—after ten years. Their first date, back in high school, had been an unmitigated disaster culminating with Pepto Bismol and the police. Still, Juliet would have gone out with Tag again the next day—and the next—had he asked. So now that he’s finally popping up in her in-box again, Juliet must decide whether to say yes to the date, even if it puts her at risk of another decade of carrying a torch for Tag McClintock. Will their second date be their last?
Like the visitor wandering through the city streets, the reader will be constantly surprised by the visions encountered in this mosaic of writings—a textual space brimming with life and crowded with flâneurs, flirtatious students, Indian dancers,
food vendors, fortune tellers, political activists, and peasant protesters.
The essays included in this anthology were written by a panoply of writers, from well-known authors like Carlos Monsiváis and Jorge Ibagüengoitia to younger figures like Fabrizio Mejía Madrid and Juieta García González, all of whom are experienced practitioners of the city. The texts collected in this anthology are among the most striking examples of this concomitant "theory and practice" of Mexico City, that most delirious of megalopolises.
“[An] exciting literary journey . . .”—Carolyn Malloy, Multicultural Review
ABOUT THE BOOK
Whether you seek to gain, observe, or protect yourself from domination by the forces of power in the world, Robert Greene’s comprehensive tome on this intriguing subject is in many ways a groundbreaking work of literature. The 48 Laws of Power synthesizes the thoughts of a host of history’s most influential thinkers including Machiavelli, Sun-tzu, Carl von Clausewitz and others. Not only is it rich in the history of power politics and warfare spanning three millennia, the book has real-life relevance to those contending with the affect on our lives in modern times. Greene’s 48 laws demonstrate how qualities such as prudence, cunning, stealth and subtlety, and a complete lack of mercy or compassion for one’s enemies come into play with humanity’s power dynamic.
It’s apparent that those who feel powerless in today’s globalized economy driven by the politics of big-money capitalism are a target audience of this book. The preface begins: “The feeling of having no power over people and events is generally unbearable to us—when we feel helpless we feel miserable.” Very much like the social and political pressures contained within an old royal court, a duplicitous game of non-overt power moves is the key to success in the current power paradigm.
In Where I Was From, Didion turns what John Leonard has called “her sonar ear, her radar eye” onto her own work, as well as that of such California writers as Frank Norris and Jack London and Henry George, to examine how the folly and recklessness in the very grain of the California settlement led to the California we know today–a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government, a dependent colony of those political and corporate owners who fly in for the annual encampment of the
Bohemian Club. Here is the one writer we always want to read on California showing us the startling contradictions in its–and in America’s–core values.
Joan Didion’s unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of our greatest writers.
From the Hardcover edition.
To anyone who glanced casually inside the detention room the young man sitting there did not seem very formidable. In height he might have been a little above average, but not enough to make him noticeable. His brown hair was cropped conservatively; his unlined boy's face was not one to be remembered--unless one was observant enough to note those light-gray eyes and catch a chilling, measuring expression showing now and then for an instant in their depths.
Neatly and inconspicuously dressed, in this last quarter of the twentieth century his like was to be found on any street of the city ten floors below--to all outward appearances. But that other person under the protective coloring so assiduously cultivated could touch heights of encased and controlled fury which Murdock himself did not understand and was only just learning to use as a weapon against a world he had always found hostile.
He was aware, though he gave no sign of it, that a guard was watching him. The cop on duty was an old hand--he probably expected some reaction other than passive acceptance from the prisoner. But he was not going to get it. The law had Ross sewed up tight this time. Why didn't they get about the business of shipping him off? Why had he had that afternoon session with the skull thumper? Ross had been on the defensive then, and he had not liked it. He had given to the other's questions all the attention his shrewd mind could muster, but a faint, very faint, apprehension still clung to the memory of that meeting.