This essential of Chinese language learning contains updated lessons, grammar notes, and exercises, and its new user-friendly format juxtaposes text and vocabulary on adjacent pages.
Updated and revised edition
Designed for advanced beginners who already speak some Chinese
Offers strong foundations in pronunciation, characters, and grammar
Covers topics relevant to heritage speakers and contemporary Chinese society
Single volume user-friendly format
Cajun Vocabulation is a dictionary and pronunciation guide for one of the major dialects of Cajun French. Author Gordon J. Voisin interviewed more than one hundred native speakers in order to create this unique cultural artifact. He not only presents the basics of the language; he does so without sacrificing any of the zest and humor for which Cajuns are famous. The words are written phonetically, so even those with little knowledge of Cajun French will quickly learn to approximate its unique sound.
Engage with a vital and colorful part of American heritage with Cajun Vocabulation.
The science of how people produce and perceive speech, phonetics has an array of real-world applications, from helping engineers create an authentic sounding Irish or Canadian accent for a GPS voice, to assisting forensics investigators identifying the person whose voice was caught on tape, to helping a film actor make the transition to the stage. Phonetics is a required course among students of speech pathology and linguistics, and it's a popular elective among students of telecommunications and forensics. The first popular guide to this fascinating discipline, Phonetics For Dummies is an excellent overview of the field for students enrolled in introductory phonetics courses and an ideal introduction for anyone with an interest in the field.
Bonus instructional videos, video quizzes, and other content available online for download on the dummies.com product page for this book.
This fully revised second edition incorporates the major revisions to the International Phonetic Alphabet made in 1989 and 1993. Also covered are the American tradition of transcription stemming from the anthropological school of Franz Boas; the Bloch/Smith/Trager style of transcription; the symbols used by dialectologists of the English language; usages of specialists such as Slavicists, Indologists, Sinologists, and Africanists; and the transcription proposals found in all major textbooks of phonetics.
With sixty-one new entries, an expanded glossary of phonetic terms, added symbol charts, and a full index, this book will be an indispensable reference guide for students and professionals in linguistics, phonetics, anthropology, philology, modern language study, and speech science.
Spoken communication is an extremely intricate process. A complex chain of events links speaker to listener, a chain that involves not only physics and acoustics, but also anatomy, physiology, linguistics, and psychology. The Speech Chain explains simply and clearly the basic mechanisms involved in spoken communication, from the speaker’s production of words, to the transmission of sound, to the listener’s perception of what has been said.
The Speech Chain has been well-known as an easy-to-read introduction to the fundamentals of spoken communication. The book has now been thoroughly revised and updated to give a state-of-the art description of each link in the speech chain. Included are new chapters on the digital processing of speech and on the use of computers for the generation of synthetic speech and for automatic speech recognition.
Professionals, teachers, students, and others interested in how we communicate with one another will find The Speech Chain a useful introduction to this uniquely human capability. This interdisciplinary account is also accessible to persons with no previous knowledge of the fields involved.
This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.
Oscar Wilde once said the Brits have "everything in common with America nowadays except, of course, language."
Any visitor to Old Blighty can sympathize with Mr. Wilde. After all, even fluent English speakers can be at sixes and sevens when told to pick up the "dog and bone" or "head to the loo," so they can "spend a penny." Wherever did these peculiar expressions come from?
British author Christopher J. Moore made a name for himself on this side of the pond with the sleeper success of his previous book, In Other Words. Now, Moore draws on history, literature, pop culture, and his own heritage to explore the phrases that most embody the British character. He traces the linguistic influence of writers from Chaucer to Shakespeare and Dickens to Wodehouse, and unravels the complexity Brits manage to imbue in seemingly innocuous phrases like "All right." Along the way, Moore reveals the uniquely British origins of some of the English language’s more curious sayings. For example: Who is Bob and how did he become your uncle? Why do we refer to powerless politicians as “lame ducks”? How did “posh” become such a stylish word?
Part language guide, part cultural study, How to Speak Brit is the perfect addition to every Anglophile’s library and an entertaining primer that will charm the linguistic-minded legions.
Many of the themes developed by the pragmatic thinkers were alsocentral to the work of major twentieth century philosophers likeWittgenstein and Heidegger, but the so-called analytic-continentalsplit obscures this underlying continuity. Bernstein develops analternative reading of contemporary philosophy that brings out thepersistence and continuity of pragmatic themes. He criticallyexamines the work of leading contemporary philosophers who havebeen deeply influenced by pragmatism, including Hilary Putnam,Jürgen Habermas, Richard Rorty, and Robert Brandom, and heexplains why the discussion of pragmatism is so alive, varied andwidespread. This lucid, wide-ranging book by one of America'sleading philosophers will be compulsory reading for anyone whowants to understand the state of philosophy today.
Brings together, in one volume, influential but difficult tofind papers by one of the most important researchers in formalsemantics.
Includes a new introductory essay in which Partee reflects onhow her research and the field of semantics have developed over thepast 35 years.
Discusses critical themes in semantic theory.
This book identifies the interrelations between user text actions and the software environment framing them. It takes a critical perspective on Facebook and develops a model that grants methodological access to complex interlaced practices incorporating media, text and literacies.
It shows Facebook users employing idiosyncratic and Facebook-specific literacy practices, and gives weight to the larger hypothesis of the software service as an ideological setting designed to calculate and standardize human behaviour. Specifically, the book examines text action and automation within Facebook to determine how the software service intervenes in the communicative flow between/among profile owners and profile recipients. This is cutting edge work and of huge importance to modern fields of discourse analysis and computer-mediated communication.
He says bath, while she says bahth.
You say potayto. I say potahto
-wait a second, no one says potahto. No one's ever said potahto.
From reconstructing Shakespeare's accent to the rise and fall of Received Pronunciation, actor Ben Crystal and his linguist father David travel the world in search of the stories of spoken English.
Everyone has an accent, though many of us think we don't. We all have our likes and dislikes about the way other people speak, and everyone has something to say about 'correct' pronunciation. But how did all these accents come about, and why do people feel so strongly about them? Are regional accents dying out as English becomes a global language? And most importantly of all: what went wrong in Birmingham?
Witty, authoritative and jam-packed full of fascinating facts, You Say Potato is a celebration of the myriad ways in which the English language is spoken - and how our accents, in so many ways, speak louder than words.
People often say they haven’t yet found a good dictionary to interpret their dreams, signs and symbols. The Source Code brings a whole new vision to the subject and will surely become one of the most important reference books in this field. It will be published simultaneously in English and French and found in bookstores and malls in many countries all over the world, including the UK and the USA. It’s written by Kaya, one of today’s most eminent specialists in dream interpretation, assisted by over 100 of his students, who are doctors, psychologists, nurses, therapists, linguists, teachers and specialists in many fields, in many different countries. The idea of uniting so many people for this extraordinary project came from the workshops Kaya has been giving on dream and symbol interpretation for over 12 years now. During these workshops, when Kaya asked students in groups of 4 to deepen and define symbols, he realized how advanced they were, and so he asked them to help him finish his work. Hence his publishing house, UCM set up work teams to carry out the necessary research so Kaya could then write the final metaphysical syntheses and definitions.
A book presenting the + and – of each symbol
The Dictionary, Dreams-Signs-Symbols, The Source Code, helps us discover, in great depth, over 870 pages, the most common words in dreams and signs. Each word is analyzed in detail with its physical and metaphysical characteristics, and a synthesis defining the + and – of each symbol is included. This provides the reader with an analytical, understandable vision of the various different possible interpretations. Just one word may occupy 2 or 3 explanatory pages, which makes this Dictionary very complete from all points of view. Readers will also find a detailed introduction explaining dream mechanics as well as the multiple angles and subtleties of dream and sign interpretation.
Extract from the Preface by Kasara (Kaya’s daughter)
The day we receive The Source Code, our life changes completely… Shortly after my birth, my father’s life completely changed. From one day to the next, he started having 10-50 dreams every night. He studied dreams in his dream. He could no longer tell the difference between dream and reality. To everyone’s surprise, he quit everything. He became the village fool, the incomprehensible hermit, and all to deepen his research and understanding of dreams. Everyone either laughed at him or didn’t understand. I lived through this change alongside him – those early years when we feel other people’s fear and mistrust because we aren’t like everyone else. The greatest philosophers and scholars of the past often lived as visionaries before being really understood, because they traced a new path, one which called into question our way of thinking and understanding of the world we live in.
My father went through many ordeals to offer us this unique book. You have no idea how psychologically difficult it was. I sometimes consoled him, hugging him, telling him it was going to be ok; everything was going to be all right. I have so much admiration and love for my father. He sacrificed his career, everything a man could wish for, in order to follow his inner guidance, the wind of change and transformation that took form in his dreams. Above all, he had the courage to turn the page, to completely change his life in order to get to know himself better, to better understand the Source Code and to transmit it to us today. Now, with this revolution of Knowledge for the science of our conscience, the great changes he undertook take on their full meaning. Surpassing all of the previous research into the meaning of dreams, Kaya opens the path to our autonomy of conscience; he helps us understand the multi-dimensions, the metaphysics that we all have within ourselves. He may have been ridiculed and denigrated as a man, but this whole path was all worthwhile to help people all over the world who are on a spiritual path today, seeking to make sense of their lives; therapists, psychiatrists, psychologists and doctors now use The Source Code to help patients better understand how their conscience works.
The pun is commonly dismissed as the lowest form of wit, and punsters are often unpopular for their obsessive wordplay. But such attitudes are relatively recent developments. In The Pun Also Rises, John Pollack-a former World Pun Champion and presidential speechwriter for Bill Clinton-explains why such wordplay is significant: It both revolutionized language and played a pivotal role in making the modern world possible. Skillfully weaving together stories and evidence from history, brain science, pop culture, literature, anthropology, and humor, The Pun Also Rises is an authoritative yet playful exploration of a practice that is common, in one form or another, to virtually every language on earth.
At once entertaining and educational, this engaging book answers fundamental questions: Just what is a pun, and why do people make them? How did punning impact the development of human language, and how did that drive creativity and progress? And why, after centuries of decline, does the pun still matter?
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Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries and key readings—all in the same volume. The innovative and flexible ‘two-dimensional’ structure is built around four sections—introduction, development, exploration and extension—which offer self-contained stages for study. Each topic can also be read across these sections, enabling the reader to build gradually on the knowledge gained.
Revised and updated throughout, this third edition of Practical Phonetics and Phonology:
presents the essentials of the subject and their day-to-day applications in an engaging and accessible manner covers all the core concepts of speech science, such as the phoneme, syllable structure, production of speech, vowel and consonant possibilities, glottal settings, stress, rhythm, intonation and the surprises of connected speech incorporates classic readings from key names in the discipline including David Abercrombie, David Crystal, Dennis Fry, Daniel Jones, Peter Ladefoged, Peter Trudgill and John Wells includes an audio CD containing a collection of samples provided by genuine speakers of 25 accent varieties from Britain, Ireland, the USA, Canada, Australia, New Zealand, South Africa, India, Singapore and West Africa gives outlines of the sound systems of six key languages from around the world contains over a hundred activity exercises, many accompanied by audio material is accompanied by a brand new companion website featuring additional guidance, audio files, keys to activities in the book, further exercises and activities, and extra practice in phonemic transcription
New features of this edition include an additional reading on teaching pronunciation, phonetic descriptions of three more languages (Japanese, Polish and Italian), expanded material on spelling/sound relationships, more information on acquiring the pronunciation of a foreign language, additional suggestions for further reading and much new illustrative material.
Written by authors who are experienced teachers and researchers, this best-selling textbook will appeal to all students of English language and linguistics and those training for a certificate in TEFL.
These questions, and more, about our language catapulted Robert MacNeil and William Cran—the authors (with Robert McCrum) of the language classic The Story of English—across the country in search of the answers. Do You Speak American? is the tale of their discoveries, which provocatively show how the standard for American English—if a standard exists—is changing quickly and dramatically.
On a journey that takes them from the Northeast, through Appalachia and the Deep South, and west to California, the authors observe everyday verbal interactions and in a host of interviews with native speakers glean the linguistic quirks and traditions characteristic of each area. While examining the histories and controversies surrounding both written and spoken American English, they address anxieties and assumptions that, when explored, are highly emotional, such as the growing influence of Spanish as a threat to American English and the special treatment of African-American vernacular English. And, challenging the purists who think grammatical standards are in serious deterioration and that media saturation of our culture is homogenizing our speech, they surprise us with unpredictable responses.
With insight and wit, MacNeil and Cran bring us a compelling book that is at once a celebration and a potent study of our singular language.
Each wave of immigration has brought new words to enrich the American language. Do you recognize the origin of
1. blunderbuss, sleigh, stoop, coleslaw, boss, waffle?
2. dumb, ouch, shyster, check, kaput, scram, bummer?
3. phooey, pastrami, glitch, kibbitz, schnozzle?
4. broccoli, espresso, pizza, pasta, macaroni, radio?
5. smithereens, lollapalooza, speakeasy, hooligan?
6. vamoose, chaps, stampede, mustang, ranch, corral?
1. Dutch 2. German 3. Yiddish 4. Italian 5. Irish 6. Spanish
From the Hardcover edition.
In That’s Not English, the seemingly superficial differences between British and American English open the door to a deeper exploration of a historic and fascinating cultural divide. In each of the thirty chapters, Erin Moore explains a different word we use that says more about us than we think. For example, "Quite" exposes the tension between English reserve and American enthusiasm; in "Moreish," she addresses our snacking habits. In "Partner," she examines marriage equality; in "Pull," the theme is dating and sex; "Cheers" is about drinking; and "Knackered" covers how we raise our kids. The result is a cultural history in miniature and an expatriate’s survival guide.
American by birth, Moore is a former book editor who specialized in spotting British books—including Eats, Shoots & Leaves—for the US market. She’s spent the last seven years living in England with her Anglo American husband and a small daughter with an English accent. That’s Not English is the perfect companion for modern Anglophiles and the ten million British and American travelers who visit one another’s countries each year.
Provides an ideal first course book in phonology, written by arenowned phonologist
Developed and tested in the classroom through years ofexperience and use
Emphasizes analysis of phonological data, placing this in itsscientific context, and explains the relevant methodology
Guides students through the larger questions of whatphonological patterns reveal about language
Includes numerous course-friendly features, includingmulti-part exercises and annotated suggestions for further readingat the end of each chapter
The analyses focus on a diverse range of texts from very different contexts, using analytic techniques that are based on the latest research in this field. They represent a wealth of exploratory, innovative and challenging perspectives, and are a key contribution to the extension of systemic-functional theory to the analysis of multimodality, identity and affiliation.
The volume is of interest to linguists, applied linguists, semioticians, and communication theorists.
The book takes the reader through three distinct grammatical frameworks – functional grammar, multimodal grammar and cognitive grammar. Using examples taken from a range of discourses relating to globalisation, including discourses of immigration, war, corporate practice and political protests, the book demonstrates the individual utility and the interconnectedness of these models inside CDA. A key argument advanced is that the cognitive processes necessarily involved in making sense of language are based in visual experience. This position offers new ways of understanding the ideological effects of grammatical choices in texts and suggests a reassessment of the relationship between linguistic and multimodal grammars in CDA.
The book will appeal to students and researchers interested in CDA and the relationship between discourse, cognition and social action.
Key features include:A consistent mentalist perspective on meaning Broad coverage of lexical and sentence semantics, including three new chapters discussing deixis, NP semantics, presuppositions, verb semantics and frames Examples from a wider range of languages that include German, Japanese, Spanish and Russian. Practical exercises on linguistic data Companion website including all figures and tables from the book, an online dictionary, answers to the exercises and useful links at routledge.com/cw/loebner
This book is an essential resource for all undergraduate students studying semantics.Sebastian Löbner is a Professor of Linguistics at the Institute for Language and Information at the University of Düsseldorf, Germany
across seven Indo-European languages (English, German, Norwegian,
French, Russian, Latin and Ancient Greek): bare and comitative small
clauses (“absolutes”), participle constructions and related clause-like but
non-finite adjuncts that increase descriptive granularity with respect to
constitutive parts of the matrix event (elaboration in the narrowest
sense), or describe eventualities that are co-located and connected
with but not part of the matrix event. The book falls in two
parts. Part I addresses central theoretical issues: How is the co-eventive
interpretation of such adjuncts achieved? What is the internal syntax of
participial and converb constructions? How do these constructions
function at the discourse level, as compared to various finite structures
that are available for co-eventive elaboration? Part II takes an empirical
cross-linguistic perspective. It consists of five self-contained chapters that
are based on parallel corpora and study either the use of a specific
construction across at least two of the seven object languages, or how a
specific construction is rendered in other languages.
This eighth edition has been updated to describe General British (GB) as the principal accent, rather than RP, and the accompanying transcriptions have been brought into line with recent changes in pronunciation. This latest edition also includes completely rewritten chapters on the history of the language and the emergence of a standard, alongside a justification for the change from RP to GB.
A further bonus to this important text is its extensive and attractive new Companion Website (www.routledge.com/cw/cruttenden), which now includes moment-by-moment commentaries on videos showing the articulation of all GB consonants and vowels in spoken phrases, as well as cross-referencing between the book and these videos. The Companion Website also includes new recordings of Old English, Middle English, and Early Modern English, and features links to recordings of recent and current GB with comments and transcriptions.
Comprehensive yet accessible, Gimson’s Pronunciation of English remains the indispensable reference book for anyone for anyone with an interest in English phonetics.
The first chapters deal with the physiological and perceptual correlations of tone. These chapters also describe the interactions of tonal and nontonal features. The succeeding chapters provide the phonetic basis for phonological tonal phenomena. These topics are followed by discussions of the physical and physiological aspects of tone, the number of possible contrastive tones in a language, and a suprasegmental representation of tones based on linguistic evidence. This text also summarizes the kinds of tone rules found in languages and the important syntactic function played by tone in a number of the world’s languages, particularly those in Africa. The final chapters look into the general and specific principles that constrain historical tone change.
This book will prove useful to students with phonology course.
Meaning in Context collects some of the biggest names in systemic functional linguistics in one volume, and shows how this theory can be applied to language studies 'intelligently', in order to arrive at a better understanding of how meaning is constructed in language. The chapters use systemic functional theory to examine a range of issues including corpus linguistics, multimodality, language technology, world Englishes and language evolution.
This forward-thinking volume will be of interest to researchers in applied linguistics and systemic functional linguistics.
The book is divided into two parts. In the first part, the chapters are organised around different methodological perspectives for CDS (history, cognition, multimodality and corpora, among others). In the second part, the chapters are organised around particular discourse types and topics investigated in CDS, both traditionally (e.g. issues of racism and gender inequality) and only more recently (e.g. issues of health, public policy, and the environment).
This is, altogether, an essential new reference work for all CDS practitioners.