Baskind examines the painter's art and life in the rich context of religious, cultural, political, and social conditions in the twentieth-century United States. By promoting an understanding of Soyer as a Jewish American artist, she addresses larger questions about the definition and study of modern Jewish art. Whereas previous scholars have defined Jewish art simply as art produced by people who were born Jewish, Baskind stresses the importance of an artist's cultural identity when defining ethnic art. As Baskind explains how Soyer negotiated his Jewish identity in changing ways over his lifetime, she offers new strategies for identifying and interpreting Jewish art in general. Her analysis of Soyer's work places the artist in a necessary context and provides a valuable new approach to the study of modern Jewish art.
In contrast to other ethnic and national representations, Jewish writers since antiquity have not constructed a neat antithesis between the desert and the city or nation; rather, the desert becomes a symbol against which the values of the city or nation can be tested, measured, and sometimes found wanting. This book examines how the ethical tension between the clashing Mosaic and Davidic paradigms of the desert still reverberate in secular Jewish literature and produce fascinating literary rewards. Omer-Sherman ultimately argues that the ancient encounter with the desert acquires a renewed urgency in response to the crisis brought about by national identities and territorial conflicts.
Praise for Yiddishkeit:
“The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’ It pervades this volume, which he acknowledges is messy; he writes: ‘You really can't define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —New York Times
“Yiddishkeit is as colorful, bawdy, and charming as the culture it seeks to represent.”
“every bit of it brimming with the charm and flavor of its subject and seamlessly meshing with the text to create a genuinely compelling, scholarly comics experience”
“Yiddishkeit is a book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune
“a postvernacular tour de force”
“A fascinating and enlightening effort that takes full use of the graphic storytelling medium in an insightful and revelatory way.” —The Miami Herald
“With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah
“gorgeous comix-style portraits of Yiddish writers”
“Yiddishkeit has managed to survive, if just barely, not because there are individuals dedicated to its survival, though there are, but because Yiddishkeit is an essential part of both the Jewish and the human experience.”
—Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction
"The hearty hardcover is a scrumptious smorgasbord of comics, essays, and illustrations, edited by Harvey Pekar and Paul Buhle, providing concentrated tastes, with historical context, of Yiddish theater, literature, characters and culture." —Heeb magazine
Join me on a global adventure in search of the 7 dragon balls, as we head west toward Japan, the birthplace of Dragon Ball. Along the way we'll meet 81 fans from 25 countries who will share their Dragon Ball story. From artists to authors, collectors to philosophers, we'll hear their Dragon Soul and discover how Dragon Ball changed their lives. Includes over 100 images.
We'll meet such famous fans as Lawrence Simpson (MasakoX) from Team Four Star, Malik from Dragon Ball New Age, Salagir from Dragon Ball Multiverse, MMA fighter Marcus Brimage, YouTube celebrities SSJGoshin4, Nelson Junior (Casa do Kame), and film critic Chris Stuckmann, famous cosplayers "Living Ichigo," Atara Collis, and Jah'lon Escudero, the creators of Dragon Ball Z: Light of Hope, Twitter star @Goku, authors Patrick Galbraith, Nestor Rubio, and Vicente Ramirez, and dozens more.
Joining us will be 27 professionals from 7 countries, including American voice actors Chris Sabat (Vegeta), Sean Schemmel (Goku), Chris Ayres (Freeza), Chris Rager (Mister Satan), Mike McFarland (Master Roshi), Chuck Huber (Android 17), Kyle Hebert (Son Gohan), Jason Douglas (Beerus), Chris Cason (Tenshinhan), FUNimation employees Justin Rojas, Adam Sheehan, and Rick Villa, Dragon Ball Z composer Bruce Faulconer, Dragon Ball manga editor Jason Thompson, Canadian voice actors Peter Kelamis (Goku) and Brian Drummond (Vegeta), Latin American voice actors Mario Castaneda (Goku), Rene Garcia (Vegeta), Eduardo Garza (Krillin), French voice actor Eric Legrand (Vegeta), French journalist Olivier Richard, Spanish voice actors Jose Antonio Gavira (Goku), Julia Oliva (Chichi), and manga editor David Hernando, Danish voice actors Caspar Philllipson (Goku) and Peter Secher Schmidt (Freeza), and Brazilian voice actor Wendel Bezerra (Goku).
Gather your belongings, jump on your magic cloud, and embark on a grand adventure, in Dragon Soul: 30 Years of Dragon Ball Fandom!
In Dragon Ball Culture Volume 4, you'll discover the origin of the Red Ribbon Army in Western cinema. You'll see how author Akira Toriyama brings Western concepts into his Eastern world and fuses them together, creating the Dragon World that we know and love. And you’ll learn how monster movies, witches, and magical dragons mix together to tell a story about a young boy with a dream of becoming stronger.
Volume 4 explores Chapters 54 to 112 of the Dragon Ball manga. So let's hop on our magic cloud and head west with Goku!
Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.
In Dragon Ball Culture Volume 3: Battle, you’ll discover the origin of Goku’s training mentality. You’ll see how Akira Toriyama combines thousands of years of martial arts history and modern cinema together to create the Tenkaichi Budōkai. And you’ll hear how Dragon Ball almost gets cancelled, but then changes its format to become the world’s most recognized anime and manga series.
Travel alongside Goku as he becomes the disciple of the world’s greatest martial artist, meets his new training partner, and competes in the largest tournament on Earth. Will this wild monkey boy gain the discipline he needs to become the champion?
Volume 3 explores Chapters 24 to 53 of the Dragon Ball manga. Let the battle begin!
The Apocalyptic Imagination by John Collins is one of the most widely praised studies of Jewish apocalyptic literature ever written. And this second edition of Collins's study represents a complete updating and rewriting of the original work. Especially noteworthy is the chapter on the Dead Sea Scrolls, which now takes into account all of the recently published texts. Other chapters discuss apocalypse as a literary genre, explore the phenomenon and function of apocalypticism in the ancient world, study a wide range of individual apocalyptic texts, and examine the apocalyptic character of early Christianity.
Over 11 years in development, at over 2,000 pages, and featuring over 1,800 unique terms, Dragon Ball Culture is a 7 Volume analysis of your favorite series. You will go on an adventure with Son Goku, from Chapter 1 to 194 of the original Dragon Ball series, as we explore every page, every panel, and every sentence, to reveal the hidden symbolism and deeper meaning of Dragon Ball.
In Volume 1 you will discover the origin of Dragon Ball. How does Akira Toriyama get his big break and become a manga author? Why does he make Dragon Ball? Where does Dragon Ball’s culture come from? And why is it so successful?
Along the way you’ll be informed, entertained, and inspired. You will learn more about your favorite series and about yourself.
Now step with me through the doorway of Dragon Ball Culture.
Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman’s creator. Beginning in his undergraduate years at Harvard, Marston was influenced by early suffragists and feminists, starting with Emmeline Pankhurst, who was banned from speaking on campus in 1911, when Marston was a freshman. In the 1920s, Marston and his wife, Sadie Elizabeth Holloway, brought into their home Olive Byrne, the niece of Margaret Sanger, one of the most influential feminists of the twentieth century. The Marston family story is a tale of drama, intrigue, and irony. In the 1930s, Marston and Byrne wrote a regular column for Family Circle celebrating conventional family life, even as they themselves pursued lives of extraordinary nonconformity. Marston, internationally known as an expert on truth—he invented the lie detector test—lived a life of secrets, only to spill them on the pages of Wonder Woman.
The Secret History of Wonder Woman is a tour de force of intellectual and cultural history. Wonder Woman, Lepore argues, is the missing link in the history of the struggle for women’s rights—a chain of events that begins with the women’s suffrage campaigns of the early 1900s and ends with the troubled place of feminism a century later.
This edition includes a new afterword with fresh revelations based on never before seen letters and photographs from the Marston family’s papers.
With 161 illustrations and 16 pages in full color
The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.
Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz.
From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities.
The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.
· A much expanded selection of original documents, many never before anthologised in English
· Added treatment of the role of non-Germans in the Holocaust and the geographical variations in Jewish response
· Additional consideration of the much-debated nexus between the Holocaust and modernity
· A new section on how 'the Holocaust' developed as a distinct historical topic
· Useful and informative Chronology, Who’s Who and Glossary
David Engel’s book is a taut, compact narration that appeals to the intellect as much, if not more, than to the emotions. It is sure to be welcomed by students in departments of History, Politics and European Studies as well as by anyone trying to get to grips with this complex and far-reaching subject for the first time.
With the stated purpose of restoring ethics to its central role in Judaism, Rabbi Joseph Telushkin offers hundreds of examples from the Torah, the Talmud, rabbinic commentaries, and contemporary stories to illustrate how ethical teachings can affect our daily behavior. The subjects dealt with are ones we all encounter. They include judging other people fairly; knowing when forgiveness is obligatory, optional, or forbidden; balancing humility and self-esteem; avoiding speech that shames others; restraining our impulses of envy, hatred, and revenge; valuing truth but knowing when lying is permitted; understanding why God is the ultimate basis of morality; and appreciating the great benefits of Torah study. Telushkin has arranged the book in the traditional style of Jewish codes, with topical chapters and numbered paragraphs. Statements of law are almost invariably followed by anecdotes illustrating how these principles have been, or can be, practiced in daily life. The book can be read straight through to provide a solid grounding in Jewish values, consulted as a reference when facing ethical dilemmas, or studied in a group.
Vast in scope, this volume distills more than three thousand years of Jewish laws and suggestions on how to improve one’s character and become more honest, decent, and just. It is a landmark work of scholarship that is sure to influence the lives of Jews for generations to come, rich with questions to ponder and discuss, but primarily a book to live by.
From the Hardcover edition.
A dramatic shift is taking place in Israel and America. In Israel, the deepening occupation of the West Bank is putting Israeli democracy at risk. In the United States, the refusal of major Jewish organizations to defend democracy in the Jewish state is alienating many young liberal Jews from Zionism itself. In the next generation, the liberal Zionist dream—the dream of a state that safeguards the Jewish people and cherishes democratic ideals—may die.
In The Crisis of Zionism, Peter Beinart lays out in chilling detail the looming danger to Israeli democracy and the American Jewish establishment's refusal to confront it. And he offers a fascinating, groundbreaking portrait of the two leaders at the center of the crisis: Barack Obama, America's first "Jewish president," a man steeped in the liberalism he learned from his many Jewish friends and mentors in Chicago; and Benjamin Netanyahu, the Israeli prime minister who considers liberalism the Jewish people's special curse. These two men embody fundamentally different visions not just of American and Israeli national interests but of the mission of the Jewish people itself.
Beinart concludes with provocative proposals for how the relationship between American Jews and Israel must change, and with an eloquent and moving appeal for American Jews to defend the dream of a democratic Jewish state before it is too late.
Rosten described his book as “a relaxed lexicon of Yiddish, Hebrew, and Yinglish words often encountered in English, plus dozens that ought to be, with serendipitous excursions into Jewish humor, habits, holidays, history, religion, ceremonies, folklore, and cuisine–the whole generously garnished with stories, anecdotes, epigrams, Talmudic quotations, folk sayings, and jokes.” To this day, it is considered the seminal work on Yiddish in America–a true classic and a staple in the libraries of Jews and non-Jews alike.
With the recent renaissance of interest in Yiddish, and in keeping with a language that embodies the variety and vibrancy of life itself, The New Joys of Yiddish brings Leo Rosten’s masterful work up to date. Revised for the first time by Lawrence Bush in close consultation with Rosten’s daughters, it retains the spirit of the original–with its wonderful jokes, tidbits of cultural history, Talmudic and Biblical references, and tips on pronunciation–and enhances it with hundreds of new entries, thoughtful commentary on how Yiddish has evolved over the years, and an invaluable new English-to-Yiddish index. In addition, The New Joys of Yiddish includes wondrous and amusing illustrations by renowned artist R.O. Blechman.
From the Hardcover edition.
With each step that Goku takes, you'll discover more of the hidden spirituality and symbolism in Dragon Ball that makes the series so successful. You'll see how author Akira Toriyama synthesizes Chinese culture, Western technology, and Buddho-Daoist philosophy to create a series that speaks to your humanity. Not because of the action or the humor, but because it reminds you of what it means to be alive.
Along the way you'll learn of Goku's ancient origin. You'll hear how the legend of a wild monkey-man begins in India, evolves across 2,000 years of Chinese and Japanese history, and leads to the Goku you know and love.
I'll walk you through the journey from the first page to the last. And by the time we're done, you will be an expert on Dragon Ball's culture.
Volume 2 explores Chapters 1 to 23 of the Dragon Ball manga. So let's take our first step with Goku!
membership in “the tribe” defined by shared religious beliefs? Common
ethnic backgrounds? Familiar holiday practices? Similar tastes in
culture and cuisine? And what do the widely varying answers to those
questions mean for the future of the American Jewish community?
2013, at the suggestion of Jewish Daily Forward editor Jane Eisner, the
Pew Research Center completed the most comprehensive and credible
survey ever conducted among American Jews. Its findings were nothing
short of astounding to communal leaders, demographers and individual
In this new e-book, the venerable Forward – the
premier source of news, analysis and cultural coverage that matters to
the American Jewish community – explains and analyzes the Pew report,
with contributions from its own journalists and a diverse selection of other experts.
sobering and sometimes even amusing, this accessible collection of
articles and essays will inform and enlarge the critical conversation
among American Jews about their communal future.
helpful discussion guide for educators, community and book groups, and
leaders of Jewish organizations.
NEW YORK MAGAZINE No. 706, Wednesday, February 2, 2011, Cultural Page 16 University Professor and Doctor Aurel Sasu, HOMAGE TO THE JEWS FROM THE UNITED STATES AND CANADA, Commentary regarding the volume SALUTE TO THE ROMANIAN JEWS IN AMERICA AND CANADA, 1850-2010: HISTORY, ACHIEVEMENTS, AND BIOGRAPHIES by Vladimir F. Wertsman
The publication of SALUTE TO THE ROMANIAN JEWS IN AMERICA AND CANADA,1850-2010: HISTORY, ACHIEVEMENTS, AND BIOGRAPHIES, XLibris , Bloomington, IN, 2010, 287 pp. by Vladimir F. Wertsman, one of the most valued, respected and dedicated researchers on multiculturalism over the Ocean, was no surprise to anybody in light of the author´s previous triptych: THE ROMANIANS IN AMERICA, 1748-1974: A CHNRONOLOGY AND FACT BOOK(1975), THE ROMANIANS IN AMERICA AND CANADA: A GUIDE TO INFORMTION SOURCES, (1980), and THE ROMANIANS IN THE UNITED STATES ANADA CANADA: A GUIDE TO ANCESTRY AND HERITAGE RESEARCH (2003). All of these titles reflect the author´s older concerns regarding immigration, integration, and identity preserved via the values of organic tradition.
Those who know this passionate book lover (he served many years as senior librarian at the New York Public Library) also know how much he is proud of his Romanian education (he is a graduate of the University "A.I. Cuza" Law School, 1953) and the prestige of Romanian people of culture abroad in whose spirit he was formed. Established in the USA in 1967, the future author did not forget the depth of his primary sources and his Romanian heritage. Regardless how often he appears in the Romanian community, he is admired for his work, advice, and wisdom. His main message is friendship, mutual understanding and respect.
The above mentioned volume on Romanian Jews in America and Canada starts with a "microchronology" of Romania´s two millennia Jewish community going back to the year 70 AD, when some Jews found asylum in Dacia after the destruction of the Jerusalem Temple. Under King Decebal, Jews are permitted to reside without any restriction. They were merchants, translators, and purveyors, Matei Basarab offers asylum to Hungarian Jews who refused to convert to Catholicism, under Alexander the Good and Stephen the Great, the Jews are free to live in any part of Moldavia. Also, Stephen the Great and his son Bogdan Voda kept Isaac Benjamin Shor as their logofat (chancellor). In the 16th century, first Sephardic communities are mentioned in Bucharest and Craiova, also Jewish stable communities are mentioned in Iasi (with a synagogue and cemetery), Suceava, Botosani, Sibiu, Cluj. Vasile Lupu (17th century) accepts several Jewish doctors and pharmacists at his court, Constantin Brancoveanu will do the same one century later. In 1665, a document mentions that along with Valachians and Serbs there were Jews in Michael the Brave´s Army. Constantin Mavrocordat accords fiscal immunity to Jews settled in Herta, Balti, Orhei, Ocna, and Harlau. From DESCRIPTIO MOLDAVIAE (1717) by Dimitrie Cantemir, we find that Jews could build wooden synagogues without any restrictions. Starting with the 18th century, mixed musical bands (lautari) are formed; they consisted of Romanians, Jews, and Gypsies. After the hardships endured by Jews during the Russian-Turkish War (1769-1774), Alexandru Mavrocordat and Nicolae Mavrogheni accord special protection to the Jewish population. In 1803, there were about 3,000 Jewish families in Moldova, fifty years later, the Jewish population increased to more than 130,000. In the Proclamation of Islaz (1848), the rights of the Jewish community are explicitly mentioned: "the emancipation of the Israelites and political rights for all compatriots of other creeds". In 1852, the first Jewish school is opened in Bucharest, and in 1847 appears ISRAELITUL ROMAN, the first newspaper of the Jewish communities from Moldavia and Walachia
Contributors are Andrej Angrick, Omer Bartov, Karel C. Berkhoff, Ray Brandon, Martin Dean, Dennis Deletant, Frank Golczewski, Alexander Kruglov, Wendy Lower, Dieter Pohl, and Timothy Snyder.
Hasidic women complicate stereotypes of nonliberal religious women by collapsing distinctions between the religious and the secular. In this innovative book, Fader demonstrates that contemporary Hasidic femininity requires women and girls to engage with the secular world around them, protecting Hasidic men and boys who study the Torah. Even as Hasidic religious observance has become more stringent, Hasidic girls have unexpectedly become more fluent in secular modernity. They are fluent Yiddish speakers but switch to English as they grow older; they are increasingly modest but also fashionable; they read fiction and play games like those of mainstream American children but theirs have Orthodox Jewish messages; and they attend private Hasidic schools that freely adapt from North American public and parochial models. Investigating how Hasidic women and girls conceptualize the religious, the secular, and the modern, Mitzvah Girls offers exciting new insights into cultural production and change in nonliberal religious communities.
—Mark Waid, Eisner Award-winning writer of Kingdom Come and Daredevil
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood’s leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.
Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before.
The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
In 1900, in a small Prussian town, a young boy was found murdered, his body dismembered, the blood drained from his limbs. The Christians of the town quickly rose up in violent riots to accuse the Jews of ritual murder—the infamous blood-libel charge that has haunted Jews for centuries. In an absorbing narrative, Helmut Walser Smith reconstructs the murder and the ensuing storm of anti-Semitism that engulfed this otherwise peaceful town. Offering an instructive examination of hatred, bigotry, and mass hysteria, The Butcher's Tale is a modern parable that will be a classic for years to come.
Winner of the Fraenkel Award and a Los Angeles Times Best Book of 2002.
Arguing that we must take seriously the possibility that the Nazis were in some measure correct, Gimbel examines Einstein and his work to explore how beliefs, background, and environment may—or may not—have influenced the work of the scientist. You cannot understand Einstein’s science, Gimbel declares, without knowing the history, religion, and philosophy that influenced it.
No one, especially Einstein himself, denies Einstein's Jewish heritage, but many are uncomfortable saying that he was being a Jew while he was at his desk working. To understand what "Jewish" means for Einstein’s work, Gimbel first explores the many definitions of "Jewish" and asks whether there are elements of Talmudic thinking apparent in Einstein’s theory of relativity. He applies this line of inquiry to other scientists, including Isaac Newton, René Descartes, Sigmund Freud, and Émile Durkheim, to consider whether their specific religious beliefs or backgrounds manifested in their scientific endeavors.
Einstein's Jewish Science intertwines science, history, philosophy, theology, and politics in fresh and fascinating ways to solve the multifaceted riddle of what religion means—and what it means to science. There are some senses, Gimbel claims, in which Jews can find a special connection to E = mc2, and this claim leads to the engaging, spirited debate at the heart of this book.
· Dustin Hoffman, Steven Spielberg, Gene Wilder, Joan Rivers, and Leonard Nimoy talk about their startling encounters with anti-Semitism.
· Kenneth Cole, Eliot Spitzer, and Ronald Perelman explore the challenges of intermarriage.
· Mike Wallace, Richard Dreyfuss, and Ruth Reichl express attitudes toward Israel that vary from unquestioning loyalty to complicated ambivalence.
· William Kristol scoffs at the notion that Jewish values are incompatible with Conservative politics.
· Alan Dershowitz, raised Orthodox, talks about why he gave up morning prayer.
· Shawn Green describes the pressure that comes with being baseball’s Jewish star.
· Natalie Portman questions the ostentatious bat mitzvahs of her hometown.
· Tony Kushner explains how being Jewish prepared him for being gay.
· Leon Wieseltier throws down the gauntlet to Jews who haven’t taken the trouble to study Judaism.
These are just a few key moments from many poignant, often surprising, conversations with public figures whom most of us thought we already knew.
“When my mother got her nose job, she wanted me to get one, too. She said I would be happier.”—Dustin Hoffman
“It’s a heritage to be proud of. And then, too, it’s something that you can’t escape because the world won’t let you; so it’s a good thing you can be proud of it.”
—Ruth Bader Ginsburg
“My wife [Kate Capshaw] chose to do a full conversion before we were married in 1991, and she married me as a Jew. I think that, more than anything else, brought me back to Judaism.”—Steven Spielberg
“As someone who was born in Israel, you’re put in a position of defending Israel because you know how much is at stake.”—Natalie Portman
As the German tanks destroy the Warsaw Ghetto, one of the few remaining fighters, Yosl Rakover, writes out his last words to God, seals the text in a glass bottle, and thrusts it into the rubble before preparing to die. The text surfaces in Europe in the 1950s, is passed from hand to hand, is broadcast on Radio Berlin -- where it is acclaimed by Thomas Mann as a religious masterpiece -- is anthologized and translated into many languages.
But what is hailed as the most important testament of the Holocaust is in fact a short story, written in 1946 for a Yiddish newspaper by a remarkable young Jew, Zvi Kolitz, in Buenos Aires, where he had gone to raise money for the Jewish underground in the struggle to establish the State of Israel. The Borgesian story of what happened to the text and to Kolitz in the fifty years since, and the detective work of German journalist Paul Badde that resulted in their eventual rejoining, form the second part of this fascinating book. And in an afterword, the great French philosopher Emmanuel Lévinas's meditation on the text is answered in a commentary by Leon Wieseltier.
Already an acclaimed bestseller in Europe, Yosl Rakover Talks to God restores a blazing artifact of twentieth-century writing to its true setting.
As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating.
Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany.
But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.
In August of 1991, the Brooklyn neighborhood of Crown Heights was engulfed in violence following the deaths of Gavin Cato and Yankel Rosenbaum—a West Indian boy struck by a car in the motorcade of a Hasidic spiritual leader and an orthodox Jew stabbed by a Black teenager. The ensuing unrest thrust the tensions between the Lubavitch Hasidic community and their Afro-Caribbean and African American neighbors into the media spotlight, spurring local and national debates on diversity and multiculturalism. Crown Heights became a symbol of racial and religious division. Yet few have paused to examine the nature of Black-Jewish difference in Crown Heights, or to question the flawed assumptions about race and religion that shape the politics—and perceptions—of conflict in the community.
In Race and Religion among the Chosen Peoples of Crown Heights, Henry Goldschmidt explores the everyday realities of difference in Crown Heights. Drawing on two years of fieldwork and interviews, he argues that identity formation is particularly complex in Crown Heights because the neighborhood’s communities envision the conflict in remarkably diverse ways. Lubavitch Hasidic Jews tend to describe it as a religious difference between Jews and Gentiles, while their Afro-Caribbean and African American neighbors usually define it as a racial difference between Blacks and Whites. These tangled definitions are further complicated by government agencies who address the issue as a matter of culture, and by the Lubavitch Hasidic belief—a belief shared with a surprising number of their neighbors—that they are a “chosen people” whose identity transcends the constraints of the social world.
The efforts of the Lubavitch Hasidic community to live as a divinely chosen people in a diverse Brooklyn neighborhood where collective identities are generally defined in terms of race illuminate the limits of American multiculturalism—a concept that claims to celebrate diversity, yet only accommodates variations of certain kinds. Taking the history of conflict in Crown Heights as an invitation to reimagine our shared social world, Goldschmidt interrogates the boundaries of race and religion and works to create space in American society for radical forms of cultural difference.
Alan Moore: Conversations includes ten substantial interviews, beginning with Moore’s first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers.
While Moore’s personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore’s creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader’s enjoyment and understanding of Moore’s work.
Written by Dean J. Champion, "Police Misconduct in America" covers police history back to Mesopotamia, outlines controversies, provides a broad chronology of significant eras in police history and a timeline of specific events, and offers biographical sketches of key personalities from J. Edgar Hoover to Alice Stebbens Wells, the first American policewoman. It also includes are summaries of key Supreme Court cases, an extensive list of organizations concerned about police misconduct, government documents and agency publications, and other references.
Based on new archival research and original interviews with Schulz’s family, friends, and colleagues, author Stephen J. Lind offers a new spiritual biography of the life and work of the great comic strip artist. In his lifetime, aficionados and detractors both labeled Schulz as a fundamentalist Christian or as an atheist. Yet his deeply personal views on faith have eluded journalists and biographers for decades. Previously unpublished writings from Schulz will move fans as they begin to see the nuances of the humorist’s own complex, intense journey toward understanding God and faith.
“There are three things that I’ve learned never to discuss with people,” Linus says, “Religion, politics, and the Great Pumpkin.” Yet with the support of religious communities, Schulz bravely defied convention and dared to express spiritual thought in the “funny pages,” a secular, mainstream entertainment medium. This insightful, thorough study of the 17,897 Peanuts newspaper strips, seventy-five animated titles, and global merchandising empire will delight and intrigue as Schulz considers what it means to believe, what it means to doubt, and what it means to share faith with the world.
Akira Toriyama starts us off by introducing three new characters into the story. These are Tenshinhan, Chaozu, and their evil master, Tsuru-sennin. This book reveals each of their cultural backgrounds. That’s right, if you’ve ever said to yourself, “Why does Tenshinhan have a third eye?” and, “What the heck is Chaozu?!” then this is the book you’ve been waiting for.
Toriyama then takes the Dragon Ball story to new depths by adding demons and gods into the mix. He increases the intensity of the series and makes it so Goku has no choice but to train harder in order to enact his revenge. And the way Goku does it is straight out of secret Daoist meditation practices of ancient China. Inside these pages you’ll discover the true origin of the demon king, find out how Goku learns to sense the energy of his opponents, and understand the full power of the world famous senzu.
This book contains hundreds of new revelations about your favorite characters and their adventures through the Dragon World.
Volume 5 explores Chapters 113 to 161.
It's time to face your demons!
- Jewish Book World
"Cherry has analyzed the biblical commentary of some of the renowned Jewish scholars of the last 2,000 years. The result is a work of excellent scholarship and imagination."
?Cherry shows how the Torah functions as literature that is fluid, compelling, and persistently generative of new meanings.?
? Christian Century
Every commentator, from the classical rabbi to the modern-day scholar, has brought his or her own worldview, with all of its assumptions, to bear on the reading of holy text. This relationship between the text itself and the reader's interpretation is the subject of Torah Through Time. Shai Cherry traces the development of Jewish Bible commentary through three pivotal periods in Jewish history: the rabbinic, medieval, and modern periods. The result is a fascinating and accessible guide to how some of the world's leading Jewish commentators read the Bible. Torah Through Time focuses on specific narrative sections of the Torah: the creation of humanity, the rivalry between Cain and Abel, Korah's rebellion, the claim of the daughters of Zelophechad, and legal matters concerning Hebrew slavery. Cherry closely examines several different commentaries for each of these source texts, and in so doing he analyzes how each commentator resolves questions raised by the texts and asks if and how the commentator's own historical frame of reference -- his own time and place -- contributes to the resolution. A chart at the end of each chapter provides a visual summary that helps the reader understand the many different elements at play.
But America was facing more than economic hardship. Hitler’s agenda heightened the persecution of Jews abroad while anti-Semitism intensified political and social tensions in the U.S. The six-foot-four-inch Greenberg, the nation’s most prominent Jew, became not only an iconic ball player, but also an important and sometimes controversial symbol of Jewish identity and the American immigrant experience.
Throughout his twelve-year baseball career and four years of military service, he heard cheers wherever he went along with anti-Semitic taunts. The abuse drove him to legendary feats that put him in the company of the greatest sluggers of the day, including Babe Ruth, Jimmie Foxx, and Lou Gehrig. Hank’s iconic status made his personal dilemmas with religion versus team and ambition versus duty national debates.
Hank Greenberg is an intimate account of his life—a story of integrity and triumph over adversity and a portrait of one of the greatest baseball players and most important Jews of the twentieth century.
Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States.
Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?
A classic portrait of immigrant life in the early decades of the twentieth century, A Walker in the City is a tour of tenements, subways, and synagogues—but also a universal story of the desires and fears we experience as we try to leave our small, familiar neighborhoods for something new.
With vivid imagery and sensual detail—the smell of half-sour pickles, the dry rattle of newspapers, the women in their shapeless flowered housedresses—Alfred Kazin recounts his boyhood walks through this working-class community, and his eventual foray across the river to “the city,” the mysterious, compelling Manhattan, where treasures like the New York Public Library and the Metropolitan Museum beckoned. Eventually, he would travel even farther, building a life around books and language and literature and exploring all that the world had to offer.
“The whole texture, color, and sound of life in this tenement realm . . . is revealed as tapestried, as dazzling, as full of lush and varied richness as an Arabian bazaar.” —The New York Times
Jesus was a skilled storyteller and perceptive teacher who used parables from everyday life to effectively convey his message and meaning. Life in first-century Palestine was very different from our world today, and many traditional interpretations of Jesus’ stories ignore this disparity and have often allowed anti-Semitism and misogyny to color their perspectives.
In this wise, entertaining, and educational book, Amy-Jill Levine offers a fresh, timely reinterpretation of Jesus’ narratives. In Short Stories by Jesus, she analyzes these “problems with parables,” taking readers back in time to understand how their original Jewish audience understood them. Levine reveals the parables’ connections to first-century economic and agricultural life, social customs and morality, Jewish scriptures and Roman culture. With this revitalized understanding, she interprets these moving stories for the contemporary reader, showing how the parables are not just about Jesus, but are also about us—and when read rightly, still challenge and provoke us two thousand years later.
Focusing on tensions over gender, ethnic identity and assimilation, each chapter discusses the meaning and symbolism of a specific era or type of Jewish dress. What were biblical and rabbinic fashions? Why was clothing so important to immigrant Jews in America? Why do Hassidic Jews wear black? When did yarmulkes become bar mitzvah souvenirs?
The book also offers the first analysis of how young Jewish adults today announce on caps, shirts, and even undergarments their striving to transform Jewishness from a religious and historical heritage into an ethnic identity that is hip, racy, and irreverent. Fascinating and accessibly written, A Cultural History of Jewish Dress will appeal to anybody interested in the central role of clothing in defining Jewish identity.
In the religious domain, Halbertal argues, sacrifice is an offering, a gift given in the context of a hierarchical relationship. As such it is vulnerable to rejection, a trauma at the root of both ritual and violence. An offering is also an ambiguous gesture torn between a genuine expression of gratitude and love and an instrument of exchange, a tension that haunts the practice of sacrifice.
In the moral and political domains, sacrifice is tied to the idea of self-transcendence, in which an individual sacrifices his or her self-interest for the sake of higher values and commitments. While self-sacrifice has great potential moral value, it can also be used to justify the most brutal acts. Halbertal attempts to unravel the relationship between self-sacrifice and violence, arguing that misguided self-sacrifice is far more problematic than exaggerated self-love. In his exploration of the positive and negative dimensions of self-sacrifice, Halbertal also addresses the role of past sacrifice in obligating future generations and in creating a bond for political associations, and considers the function of the modern state as a sacrificial community.