Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.
In Stephen Mitchell’s Iliad, the epic story resounds again across 2,700 years, as if the lifeblood of its heroes Achilles and Patroclus, Hector and Priam flows in every word. And we are there with them, amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful.
Mitchell’s Iliad is the first translation based on the work of the preeminent Homeric scholar Martin L. West, whose edition of the original Greek identifies many passages that were added after the Iliad was first written down, to the detriment of the music and the story. Omitting these hundreds of interpolated lines restores a dramatically sharper, leaner text. In addition, Mitchell’s illuminating introduction opens the epic still further to our understanding and appreciation.
Now, thanks to Stephen Mitchell’s scholarship and the power of his language, the Iliad’s ancient story comes to moving, vivid new life.
New York Times Book Review Notable Book Selection for 2000: "[Lombardo] has brought his laconic wit and love of the ribald. . . to his version of the Odyssey. His carefully honed syntax gives the narrative energy and a whirlwind pace. The lines, rhythmic and clipped, have the tautness and force of Odysseus' bow." --Chris Hedges, The New York Times Book Review
Publishing Co., 1995), this anthology will be most useful to
instructors who must try to do justice to Aristotle in a semester-long
ancient-philosophy survey, but it will also be appropriate for a variety
of introductory-level courses. Introductory Readings provides accurate,
readable, and integrated translations that allow the reader to follow
Aristotle's use of crucial technical terms and to grasp the details of
his argument. Included are adaptations of the glossary and notes that
helped make its parent volume a singularly useful aid to the study of
It includes all the required English and Latin selections from Caesar's De Bello Gallico for the 2012-2013 AP* Curriculum.
The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia’s mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra’s encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.
The trilogy is presented here in George Thomson’s classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.
(Book Jacket Status: Jacketed)
• Full exposure to the grammar and morphology that students will encounter in actual texts
• Self-contained instructional chapters, with challenging, carefully tailored exercises
• Progressively more complex chapters to build the student's knowledge of declensions, tenses, and constructions by alternating emphasis on morphology and syntax
• Readings based on actual texts and include unadapted passages from Xenophon, Lysias, Plato, Aristophanes, and Thucydides.
• Concise introduction to the history of the Greek language
• Composite list of verbs with principal parts, and an appendix of all paradigms
• Greek-English and English-Greek glossaries
•Robust online supplements for teaching and learning available at atticgreek.org
•Answer Key to exercises also available from UC Press (978-0-520-27574-4)
From the Trade Paperback edition.
Thug Notes has been featured on BET, PBS, and NPR and has been used in hundreds of classrooms around the world. Whether you’re a student, teacher, or straight-up literary gangster like Dr. Sweets, Thug Notes has got you covered. You'll certainly never look at literature the same way again.
Introducing his celebrated translations of these two poems and of the Shield, a very ancient poem of disputed authorship, Apostolos Athanassakis positions Hesiod simultaneously as a philosopher-poet, a bard with deep roots in the culture of his native Boeotia, and the heir to a long tradition of Hellenic poetry. For this eagerly anticipated revised edition, Athanassakis has provided an expanded introduction on Hesiod and his work, subtly amended his faithful translations, significantly augmented the notes and index, and updated the bibliography. Already a classic, Hesiod: Theogony, Works and Days, Shield is now more valuable than ever for students of Greek mythology and literature.-- Peter L. Smith
The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of 'screen-loves', to his overwhelming grief ather death, ending with the transformative vision of her in heaven. These are some of the richest love poems in literature and the movement from self-pitying lament to praise for the beloved's beauty and virtue, illustrate the elevating power of love.
—from The Power of Parable
So begins the quest of renowned Jesus scholarJohn Dominic Crossan as he unlocks the truemeanings and purposes of parable in the Bible sothat modern Christians can respond genuinely toJesus's call to fully participate in the kingdom ofGod. In The Power of Parable, Crossan examinesJesus's parables and identifies what he calls the"challenge parable" as Jesus's chosen teaching toolfor gently urging his followers to probe, question,and debate the ideological absolutes of religiousfaith and the presuppositions of social, political,and economic traditions.
Moving from parables by Jesus to parables aboutJesus, Crossan then presents the four gospels as"megaparables." By revealing how the gospels arenot reflections of the actual biography of Jesus butrather (mis)interpretations by the gospel writersthemselves, Crossan reaffirms the power of parablesto challenge and enable us to co-create withGod a world of justice, love, and peace.
In CliffsNotes on The Odyssey, you follow along on Homer's grand adventure. This epic poem unfurls the story of Odysseus' triumph over Troy and arduous journey home to reclaim his kingdom. At 2,500 years old, it is one of the finest books ever written; as poetry, it sets the standard for comparison; and it serves as one of the foundations of the Western world's cultural heritage.
This study guide carries you along on Odysseus' journey by providing summaries and critical analyses of each book. You'll also explore the life and background of the epic, Homer, and gain insight into the Homeric Question. Other features that help you study includeCharacter analyses of major playersA character map that graphically illustrates the relationships among the charactersCritical essays on the literary devices and major symbols of The OdysseyA review section that tests your knowledgeA Resource Center full of books, articles, films, and Internet sites
Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
In CliffsNotes on Mythology, you'll review the myths from seven different cultures and gain an overview of the stories that people have lived by from ancient times to the present. The gods and their stories depict life's lessons and personal relationships and present a moral code of human conduct. These stories are also a map to understanding history.
This CliffsNotes guide covers Egyptian, Babylonian, Indian, Greek, Roman, and Norse mythologies, as well as the Arthurian legends. Features that help you figure out these important works includeAn introduction to mythologyThe main gods of various culturesReview questionsRecommended readingsGenealogical tables of major gods
Classic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
Examines the first season of the HBO-BBC collaboration, Rome, in a collection of 17 thought-provoking essays by some of the world’s most influential scholars in the fields of classical antiquity and popular culture
Focuses on the award-winning first season’s historical framework, visual and narrative style, contemporary thematic overtones, and influence on popular culture
Addresses the artistic values, and roles of the script, sets, and actors
Reveals how the series Rome ‘makes history’ in terms of representing the past on screen and producing innovative and influential television.
Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of Western civilization. As she did in The Endurance and The Bounty, New York Times bestselling author Caroline Alexander has taken apart a narrative we think we know and put it back together in a way that lets us see its true power. In the process, she reveals the intended theme of Homer's masterwork-the tragic lessons of war and its enduring devastation.
Philip Vellacott’s evocative translation is accompanied by an introduction, with individual discussions of the plays, and their sources in history and mythology.
"... a charming and expert English version, which is right in tone for the Metamorphoses."—Francis Fergusson
"This new Ovid, fresh and faithful, is right for our time and should help to restore a great reputation." —Mark Van Doren
The first and still the best modern verse translation of the Metamorphoses, Humphries’ version of Ovid’s masterpiece captures its wit, merriment, and sophistication.
Everyone will enjoy this first modern translation by an American poet of Ovid’s great work, the major treasury of classical mythology, which has perennially stimulated the minds of men. In this lively rendering there are no stock props of the pastoral and no literary landscaping, but real food on the table and sometimes real blood on the ground.
Not only is Ovid’s Metamorphoses a collection of all the myths of the time of the Roman poet as he knew them, but the book presents at the same time a series of love poems—about the loves of men, women, and the gods. There are also poems of hate, to give the proper shading to the narrative. And pervading all is the writer’s love for this earth, its people, its phenomena.
Using ten-beat, unrhymed lines in his translation, Rolfe Humphries shows a definite kinship for Ovid’s swift and colloquial language and Humphries’ whole poetic manner is in tune with the wit and sophistication of the Roman poet.
"Alexander's translation is marked by a conviction that it is possible to be both ambitious and faithful [and] ...communicates the poem with a care which goes beyond fidelity-to-meaning and reaches fidelity of implication. May it go on ... to another half-million copies." - Tom Shippey, Bulletin of the International Association of University Professors of English
Composed by a poet and priest in Middle Babylonia around 1200 bce, The Epic of Gilgamesh foreshadowed later stories that would become as fundamental as any in human history, The Odyssey and the Bible. But in 600 bce, the clay tablets that bore the story were lost—buried beneath ashes and ruins when the library of the wild king Ashurbanipal was sacked in a raid.
The Buried Book begins with the rediscovery of the epic and its deciphering in 1872 by George Smith, a brilliant self-taught linguist who created a sensation when he discovered Gilgamesh among the thousands of tablets in the British Museum's collection. From there the story goes backward in time, all the way to Gilgamesh himself. Damrosch reveals the story as a literary bridge between East and West: a document lost in Babylonia, discovered by an Iraqi, decoded by an Englishman, and appropriated in novels by both Philip Roth and Saddam Hussein. This is an illuminating, fast-paced tale of history as it was written, stolen, lost, and—after 2,000 years, countless battles, fevered digs, conspiracies, and revelations—finally found.
The hymns presented in this book were anonymously composed somewhere in Asia Minor, most likely in the middle of the third century AD. At this turbulent time, the Hellenic past was fighting for its survival, while the new Christian faith was spreading everywhere. The Orphic Hymns thus reflect a pious spirituality in the form of traditional literary conventions. The hymns themselves are devoted to specific divinities as well as to cosmic elements. Prefaced with offerings, strings of epithets invoke the various attributes of the divinity and prayers ask for peace and health to the initiate. Coauthors Apostolos N. Athanassakis and Benjamin M. Wolkow have produced an accurate and elegant translation accompanied by rich commentary.