At the end of the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race toward the town of Red Rock, where Ruth will bring Domergue to justice. Along the road, they encounter Major Marquis Warren, a former Union soldier turned infamous bounty hunter; and Chris Mannix, a renegade who claims to be the town's new sheriff. Lost in a blizzard, Ruth, Domergue, Warren, and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover. When they arrive, they are greeted by four unfamiliar faces: Bob, who takes care of Minnie's in the owner's absence; Oswaldo Mobray, the hangman of Red Rock; cow-puncher Joe Gage; and Confederate general Sanford Smithers. As the storm overtakes the mountainside, our eight travelers come to learn they may not make it to Red Rock after all ...
THE HATEFUL EIGHT is a Tarantino master class in tension-filled atmosphere, singular characters, and razor-sharp dialogue.
But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.
EX MACHINA is an intense psychological thriller, played out in a love triangle. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.
The action tale follows the parallel story of a guerilla-like squad of American soldiers called "The Basterds" and the French Jewish teenage girl Shosanna who find themselves behind enemy Nazi lines during the German occupation. When the Inglourious Basterds encounter Shosanna at a propaganda screening at the movie house she runs, they conspire to launch an unexpected plot to end the war. Pitt plays Lieutenant Aldo Raine--the leader of the Basterds. Raine is an illiterate hillbilly from the mountains of Tennessee who puts together a team of eight Jewish-American soldiers to hunt down the Nazis.
Filled with Tarantino's trademark electric dialogue and thrilling action sequences, Inglourious Basterds is destined to become one of the most talked about films of 2009 and a landmark in cinematic history.
It's the end of the summer and the seasonal hurricanes loom on the horizon.
Set against this background is a romance between two twelve-year-olds: Lucy Bishop, (who lives on the island with her parents [Bill Murray and Frances McDormand] and three younger brothers) and Sam (an orphan who is camping on the island with the Khaki Scout troop).
Lucy and Sam hatch a secret plan to run away, and undertake a perilous journey though the woods and across the streams that criss-cross the island, to an isolated cove, where they set up their kingdom. They are pursued by the local sheriff (Bruce Willis) and the scout troop leader Scout Master Ward (Edward Norton).
The follies of youth are matched by the compromises of age, and as the conflict between the generations escalates, the hurricane breaks upon the island putting all the characters at risk...
Foremost among them is Dredd who is given a mission to road-rest a rookie Judge - the powerful psychic Cassandra Anderson.In the course of this training day, the two Judges head for a seemingly routine homicide in the notorious Peach Trees mega-block - a 200-story vertical slum run by the pitiless Ma-Ma clan.When the judges attempt to arrest one of Ma-Ma's chief henchmen, Ma-Ma shuts down the entire building and orders her clan to hunt the Judges down.
The Judges are now caught in a vicious and relentless fight for survival.
Opening in 1916, as the First World War rages across Europe, Season Two is the next dramatic installment of the much-loved, award-winning drama. The Crawley family and their servants play their parts on the front line and back at home as their lives are intensified by the strains of war.
The shooting scripts give a fascinating view of how Julian Fellowes weaves his storylines of love, loss, and betrayal to captivate the audience. With key insights into the research and creative processes, this will appeal to fans and students alike.
From the Trade Paperback edition.
The Hitchhiker's Guide to the Galaxy Radio Scripts Volume 2 brilliantly bring to life the last three books in Adams' perennially popular Hitchhiker series: Life, the Universe and Everything; So Long, and Thanks for All the Fish; and Mostly Harmless. Dirk Maggs supplies notes which highlight original Adams material and explain how the cast, special effects and music were directed. The scripts are introduced by Simon Jones, who played Arthur Dent in both the original and the recent radio series, as well as in The Hitchhiker's Guide to the Galaxy television series.
Douglas Adams first conceived The Hitchhiker's Guide to the Galaxy for radio and it is an honour to his memory that all five Hitchhiker novels have now been adapted for this medium. These scripts exemplify the freshness of perspective, humour and perspicacity that epitomize the work of Douglas Adams.
The Dude has met the Bard—and he doth abide.
Join “The Knave” and Sir Walter on a wild tale of mistaken identity, kidnapping, bowling, and a rug that, in faith, really tied the room together—in a sidesplitting Shakespearean comedy of errors and ninepins, told in five glorious acts of iambic pentameter and impeccable period prose.
Already a theatrical hit and a worldwide viral phenomenon, Two Gentlemen of Lebowski comes alive anew in this definitive and lavishly illustrated edition, featuring recently discovered historical engravings, scholarly annotations, and a revelatory afterword from the author.
USS Enterprise Starfleet officers Capt. James T. Kirk and Mr. Spock escort a renegade criminal to a nearby planet for capital punishment, and they discover the remains of a city. This ancient civilization is inhabited by the alien Guardians of Forever, who are tasked with protecting a time machine. When the criminal escapes through the portal into the past, he alters Earth’s timeline, damaging humanity’s future role among the stars.
Pursuing their prisoner, Kirk and Spock are transported to 1930s Depression-era New York City—where they meet pacifist Edith Koestler, a woman whose fate is entwined with the aftermath of the most devastating war in human history. A woman whom Kirk has grown to love—and has to sacrifice to restore order to the universe.
In its original form, The City on the Edge of Forever won the Writers Guild of America Award for best teleplay. As aired, it won the Hugo Award. But as Harlan Ellison recounts in his expanded introductory essay, “Perils of the ‘City,’” the televised episode was a rewrite of his creative vision perpetrated by Star Trek creator Gene Roddenberry and the show’s producers. In his trademark visceral, no-holds-barred style, the legendary author broke a thirty-year silence to set the record straight about the mythologized controversy surrounding the celebrated episode, revealing what occurred behind-the-scenes during the production.
Presented here as Ellison originally intended it to be filmed, this published teleplay of The City on the Edge of Forever remains a masterpiece of speculative fiction, and a prime example of his uncanny ability to present humanity with all its virtues and faults.
“Lincoln is a rough and noble democratic masterpiece. And the genius of Lincoln, finally, lies in its vision of politics as a noble, sometimes clumsy dialectic of the exalted and the mundane…And Mr. Kushner, whose love of passionate, exhaustive disputation is unmatched in the modern theater, fills nearly every scene with wonderful, maddening talk. Go see this movie.” –A.O. Scott, New York Times
“A lyrical, ingeniously structured screenplay. Lincoln is one of the most authentic biographical dramas I’ve ever seen…grand and immersive. It plugs us into the final months of Lincoln’s presidency with a purity that makes us feel transported as if by time machine.” –Owen Gleiberman, Entertainment Weekly
A decade-long collaboration between three-time Academy Award® winner Steven Spielberg and Pulitzer Prize winner Tony Kushner, Lincoln is a revealing drama that focuses on the 16th President’s tumultuous final months in office. Having just won re-election in a country divided, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of America, and generations, to come. Containing eight pages of color photos from the film and inspired by Doris Kearns Goodwin’s critically acclaimed Team of Rivals: The Political Genius of Abraham Lincoln, Lincoln is now a major motion picture by DreamWorks starring two-time Academy Award® winner Daniel Day-Lewis.
Tony Kushner's plays include Angels in America, Parts One and Two; A Bright Room Called Day; Slavs!; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich. Kushner is the recipient of a Pultizer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, and two Oscar nominations, among other honors. In 2008 he was the first recipient of the Steinberg Distinguished Playwright Award.
Writing and pitching a screenplay is nothing like writing a novel, and this book presents screenplay-specific information vital for any aspiring film writer. This book discusses how to write great openings and endings -- the vital elements of a successful screenplay (and eventually movie) -- and how to create characters that grow and evolve as the plot thickens.
One of the hardest parts of writing a screenplay is developing a solid dialogue, and this book takes you through, step-by-step, how to fine-tune your characters' dialogue so it is not only believable but also well-written. Once your script is polished and perfect, you will need to pitch it to the public, and this book shows you how. You will grasp how to write a compelling query letter that is specifically geared to what agents are looking for, so your chances of getting represented are increased.
Veteran screenwriters, television and film producers, agents, and directors have been interviewed for this book, and their experiences are showcased here, giving you their insider secrets on how to best write and sell your script. This book also contains an extensive resource section of production companies that are eager to receive and package your script, including the genre they are looking for, so you know exactly who to contact. If you are eager to jump into Hollywood as the next big thing in screenwriting, The Complete Guide to Writing A Successful Screenplay will help you get there.
Atlantic Publishing is a small, independent publishing company based in Ocala, Florida. Founded over twenty years ago in the company president's garage, Atlantic Publishing has grown to become a renowned resource for non-fiction books. Today, over 450 titles are in print covering subjects such as small business, healthy living, management, finance, careers, and real estate. Atlantic Publishing prides itself on producing award winning, high-quality manuals that give readers up-to-date, pertinent information, real-world examples, and case studies with expert advice. Every book has resources, contact information, and web sites of the products or companies discussed.
Making Short Films, 3rd edition is entirely revised and restructured, providing a much more complete and detailed guide to filmmaking, with more information on new technology, illustrations and ideas for best practice.
Kathy (Oscar nominee Carey Mulligan, An Education), Tommy (Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.
The Newmarket Shooting Script Book includes:Introduction by Kathryn Bigelow Complete shooting script Q&A with Mark Boal by Rob Feld Production notes Storyboards Complete cast and crew credits
Resort 76 by Shimon Wincelberg
Will the relentless oppression of the starving workers in a ghetto factory destroy their faith in God? Their love of life? Their ability to resist? If a cat is more valuable than a human being, have hope and goodness been eliminated from the world? A moving and terrifying melodrama.
Throne of Straw by Harold and Edith Lieberman
Through the career of Mordechai Chaim Rumkowski, head of the Lodz, Poland Judenrat, we come to understand the horror of “choiceless choice,” of how giving up some to save others was the worst nightmare for those who sought the responsibilities of ghetto leadership. An epic play with music and song.
The Cannibals by George Tabori
The children of murder victims assemble to enact ritually the destruction of their fathers in the presence of two survivors. As the sons become their fathers, the most profound ethical questions of the Holocaust are raised concerning the limits of humanity in a world of absolute evil. A daring tragicomedy.
Who Will Carry the Word? by Charlotte Delbo (translated by Cynthia Haft)
In the austere, degraded setting of a concentration camp, twenty-two French women attempt to keep their sanity and hope as, one by one, they fall victim to the Nazi terror. Will anyone believe the story of the survivors? A poetic drama of resistance and witness.
-Integrate plot, characterization, and exposition to make stories real
- Examples from new and classic movies examine great plots in action
Plot must be as much about the emotions of the characters as it is about the events of the story.
That’s the message of The Art of Plotting, which teaches screenwriters how to integrate plot, characterization, and exposition to make stories compelling. Using examples from recent and classic movies, author Linda J. Cowgill demonstrates how the plot springs naturally from the characters--and how that technique makes audiences connect with the story on a more intimate level. Examples include American Beauty, Shakespeare in Love, Erin Brockovich, Spider-Man, Chinatown, Jaws, and more. Easy exercises reveal common plot problems and help writers overcome them. Clear and easy to understand and to use, The Art of Plotting shows exactly how great plotting evolves from characters caught in life-changing conflicts--and how to create great plots driven by that idea.
—Tom Stoppard, from the Introduction
Tom Stoppard’s BBC / HBO dramatization of Ford Madox Ford’s masterwork takes a prominent place in the ranks of his oeuvre. Parade's End is the reinvention of a masterwork of modernist English literature produced by one of the most critically acclaimed and respected writers working today. Parade’s End is the story of Christopher Tietjens, the “last Tory,” his beautiful, disconcerting wife Sylvia, and the virginal young suffragette Valentine Wannop: an upper class love triangle before and during the Great War.
Parade's End is a three-part drama, directed by the BAFTA-winning Susanna White, and featuring internationally renowned actors including Benedict Cumberbatch, Rebecca Hall, and Adelaide Clemens. This edition includes bonus scenes which were not broadcast, an introductory essay by Stoppard, and a selection of stills from the production as well as photographs taken on location.
Our hero, the aspiring screenwriter Danny, is hopelessly in love with Bebe, a hot young starlet. But Bebe won't go out with Danny until he proves that he can write a brilliant screenplay for her. Helped along the way by a mysterious guide (Virgil) with seemingly magical powers, Danny travels to Screenwriting Hell to see what happens to writers who never make the grade. Virgil teaches him the tricks of the trade, the fundamental techniques that all screenwriters have to master, no matter how great their ideas. But there's something a little strange about Virgil, and Danny is never sure whether to trust him or not...
As well as the screenplay itself, the book includes an introduction explaining how to get the most out of the screenplay, the log line, the synopsis, character bios, the treatment, and "The Pitch" - a short scene that shows the author pitching his screenplay to a big-shot producer.
Dunkirk opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea, they face an impossible situation as the enemy closes in.
The film features a prestigious cast, including Kenneth Branagh, Cillian Murphy, and newcomer Fionn Whitehead, with Mark Rylance and Tom Hardy.
The screenplay is accompanied by a conversation about the film between Christopher Nolan and Jonathan Nolan,as well as selected storyboards.
Beautiful Thing explores pre-teenage homo-erotic sensuality and the frictions and intimacies of living cheek by jowl on a Thamesmead housing estate.
The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is shot with the harsh grandeur of the classic John Ford westerns.
Through the prism of a highly unusual love story, Lee Hall's Victoria & Abdul, based on the book by Shrabani Basu, explores race, religion, power and the farce of empire through the prism of a highly unusual love story.
Delve deeper into the hit BBC drama starring Aidan Turner as Ross Poldark and Eleanor Tomlinson as Demelza. Collecting together Debbie Horsfield's original scripts, Poldark: The Complete Scripts - Series 1 allows you to relive the greatest moments from the first series, from Poldark's initial homecoming to the series' dramatic close. This is the perfect accompaniment for fans of the series and gives a unique insight into how the show was visualized.
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Christopher Vogler, author of The Writer's Journey: Mythic Structure for Writers and Hollywood script consultant
I have been quoting Lisa Dethridge for years. Thanks to this book I can now refer my students to chapter and verse. Lisa Dethridge illuminates the art, craft and industry of the screenwriter. I recommend her book to all my students.
Paul Thompson, Associate Professor, Film and Television, New York University and former Head of Film and Television, Australian Film, Television and Radio School
So you want to write a screenplay that will make it to the big screen? Whether you are a professional or a film buff with a powerful creative urge, Writing Your Screenplay shows how to master the craft of writing for the screen. Experienced screenwriter, script and story editor Dr Lisa Dethridge takes you beyond a formulaic approach, offering insights into classic mythic structures as well as contemporary story-telling techniques that underlie good screenwriting. She explains how to create cohesive plots, likeable characters, compelling action and dialogue; strong scenes and a visual 'world' that will engage international audiences.
Dr Lisa Dethridge has twenty years experience as a writer and teacher of media communications in Australia and the USA.
Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio's franchises of the '30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.
You will learn:
the difference between plot-driven and concept-driven filmshow to play with time, reality and point-of-view in radical wayshow to emotionally connect with your audiencehow to create a 'Matrix' that will hold your story togetherhow to push your concept to the limit- how to tell a story that expresses the unique way you look at the world
In Maverick Screenwriting, writers, development executives, producers and directors will all find inspiration and new approaches that will help your film project stand out.
The full screenplay by award-winning Ed Wood writers Scott Alexander and Larry Karaszewski for acclaimed director Tim Burton's film Big Eyes, starring Amy Adams and Christoph Waltz.
A rare close-up look into a corner of the 1950s and '60s art world and a perfectly observed account of a dysfunctional marriage, Big Eyes tells the true story of Margaret Keane, an artist who lived and worked in virtual slavery while her husband, Walter, gained fame and fortune passing himself off as the creator of his wife's wildly popular paintings. The story of their toxic relationship would culminate in a Hawaiian courtroom, as Margaret ultimately fights to save her name and reclaim her art, during a heated public court battle.
This edition, illustrated with photos throughout, contains the complete screenplay, an afterword by the screenwriters, and an interview with Margaret Keane, the real-life subject of Big Eyes, by Tyler Stallings.
Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie. It answers such questions as:How to clarify the idea you don't quite have yet How to tell if your idea is really a movie How to move from what you want to say saying it How to stop getting ready and start
Once you know what to write, the Inner Movie Method will show you how to write it. It also addresses such issues as:How to pay the rent while paying your dues What to say to your spouse when you can't come to bed How to keep going when you think you can't
For accomplished screenwriters honing their craft, as well as those who never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.
Not many people know that Tarantino handwrites the first draft of his screenplays in his distinctive scrawl (see the title and chapter cards in Inglorious Basterds). He recently unearthed the first draft of this, his most iconic screenplay, and decided to publish it to show fans where it all began. PULP FICTION follows the intertwining lives of two mob hitmen, a boxer, a gangster's wife, and a pair of bandits in four tales of violence and redemption. With new cover art envisioned by Tarantino, PULP FICTION, along with Kill Bill, and Django Unchained, will be designed to look great as a stand-alone, but also to coordinate as a complete collector's set for the Tarantino fan.
The epic adventure of one of the greatest superheroes of all time explodes on the silver screen as never before. Now, in this captivating journey behind the scenes and into the imagination, fans can discover how the myth and magic became real in Spider-Man 2, as they plunge deeper into Spider-Man’s world to meet the characters, explore the environments, and follow the storyline in a stunning visual journey. Packed with hundreds of amazing production illustrations, prepared by many of the most talented illustrators in Hollywood, Caught in the Web features
• Original sketches, artwork, and doodles that became the inspirations for characters, sets, and computer–generated imagery
• Climactic scenes from the movie as they first appeared in conceptual art
• Design work used to develop costumes and visual effects—as well as blueprints and architectural drafts used in the construction of both physical and virtual environments
• Unique insights into the genesis of Doc Ock—revealing how he evolved from his comic-book origins
• An intimate behind-the-scenes look at the full creative process for Spider-Man 2
Enter the amazing realm where dreams come true and discover how the epic adventure was created as you immerse yourself in the action and atmosphere of Spider-Man 2, from the first rough sketches to the final on-screen adventure.
From the Trade Paperback edition.
Along the gritty terrain of the Texas–Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game—one that threatens to destroy everything and everyone he loves. Deft, shocking, and unforgettable, McCarthy is at his finest in this gripping tale about risk, consequence, and the treacherous balance between the two.
Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening—or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.
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In Screenwriting is Rewriting, Epps provides a practical and tested approach to organizing notes, creating a game plan, and executing a series of focused passes that address the story, character, theme, structure, and plot issues. Included are sample notes, game plans, and beat sheets from Epps' work on films such as Sister Act and Turner and Hooch. Also featured are exclusive interviews with Academy Award® winning screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day Afternoon), along with Academy Award® nominee Susannah Grant (Erin Brockovich).
"A comprehensive tribute to one of Hollywood's classic horror films. My grandmother, Gloria Holden, was a legend in her time, and would have been so very proud.”
– Laurie Holden, costar of The Walking Dead
“As he always does (better than anyone), Gary D. Rhodes chronicles the convoluted history of the film (how the budget grew while still having the look of a “B” film; how Bela Lugosi came and went in the cast – but still had to be paid), and why it took two years to finally get produced. Bravo, Gary. There is a reason your film scholarship is lauded everywhere. Dracula’s Daughter is another feather in your cap!”
– Richard Klemensen, editor of Little Shoppe of Horrors magazine
“Rhodes' coverage of this classic production and the endless minutiae with which he showers readers and fans are a credit to this book yet typical of Rhodes' acumen as a film scholar historian. His attention to detail opens floodgates for scholars and academics engaged in theory who rely on the sort of archival work that Rhodes makes appear effortless. Buy two copies of this volume – for one the shelf, and the other for notations, research, dog-earing, and pleasure-reading.”
– John Edgar Browning, Ph.D., coauthor of Dracula in Visual Media and editor of The Forgotten Writings of Bram Stoker
"Everything you could possibly want to know about the making of Dracula’s Daughter, and the long process that led to its production, can be found in this definitive volume. Rhodes provides a fascinating account of how the seemingly obvious idea of a sequel to Dracula became a drawn-out process. It involved changing regimes at Universal Pictures, several top screenwriters, and Bela Lugosi, who at one time was set to appear in the film. Tom Weaver adds pages of trivia notes—some less trivial than others—and Michael Lee contributes an erudite discussion of the music score and its evolution. The book also includes several unused treatments (by John L. Balderston, Kurt Neumann, and R.C. Sheriff), a facsimile of Zacherle’s television send-up of the picture, and much of the original Universal pressbook. This is a cornucopia of goodies for any horror movie buff. The highest compliment I can offer is that it made me want to watch Dracula’s Daughter again…which I intend to do."
- Leonard Maltin
"The Scripts from the Crypt gang strikes again with another exhaustively researched, generously illustrated and entertainingly written winner."
Holy flashback – where are my Garbage Pail Kids and Nintendo? I felt like it was 1990 all over again when I received the newest book in BearManor’s Scripts from the Crypt series and it turned out to be Dracula’s Daughter (BearManor Media, hardcover $34.95 / softcover $24.95). The reason for my flashback: To date, the Scripts from the Crypt series has concentrated on 1950s schlock (The Hideous Sun Demon, Indestructible Man, Bride of the Gorilla, Bride of the Monster, more), so holding a new volume on a classic 1930s Universal gave me a déjà vu moment: I was back in the late 80s-early 90s when individual books on the monster flicks of Universal’s Golden Age were being cranked out hot and heavy (cold and clammy?) by MagicImage author Gregory Mank.
Dracula’s Daughter wasn’t part of the MagicImage collection, but now that gap has been filled by Gary D. Rhodes. His 42-page essay on the making of this movie begins by charting the history of some of the vampire (and “vamp”) movies of the silent era and then tackles the convoluted story of the on-again off-again process of planning and making Dracula’s Daughter. Multiple writers, multiple scripts, multiple directors (including James Whale) attached to the project, Bela Lugosi coming and going from the proposed cast, the 1930s Horror Ban looming, Universal on the verge of being sold – the tale is as intricate as one of Castle Dracula’s most ornate spider webs, but Rhodes slow-walks us through it and backs everything up with quotes from Universal memos, trade paper announcements, etc. A premier horror historian, Rhodes is in good form here, as always.
Scripts from the Crypt curator Tom Weaver weighs in with 29 pages of “Fun Facts,” each item separated by clip art of a bat. Many are interesting, some are arcane (the make and model of the foreign car driven by Marguerite Churchill’s character!). The best part might be a series of factoids about Gloria Holden, who plays the title role. It appears that the lady was quite age-conscious: She had a son in the early 1920s but in later years, apparently embarrassed by this giveaway as to her age, passed him off in Hollywood as her brother! In the 40s, she married a man young enough to BE her son (he died only a few years ago), and may have kept her true age from him. Holden lied about her age her whole long life and even afterwards: On her grave marker, her birth year is 1917 (which would make her a teenager in Dracula’s Daughter). That’s shaving off quite a number of years, as she was actually born around the turn of the twentieth century. Some of my favorite photos are in the “Fun Facts” part of the book, including a delightful one of Nan Grey – no, not as Dracula’s Daughter’s victim Lili, but one taken in 1969, decades after her retirement from the screen. In it, she’s shooting pool with husband Frankie Laine.
The reproduced script has a few pages missing (Rhodes acknowledges this), but we get compensation in the form of short sections of early scripts that are nothing like the eventual movie. One, rather gory and daring for its day, even features Dracula (the role that, of course, Lugosi would have played).
The everything-plus-the-kitchen-sink treatment continues with a chapter on the music, the pressbook, a 1953 treatment titled Carmilla (it would have been Universal’s second “lady vampire” movie—and Marlene Dietrich was considered for the lead) – even the script that John Zacherle used on the night in 1958 when Philadelphia’s WCAU-TV ran Dracula’s Daughter with Zacherle horror-hosting.
At about 350 pages (perhaps the thickest Scripts from the Crypt book yet), Dracula’s Daughter tells you everything you ever wanted to know and lots that you didn't know that you wanted to know. (William Holden, nee Bill Beadle, was named after Gloria Holden??) BearManor previously (2009) published a thoroughly dispensable book on Dracula’s Daughter so remember when ordering this one to specify that you want the Gary D. Rhodes Scripts from the Crypt book. You’re in for a bloody good time.
-- -- Classic Images
This book goes beyond an analysis of what makes great programming work. It is a master course in the creation of entertainment that does more than meet the standards of modern audiences—it challenges their expectations. Among other essentials, readers will discover how to:
Satisfy the binge viewer: analysis of the new genres, trends and how to make smart initial decisions for strong, sustainable story. Plus, learn from the rebel who reinvented an entire format.
Develop iconic characters: how to foster audience alignment and allegiance, from empathy and dialogue to throwing characters off their game, all through the lens of authenticity and relatability.
Create a lasting, meaningful career in the evolving TV marketplace: how to overcome trips, traps and tropes, the pros and cons of I.P.; use the Show Bible as a sales tool and make the most of the plethora of new opportunities out there.
A companion website offers additional content including script excerpts, show bible samples, interviews with television content creators, and more. Although the companion website is still under construction, you can reach out to John Makowski (John.Makowski@taylorandfrancis.com) in order to receive all online content.
In this epic, novel-esque sceenplay that was split into two films by the studio, a woman known only as The Bride awakens from a four-year coma. The child she carried in her womb is gone. Now, she must wreak vengeance on the team of assassins who betrayed her-a team she was once part of. With new cover art envisioned by Tarantino himself, KILL BILL, along with Django Unchained, and Pulp Fiction, will be designed to look great as a stand-alone, but also to coordinate as a complete collector's set for the Tarantino fan.
In the second edition of this popular guide, actors learn to use their skills to write monologues, performance art pieces, and one-person plays. Updated to include exclusive interviews and tips on marketing, this guide helps actors create their own exciting performance opportunities and follow in the footsteps of Elaine Stritch, Billy Crystal, John Leguizamo, and other stunningly successful writer-performers of one-person shows. The author, an award-winning actor, breaks down the writing process into simple steps, coaching the reader through each stage of the creative journey.
Casting directors, agents, managers, and actors share insights on proper protocol for different performance settings, and practice is made simple with script excerpts and exercises to keep skills sharp for last minute auditions. Includes instructional CD.
Best Actor Oscar (R) winner Nicolas Cage and Best Actress nominee Elisabeth Shue set the screen ablaze in this profoundly moving love story. Nominated for two additional Academy Awards (R), Director and Adapted Screenplay, this emotionally charged powerhouse of a film graced over 100 '10 Best' lists including Roger Ebert's #1 Movie of the Year.
Anne loved the time in her life when she prepared breakfast each morning for her two young children. Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out.
The Mother, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath, and premiered in May 2015. Florian Zeller's The Mother was awarded the Moliere Award for Best Play 2011.
'A wonderfully peculiar, quietly stunning depiction of dementia... A controlled, unforgettable portrait of losing your memory.' Times
'A vivid, lucent translation by Christopher Hampton.' Observer
'One of the most acute, absorbing and distressing portraits of dementia I've ever seen.' Daily Telegraph
'A play that constantly confounds expectations and works almost like a thriller, with a sinister Pinteresque edge.' Guardian
The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015. Florian Zeller's The Father was awarded the Moliere Award for Best Play 2014.
for the screen.
Cheating at snakes and ladders, fighting over comic books, a bungled infidelity beneath the tree. Christmas has arrived in the Bunker household along with family and friends. But as the children lurk just out of sight, it's the adults who are letting the side down.
I couldn't. Not in our sitting-room. Not in front of the television. Somewhere else.
Presiding over the festivities are two warring uncles, one a kindly, incompetent doctor with an interminable puppet show to perform; the other a bullying retired security guard who dominates the TV, brings toy guns for his nieces and determines there's a thief in their midst.
Alan Ayckbourn's masterly Season's Greetings offers a seriously entertaining look at the misery and high jinks of an average family Christmas. The play opens at the National Theatre, London, in December 2010.
Three times I caught him at it. Ripping open presents, helping himself to the contents.
From director and screenwriter Oliver Stone, Snowden examines the life and actions of one of the most polarizing figures in modern history. In 2013, Edward Snowden quietly leaves his job at the NSA and flies to Hong Kong to meet with journalists Glenn Greenwald and Ewen MacAskill, as well as filmmaker Laura Poitras, to expose the US government’s secret—and shockingly extensive—cyber surveillance programs. A top security contractor with virtuoso programming skills, Snowden’s monumental act has been called heroic, treasonous, and the most far-reaching security breach in US intelligence history.
This official motion picture screenplay edition, written by Kieran Fitzgerald and Oliver Stone, includes a foreword by David Talbot and dozens of photos from the film that features Zachary Quinto, Tom Wilkinson, Melissa Leo, and Joseph Gordon-Levitt as Snowden.
Hoxter draws on his wealth of experience teaching young film students to offer help with every aspect of the writing process, including how we come up with ideas in the first place. Light hearted and full of insight into the roundabout way film students approach their scripts, it also discusses the important issues like the difference between stories and plots and what your characters should be doing in the middle of act two. Write What You Don't Know contains examples and case studies from a wide range of movies, both mainstream and alternative such as The Virgin Spring, Die Hard, The Ipcress File, For The Birds, (500) Days of Summer, Juno, Up In The Air, Knocked Up and Brick.