THE POT OF TULIPS, by Fitz-James O'Brien
WHAT WAS IT? by Fitz-James O'Brien
THE HAUNTED SHANTY, by Bayard Taylor
Dr. Martin Hesselius in "GREEN TEA," by Joseph Sheridan Le Fanu
MR JUSTICE HARBOTTLE, by J. Sheridan Le Fanu
THE UNINHABITED HOUSE, by Mrs. J. H. Riddell
THE PHANTOM HEARSE, by Mary Fortune
AYLMER VANCE AND THE VAMPIRE, by Alice and Claude Askew
THE DOOR INTO INFINITY, by Edmond Hamilton
Carnacki in "THE GATEWAY OF THE MONSTER," by William Hope Hodgson
Carnacki in "THE HOUSE AMONG THE LAURELS," by William Hope Hodgson
Carnacki in "THE WHISTLING ROOM," by William Hope Hodgson
Carnacki in "THE HORSE OF THE INVISIBLE," by William Hope Hodgson
Carnacki in "THE SEARCHER OF THE END HOUSE," by William Hope Hodgson
Carnacki in "THE THING INVISIBLE," by William Hope Hodgson
Flaxman Low in "THE STORY OF SADDLER'S CROFT," by E. and H. Heron
Flaxman Low in "THE STORY OF BAELBROW," by E. and H. Heron
Flaxman Low in "THE STORY OF YAND MANOR HOUSE," by E. and H. Heron
Flaxman Low in "THE STORY OF KONNOR OLD HOUSE," by E. and H. Heron
Flaxman Low in "THE STORY OF THE SPANIARDS, HAMMERSMITH," by E. and H. Heron
Flaxman Low in "THE STORY OF SEVENS HALL," by E. and H. Heron
Steve Harrison in "FANGS OF GOLD," by Robert E. Howard
Steve Harrison in "THE TOMB'S SECRET," by Robert E. Howard
Steve Harrison in "NAMES IN THE BLACK BOOK," by Robert E. Howard
Steve Harrison in "GRAVEYARD RATS," by Robert E. Howard
THE HALF-HAUNTED, by Manly Wade Wellman
Jules de Grandin in "THE JEST OF WARBURG TANTAVUL," by Seabury Quinn
Jules de Grandin in "PLEDGED TO THE DEAD," by Seabury Quinn
Jules de Grandin in "INCENSE OF ABOMINATION," by Seabury Quinn
And don't forget to search this ebook store for "Wildside Megapack" to see more great entries in this great series, covering mysteries, ghost stories, westerns, science fiction, historical, and much, much more!
This classic of Gothic horror follows Laura, a woman haunted by a girlhood dream of a beautiful visitor to her bedroom. Now, a decade later, Laura finds Carmilla, who appears to be her own age, on the side of the road after a carriage accident. The two recognize each other from the same childhood dream and become fast friends. Soon after, Laura begins to experience mysterious feelings and is once again haunted by nightmares. She finds Carmilla strangely irresistible and longs to be with her.
But as the two friends grow closer, Laura’s health begins to fail. It becomes apparent that her enchanting companion is harboring a sinister secret. To free herself from Carmilla’s grasp, Laura and her family must fight for their lives.
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My narrative shall be arranged in the order of the events; I shall not recapitulate or anticipate.
What I have learned from others, and did not witness, that which I narrate, in part, from the hints of living witnesses, and, in part, conjecturally, I shall record in the historic third person; and I shall write it down with as much confidence and particularity as if I had actually seen it; in that respect imitating, I believe, all great historians, modern and ancient. But the scenes in which I have been an actor, that which my eyes have seen, and my ears heard, I will relate accordingly. If I can be clear and true, my clumsiness and irregularity, I hope, will be forgiven me.
All four tales embody not only the suspense and terror expected of a ghost story but also a subtlety, awareness, and psychological depth that elevate them far above most efforts in the genre. This inexpensive edition provides gripping entertainment as well as an excellent introduction to the intelligence and imagination that characterize LeFanu's work.
Like many of Le Fanu's novels, it grew out of an earlier short story, "A Passage in the Secret History of an Irish Countess" (1839), which he also published as "The Murdered Cousin" in the 1851 collection Ghost Stories and Tales of Mystery. The setting of the original story was Irish; presumably it was changed to Derbyshire for the novel because this would appeal more to a British audience.
But as the two friends grow closer, Laura's health begins to fail. It becomes apparent that her enchanting companion is harboring a sinister secret. To free herself from Carmilla's grasp, Laura and her family must fight for their lives.
"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me."
There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture. I say apparent, for in its subject, and not in its handling, however exquisite, consists its real value. The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not that of any religious order. In her hand the figure bears a lamp, by which alone her figure and face are illuminated; and her features wear such an arch smile, as well becomes a pretty woman when practising some prankish roguery; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, in total shadow, stands the figure of a man dressed in the old Flemish fashion, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.
In dark Baudelairean tradition, Théophile Gautier weaves his characteristic Romantic prose into this disturbing 1836 tale of a devout priest lured victim by the wiles of beautiful and enigmatic Clarimonde.
“You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.” ― Joseph Sheridan Le Fanu, Carmilla
In Carmilla by Joseph Sheridan, the vampire myth begins to take shape 26 years before the publication of Bram Stoker's Dracula. When a mysterious young woman comes to the home of a lonely girl and her father, the girls discover their desires are not what is typically expected of young women.
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This ebook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
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Always thrilling and at times deeply moving, Classic Vampire Tales presents 10 stories from true masters of the genre.
Wake Not the Dead
An Episode of Cathedral History
Good Lady Ducayne
The Room in the Tower
For the Blood is the Life
The True Story of a Vampire
In those days Chapelizod was about the gayest and prettiest of the outpost villages in which old Dublin took a complacent pride. The poplars which stood, in military rows, here and there, just showed a glimpse of formality among the orchards and old timber that lined the banks of the river and the valley of the Liffey, with a lively sort of richness. The broad old street looked hospitable and merry, with steep roofs and many coloured hall-doors. The jolly old inn, just beyond the turnpike at the sweep of the road, leading over the buttressed bridge by the mill, was first to welcome the excursionist from Dublin, under the sign of the Phœnix. There, in the grand wainscoted back-parlour, with 'the great and good King William,' in his robe, garter, periwig, and sceptre presiding in the panel over the chimneypiece, and confronting the large projecting window, through which the river, and the daffodils, and the summer foliage looked so bright and quiet, the Aldermen of Skinner's Alley—a club of the 'true blue' dye, as old as the Jacobite wars of the previous century—the corporation of shoemakers, or of tailors, or the freemasons, or the musical clubs, loved to dine at the stately hour of five, and deliver their jokes, sentiments, songs, and wisdom, on a pleasant summer's evening. Alas! the inn is as clean gone as the guests—a dream of the shadow of smoke.
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Featured in Ron Millers _The Conquest of Space Book Series.Ó J. Sheridan LeFanu's Carmilla (1872) is a classic vampire story and probably the first great novel of the genre.
At the publisher's request, this title is sold without DRM (Digital Rights Management).
A beautiful heroine marries the heir to a local estate — but what sounds like a happy ending is just the beginning of a chilling and suspenseful thriller. Set in rural England of the 1820s, The Wyvern Mystery takes its title from ancient myth, in which a two-legged dragon called the "wyvern" signifies the truly sinister. Dark hints of the supernatural permeate this 1869 horror classic, which unfolds inside a haunted mansion, where a young bride is imperiled not only by family secrets from the past but also by evil machinations of the present.
Joseph Sheridan Le Fanu (pronounced Leff-anew) was known as "the Dark Prince" by a wide circle of avid readers during his heyday in the late nineteenth century. The Victorian equivalent of Stephen King, Le Fanu created a compelling series of Gothic novels and ghost stories that Henry James characterized as "the ideal reading in a country house for the hours after midnight."