He’s wearing late 19th century clothes, carrying 19th century French francs. In his pocket is a receipt from a renowned Paris restaurant circa 1889 and a ticket dated 1889 from The Louvre. No one knows why. Next to his body is an ornate piece of jewelry called The Brimstone, which has a disturbing history.
The case is closed.
Seven years pass. Dalton, now 17, gets a phone from a teenaged girl, Juliet, who has information about his father. She tells him about her sister, Eliza, who disappeared seven years ago -- on the same day Dalton’s father’s body was found.
She also has an outlandish theory: Your father found a way to go back in time to Paris and he took my sister with him. He came back and my sister didn’t. I want to know why.
So begins The Eiffel Tower Prophecy, a Young Adult time-travel fantasy. Dalton and Juliet join forces and by using The Brimstone, find a way to go back to Paris 1889.
Also in pursuit of The Brimstone is a grisly mercenary with orders to find it at any cost. A woman, known as The Duchess, employs him. If he returns it, he’ll receive a reward of $5 million Euros. He too makes his way to the City of Light.
But once in Paris, 1889, Dalton and Juliet can’t get back – until they find an ally in the person of Gustave Eiffel, the man who built The Eiffel Tower.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.
Have you started to write your book, but weren't able to finish?
Are you ready to learn how to get a book published?
Discover inside secrets to:
- Writing a book fast
- Where and how to start writing your book
- Finding the time in your busy life to write and finish a book
Publishing a book the easy way
Achieving real and practical writing results
This book is for those of us who want to write regardless of what others say about our ability to write. It is for those of us who want a step-by-step guide to the process and strategies to finishing and publishing a book. The book is specially formulated to be a tool to support your success. If you want to avoid mistakes and prevent costly pitfalls, whether those pitfalls be measured in time and/or money wasted, then this book is for you. This book is all about achieving real and practical writing results.
You will only become a writer/author through the act of writing. This is your golden opportunity to stop talking about writing a book and actually do it. Only when your book is finished will you truly understand the authority and respect authorship demands and how the title of "author' can open up new channels of achievement and profit.
Learn How to Write a Book Outline
In Garrett Pierson's book "How to Write a Book ASAP" you'll find the system to creating a book outline that guarantees your success. Writing a book outline is essential to your book writing and publishing success and the process that Garrett lays out is by far the best for any author to follow.
Need to Write Your Book Fast?
Whether you want to write a book in a weekend or you desire to learn how to write a book in 30 days, 60 days, 90 days or even two years, this book will show you the exact steps to finishing your book fast. You will find all the right ingredients to get started, why you shouldn't start writing until you're ready, detailed strategies to organization and self-control, a crash course in the basic writing process, clear steps to finishing your book fast and staying laser focused, traditional publishing vs. Self-publishing and what is right for you, how to become the authority in your market when your book is finished, plus much more!
When reading this book you'll also discover:
How everyday people just like you and I, have finished and published their book in record time...
The ONE skill you need to master ... To leapfrog confusing details, and get started FAST...
How to craft a proven time management system to create all the time you need to write your book...
How you can finish your book in as little as 30 days using a 7-step system that really works...
5 roadblocks that 97% of writers encounter and how to overcome them immediately...
The BIGGEST MYTH of writing a book flattened and debunked instantly...
A multi-channel market positioning technique that can skyrocket you from no one to famous in no time at all...
And Much More...
You've waited long enough. Let's get started, you'll be glad you did!
Learn how to write a book ASAP. Click the buy button today.
Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone.
With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to:
*Distinguish between words that are “pearls” and words that are “potatoes”
* Avoid “couch potato thinking” and “commitment phobia” when choosing verbs
* Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing)
Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.
From the Trade Paperback edition.
In this essential guide, John Gardner advises the aspiring fiction author on such topics as the value of creative writing workshops, the developmental stages of literary growth, and the inevitable experience of writer’s block. Drawn from his two decades of experience in creative writing, Gardner balances his compassion for his students with his knowledge of the publishing industry, and truthfully relates his experiences of the hardships that lie ahead for aspiring authors.
On Becoming a Novelist is a must-read for those dedicated to the craft and profession of fiction writing.
This ebook features a new illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
In this instructional ebook, author Libbie Hawker explains the benefits and technique of planning a story before you begin to write. She’ll show you how to develop a foolproof character arc and plot, how to pace any book for a can’t-put-down reading experience, and how to ensure that your stories are complete and satisfying without wasting time or words.
Hawker’s outlining technique works no matter what genre you write, and no matter the age of your audience. If you want to improve your writing speed, increase your backlist, and ensure a quality book before you even write the first word, this is the how-to book for you.
Take off your pants! It’s time to start outlining.
"The Successful Novelist is the vehicle you want if you plan to drive your way to successful fiction."-Joe R. Lansdale
David Morrell, bestselling author of First Blood, The Brotherhood of the Rose and The Fifth Profession, distills more than fifty years of writing and publishing experience into this single masterwork of advice and instruction.
-Succeeding in publishing
-And much more
The Successful Novelist reveals the truth about writing, providing the perspective authors need to write successful fiction that sells.
Vibrant, believable characters help drive a fictional story. Along with a clever plot, well-drawn characters make us want to continue reading a novel or finish watching a movie. In Creating Characters, Dwight V. Swain shows how writers can invent interesting characters and improve them so that they move a story along.
“The core of character,” he says in chapter 1, “lies in each individual story person’s ability to care about something; to feel implicitly or explicitly, that something is important.” Building on that foundation—the capacity to care—Swain takes the would-be writer step-by-step through the fundamentals of finding and developing “characters who turn you on.” This basic but thought-provoking how-to is a valuable tool for both the novice and the seasoned writer.
This award-winning, bestselling self-publishing guide has been re-released as a new updated and expanded 2nd edition, with 75,000 words of essays, articles, and how-to guides, as well as contributions from 30 bestselling indie authors including J Carson Black, Bob Mayer, Debora Geary, Mark Edwards, and many more.
"You won't make any money from self-publishing."
The internet has revolutionized every business it has come into contact with, and publishing is no different.
For the first time, these changes are handing power back to the writer. It's up to YOU if you want to profit from them.
Let's Get Digital: How To Self-Publish, And Why You Should (Updated 2nd Edition) covers everything from how the disruptive power of the internet has changed the publishing business forever to the opportunities this has created for writers. It gives you practical, hands-on advice, sharing the very latest best practices on editing, cover design, formatting, and pricing.
It gives you proven marketing strategies that won't eat into your writing time and are actually effective at selling books. It also shares tips on platform building, blogging, and social networking, and explains which approaches are best for selling fiction versus non-fiction, and what writers should really focus on.
This new updated 2nd edition now has more options for those on a tighter budget, teaches you how to get your book into print (and why that helps selling e-books), tells you why you should start a mailing list immediately, and shares the pros and cons of going exclusive with Amazon. And that's just for starters...
Praise for Let's Get Digital:
"Let's Get Digital is a must read for anyone considering self-publishing." -- JA Konrath, bestselling author of Trapped, Origin, and Whiskey Sour.
"Even with my background as an indie writer, I picked up several valuable tips...this is simply the best book about the ebook revolution that I have read." -- Michael Wallace, bestselling author of the Righteous series.
"Credible and comprehensive. I'd recommend it to any writer who is considering self-publishing or anyone interested in the current state of publishing." -- Big Al's Books and Pals - 5 stars.
"It should be THE starting point for anyone considering self-publishing today. This book is a Pixel Pick, and should be considered required reading for any Indie author." -- Pixel of Ink.
*** Table of Contents ***
PART ONE: DIGITAL REVOLUTION
1. Appetite for Disruption
2. Here Be Pirates!
4. What We Talk About When We Talk About Editing
5. Literary Agents
6. The 800lb Gorilla: Amazon
7. Print Is Doomed
8. E-book Dominance Is Inevitable
9. Publishers: The New Travel Agents?
10. The Age of the Algorithm
11. Self-publishing Myths
12. A Great Time to Be a Writer
13. ...Unless You Fall For These Scams
PART TWO: DIGITAL SELF-PUBLISHING
Step 1: Publishing When Ready
Step 2: Cover Design
Step 3: Working With An Editor
Step 4: Formatting & Killer Layouts
Step 5: Pricing To Sell
Step 6: Uploading & Metadata
Step 7: Marketing is Easy
Step 8: Platform Building
Step 9: Developing A Sticky Readership
Step 10: How To Kickstart Your Sales
PART THREE: SUCCESS STORIES
Consuelo Saah Baehr
Steven L. Hawk
N Gemini Sasson
Stacey Wallace Benefiel
J Carson Black
Appendix A: Publishing Checklist
Appendix B: Mailing Lists
Appendix C: Let's Get Physical
Appendix D: Shorter Stories
Appendix E: Reviews
Appendix F: KDP Select
Appendix G: Practicalities
Appendix H: Resources
Publishing | Self-Publishing | Marketing | Book Marketing | Marketing For Authors | Writing | Digital Revolution
Secrets of a Freelance Writer has long been the authoritative guide to making big money as a commercial freelance writer. In this new edition, you'll find out how to make $100,000 a year—or much more—writing ads, annual reports, brochures, catalogs, newsletters, direct mail, Web pages, CD-ROMs, press releases, and other projects for corporations, small businesses, associations, nonprofit organizations, the government, and other commercial clients.
You'll also learn how to start out as a freelancer, market yourself to clients, create a successful personal Web site to cull more sales leads, follow up on potential customers to build your practice, and run your business on a day-to-day basis.
Secrets of a Freelance Writer is the definitive guide to building a successful and lucrative freelance writing practice.
The Indie Author Guide takes you through every stage of the self-publishing process. With e-books, print on demand and the power of Web 2.0, you have the ability to publish your own high quality books and go indie—just as filmmakers and musicians have done. Get detailed instructions, complemented by screenshots, so you can get the most of cutting edge publishing options.
April L. Hamilton, founder of Publetariat, an online news hub and community for indie authors, gives you insight to the latest technology and step-by-step advice for making the most of your self-publishing options.
Inside you'll find everything you need to know to: organize your files create your brand explore your self-publishing options format your book for POD edit and revise you work design your own book cover publish through a POD print service provider publish in e-book formats build an author platform promote your work transition from indie to mainstream publishing Plus, you'll get worksheets to help you plan and organize your book, your business, and your writing life, as well as an HTML primer so you can build your own website—even if you're not tech savvy.
The Indie Author Guide gives you the skills and confidence you need to take full advantage of today's unique publishing opportunities and grow your readership yourself.
While you’ve been to Pern . . . you haven’t heard the stories behind the stories.
I propose to fix that.
When Anne McCaffrey’s Hugo Award–winning novella “Weyr Search” appeared in the late 1960s as part of the novel Dragonflight, the science fiction universe was gloriously transformed as readers first experienced the exhilarating thrill of soaring with dragons. With the many Pern novels that followed, McCaffrey steadily won the hearts and unwavering devotion of millions of fans, eventually earning a permanent position on the New York Times bestseller list. Dragonholder celebrates the birth and growth of McCaffrey’s breathtaking literary vision, as well as the momentous events of a life that was in many ways as extraordinary as the worlds and characters that McCaffrey created.
No one understands or appreciates McCaffrey’s life and work better than her son, Todd, does. In Dragonholder, her frequent coauthor and avid fan intimately examines his mother’s childhood and early adulthood, the amazing gift of second sight she inherited from her own mother and grandmother, the trials she faced juggling a career and a family during the turbulent sixties, and her rise to literary stardom—and he reveals the events and influences that ultimately gave rise to the myriad wonders of Pern and the other miraculous worlds borne of Anne McCaffrey’s unparalleled imagination.
Here's what thrilled women writers are saying about this groundbreaking book:
"I will keep referring to this little gift of insight throughout the year. Thanks for the encouragement, the dose of reality, and most of all, the inspiration." - S. Evans
"...reflects in a sophisticated yet highly readable voice on many aspects of the writer's life. It will inspire many creative people, whether writers or not. The book definitely lived up to its title." - Krista L.
"Full of inspiration and pointers from Susan Gabriel and other authors to boost your creativity - it's an all-around excellent book - I'd highly recommend it!" - S. Burnside
"A ton of great tips and inspiration that often apply to life in general, as well as to writing....inspiration and enthusiasm to get you started." - S. Lunsford
In addition to sharing from her own experience as a writer for over 15 years, Gabriel also reflects on thoughts and experiences from a wide variety of writers and other inspiring people including Annie Dillard, Virginia Woolf, Harriet Tubman, Ursula Le Guin, Barbara Kingsolver, Kathryn Hackett, Hillary Clinton, Alice Munro, Jane Austen, Maya Angelou, Fran Lebowitz, Brene Brown, Emily Dickinson, Anne Tyler, Harper Lee, Elizabeth George, Anne LaMott, Nora Ephron, Gail Godwin, May Sarton, Willa Cather, Marianne Williamson, Carson McCullers, Sue Monk Kidd, Alice Walker, Louise Erdrich, Geena Davis, Martha Beck, Mary Oliver, Elizabeth Gilbert, Tina Fey and others.
You'll enjoy the wide ranging and inspiring essays, including:Where ideas come fromThe art of "shitty" first draftsA lesson from Tina Fey101 excuses why people don't writeWriters who are also mothersKill your darlingsWhat writers can learn from coyotesIt's never too late to start your writing career... and much more.
Download Fearless Writing for Women right now and start getting inspired!
"Whatever brought you to this page, chances are that you're not writing, that you're not writing what you want to be writing, or that you're not writing with the discipline and commitment that leads to completion. It’s time to change all that. It’s time to journey into the heart of your passion and creativity. It's time write naturally, effortlessly and flowingly."
Free Up Your Writing & Creative Flow Today!
Working with Mark David was amazing. It broke my writer’s block!
– Michele Quinn, Marlton, NJ
I can’t believe how easy Mark David has made it. No more writer’s block!
– Azurel Efron, Sedona, AZ
The book is organized around a basic guide to English grammar that is specifically tailored to the needs of scientists, science writers, science educators, and science students. The authors explain the goals of scientific writing, the role of style, and the various kinds of writing in the sciences, then provide a basic guide to the fundamentals of English and address problem areas such as redundancies, abbreviations and acronyms, jargon, and foreign terms. Email, online publishing, blogs, and writing for the Web are covered as well. This book is designed to be an enlightening and entertaining read that can then be retained as a practical scientific writing reference guide.
In How to Make a Living Writing Articles for Newspapers, Magazines, and Online Sources, learn how to pitch your first story idea to any publication and get it printed — and paid. Learn how to submit queries and write a variety of professional-level articles that news, entertainment, and niche publications will eagerly pay you for. You will find out how to utilize blogs, social networks, and search engines to find the best publishing opportunities, as well as how to market yourself online to attract editors with your personal website and online portfolio. Throughout this step-by-step guide, you will find trusted advice from industry insiders and writers who know exactly how to pitch, pen, and publish a story. Dealing with feedback, knowing the ethics and legalities of confidential sources, and writing compelling headlines — it’s all covered in this book.
Advice on writing and on life from an acclaimed bestselling author:
"Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he'd had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother's shoulder, and said, 'Bird by bird, buddy. Just take it bird by bird.'"
Inside you'll find: Basic information on how to set up your blog and the essential plug-ins and other options necessary to get the most out of each post Steps for writing a book easily from scratch using blog posts Advice on how to write blog posts Tips on gaining visibility and promoting your work both online and off Tools for driving traffic to your blog Information on how to monetize an existing blog into a book or other types of productsProfiles with authors who received blog-to-book deals Author Nina Amir explains how writing a book in cyberspace allows you to get your book written easily, while promoting it and building an author's platform. It's a fun, effective way to start writing, publishing, and promoting a book, one post at a time.
But having the courage to tap into your innermost self and write purely from your spirit doesn’t always come naturally, which is why he wrote Unleash the Writer Within to guide you along the way. In this book, Cec helps you:
* Answer why you write;
* Find the real you;
* Understand your inner critic;
* Determine your strengths and weaknesses;
* Honor, embrace, and grow your voice;
* Discover your rhythm;
* Overcome your barriers to honest writing.
Unleash the Writer Within is sure to become your most-used and marked-up writing companion. It also serves as an excellent resource for writers’ events, group discussions, and conferences.
Note: UNLEASH THE WRITER WITHIN is a previously published work, and is not substantially different from the original edition.
—Virginia Woolf, To The Lighthouse
An illuminating exploration of how seven of the greatest English novels of the nineteenth and twentieth centuries—Frankenstein, Wuthering Heights, Jane Eyre, Middlemarch, Mrs. Dalloway, To the Lighthouse, and Between the Acts—portray the essential experiences of life.
Edward Mendelson—a professor of English at Columbia University—illustrates how each novel is a living portrait of the human condition while expressing its author’s complex individuality and intentions and emerging from the author’s life and times. He explores Frankenstein as a searing representation of child neglect and abandonment and Mrs. Dalloway as a portrait of an ideal but almost impossible adult love, and leads us to a fresh and fascinating new understanding of each of the seven novels, reminding us—in the most captivating way—why they matter.
From the Trade Paperback edition.
The National Book Award winner from Pulitzer-Prize winning author A. Scott Berg.
The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend.
This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare—in both the professional and personal domains. It tells not only of Perkin’s stormy marriage, endearing eccentricities, and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century. It is, in the words of Newsweek, “an admirable biography of a wholly admirable man.”
From the Trade Paperback edition.
In this valuable guide, Dennis O’Neil, a living legend in the comics industry, reveals his insider tricks and no-fail techniques for comic storytelling. Readers will discover the various methods of writing scripts (full script vs. plot first), as well as procedures for developing a story structure, building subplots, creating well-rounded characters, and much more. O’Neil also explains the many diverse formats for comic books, including graphic novels, maxi-series, mega-series, and adaptation. Of course, there are also dozens of guidelines for writing proposals to editors that command attention and get results.
Written by experts with thirteen books between them as well as many years’ experience as a literary agent (Eckstut) and a book doctor (Sterry), this nuts-and-bolts guide demystifies every step of the publishing process: how to come up with a blockbuster title, create a selling proposal, find the right agent, understand a book contract, develop marketing and publicity savvy, and self-publish. There’s new information on how to build up a following (and even publish a book) online; the importance of a search-engine-friendly title; producing a video book trailer; and e-book pricing and royalties. Includes interviews with hundreds of publishing insiders and authors, including Seth Godin, Neil Gaiman, Amy Bloom, Margaret Atwood, Larry Kirshbaum, Leonard Lopate, plus agents, editors, and booksellers; sidebars featuring real-life publishing success stories; sample proposals, query letters, and a feature-rich website and community for authors.
Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages.
The First Five Pages reveals the necessary elements of good writing, whether it be fiction, nonfiction, journalism, or poetry, and points out errors to be avoided, such as
* A weak opening hook
* Overuse of adjectives and adverbs
* Flat or forced metaphors or similes
* Melodramatic, commonplace or confusing dialogue
* Undeveloped characterizations and lifeless settings
* Uneven pacing and lack of progression
With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. The First Five Pages will help writers at every stage take their art to a higher -- and more successful -- level.
You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground.
Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript.
In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.
Written in 1980 but published here for the first time, these texts tell the story of the various farces that developed around the literary prizes Thomas Bernhard received in his lifetime. Whether it was the Bremen Literature Prize, the Grillparzer Prize, or the Austrian State Prize, his participation in the acceptance ceremony—always less than gracious, it must be said—resulted in scandal (only at the awarding of the prize from Austria’s Federal Chamber of Commerce did Bernhard feel at home: he received that one, he said, in recognition of the great example he set for shopkeeping apprentices). And the remuneration connected with the prizes presented him with opportunities for adventure—of the new-house and luxury-car variety.
Here is a portrait of the writer as a prizewinner: laconic, sardonic, and shaking his head with biting amusement at the world and at himself. A revelatory work of dazzling comedy, the pinnacle of Bernhardian art.
From the Hardcover edition.
Martone’s approach has always been to synthesize, to understand and use any technique, formula, or style available. “I find myself, then,” he writes, “self-identifying as a formalist, both and neither an experimenter and/or a traditionalist.” In “I Love a Parade: An Afterword,” Martone writes about not fitting in--and loving it--as he recalls the time he marched alone in a local Labor Day parade, as a one-person delegation from the National Writers Union. Elsewhere, in writings formally, stylistically, purposely at odds with themselves, Martone’s expansive curiosity is on full display. We learn about camouflage techniques, how a baby acquires language, how to “read” a WPA-era post office mural, and why Martone sold his stock in the New Yorker and reinvested his money in the company that makes Etch A Sketch®.
Unconventions, then, is Martone’s “Frankensteinian monster,” a kind of unruly, hybrid spawn of the mainstream writing enterprise. “Writing seems to me an intrinsic pleasure, an end in itself first,” says Martone. “The question for me is not whether my writing, or any piece of writing, is good or bad but what the writing is and what it is doing and how finally it is used or can be used by others.”
guide of book publishing instructions to turn your unpublished manuscript into
a paperback book or an eBook for the Kindle, Nook, or iPad. Detailed
descriptions of what to do are accompanied by screenshots for each step. Additional
tools, tips, and websites are also provided which will help get your book
In Blueprint Your Bestseller, Stuart Horwitz offers a step-by-step process for revising your manuscript that has helped bestselling authors get from first draft to final draft. Whether you’re tinkering with your first one hundred pages or trying to wrestle a complete draft into shape, Horwitz helps you look at your writing with the fresh perspective you need to reach the finish line.
Blueprint Your Bestseller introduces the Book Architecture Method, a tested sequence of steps for organizing and revising any manuscript. By breaking a manuscript into manageable scenes, you can determine what is going on in your writing at the structural level—and uncover the underlying flaws and strengths of your narrative.
For more than a decade this proven approach to revision has helped authors of both fiction and nonfiction, as well as writers across all media from theater to film to TV.
If you find yourself writing when you should be sleeping and scribbling notes on odd pieces of paper at every stoplight, you might as well enjoy the fruits of your labor. How to Become a Famous Writer Before You’re Dead is an irreverent yet practical guide that combines solid writing advice with guerrilla marketing and promotion techniques guaranteed to launch you into print—and into the limelight. You’ll learn how to:
• Reimagine yourself as a buzz-worthy artist and entrepreneur
• Get your work and your name out in the world where other people can read it
• Be an anthology slut and a brazen self-promoter
• Apply real-world advice and experience from lit stars like Dave Barry, Susie Bright, and Dave Eggers to your own career
Cheaper than an M.F.A. but just as informative, How to Become a Famous Writer Before You’re Dead is your catapult to lit stardom. Just don’t forget to thank Ariel Gore for her inspiring, hands-on plan in the acknowledgments page of your first novel!
From the Trade Paperback edition.
More than a million books are self-published each year, and most disappear into the ether, seen by only a few. So, how do you self-publish your book and have it make a ripple in this giant self-publishing pond?
Designed for use by both the beginner and moderately experienced person, The Self-Publishing Road Map offers practical guidance to make your self-publishing journey a success. The book discusses how to ready your book for publication, where and how to publish online, how to get reviews, and how to market your title. This book gives you all the steps you need to successfully complete your self-publishing goals.
This isn't a get-rich-quick book, or a promise of untold riches. This is practical advice that pays off what you put into it. If you're ready to start your self-publishing journey, or already started and want somebody to ride shotgun and navigate, this is the book for you. Buckle up. It's time to go!
In order to master the craft of writing and the art of storytelling you must internalize the rhythms of the human experience and the ways we share that experience. There are deep and consistent patterns in the ways we tell stories, weave narrative illusions, and develop fascinating characters.
This collection includes three Dunlith Hill Writing Guides:
Story Theory: How to Write Like J.R.R. Tolkien in Three Easy Steps
Verisimilitude: How Illusions, Confidence Games, and Skillful Lying can Improve Your Fiction
Character and Archetype: How to Make Readers Fall in Love with your Imaginary FriendsWhen you understand and apply the simple but powerful patterns taught in these guides, you will be well on your way to becoming a masterful writer.
In the Wilderness is the poet's own account of a journey toward adulthood against an interior landscape every bit as awesome, as beautiful, and as fraught with hidden peril as the great forest itself. It is a story of how both faith and geography can shape the heart and soul, and of the uncharted territory we all must enter to face our demons. Above all, it is the clear-eyed and moving account of a young woman's coming of terms with her family, her homeland, her spirituality, and herself.
In presenting Kim Barnes the 1995 PENJerard Fund Award for a work-in-progress by an emerging female writer, the panel of judges wrote that "In the Wilderness is far more than a personal memoir," adding that it stands "almost as a cautionary example of the power of good prose to distinguish whatever it touches." Indeed, In the Wilderness is an extraordinary work, courageous, candid, and exquisitely written.
From the Trade Paperback edition.
There are over 3 million books in the Kindle Store, with thousands more added every day. How do you get yours noticed? Visibility isn't a challenge that can be bested once - it requires continual work. But there are tools and strategies to do much of the heavy lifting for you.
In Let's Get Visible: How To Get Noticed And Sell More Books, you'll discover how to:
Leverage Amazon's famous recommendation engine to take advantage of the various opportunities it provides for exposurePosition your books for discoverability on other sales venuesMinimize the time you spend promoting so you have more time to spend writingPromote in a cost-effective way that actually worksBy using these tips, you will get your book noticed. And getting noticed is the key to growing your sales.
Praise for Let's Get Visible:
"Let's Get Visible is the best tool I have discovered for a writer to push sales and visibility to the next level, and an indispensable addition to the library of any indie writer. If you're an indie writer and you're not buying this book, you simply aren't playing this game to win."--Michael Wallace, bestselling author of The Righteous.
"Gaughran distills complex subject matter and explains it in a way that anybody can easily understand, and takes the guesswork out of promotion at Amazon. He removes the mysticism and gets you as close as anyone outside of Amazon will probably be to understanding how stuff works behind the curtain."--David Wright, bestselling author of Yesterday's Gone.
"If you are a self-publisher looking to improve your ability to get eyeballs on your books, I can't recommend this title highly enough. The book contains many ideas I've used successfully and several I'm now excited to try."--Cidney Swanson, bestselling author of Saving Mars.
"Let's Get Visible offers a precise understanding of Amazon's systems and a real strategy authors can use to improve performance. An invaluable resource."--Jason Letts, bestselling author of Inevitable.
*** TABLE OF CONTENTS ***
The Sales Cliff
PART I: AMAZON ALGORITHMS
1. Amazon Sales Rank
2. Amazon's Recommendation Engine
3. Best Seller Lists
5. Top Rated
6. Hot New Releases
7. Movers & Shakers
8. The Importance of Popularity
9. Search & Also Boughts
10. Battling The Sales Cliff
PART II: FREE PULSING
11. Is Free A Bad Idea?
12. Free Matching
13. KDP Select
14. Planning A Successful Free Run
15. Post-Free Tips
16. The End of Free
PART III: PRICE PULSING
17. The Benefits of Running A Sale
18. With Our Powers Combined
PART IV: ADVERTISING
19. Why Advertise At All?
20. The Major Sites
21. How to Evaluate an Advertising Opportunity
22. Evaluating Your Promo
23. Combining Promos
PART V: LAUNCH STRATEGY
24. Building A Mailing List
25. The Standard Book Launch
26. Spreading The Love
27. Going For Broke
28. Seeding With Freeloaders
PART VI: SELLING OUTSIDE OF AMAZON
30. Strategies for Success
31. Amazon & Exclusivity
32. Keep Writing!
The Advanced Author Toolkit
Publishing | Self-Publishing | Marketing | Book Marketing | Marketing For Authors | Writing
Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost thirty years of experience in journalism, writing, and teaching into a series of fifty short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available.
Organized into four sections, "Nuts and Bolts," "Special Effects," "Blueprints for Stories," and "Useful Habits," Writing Tools is infused with more than 200 examples from journalism and literature. This new edition includes five brand new, never-before-shared tools.
Accessible, entertaining, inspiring, and above all, useful for every type of writer, from high school student to novelist, Writing Tools is essential reading.
You need to integrate your marketing approach and know how to engage your global audience, which involves online demographic research on social media websites. This will help you develop a general profile of your international readers. You also have to decide which countries you are going to focus on, and make sure that your message is clear and consistent, that you stay on message, and that you drive the conversation with your potential audience and gain their respect. This is key before they will buy your book and follow your literary work.
Additionally, you need to decide for yourself when is the best time to weigh in and blitz the global market. Once you have done so, you need to be persistent, continually uploading rich content to secure new readers living abroad and to retain them as loyal readers, reviewers and advocates of your work. Finally, you need to monitor and track their posting activities and interests, and their buying habits and preferences. This book will tell you how, and will point you in the direction of virtual rights agencies that can help you showcase your work more widely and even sell rights in different formats to the global marketplace.
No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years.
This is the book for writers who want to turn rejection slips into cashable checks.
Seventy-four distinguished writers tell personal tales of books loved and lost–great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission.
Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader’s delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.
Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara’s Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene–the “slightly ditzy” cousin of Graham; Bill Richardson on a children’s book for adults by Russell Hoban; Ronald Wright on William Golding’s Pincher Martin; Caryl Phillips on Michael Mac Liammoir’s account of his experiences on the set of Orson Welles’s Othello, and much, much more.
From the Trade Paperback edition.
He was a Midwesterner, a young journalist, haunted by inner demons, with a rambling gene, who headed down to Key West and was keen to establish his place in the pantheon of American writers. This was not Papa but Arnold Samuelson, a tormented and scarred young man who pocketed a newspaper photograph of his hero and role model and set off to find him in May of 1934. As luck would have it, Hemingway was home: he was in need of assistance on his new boat, Pilar, and happy to dole out writing advice between fishing and beers. This is the story of Hemingway the teacher, a rare glimpse of Hemingway sharing his craft—part education of a writer and part shadow story of a man who wanted to be Hemingway, and what that meant for him.
“The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.” - How to Tell a Story, Mark Twain
Interested in writing fiction yourself? Looking for a place to start, a book of some sorts that can tell you all the secrets? How about starting with Mark Twain’s course on How to Tell a Story! By studying it, the unique writing style of Mark Twain will be revealed pointing out at the same time the major differences between the European literature and the American one.
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This ebook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
When asked by the Paris Review what compelled him to rewrite the ending of A Farewell to Arms 39 times, Ernest Hemingway replied, "Getting the words right." His answer echoes what every successful writer knows: The secret to all good writing is revision.
For more than twenty years, Getting the Words Right has helped writers from all professions rewrite, revise, and refine their writing. In this new edition, author Theodore Cheney offers 39 targeted ways you can improve your writing, including how to: create smooth transitions between paragraphs correct the invisible faults of inconsistency, incoherence, and imbalance overcome problems of shifting point of view and style express your ideas clearly by trimming away weak or extra words You'll strengthen existing pieces and every future work by applying the three simple principles—reduce, rearrange, and reword. Once the secrets of revision are yours, you'll be able to follow Hemingway's lead—and get the words right!
We discuss who to seek reviews from and who to avoid, as there are plenty of book trolls on the Internet looking to criticize you if you over-engage in self-promotion or word your approach in an overtly self-centred way. We explain how best to approach those likely to provide positive reviews and endorsements by making it easy for them to review your book and spelling out the benefits to them in doing so, and we debate whether you should endorse your own book.
Often, it helps to set yourself up as an expert book reviewer first to lend credibility both to your writing and your reviews. We explain how to achieve this by joining Goodreads and Shelfari, writing good reviews, hosting or being a guest on a talk radio programme and always responding to critics in a respectful manner. A good review travels fast, but a poor review or a bad response to a negative review travels faster.
Originally published in 1918, this authoritative and engagingly written manual retains its immediacy and relevance. Strunk begins with the basic rules of usage, offering accessible explanations of correct punctuation and grammar. His advice on the principles of composition cites concrete examples of how to maintain clarity by eliminating redundancy and unnecessary embellishment. In addition, Strunk provides valuable pointers on avoiding common errors in the usage of words and expressions, and in spelling. The greatest book of its kind, this volume is a must for any student or writer.