Esmeralda Santiago's story begins in rural Puerto Rico, where her childhood was full of both tenderness and domestic strife, tropical sounds and sights as well as poverty. Growing up, she learned the proper way to eat a guava, the sound of tree frogs in the mango groves at night, the taste of the delectable sausage called morcilla, and the formula for ushering a dead baby's soul to heaven. As she enters school we see the clash, both hilarious and fierce, of Puerto Rican and Yankee culture. When her mother, Mami, a force of nature, takes off to New York with her seven, soon to be eleven children, Esmeralda, the oldest, must learn new rules, a new language, and eventually take on a new identity. In this first volume of her much-praised, bestselling trilogy, Santiago brilliantly recreates the idyllic landscape and tumultuous family life of her earliest years and her tremendous journey from the barrio to Brooklyn, from translating for her mother at the welfare office to high honors at Harvard.
Stephanie Nielson began sharing her life in 2005 on nieniedialogues.com, drawing readers in with her warmth and candor. She quickly attracted a loyal following that was captivated by the upbeat mother happily raising her young children, madly in love with her husband, Christian (Mr. Nielson to her readers), and filled with gratitude for her blessed life.
However, everything changed in an instant on a sunny day in August 2008, when Stephanie and Christian were in a horrific plane crash. Christian was burned over 40 percent of his body, and Stephanie was on the brink of death, with burns over 80 percent of her body. She would remain in a coma for four months.
In the aftermath of this harrowing tragedy, Stephanie maintained a stunning sense of humor, optimism, and resilience. She has since shared this strength of spirit with others through her blog, in magazine features, and on The Oprah Winfrey Show. Now, in this moving memoir, Stephanie tells the full, extraordinary story of her unlikely recovery and the incredible love behind it--from a riveting account of the crash to all that followed in its wake. With vivid detail, Stephanie recounts her emotional and physical journey, from her first painful days after awakening from the coma to the first time she saw her face in the mirror, the first kiss she shared with Christian after the accident, and the first time she talked to her children after their long separation. She also reflects back on life before the accident, to her happy childhood as one of nine siblings, her close-knit community and strong Mormon faith, and her fairy-tale love story, all of which became her foundation of strength as she rebuilt her life.
What emerges from the wreckage of a tragic accident is a unique perspective on joy, beauty, and overcoming adversity that is as gripping as it is inspirational. Heaven Is Here is a poignant reminder of how faith and family, love and community can bolster us, sustain us, and quite literally, in some cases, save us.
It is as simple and complex as that!
When frustrated with an unresponsive child, a parent doesn’t declare, “You don’t love me.” Instead the parent asserts, “You are being disrespectful right now.” A parent needs to feel respected, especially during conflicts. When upset a child does not whine, “You don’t respect me.” Instead, a child pouts, “You don’t love me.” A child needs to feel loved, especially during disputes.
But here’s the rub: An unloved child (or teen) negatively reacts in a way that feels disrespectful to a parent. A disrespected parent negatively reacts in a way that feels unloving to the child. This dynamic gives birth to the FAMILY CRAZY CYCLE.
So how is one to break out of this cycle? Best-selling author Emerson Eggerichs has studied the family dynamic for more than 30 years, having his Ph.D. in Child and Family Ecology. As a senior pastor for nearly two decades, Eggerichs builds on a foundation of strong biblical principles, walking the reader through an entirely new way to approach the family dynamic. For instance, God reveals ways to defuse the craziness with our children from preschooler to teen, plus how to motivate them to obey and how to deal with them when they don’t. In the Bible, God has spoken specifically to parents on how to parent. This book is about that revelation.
Annie would spend the rest of her life shut away in a mental institution, while the family erased any hints that she had ever existed. Through interviews and investigative journalism, Luxenberg teases out her story from the web of shame and half-truths that had hidden it. He also explores the social history of institutions such as Eloise in Detroit, where Annie lived, and the fact that in this era (the 40s and 50s), locking up a troubled relative who suffered from depression or other treatable problems was much more common than anyone realizes today.
The first new edition in ten years of this important study of Latinos in U.S. history, Harvest of Empire spans five centuries-from the first New World colonies to the first decade of the new millennium. Latinos are now the largest minority group in the United States, and their impact on American popular culture-from food to entertainment to literature-is greater than ever. Featuring family portraits of real- life immigrant Latino pioneers, as well as accounts of the events and conditions that compelled them to leave their homelands, Harvest of Empire is required reading for anyone wishing to understand the history and legacy of this increasingly influential group.
When families “blend” to create step families things rarely progress smoothly.
Some children may resist the many changes they face, while parents may become frustrated or disappointed when the new family doesn’t function like their previous family functioned.
This book teaches you to deal with basic issues such as privacy for individual family members, who should handle the discipline, giving your stepchildren space, not to expect respect, but to earn respect. How to deal with hot and cold behavior from your step kids.
Contrary to myth, step families have a high rate of success in raising healthy children. 80% of the kids grow up and turn out to be fine.
Do not beat yourself up about being a bad step parent, learn how to deal with the situation.
In 1982, 20-year-old Nina Stibbe moved to London to work as a nanny to two opinionated and lively young boys. In frequent letters home to her sister, Nina described her trials and triumphs: there's a cat nobody likes, suppertime visits from a famous local playwright, a mysteriously unpaid milk bill, and repeated misadventures parking the family car. Dinner table discussions cover the gamut, from the greats of English literature, to swearing in German, to sexually transmitted diseases. There's no end to what Nina can learn from these boys (rude words) and their broad-minded mother (the who's who of literary London).
A charming, hilarious, sweetly inspiring celebration of bad food and good company, Love, Nina makes a young woman's adventures in a new world come alive.
¡Chicana Power! provides a critical genealogy of pioneering Chicana activist and theorist Anna NietoGomez and the Hijas de Cuauhtémoc, one of the first Latina feminist organizations, who together with other Chicana activists forged an autonomous space for women's political participation and challenged the gendered confines of Chicano nationalism in the movement and in the formation of the field of Chicana studies. She uncovers the multifaceted vision of liberation that continues to reverberate today as contemporary activists, artists, and intellectuals, both grassroots and academic, struggle for, revise, and rework the political legacy of Chicana feminism.
Annora was subsequently diagnosed with Dissociative Identity Disorder, also known as Multiple Personality Disorder. But that wouldn’t stop Annora from declaring her sanity to her husband and begging him to fi nd them a new therapist.
We Are Annora is a story about the human will to survive amidst the darkness which lies deep within despondency and a powerful mental disorder.
Marrow’s choice of first-person narrative successfully pulls the reader into this page-turning true story which so richly demonstrates the human will to survive amidst a crippling disorder that is still so misunderstood. Throughout the pages of this book, struggles of fear and hope, love and hate, confusion and utter clarity give the reader an “insider” perspective of the challenges faced by traumatized people with DID. Hence, the reader acquires a better understanding of the difficulties suffered by multiples and the potential for true healing.
This fascinating testimonio, or oral history, transcribed and presented in Castro's voice by historian Mario T. Garcia, is a compelling, highly readable narrative of a young boy growing up in Los Angeles who made history by his leadership in the blowouts and in his career as a dedicated and committed teacher. Blowout! fills a major void in the history of the civil rights and Chicano movements of the 1960s, particularly the struggle for educational justice.
Robyn Trask, Executive Director of Loving More Non-Profit and Magazine
What is your relationship dream, and what options are out there to choose from? We’re familiar with monogamy, but what additional models of loving and living are offered by polyamory, and what do they look like in action? How is polyamory different from polygamy, swinging, or “cheating”? What new forms of etiquette are needed in order to nurture polys’ varied forms of family? Is it really possible to have a relationship in which love does not equal possessiveness?
“Any relationship, from monogamous marriage to business enterprise to polyamorous family, will benefit from the practical relationship advice found within the covers of this well-written little book.”
Matthew C. Cox, Life Coach and Author of Living the Southwest Lifestyle
“Just the right balance between information, candor, and lightheartedness.”
Dr. Fred Hillman, GLBT activist and retired Family Therapist
“Don’t let the size of this little book fool you. What Does Polyamory Look Like? is chock full of information about how to build honest, loving, and lasting relationships. Therapists and educators, take note! Dr. Chapman dispels the myths of polyamory and teaches us all about how to create and sustain the relationships of which we’ve dreamed.”
Sera Miles, Director of New Mexico FetLifers
Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.
But even after the war, as Escobedo shows, Mexican American women had to continue challenging workplace inequities and confronting family and communal resistance to their broadening public presence. Highlighting seldom heard voices of the "Greatest Generation," Escobedo examines these contradictions within Mexican families and their communities, exploring the impact of youth culture, outside employment, and family relations on the lives of women whose home-front experiences and everyday life choices would fundamentally alter the history of a generation.
Here is the poignant journey of a “minority student” who pays the cost of his social assimilation and academic success with a painful alienation — from his past, his parents, his culture — and so describes the high price of “making it” in middle-class America.
Provocative in its positions on affirmative action and bilingual education, Hunger of Memory is a powerful political statement, a profound study of the importance of language ... and the moving, intimate portrait of a boy struggling to become a man.
From the Paperback edition.
One of seven children brought up by a single mother, Sonja Livingston was raised in areas of western New York that remain relatively hidden from the rest of America. From an old farming town to an Indian reservation to a dead-end urban neighborhood, Livingston and her siblings follow their nonconformist mother from one ramshackle house to another on the perpetual search for something better.
Along the way, the young Sonja observes the harsh realities her family encounters, as well as small moments of transcendent beauty that somehow keep them going. While struggling to make sense of her world, Livingston perceives the stresses and patterns that keep children—girls in particular—trapped in the cycle of poverty.
Larger cultural experiences such as her love for Wonder Woman and Nancy Drew and her experiences with the Girl Scouts and Roman Catholicism inform this lyrical memoir. Livingston firmly eschews sentimentality, offering instead a meditation on what it means to hunger and showing that poverty can strengthen the spirit just as surely as it can grind it down.
Fox News Channel anchor Bret Baier shares the New York Times bestselling story of his son Paul's ongoing battle with heart disease, and how it transformed his own life and family.
This deeply touching personal story is told through the eyes of a journalist as he faces his life's greatest crisis: caring for his critically ill son. With the acute insight of a seasoned reporter, and the deep love of a husband and father, Baier shares behind-the-scenes stories and emotional narrative of young Paul's life thus far. Bret and his wife Amy emerge-just like their brave young son-scarred but infinitely stronger, and clearly understanding what matters most in life. Told by a loving father and master storyteller, this hope-filled account offers an inspirational glimpse into the family of a man who just happens to be someone millions turn to for the day's news.
One hundred percent of what the author receives from the sale of this book is donated to various non-profit pediatric heart causes.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us a night of People's Court, and takes us with her when she shops for her family's food rations. Key figures of the revolution appear throughout, and Randall reveals aspects of their lives never before seen.
More than fifty black and white photographs, most by the author, add depth and richness to this astute and illuminating memoir. Written with a poet's ear, depicted with a photographer's eye, and filled with a feminist vision, To Change the Worldùneither an apology nor gratuitous attackùadds immensely to the existing literature on revolutionary Cuba.
The Sacred Work of Grandparents Raising Their Grandchildren is the first book that contains answers and stories to address these unique issues and challenges—from one grandparent to another. You’ll enjoy the practical suggestions on how grandchildren can manage and solve some of their own problems, while learning how to cope with your own distinctive life challenges.
As a parenting grandparent, a kinship caregiver, a teacher, or a social service worker, you must read this book for invaluable insight. No other book takes on the complex challenges that parenting grandparents face with such depth and truth. How relieved and grateful you’ll be for the inspiration, knowledge and wisdom by the time you reach the conclusion!
“Through the stories told by grandparents themselves, Elaine K. Williams reveals the challenges, commitment, and love experienced by grandparents raising their grandchildren. This book not only provides understanding and helpful information, but will also touch the hearts of all who read it.”
—Sandy P., a grandparent who raised a grandchild
“I’ve waited five years for this wonderful author, Elaine K. Williams, to complete her groundbreaking gathering of knowledge from three generations so that we can clearly see the patterns of grandparents who are raising their grandchildren. The most important points are to help grandparents understand the dynamics of the emotional and behavioral challenges their grandchildren face, and the impactful trauma that all generations experience. She brings the keys of caring, connection, and communication forward to assist families to heal. Highly recommended.”
—Dr. Caron Goode, EdD, NCC, author of the award-winning book Raising Intuitive Children
. . . there are many kinds of light.
The light of fires. The light of stars.
The light that reflects off rivers.
Light that penetrates through cracks.
Then there’s the type of light that reflects off the skin.
—Nilo Cruz, Anna in the Tropics
This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.
"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, the world premiere work he created for Coral Gables’ intimate New Theatre, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald
Nilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, among others. Anna in the Tropics also won the Steinberg Award for Best New Play. Mr. Cruz teaches playwriting at Yale University and lives in New York City.
She narrates the story of the suicide of her twenty-six-year-old daughter Patty in June of 2005. Severson recalls a personal journey through the grief process from the perspective of the mother, father, and sister of the victim. She also includes Patty’s suicide letter and selected diary entries and addresses the subject of mental illness and its role in suicides.
Raw and emotional, Healing the Wound from My Daughter’s Suicide provides keen insight into family dynamics following the suicide of a loved one. It shows how one family navigated the grief and healing process and found comfort through help from their community, from within the family, and through their faith in God.
In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.
Paredez argues that Selena’s death galvanized Latina/o efforts to publicly mourn collective tragedies (such as the murders of young women along the U.S.-Mexico border) and to envision a brighter future. At the same time, reactions to the star’s death catalyzed political jockeying for the Latino vote and corporate attempts to corner the Latino market. Foregrounding the role of performance in the politics of remembering, Paredez unravels the cultural, political, and economic dynamics at work in specific commemorations of Selena. She analyzes Selena’s final concert, the controversy surrounding the memorial erected in the star’s hometown of Corpus Christi, and the political climate that served as the backdrop to the touring musicals Selena Forever and Selena: A Musical Celebration of Life. Paredez considers what “becoming” Selena meant to the young Latinas who auditioned for the biopic Selena, released in 1997, and she surveys a range of Latina/o queer engagements with Selena, including Latina lesbian readings of the star’s death scene and queer Selena drag. Selenidad is a provocative exploration of how commemorations of Selena reflected and changed Latinidad.
Jon, a Catholic writer, and Michal, a Reconstructionist rabbi, live out the challenges of an interfaith relationship everyday as husband and wife, and as parents to their daughter Sima, who is being raised Jewish. In MIXED-UP LOVE, the couple explores how interfaith relationships impact dating, weddings, holidays, raising children, and family functions--and how to not just cope, but thrive.
This is an engaging and practical resource for singles who are considering dating outside their own faith, couples in interfaith relationships, relatives and friends of "mixed" couples who seek information and understanding, and parents desiring a fresh perspective. With clarity, insight, and humor, Sweeney and Woll demonstrate how to engage with your partner, family, and faith like never before.
Exploring the larger social forces behind demographic shifts, Gill shows both how North Carolina communities are facing the challenges and opportunities presented by these changes and how migrants experience the economic and social realities of their new lives. Latinos are no longer just visitors to the state but are part of the inevitably changing, long-term makeup of its population. Today, emerging migrant communities and the integration of Latino populations remain salient issues as the U.S. Congress stands on the verge of formulating comprehensive immigration reform for the first time in nearly three decades. Gill makes connections between hometowns and the increasing globalization of people, money, technology, and culture by shedding light on the many diverse North Carolina residents who are highly visible yet, as she shows, invisible at the same time.
The Young Lords offers readers the opportunity to learn about this vibrant organization through their own words and images, collecting an array of their essays, journalism, photographs, speeches, and pamphlets. Organized topically and thematically, this volume highlights the Young Lords’ diverse and inventive activism around issues such as education, health care, gentrification, police injustice and gender equality, as well as self-determination for Puerto Rico.
In recovering these rare written and visual materials, Darrel Enck-Wanzer has given voice to the lost chorus of the Young Lords, while providing an indispensable resource for students, scholars, activists, and others interested in learning about this influential grassroots “street political” organization.
Behnken further demonstrates that prejudices on both sides undermined the potential for a united civil rights campaign. Coalition building and cooperative civil rights efforts foundered on the rocks of perceived difference, competition, distrust, and, oftentimes, outright racism. Behnken's in-depth study reveals the major issues of contention for the two groups, their different strategies to win rights, and significant thematic developments within the two civil rights struggles. By comparing the histories of these movements in one of the few states in the nation to witness two civil rights movements, Behnken bridges the fields of Mexican American and African American history, revealing the myriad causes that ultimately led these groups to "fight their own battles."
First my husband told me he didn't love me. Then he said he didn't think he had ever really loved me. Then he left me with a baby to raise by myself. Amy, I don't want to be a single mother.
I told myself I'd never be divorced. And now here I am--exactly where I didn't want to be!
My daughter and I live in London. We don't really have any friends here. What should we do?
Desperate Dear Desperate,
I have an idea.
Take your baby, get on a plane, and move back to your dinky hometown in upstate New York--the place you couldn't wait to leave when you were young. Live with your sister in the back bedroom of her tiny bungalow. Cry for five weeks. Nestle in with your quirky family of hometown women--many of them single, like you. Drink lots of coffee and ask them what to do. Do your best to listen to their advice but don't necessarily follow it.
Start to work in Washington, DC. Start to date. Make friends. Fail up. Develop a career as a job doula. Teach nursery school and Sunday School.
Watch your daughter grow. When she's a teenager, just when you're both getting comfortable, uproot her and move to Chicago to take a job writing a nationally syndicated advice column.
Do your best to replace a legend. Date some more.
Love fiercely. Laugh with abandon. Grab your second chance--and your third, and your fourth.
Send your daughter to college. Cry for five more weeks.
Move back again to your dinky hometown and the women who helped raise you.
Find love, finally.
And take care.
This book is a practical guide for women coping with infidelity. For women finding themselves in an adulterous relationship - the reason why you should let go!
It is proof that God is the God of the impossible. If you have by any chance given up on your marriage, just remember that God has the last say.
If satan destroys a family, he destroys the church.
Don’t allow him to! God is waiting on you to call on Him.
Our prayer limits God! The battle is not ours anyway; it is the Lord’s. What God has joined together, let no man separate.
In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, María recruits her to take her picture as she poses dramatically with Mr. Joffe’s Oscar in hand. It is María’s defiant yet determined attitude amidst her sacrifices that allows for Guillermo’s spirited coming of age and coming out.
Their common ground is the drama of their encounters with discovery, heartbreak, and passion—the explosive emotions that light up the stage of their two-actor theater. Honorable Mention, Best Auto/Biography in English, International Latino Book Awards
Jimmy tries to navigate his urge to jump from high places, his fear of falling in love, and a complex family history full of deceit and racial ambiguity. At the same time, two other eccentric main characters, named Sandra and J. T., deal with dangerous pasts and presents of their own as Jimmy’s arrival alters their lives.
Winner of the 2012 George Garrett Prize for Fiction
Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture.
Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.
Contributors are Brenda D. Arellano, Leo R. Chavez, Yvette G. Flores, Ramón A. Gutiérrez, Aída Hurtado, Olga Nájera-Ramírez, Chon A. Noriega, Manuel Pastor Jr., Armida Ornelas, Russell W. Rumberger, Daniel Solórzano, Enriqueta Valdez Curiel, and Abel Valenzuela Jr.
In this historical ethnography, Jennifer R. Nájera offers a layered rendering and analysis of Mexican segregation in a South Texas community in the first half of the twentieth century. Using oral histories and local archives, she brings to life Mexican origin peoples' experiences with segregation. Through their stories and supporting documentary evidence, Nájera shows how the ambiguous racial status of Mexican origin people allowed some of them to be exceptions to the rule of Anglo racial dominance. She demonstrates that while such exceptionality might suggest the permeability of the color line, in fact the selective and limited incorporation of Mexicans into Anglo society actually reinforced segregation by creating an illusion that the community had been integrated and no further changes were needed. Nájera also reveals how the actions of everyday people ultimately challenged racial/racist ideologies and created meaningful spaces for Mexicans in spheres historically dominated by Anglos.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
As a young child, Edie, raised by a single mother struggling with epilepsy, was placed in a girls’ group home. Sad, confused, scared, and not understanding why her mother left her at the Simpson Home to live with complete strangers, Edie begins her new life not knowing if she will ever see her family again. Through the life of Edie, her story will help you understand that even though our paths in life take unexpected twists and turns, which we may not have control of, God is not shocked or surprised by any of it because He has a plan for each of us.
Discussing issues of parent-child contact ranging from breastfeeding to sexual abuse, Jean O'Malley Halley traces the evolution of mainstream ideas about touching between adults and children over the course of the twentieth century in the United States. Debates over when a child should be weaned and whether to allow a child to sleep in the parent's bed reveal deep differences in conceptions of appropriate adult-child contact.
Boundaries of Touch shows how arguments about adult-child touch have been politicized, simplified, and bifurcated into "naturalist" and "behaviorist" viewpoints, thereby sharpening certain binary constructions such as mind/body and male/female. Halley discusses the gendering of ideas about touch that were advanced by influential social scientists and parenting experts including Benjamin Spock, Alfred C. Kinsey, and Luther Emmett Holt. She also explores how touch ideology fared within and against the post-World War II feminist movements, especially with respect to issues of breastfeeding and sleeping with a child versus using a crib.
In addition to contemporary periodicals and self-help books on child rearing, Halley uses information gathered from interviews she conducted with mothers ranging in age from twenty-eight to seventy-three. Throughout, she reveals how the parent-child relationship, far from being a private or benign subject, continues as a highly contested, politicized affair of keen public interest.
The book draws its information from the writings of respected early historians as well as historical documents from libraries and archives in Spain, Latin America and the United States.
Cortes, Pizarro, Alvarado, todos ellos hombres conocidos y famosos. Pero y las mujeres? Si bien fue el hombre el que mayormente cargo sobre sus hombros la empresa conquistadora, muchas fueron las mujeres que tambien formaron parte de tal epopeya. Sin embargo, la historia les paso por encima y las relego al triste olvido.
Esta obra se empena en hacerles justicia historica a estas mujeres, destacando sus vidas y hazanas sobre todo a ocho de ellas, quizas las mas conocidas, pero no las unicas. Fueron mujeres excepcionales, resolutas, integras, juiciosas, prontas a echar un pie adelante cuando las circunstancias asi lo exigieron, pero, vale recalcar, sin renunciar en ningun momento a sus dotes de madres y esposas. De las ocho mujeres, seis fueron espanolas y dos indigenas, incluyendose, ademas, a unas cuarenta mas aunque en menos detalle.
La obra rebosa humanidad y sentido historico y esta escrita en un lenguaje pulcro y sencillo, al alcance de todo tipo de lector. Sus fuentes son rigurosamente historicas y fidedignas, fruto de las mas excelsas plumas a ambos lados del Atlantico y pertenecientes a todas las epocas, incluyendo, claro esta, a los primitivos cronistas de Indias.
Here is a life of many crossed boundaries, from East L.A.'s musica ranchera to Hollywood's punk rock; from a violent male-dominated family to female-dominated transgressive rock bands. Alice's feminist sympathies can be understood by the name of her satiric all-girl early Goth band Castration Squad.
Violence Girl takes us from a violent upbringing to an aggressive punk sensibility; this time a difficult coming-of-age memoir culminates with a satisfying conclusion, complete with a happy marriage and children. Nearly a hundred excellent photographs energize the text in remarkable ways.
Alice Bag's work and influence can be seen this year in the traveling Smithsonian exhibition "American Sabor: Latinos in U.S. Popular Music."
Southern society is arranged along matriarchal lines, since the Southern matriarch is a far more formidable being than the much nicer Southern male. She has to be this way; she was put on earth with a sacred mission: to drum good manners and the proper religion--ancestor worship--into the next generation. In Some Day You'll Thank Me for This, Gayden Metcalfe and Charlotte Hays, bestselling authors of Being Dead Is No Excuse and Somebody's Going to Die If Lily Beth Doesn't Catch That Bouquet, deliver up a hilarious treatise--complete with appropriate recipes from those finicky, demanding moms--on the joys, trials, and tribulations of being the daughter of a Southern mother. Including sections such as A Crown in Heaven (a Southern mother's favorite fashion accessory), Grande Dames, Toasting the Southern Mother, and why grandmothers prefer their "precious angel baby" grandchildren to their own "bad" children, this is the perfect gift for any Southern mother--or daughter of one.