"Jews and the American Slave Trade "dissects the questionable historical technique employed in "Secret Relationship, "offers a detailed response to Farrakhan's charges, and analyzes the impetus behind these charges. He begins with in-depth discussion of the attitudes of ancient peoples, Africans, Arabs, and Jews toward slavery and explores the Jewish role hi colonial European economic life from the Age of Discovery tp Napoleon. His state-by-state analyses describe in detail the institution of slavery in North America from colonial New England to Louisiana. Friedman elucidates the role of American Jews toward the great nineteenth-century moral debate, the positions they took, and explains what shattered the alliance between these two vulnerable minority groups in America.
Rooted in incontrovertible historical evidence, provocative without being incendiary, "Jews and the American Slave Trade "demonstrates that the anti-slavery tradition rooted in the Old Testament translated into powerful prohibitions with respect to any involvement in the slave trade. This brilliant exploration will be of interest to scholars of modern Jewish history, African-American studies, American Jewish history, U.S. history, and minority studies.
A dramatic shift is taking place in Israel and America. In Israel, the deepening occupation of the West Bank is putting Israeli democracy at risk. In the United States, the refusal of major Jewish organizations to defend democracy in the Jewish state is alienating many young liberal Jews from Zionism itself. In the next generation, the liberal Zionist dream—the dream of a state that safeguards the Jewish people and cherishes democratic ideals—may die.
In The Crisis of Zionism, Peter Beinart lays out in chilling detail the looming danger to Israeli democracy and the American Jewish establishment's refusal to confront it. And he offers a fascinating, groundbreaking portrait of the two leaders at the center of the crisis: Barack Obama, America's first "Jewish president," a man steeped in the liberalism he learned from his many Jewish friends and mentors in Chicago; and Benjamin Netanyahu, the Israeli prime minister who considers liberalism the Jewish people's special curse. These two men embody fundamentally different visions not just of American and Israeli national interests but of the mission of the Jewish people itself.
Beinart concludes with provocative proposals for how the relationship between American Jews and Israel must change, and with an eloquent and moving appeal for American Jews to defend the dream of a democratic Jewish state before it is too late.
The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.
Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz.
From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities.
The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.
· A much expanded selection of original documents, many never before anthologised in English
· Added treatment of the role of non-Germans in the Holocaust and the geographical variations in Jewish response
· Additional consideration of the much-debated nexus between the Holocaust and modernity
· A new section on how 'the Holocaust' developed as a distinct historical topic
· Useful and informative Chronology, Who’s Who and Glossary
David Engel’s book is a taut, compact narration that appeals to the intellect as much, if not more, than to the emotions. It is sure to be welcomed by students in departments of History, Politics and European Studies as well as by anyone trying to get to grips with this complex and far-reaching subject for the first time.
The Jewish Graphic Novel is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industry�such as Will Eisner, Art Spiegelman, and Joann Sfar�the essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad
Featuring more than 85 illustrations, this collection is a compelling representation of a major postmodern ethnic and artistic achievement.
membership in “the tribe” defined by shared religious beliefs? Common
ethnic backgrounds? Familiar holiday practices? Similar tastes in
culture and cuisine? And what do the widely varying answers to those
questions mean for the future of the American Jewish community?
2013, at the suggestion of Jewish Daily Forward editor Jane Eisner, the
Pew Research Center completed the most comprehensive and credible
survey ever conducted among American Jews. Its findings were nothing
short of astounding to communal leaders, demographers and individual
In this new e-book, the venerable Forward – the
premier source of news, analysis and cultural coverage that matters to
the American Jewish community – explains and analyzes the Pew report,
with contributions from its own journalists and a diverse selection of other experts.
sobering and sometimes even amusing, this accessible collection of
articles and essays will inform and enlarge the critical conversation
among American Jews about their communal future.
helpful discussion guide for educators, community and book groups, and
leaders of Jewish organizations.
NEW YORK MAGAZINE No. 706, Wednesday, February 2, 2011, Cultural Page 16 University Professor and Doctor Aurel Sasu, HOMAGE TO THE JEWS FROM THE UNITED STATES AND CANADA, Commentary regarding the volume SALUTE TO THE ROMANIAN JEWS IN AMERICA AND CANADA, 1850-2010: HISTORY, ACHIEVEMENTS, AND BIOGRAPHIES by Vladimir F. Wertsman
The publication of SALUTE TO THE ROMANIAN JEWS IN AMERICA AND CANADA,1850-2010: HISTORY, ACHIEVEMENTS, AND BIOGRAPHIES, XLibris , Bloomington, IN, 2010, 287 pp. by Vladimir F. Wertsman, one of the most valued, respected and dedicated researchers on multiculturalism over the Ocean, was no surprise to anybody in light of the author´s previous triptych: THE ROMANIANS IN AMERICA, 1748-1974: A CHNRONOLOGY AND FACT BOOK(1975), THE ROMANIANS IN AMERICA AND CANADA: A GUIDE TO INFORMTION SOURCES, (1980), and THE ROMANIANS IN THE UNITED STATES ANADA CANADA: A GUIDE TO ANCESTRY AND HERITAGE RESEARCH (2003). All of these titles reflect the author´s older concerns regarding immigration, integration, and identity preserved via the values of organic tradition.
Those who know this passionate book lover (he served many years as senior librarian at the New York Public Library) also know how much he is proud of his Romanian education (he is a graduate of the University "A.I. Cuza" Law School, 1953) and the prestige of Romanian people of culture abroad in whose spirit he was formed. Established in the USA in 1967, the future author did not forget the depth of his primary sources and his Romanian heritage. Regardless how often he appears in the Romanian community, he is admired for his work, advice, and wisdom. His main message is friendship, mutual understanding and respect.
The above mentioned volume on Romanian Jews in America and Canada starts with a "microchronology" of Romania´s two millennia Jewish community going back to the year 70 AD, when some Jews found asylum in Dacia after the destruction of the Jerusalem Temple. Under King Decebal, Jews are permitted to reside without any restriction. They were merchants, translators, and purveyors, Matei Basarab offers asylum to Hungarian Jews who refused to convert to Catholicism, under Alexander the Good and Stephen the Great, the Jews are free to live in any part of Moldavia. Also, Stephen the Great and his son Bogdan Voda kept Isaac Benjamin Shor as their logofat (chancellor). In the 16th century, first Sephardic communities are mentioned in Bucharest and Craiova, also Jewish stable communities are mentioned in Iasi (with a synagogue and cemetery), Suceava, Botosani, Sibiu, Cluj. Vasile Lupu (17th century) accepts several Jewish doctors and pharmacists at his court, Constantin Brancoveanu will do the same one century later. In 1665, a document mentions that along with Valachians and Serbs there were Jews in Michael the Brave´s Army. Constantin Mavrocordat accords fiscal immunity to Jews settled in Herta, Balti, Orhei, Ocna, and Harlau. From DESCRIPTIO MOLDAVIAE (1717) by Dimitrie Cantemir, we find that Jews could build wooden synagogues without any restrictions. Starting with the 18th century, mixed musical bands (lautari) are formed; they consisted of Romanians, Jews, and Gypsies. After the hardships endured by Jews during the Russian-Turkish War (1769-1774), Alexandru Mavrocordat and Nicolae Mavrogheni accord special protection to the Jewish population. In 1803, there were about 3,000 Jewish families in Moldova, fifty years later, the Jewish population increased to more than 130,000. In the Proclamation of Islaz (1848), the rights of the Jewish community are explicitly mentioned: "the emancipation of the Israelites and political rights for all compatriots of other creeds". In 1852, the first Jewish school is opened in Bucharest, and in 1847 appears ISRAELITUL ROMAN, the first newspaper of the Jewish communities from Moldavia and Walachia
Contributors are Andrej Angrick, Omer Bartov, Karel C. Berkhoff, Ray Brandon, Martin Dean, Dennis Deletant, Frank Golczewski, Alexander Kruglov, Wendy Lower, Dieter Pohl, and Timothy Snyder.
Hasidic women complicate stereotypes of nonliberal religious women by collapsing distinctions between the religious and the secular. In this innovative book, Fader demonstrates that contemporary Hasidic femininity requires women and girls to engage with the secular world around them, protecting Hasidic men and boys who study the Torah. Even as Hasidic religious observance has become more stringent, Hasidic girls have unexpectedly become more fluent in secular modernity. They are fluent Yiddish speakers but switch to English as they grow older; they are increasingly modest but also fashionable; they read fiction and play games like those of mainstream American children but theirs have Orthodox Jewish messages; and they attend private Hasidic schools that freely adapt from North American public and parochial models. Investigating how Hasidic women and girls conceptualize the religious, the secular, and the modern, Mitzvah Girls offers exciting new insights into cultural production and change in nonliberal religious communities.
Arguing that we must take seriously the possibility that the Nazis were in some measure correct, Gimbel examines Einstein and his work to explore how beliefs, background, and environment may—or may not—have influenced the work of the scientist. You cannot understand Einstein’s science, Gimbel declares, without knowing the history, religion, and philosophy that influenced it.
No one, especially Einstein himself, denies Einstein's Jewish heritage, but many are uncomfortable saying that he was being a Jew while he was at his desk working. To understand what "Jewish" means for Einstein’s work, Gimbel first explores the many definitions of "Jewish" and asks whether there are elements of Talmudic thinking apparent in Einstein’s theory of relativity. He applies this line of inquiry to other scientists, including Isaac Newton, René Descartes, Sigmund Freud, and Émile Durkheim, to consider whether their specific religious beliefs or backgrounds manifested in their scientific endeavors.
Einstein's Jewish Science intertwines science, history, philosophy, theology, and politics in fresh and fascinating ways to solve the multifaceted riddle of what religion means—and what it means to science. There are some senses, Gimbel claims, in which Jews can find a special connection to E = mc2, and this claim leads to the engaging, spirited debate at the heart of this book.
To describe what it meant to be a Jew in India, Roland draws on a wealth of materials such as Indian Jewish periodicals, official and private archives, and extensive interviews. Historians, Judaic studies specialist, India area scholars, postcolonialist, and sociologists will all find this book to be an engaging study. A new final chapter discusses the position of the remaining Jews in India as well as the status of Indian Jews in Israel at the end of the twentieth century.
As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating.
Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany.
But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.
· Dustin Hoffman, Steven Spielberg, Gene Wilder, Joan Rivers, and Leonard Nimoy talk about their startling encounters with anti-Semitism.
· Kenneth Cole, Eliot Spitzer, and Ronald Perelman explore the challenges of intermarriage.
· Mike Wallace, Richard Dreyfuss, and Ruth Reichl express attitudes toward Israel that vary from unquestioning loyalty to complicated ambivalence.
· William Kristol scoffs at the notion that Jewish values are incompatible with Conservative politics.
· Alan Dershowitz, raised Orthodox, talks about why he gave up morning prayer.
· Shawn Green describes the pressure that comes with being baseball’s Jewish star.
· Natalie Portman questions the ostentatious bat mitzvahs of her hometown.
· Tony Kushner explains how being Jewish prepared him for being gay.
· Leon Wieseltier throws down the gauntlet to Jews who haven’t taken the trouble to study Judaism.
These are just a few key moments from many poignant, often surprising, conversations with public figures whom most of us thought we already knew.
“When my mother got her nose job, she wanted me to get one, too. She said I would be happier.”—Dustin Hoffman
“It’s a heritage to be proud of. And then, too, it’s something that you can’t escape because the world won’t let you; so it’s a good thing you can be proud of it.”
—Ruth Bader Ginsburg
“My wife [Kate Capshaw] chose to do a full conversion before we were married in 1991, and she married me as a Jew. I think that, more than anything else, brought me back to Judaism.”—Steven Spielberg
“As someone who was born in Israel, you’re put in a position of defending Israel because you know how much is at stake.”—Natalie Portman
Written by Dean J. Champion, "Police Misconduct in America" covers police history back to Mesopotamia, outlines controversies, provides a broad chronology of significant eras in police history and a timeline of specific events, and offers biographical sketches of key personalities from J. Edgar Hoover to Alice Stebbens Wells, the first American policewoman. It also includes are summaries of key Supreme Court cases, an extensive list of organizations concerned about police misconduct, government documents and agency publications, and other references.
But America was facing more than economic hardship. Hitler’s agenda heightened the persecution of Jews abroad while anti-Semitism intensified political and social tensions in the U.S. The six-foot-four-inch Greenberg, the nation’s most prominent Jew, became not only an iconic ball player, but also an important and sometimes controversial symbol of Jewish identity and the American immigrant experience.
Throughout his twelve-year baseball career and four years of military service, he heard cheers wherever he went along with anti-Semitic taunts. The abuse drove him to legendary feats that put him in the company of the greatest sluggers of the day, including Babe Ruth, Jimmie Foxx, and Lou Gehrig. Hank’s iconic status made his personal dilemmas with religion versus team and ambition versus duty national debates.
Hank Greenberg is an intimate account of his life—a story of integrity and triumph over adversity and a portrait of one of the greatest baseball players and most important Jews of the twentieth century.
Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States.
Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?
In the religious domain, Halbertal argues, sacrifice is an offering, a gift given in the context of a hierarchical relationship. As such it is vulnerable to rejection, a trauma at the root of both ritual and violence. An offering is also an ambiguous gesture torn between a genuine expression of gratitude and love and an instrument of exchange, a tension that haunts the practice of sacrifice.
In the moral and political domains, sacrifice is tied to the idea of self-transcendence, in which an individual sacrifices his or her self-interest for the sake of higher values and commitments. While self-sacrifice has great potential moral value, it can also be used to justify the most brutal acts. Halbertal attempts to unravel the relationship between self-sacrifice and violence, arguing that misguided self-sacrifice is far more problematic than exaggerated self-love. In his exploration of the positive and negative dimensions of self-sacrifice, Halbertal also addresses the role of past sacrifice in obligating future generations and in creating a bond for political associations, and considers the function of the modern state as a sacrificial community.
As Fishman points out, the rise of Yiddishism was not without controversy. Some believed that the rise of Yiddish represented a shift away from a religious-dominated culture to a completely secular, European one; a Jewish nation held together by language, rather than by land or religious content. Others hoped that Yiddish culture would inherit the moral and national values of the Jewish religious tradition, and that to achieve this result, the Bible and Midrash would need to exist in modern Yiddish translation. Modern Yiddish culture developed in the midst of these opposing concepts.
Fishman follows the rise of the culture to its apex, the founding of the Yiddish Scientific Institute (YIVO) in Vilna in 1925, and concludes with the dramatic story of the individual efforts that preserved the books and papers of YIVO during the destruction and annihilation of World War II and in postwar Soviet Lithuania. The Rise of Modern Yiddish Culture, like those efforts, preserves the cultural heritage of east European Jews with thorough research and fresh insights.
- Jewish Book World
"Cherry has analyzed the biblical commentary of some of the renowned Jewish scholars of the last 2,000 years. The result is a work of excellent scholarship and imagination."
?Cherry shows how the Torah functions as literature that is fluid, compelling, and persistently generative of new meanings.?
? Christian Century
Every commentator, from the classical rabbi to the modern-day scholar, has brought his or her own worldview, with all of its assumptions, to bear on the reading of holy text. This relationship between the text itself and the reader's interpretation is the subject of Torah Through Time. Shai Cherry traces the development of Jewish Bible commentary through three pivotal periods in Jewish history: the rabbinic, medieval, and modern periods. The result is a fascinating and accessible guide to how some of the world's leading Jewish commentators read the Bible. Torah Through Time focuses on specific narrative sections of the Torah: the creation of humanity, the rivalry between Cain and Abel, Korah's rebellion, the claim of the daughters of Zelophechad, and legal matters concerning Hebrew slavery. Cherry closely examines several different commentaries for each of these source texts, and in so doing he analyzes how each commentator resolves questions raised by the texts and asks if and how the commentator's own historical frame of reference -- his own time and place -- contributes to the resolution. A chart at the end of each chapter provides a visual summary that helps the reader understand the many different elements at play.
They seem to be everywhere—in big cities, small towns, and suburbs throughout the United States, and in sixty-one countries around the world. They light giant Chanukah menorahs in public squares, run “Chabad houses” on college campuses from Berkeley to Cambridge, give weekly bible classes in the Capitol basement
in Washington, D.C., run a nonsectarian drug treatment center in Los Angeles, sponsor the world’s biggest Passover Seder in Nepal, establish synagogues, Hebrew schools, and day-care centers in places that are often indifferent and occasionally hostile to their outreach efforts. They have built a billion-dollar international empire, with their own news service, publishing house, and hundreds of Websites.
Who are these people? How successful are they in making Jews more observant? What influence does their late Rebbe, Menachem Mendel Schneerson (who some thought was the Messiah), continue to have on his followers? Fishkoff spent a year interviewing Lubavitch emissaries from Anchorage to Miami and has written an engaging and fair-minded account of a Hasidic group whose motives and methodology continue to be the subject of speculation and controversy.
From the Hardcover edition.
What did Shlomo Hamelech – King Solomon – mean with this twenty-two verse poem that concludes Sefer Mishlei, the book of Proverbs?
Is it only a tribute to the Jewish Woman or is there more?
Would you be surprised to learn that there so are many deep levels of meaning – so many hidden secrets - behind every passage, every word, every letter?
Now, for the first time, you can learn of the beauty of this timeless message, with this remarkable new book, “The Aishes Chayil Song.”
Embark on a magical journey to unlock the meaning in every verse, as you join Rabbi Yosef Tropper, a noted author, speaker and educator, as he takes us through new discoveries you will enjoy on every page.
What are the foundations of a Jewish Home? What traits did our illustrious mothers possess? How can I learn to appreciate life and live a more rewarding experience? What practical lessons can I learn from the women in Tanach and Jewish women of today? How can I become a greater person?
The Aishes Chayil Song will shed much light and inspiration on all of these topics.
Focusing on tensions over gender, ethnic identity and assimilation, each chapter discusses the meaning and symbolism of a specific era or type of Jewish dress. What were biblical and rabbinic fashions? Why was clothing so important to immigrant Jews in America? Why do Hassidic Jews wear black? When did yarmulkes become bar mitzvah souvenirs?
The book also offers the first analysis of how young Jewish adults today announce on caps, shirts, and even undergarments their striving to transform Jewishness from a religious and historical heritage into an ethnic identity that is hip, racy, and irreverent. Fascinating and accessibly written, A Cultural History of Jewish Dress will appeal to anybody interested in the central role of clothing in defining Jewish identity.
In August of 1991, the Brooklyn neighborhood of Crown Heights was engulfed in violence following the deaths of Gavin Cato and Yankel Rosenbaum—a West Indian boy struck by a car in the motorcade of a Hasidic spiritual leader and an orthodox Jew stabbed by a Black teenager. The ensuing unrest thrust the tensions between the Lubavitch Hasidic community and their Afro-Caribbean and African American neighbors into the media spotlight, spurring local and national debates on diversity and multiculturalism. Crown Heights became a symbol of racial and religious division. Yet few have paused to examine the nature of Black-Jewish difference in Crown Heights, or to question the flawed assumptions about race and religion that shape the politics—and perceptions—of conflict in the community.
In Race and Religion among the Chosen Peoples of Crown Heights, Henry Goldschmidt explores the everyday realities of difference in Crown Heights. Drawing on two years of fieldwork and interviews, he argues that identity formation is particularly complex in Crown Heights because the neighborhood’s communities envision the conflict in remarkably diverse ways. Lubavitch Hasidic Jews tend to describe it as a religious difference between Jews and Gentiles, while their Afro-Caribbean and African American neighbors usually define it as a racial difference between Blacks and Whites. These tangled definitions are further complicated by government agencies who address the issue as a matter of culture, and by the Lubavitch Hasidic belief—a belief shared with a surprising number of their neighbors—that they are a “chosen people” whose identity transcends the constraints of the social world.
The efforts of the Lubavitch Hasidic community to live as a divinely chosen people in a diverse Brooklyn neighborhood where collective identities are generally defined in terms of race illuminate the limits of American multiculturalism—a concept that claims to celebrate diversity, yet only accommodates variations of certain kinds. Taking the history of conflict in Crown Heights as an invitation to reimagine our shared social world, Goldschmidt interrogates the boundaries of race and religion and works to create space in American society for radical forms of cultural difference.
In The Origins of Jewish Secularization in Eighteenth-Century Europe Shmuel Feiner reconstructs this evolution by listening to the voices of those who participated in the process and by deciphering its cultural codes and meanings. On the one hand, a great majority of observant Jews still accepted the authority of the Talmud and the leadership of the rabbis; on the other, there was a gradually more conspicuous minority of "Epicureans" and "freethinkers." As the ground shifted, each individual was marked according to his or her place on the path between faith and heresy, between devoutness and permissiveness or indifference.
Building on his award-winning Jewish Enlightenment, Feiner unfolds the story of critics of religion, mostly Ashkenazic Jews, who did not take active part in the secular intellectual revival known as the Haskalah. In open or concealed rebellion, Feiner's subjects lived primarily in the cities of western and central Europe—Altona-Hamburg, Amsterdam, London, Berlin, Breslau, and Prague. They participated as "fashionable" Jews adopting the habits and clothing of the surrounding Gentile society. Several also adopted the deist worldview of Enlightenment Europe, rejecting faith in revelation, the authority of Scripture, and the obligation to observe the commandments.
Peering into the synagogue, observing individuals in the coffeehouse or strolling the boulevards, and peeking into the bedroom, Feiner recovers forgotten critics of religion from both the margins and the center of Jewish discourse. His is a pioneering work on the origins of one of the most significant transformations of modern Jewish history.
With the same linguistic verve and insight that has made him one of the most distinguished voices in American literature today, Ilan Stavans invites readers along for a personal journey that is not only his own, but that of an entire culture. In Return to Centro Histórico he makes it possible to understand the intimate role that Jews have played in the development of Hispanic civilization.
The Marrano phenomenon is employed here, in the domain of modern philosophical thought, where an analogous tendency can be seen: the clash of an open idiom and a secret meaning, which transforms both the medium and the message. Focussing on key figures of late modern, twentieth century Jewish thought; Hermann Cohen, Gershom Scholem, Walter Benjamin, Franz Rosenzweig, Theodor Adorno, Ernst Bloch, Jacob Taubes, Emmanuel Levinas and Jacques Derrida, this book demonstrates how their respective manners of conceptualization swerve from the philosophical mainstream along the Marrano ‘secret curve.’
Analysing their unique contribution to the ‘unfinished project of modernity,’ including issues of the future of the Enlightenment, modern nihilism and post-secular negotiation with religious heritage, this book will be essential reading for students and researchers with an interest in Jewish Studies and Philosophy.
Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise—and expand—our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction—an ugly object (Mendelssohn) made beautiful—illustrates his theory’s possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity.
Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.
The Red Apple Rest was a legendary restaurant open from the 1930s through the 1980s on New York’s Route 17. Located midway between New York City and the resorts of the Catskill Mountains, the restaurant served as a who’s who of entertainment luminaries. Elaine Freed Lindenblatt was born into restaurant royalty as the youngest child of the establishment’s founder, Reuben Freed. For her, the Red Apple was the “family room” across the road—one she shared with over a million customers every year. In this book fifty-plus years unfold in a series of lively vignettes—enhanced with photos, memorabilia, and even a closely guarded recipe—as she recreates what it was like to be raised in the fishbowl of a round-the-clock family operation. Stop at the Red Apple is at once an account of growing up in 1950s small-town America, a glimpse into the workings of a successful food operation, and a swan song to a glorious slice of bygone popular culture.
“Reading Stop at the Red Apple is like going down memory lane—I was instantly transported to happy memories of driving up to camp. Bravo, Elaine, and bravo to her family for the Red Apple.” — Joan Nathan
“Stop at the Red Apple is a true story of an important Catskill vacation tradition—from its embryonic stage until its ‘terminal demise’ as told by the founder’s daughter. If you have been fortunate enough to enjoy the delicious food and warm hospitality, you will have many special memories rekindled. Should you not have had the chance to do so, the planning, hard work, and personal sacrifices the family made to create and maintain this ‘landmark hospitality restaurant’ will fascinate you. I truly enjoyed my ‘stop’ at the Red Apple, I know you will too.” — Elaine Grossinger Etess, Executive Vice President and Co-owner of Grossinger’s
“The life of Red Apple Rest founder Reuben Freed is the quintessential immigrant success story. His restaurant is an icon of the golden age of American motor travel and the heyday of the Catskill resorts and borscht belt entertainers. Lindenblatt’s book is entertaining, atmospheric, and poignant. To readers who didn’t personally experience the Red Apple Rest, they will dearly wish that they had.” — Deborah Harmon, Executive Director, Tuxedo Historical Society
“In 1991, I had a hit Broadway show called Catskills on Broadway. At the opening of the show, we produced a seven-minute film about the Catskills, and the audiences would react to everything they saw on the screen … but by far the biggest reaction came when, as part of the film, I drove up to the Red Apple Rest and took photographs of all the roadside signs … 4 miles to Red Apple Rest, 2 miles to Red Apple Rest, and the Red Apple Rest. The audience was incredible when they saw those signs… it brought them back to their youth.” — Freddie Roman, actor and producer
A history of the Jewish people from bris to burial, from “muscle Jews” to nose jobs.
Melvin Konner, a renowned doctor and anthropologist, takes the measure of the “Jewish body,” considering sex, circumcision, menstruation, and even those most elusive and controversial of microscopic markers–Jewish genes. But this is not only a book that examines the human body through the prism of Jewish culture. Konner looks as well at the views of Jewish physiology held by non-Jews, and the way those views seeped into Jewish thought. He describes in detail the origins of the first nose job, and he writes about the Nazi ideology that categorized Jews as a public health menace on par with rats or germs.
A work of grand historical and philosophical sweep, The Jewish Body discusses the subtle relationship between the Jewish conception of the physical body and the Jewish conception of a bodiless God. It is a book about the relationship between a land–Israel–and the bodily sense not merely of individuals but of a people. As Konner describes, a renewed focus on the value of physical strength helped generate the creation of a Jewish homeland, and continued in the wake of it.
With deep insight and great originality, Konner gives us nothing less than an anatomical history of the Jewish people.
From the Hardcover edition.
Jon Levenson traces the origins of the concept to the ancient institution of covenant, showing how covenantal love is a matter neither of sentiment nor of dry legalism. The love of God is instead a deeply personal two-way relationship that finds expression in God's mysterious love for the people of Israel, who in turn observe God’s laws out of profound gratitude for his acts of deliverance. Levenson explores how this bond has survived episodes in which God’s love appears to be painfully absent—as in the brutal persecutions of Talmudic times—and describes the intensely erotic portrayals of the relationship by biblical prophets and rabbinic interpreters of the Song of Songs. He examines the love of God as a spiritual discipline in the Middle Ages as well as efforts by two influential modern Jewish thinkers—Martin Buber and Franz Rosenzweig—to recover this vital but endangered aspect of their tradition.
A breathtaking work of scholarship and spirituality alike that is certain to provoke debate, The Love of God develops fascinating insights into the foundations of religious life in the classical Jewish tradition.
Praise for Yiddishkeit:
“The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’ It pervades this volume, which he acknowledges is messy; he writes: ‘You really can't define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —New York Times
“Yiddishkeit is as colorful, bawdy, and charming as the culture it seeks to represent.”
“every bit of it brimming with the charm and flavor of its subject and seamlessly meshing with the text to create a genuinely compelling, scholarly comics experience”
“Yiddishkeit is a book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune
“a postvernacular tour de force”
“A fascinating and enlightening effort that takes full use of the graphic storytelling medium in an insightful and revelatory way.” —The Miami Herald
“With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah
“gorgeous comix-style portraits of Yiddish writers”
“Yiddishkeit has managed to survive, if just barely, not because there are individuals dedicated to its survival, though there are, but because Yiddishkeit is an essential part of both the Jewish and the human experience.”
—Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction
"The hearty hardcover is a scrumptious smorgasbord of comics, essays, and illustrations, edited by Harvey Pekar and Paul Buhle, providing concentrated tastes, with historical context, of Yiddish theater, literature, characters and culture." —Heeb magazine
Gentile reader, and you, Jews, come too. Follow Sue William Silverman, a one-woman cultural mash-up, on her exploration of identity among the mishmash of American idols and ideals that confuse most of usãor should. Pat Boone is our first stop. Now a Tea Party darling, Boone once shone as a squeaky-clean pop music icon of normality, an antidote for Silvermanês own confusing and dangerous home, where being a Jew in a Christian school wasnêt easy, and being the daughter of the Anti-Boone was unspeakable. And yet somehow Silverman found her way, a gefilte fish swimming upstream, and found her voice, which in this searching, bracing, hilarious, and moving book tries to make sense of that most troubling American condition: belonging, but to what?
Picking apricots on a kibbutz, tramping cross-country in a loathed Volkswagen camper, appearing in a made-for-television version of her own life: Silverman is a bobby-soxer, a baby boomer, a hippy, a lefty, and a rebel with something to say to those of usãmost of usãstill wondering what to make of ourselves.
In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.
Drinking the Sea at Gaza maps the zones of ordinary Palestinian life. From her friends, Hass learns the secrets of slipping across sealed borders and stealing through night streets emptied by curfews. She shares Gaza's early euphoria over the peace process and its subsequent despair as hope gives way to unrelenting hardship. But even as Hass charts the griefs and humiliations of the Palestinians, she offers a remarkable portrait of a people not brutalized but eloquent, spiritually resilient, bleakly funny, and morally courageous.
Full of testimonies and stories, facts and impressions, Drinking the Sea at Gaza makes an urgent claim on our humanity. Beautiful, haunting, and profound, it will stand with the great works of wartime reportage, from Michael Herr's Dispatches to Rian Malan's My Traitor's Heart.
Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.
Thomas Keneally met Leopold “Poldek” Pfefferberg, the owner of a Beverly Hills luggage shop, in 1981. Poldek, a Polish Jew and a Holocaust survivor, had a tale he wanted the world to know. Charming, charismatic, and persistent, he convinced Keneally to relate the incredible story of “the all-drinking, all-screwing, all-black-marketeering Nazi, Oskar Schindler. But to me he was Jesus Christ.”
Searching for Schindler is the engrossing chronicle of Keneally’s pursuit of one of history’s most fascinating and paradoxical heroes. Traveling throughout the United States, Germany, Israel, Poland, and Austria, Keneally and Poldek interviewed people who had known Schindler and uncovered their indelible memories of the Holocaust. Keneally’s powerful narrative rose quickly to the top of bestseller lists. Steven Spielberg’s magnificent film adaptation went on to fulfill Poldek’s dream of winning “an Oscar for Oskar.” (Keneally’s anecdotes about Spielberg, Liam Neeson, Ben Kingsley, and other cast members will delight film buffs.)
Written with candor and humor, Seaching for Schindler is an intimate look at Keneally’s growth as a writer and the enormous success of his portrait of Oskar Schindler.
Eve Haas is the daughter of a German Jewish family that took refuge in London after Hitler came to power. Following a terrifying air raid in the blitz, her father revealed the family secret, that her great-great grandmother Emilie was married to a Prussian prince. He then showed her the treasured leather-bound notebook inscribed to Emilie by the prince. Her parents were reluctant to learn more, but later in life, when Eve was married and inherited the diary, she became obsessed with proving this birthright. The Secrets of the Notebook tells how she follows the clues, from experts on European royalty in London to archives in West Germany and then, under threat of being arrested as a spy by the Communist regime, to an archive in East Germany that had never before opened its doors to the West. What she unearths is a love story set against the upheaval of the Napoleonic wars and the antiSemitism of the Prussian court, and a ruse that both protected Emilie’s daughter and probably condemned her granddaughter—Eve’s beloved grandmother, Anna—to death in the Nazi camps.
When first published in the UK, The Secrets of the Notebook was an Irish Times bestseller. A movie based on the book is in production.