twenty-eight readings, graded according to difficulty, beginning with shorter, simpler texts and progressing to longer, more complex texts
fourteen literary texts, written by well-known writers from German-speaking countries, on universal themes and fourteen non-literary texts from magazines, newspapers and the internet, featuring a range of engaging topics relating to culture, society and history
varied, contextualized pre- and post- reading exercises designed to stimulate discussion, develop comprehension strategies, expand and refine vocabulary, and foster awareness of grammatical structures as they occur in authentic contexts
a German-English glossary with separate vocabulary lists for each chapter and a complete answer key available at www.routledge.com/products/9781138898035
Suitable for both classroom use and independent study, The Routledge Modern German Reader provides insights into the culture of German-speaking countries while also acting as a stimulus to further independent reading. It is an essential tool for developing vocabulary and increasing reading proficiency.
I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so—the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years.
Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality-perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.
The Road to Balcombe Street: The IRA Reign of Terror in London is the highly detailed account and analysis of law enforcement negotiation lessons learned from the infamous hostage standoff between the London Metropolitan Police (the Met) and four members of the Provisional Irish Republican Army (IRA) in the winter of 1975. With eye-witness and first-hand testimony, this book examines the events leading up to the clash and their political context as well as how both sides handled the hostage situation and the strategies and tactics used by the police to safely diffuse the volatile situation.
Comprehensive and readable, The Road to Balcombe Street: The IRA Reign of Terror in London looks at not only the six days making up the standoff but places the confrontation in unique historical context by giving a detailed summary of IRA activity in London in the years leading up to the siege. In addition, this vital study explores the aftershocks arising from the apprehension of the IRA team as well as the hostage negotiation lessons learned in the conflict. This useful resource also features a thorough bibliography and list of electronic resources.
The Road to Balcombe Street: The IRA Reign of Terror in London details: the history of the IRA’s involvement in terrorist attacks on London background and buildup to the 1974-1975 London IRA campaign the assassination of Ross McWhirter the Met’s surveillance and dragnet operations tracking the IRA a moment-by-moment account leading up to the events of December 6, 1975 day-by-day details of the subsequent siege at Balcombe Street negotiation and hostage-crisis resolution techniques used by the Met post-siege events psychological observations arising from the siege and much, much more! The Road to Balcombe Street: The IRA Reign of Terror in London is a useful resource for practicing law enforcement negotiating teams and professionals; history, sociology, and social psychology students and educators; and general readers as well.
In Chancery begins where The Man of Property—and its subsequent interlude—left off, pursuing Soames and Irene Forsyte across Edwardian England, meanwhile highlighting the failing marriage of Soames’s sister, Winifred. Galsworthy juxtaposes the two relationships while bringing more members of the Forsyte clan into the drama, making for one of the most thought-provoking and entertaining satires on marriage and social class in the annals of British literature.
Following the events of The Man of Property and the brief and profoundly touching interlude Indian Summer of a Forsyte, siblings Soames and Winifred find themselves facing marital discord. Both Forsytes contemplate divorce, though Soames finds he is unwilling to let go of Irene, stalking her at home and abroad despite her reluctance to reconcile. When Irene inherits money from a patriarch within the Forsyte clan, Soames begins to suspect infidelities between his wife and his cousin Jolyon. But are his suspicions based on reality or the possessiveness that has haunted his marriage all along?
Meticulously detailed and deliciously suspenseful, In Chancery is the pivotal second installment in the acclaimed Forsyte Saga and one of Nobel laureate John Galsworthy’s finest novels.
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Widow Libby Stratton arranged to be turned into a vampire after she was diagnosed with late-stage cancer. It wasn’t the best idea she’s ever had, but she was desperate—she’s not about to leave her seven-year-old son to be raised by her rigid, overbearing in-laws.
On top of post-turning transition issues, like being ignored at PTA meetings and other mothers rejecting her son’s invitations for sleepovers, Libby must deal with her father-in-law’s attempts to declare her an unfit mother, her growing feelings for Wade—a tattooed redneck single dad she met while hiding in a closet at Back to School Night—and the return of her sire, who hasn’t stopped thinking about brave, snarky Libby since he turned her.
With the help of her new vampire circle, Libby negotiates this unfamiliar quagmire of legal troubles, parental duties, relationships, and, as always in Harper’s distinct, comedic novels, “characters you can’t help but fall in love with” (RT Book Reviews).
“…graceful and engaging…” — Rain Taxi
We all know someone who has suffered a heart attack. But, how often do we learn the intimate, potentially life-saving details that accompany coronary disease? In The Sanctuary of Illness, Thomas Larson (The Memoir and the Memoirist; The Saddest Music Ever Written) gives a powerful and personal inside tour of what happens when our arteries fail. He chronicles the three heart attacks in five years that he survived, and the emergency surgeries that saved his life each time. Slowly waking up to the genetic legacy and dangerous diet that pushed him to the brink, he reveals a path to healing that he and his partner, Suzanna, discovered together. Told with urgency and sensitivity, The Sanctuary of Illness is a subtle reminder that heart disease seldom affects just one heart.
In Strife, Galsworthy deals with industrial relations; in Justice, with prison life - it was one of the few plays to effect real reforms. The Eldest Son is also about injustice - one law for the rich, another for the poor; The Skin Game, Galsworthy's first commercial success, presents class conflict; while Loyalties, 'a crime drama', is about division and prejudice.
John Galsworthy is a winner of the Nobel Prize for Literature
Set in the fictional countries of Paflagonia and Crim Tartary, the story revolves around the lives and fortunes of four young royal cousins, Princesses Angelica and Rosalba, and Princes Bulbo and Giglio. Each page is headed by a line of poetry summing up the plot at that point and the storyline as a whole is laid out, as the book states,
Such a day made glad the heart. All the flags of July were waving; the sun and the poppies flaming; white butterflies spiring up and twining, and the bees busy on the snapdragons. The lime-trees were coming into flower. Tall white lilies in the garden beds already rivaled the delphiniums; the York and Lancaster roses were full-blown round their golden hearts. There was a gentle breeze, and a swish and stir and hum rose and fell above the head of Edward Pierson, coming back from his lonely ramble over Tintern Abbey. He had arrived at Kestrel, his brother Robert's home on the bank of the Wye only that morning, having stayed at Bath on the way down; and now he had got his face burnt in that parti-coloured way peculiar to the faces of those who have been too long in London. As he came along the narrow, rather overgrown avenue, the sound of a waltz thrummed out on a piano fell on his ears, and he smiled, for music was the greatest passion he had. His dark grizzled hair was pushed back off his hot brow, which he fanned with his straw hat. Though not broad, that brow was the broadest part of a narrow oval face whose length was increased by a short, dark, pointed beard—a visage such as Vandyk might have painted, grave and gentle, but for its bright grey eyes, cinder-lashed and crow's-footed, and its strange look of not seeing what was before it. He walked quickly, though he was tired and hot; tall, upright, and thin, in a grey parsonical suit, on whose black kerseymere vest a little gold cross dangled.
Light, entering the vast room—a room so high that its carved ceiling refused itself to exact scrutiny—travelled, with the wistful, cold curiosity of the dawn, over a fantastic storehouse of Time. Light, unaccompanied by the prejudice of human eyes, made strange revelation of incongruities, as though illuminating the dispassionate march of history.
For in this dining hall—one of the finest in England—the Caradoc family had for centuries assembled the trophies and records of their existence. Round about this dining hall they had built and pulled down and restored, until the rest of Monkland Court presented some aspect of homogeneity. Here alone they had left virgin the work of the old quasi-monastic builders, and within it unconsciously deposited their souls. For there were here, meeting the eyes of light, all those rather touching evidences of man's desire to persist for ever, those shells of his former bodies, the fetishes and queer proofs of his faiths, together with the remorseless demonstration of their treatment at the hands of Time.
The annalist might here have found all his needed confirmations; the analyst from this material formed the due equation of high birth; the philosopher traced the course of aristocracy, from its primeval rise in crude strength or subtlety, through centuries of power, to picturesque decadence, and the beginnings of its last stand. Even the artist might here, perchance, have seized on the dry ineffable pervading spirit, as one visiting an old cathedral seems to scent out the constriction of its heart.