The story of Guy's fall is told by the three persons most intimately concerned: Guy himself, Rex Geer, his closest friend, and Angelica, his wife. We see him first through his own eyes — embittered, oddly proud of his peculiar distinction, and entirely unrepentant — the golden boy, the Wall Street manipulator, and finally the old man determined to justify himself to the grandchildren he will never see.
Rex and Angelica in turn pick up the same threads of the story, but the threads change color subtly as they pass through different hands. In the end, the reader must decide for himself which is the real Guy Prime.
Louis Auchincloss brings to the financial world the same authority and understanding he brought to the worlds of the law (Powers of Attorney), the private school (The Rector of Justin), and the old families of New York (Portrait in Brownstone). Virgilia Peterson, writing in the New York Times Book Review, called The Rector of Justin "not only a passionately interesting, but a spiritually important study of the American character of, and for our time." Her words hold true for The Embezzler.
Nearing the end of his days, Adrian Suydam, half the partnership of the law firm of Suydam & Saunders, reflects on his lifelong friendship and business relationship with Ernest Saunders, a tragic and complicated man incapable of properly loving anyone. In this perceptive novel, set against the backdrop of old New York, Auchincloss exposes the temptations and vicissitudes that thrust his characters toward unforeseen fates.
Drawing on his career as a wills-and-trusts attorney, Auchincloss elegantly brings to life a stratum of society that few have seen. Through interwoven tales of family members, clients, and such notables as Teddy Roosevelt and the Astors, readers get an insider’s look at a secretive world. Touching, comical, and erudite, Last of the Old Guard is both a revealing history of a high-profile law firm and an intimate portrait of a poignant friendship between two men.
The year is 1953, and the coastal village of Glenville, on the opulent north shore of Long Island, is shaken by scandal. Ambrose Vollard, the managing partner of a prestigious Wall Street law firm, gets word of an alleged affair in his family. Most astonishing, the adulterer is Rodman Jessup, Vollard's son-in-law, junior partner, and most likely successor. Until now Jessup has been admired for his impeccable morals and high ideals, so what could explain his affair with a woman of fading charms? All is on the line for Jessup, who threatens to upset Glenville's carefully calibrated social order. As each family member learns of the affair, the story reveals layer upon layer of abiding loyalties and shameless double-crossing.
Wise, rich, and exuberantly entertaining, The Scarlet Letters posts a seductive missive to anyone ever tempted by power, wealth, or passion.
They occupy the chief seats of influence, but there are always pressures threatening to unseat them. An ambitious member can upset the balance in a bold bid for power, a young associate can do it by a foolish mistake, and the clients are susceptible to many kinds of discontent or the deft attractions of a rival firm.
The Partners is a masterful characterization of lawyers and of the people in whose service they gain riches and prestige. It is a story of the small but distinguished New York firm of Shepard, Putney and Cox, and particularly of one of the senior partners, Beekman Ehninger.
When he was younger, Beeky had worked out a reorganization that saved his firm from decline. Son of a rich mother and a socially ambitious father, he succeeded in making a career of his own within the narrow upper levels of the law.
Now he and his colleagues, such as Burrill Hume, the trusts-and-estates lawyer, again face the question of whether they can survive on their own in the relentless heat of competition or must join forces with a different breed — new, tough, but undeniably successful.
Time and change: these are the forces with which the man of morals must strike a bargain in an amoral world. Every day his bargaining position is slightly different. In this sense the story of one profession today becomes timeless.
The Partners is a portrait done with consummate skill, one to rivet the eye and the mind.
The offices, penthouses, and suburban chateaux of New York are the setting for Louis Auchincloss's The Dark Lady. Spanning three decades from the 1930s to the McCarthy era, the novel chronicles a powerful woman's rise and the human toll it exacts. In a world where birth and style count nearly as much as wealth, Elesina Dart is supremely equipped to star. Lovely, well-born, bright, even moderately talented as an actress, Elesina seems perversely bent on canceling out these advantages. After two destructive marriages and an affair with alcohol, she is close to low ebb when Ivy Trask takes heron. Ivy's business is the exercise of power, as editor of the fashion-arbitrating Tone magazine and in her own loveless life. In Elesina, she finds material worthy of her best efforts.
Stage-managed by Ivy, Elesina makes a widely successful and equally scandalous match with Judge Irving Stein, banker, connoisseur, collector — and old enough to know better, as all who are close to him point out. Mistress of Broad-lawns, living's Westchester estate, and caretaker of his fabulous art collection are roles Elesina takes in stride. Forall his riches and influence, Irving is a man of deep sensibility, a romantic — as is David, his attractive youngest son, whose passion for his stepmother leads to tragic consequences. Inevitably, husband, lover, and friend all fall victim to Elesina's need for the center stage, which she has come to see as her manifest destiny. In this major new novel, Louis Auchincloss examines the many faces of ambition and desire that rule both the schemers and dreamers of fashionable society. It is a story that only Auchincloss, with his exceptional knowledge and insight, could write.
The American century opened with the election of that quintessentially American adventurer, Theodore Roosevelt. Louis Auchincloss's warm and knowing biography introduces us to the man behind the many myths of Theodore Roosevelt. From his early involvement in the politics of New York City and then New York State, we trace his celebrated military career and finally his ascent to the national political stage. Caricatured through history as the "bull moose," Roosevelt was in fact a man of extraordinary discipline whose refined and literate tastes actually helped spawn his fascination with the rough-and-ready worlds of war and wilderness.
Bringing all his novelist's skills to the task, Auchincloss briskly recounts the significant contributions of Roosevelt's career and administration. This biography is as thorough as it is readable, as clear-eyed as it is touching and personal.
This is a story of guilt and expiation by one of the modern American masters of the novel. The time is right now and the place is Manhattan, with an occasional trip to the country where the rich and those on the way up repair for weekends and holidays.
Tony Lowder is the able and good-looking grandson of an Irish immigrant who prospered as a contractor and left behind a family that has been running downhill. Except Tony, who has a promising future in politics. He has married the only child of an old, correct New York family, he and Lee have two normally difficult children, and she tolerates her husband's continuing affair with wealthy Joan Conway, who was Tony's mistress before his marriage. There is always pressure for more money, and it has become acute with a drop in the market. The novel is a brilliant exploration of what happens to the inner experience as well as the surface relationships of these sophisticated and intelligent people when the agony of temptation, not resisted, makes its way into the center of their lives.
The temptation emerges from a brokerage house under investigation and some Mafia figures ready to pay for a slight change in timing that may rescue the firm. What follows shocks the city and drives these people against each other even as it involves them more deeply.
Behind his intimate knowledge of the world of lofty social position and power, Louis Auchincloss's basic concern is with the human being shaped through problems of moral choice. He follows the intricate paths that his characters must trace with the skillful ease that makes an absorbing story. All the while he is reaching toward a fundamental question of what happens to people when their loyalties are put under unexpected acute pressure, particularly to the man who loves everyone the same.
Mr. Auchincloss's understanding of human relations in general and the ramifications of the law in particular expose in clear relief the maneuverings and power struggles of a group of people disparate in all but their calling: Harry Reilly, the bright young man from Brooklyn; Rutherford Tower, last of the founding family; Mrs. Abercrombie, whose forty years with the firm give her a special status; Chambers Todd, driven to questionable tactics by his insatiable ambition; and many others.
Mr. Auchincloss guides us through the byways of the legal world glimpsed in his earlier novel, The Great World and Timothy Colt. With superb craftsmanship, he shows us the denizens of this world in all their human and often touching frailty, balancing humor with warmth, incisiveness with tolerance. This is a book to savor and to lend only to those who can be trusted to return it.
The twenty-three writers discussed here are a mixed lot — English, American, and French; novelists, poets, and playwrights; Jacobeans, Victorians, and moderns — yet each has meant a great deal to Mr. Auchincloss as a reader and a writer. Some of them are classics, and familiar Auchincloss subjects: Sarah Orne Jewett, Henry James, Ivy Compton-Burnett. Others, among them Prosper Merimee, Harold Frederic, and Amy Lowell, were famous once but are now obscure. In their cases it is Mr. Auchincloss's self-described task "to explore the reasons for their fall from grace," reasons that prove to be unfailingly personal as well as artistic. But as Mr. Auchincloss would rather praise and share than damn and dismiss, it is also his task "to seek the portions of their work that may still merit attention."
Alfred Kazin once noted that Mr. Auchincloss's essays are marked by "perfect literary grace and wit." These qualities have never been so evident as in this volume, an informal study of some of the author's favorite books and the fascinating artists behind them.
In his introduction to this volume, Auchincloss writes, "The fashion in short stories of the past half-century has tended to favor those that deal with a single episode . . . the turning on of a light, so to speak, to illuminate a dark room. But I have stuck to the leadership of Henry James and Edith Wharton . . . in giving my tales the scope of months, even of years." Indeed, Auchincloss deftly condenses time in much of his fiction, and the light he sheds on his startlingly real characters — their choices, their foibles, their delusions, their alliances — is all the more revealing for it.
Essential for Auchincloss's loyal followers and a perfect introduction for initiates, The Collected Stories of Louis Auchincloss offers a wealth of delights from the pen of one of the most distinguished, prolific, and entertaining standard-bearers of American letters.
MANHATTAN MONOLOGUES charts a colorful New York century through a series of personal accounts from the rarefied circle that fills Auchincloss's best short fiction. Here are characters who confidently finesse their way through society's uppermost tiers and yet are just as easily undone by the smallest upset in a day. Like all of Auchincloss's richest creations, they bump up against their consciences, with often surprising results. What, for instance, is a woman to do when she must choose between true love and high society when making a marriage? How can a man stay true to himself, his family, and his country when it goes to war? How can a determined marriage broker salvage matters when the young man she has so painstakingly steered toward a love match becomes charmed by another woman?
These tales, and many more, fashion a glamorous, yet all too human, societal portrait -- from the aristocratic loyalties of the early twentieth century to the complicated twists of modern-day mergers and acquisitions. MANHATTAN MONOLOGUES is Louis Auchincloss at his most clever, his most discerning, his best.
From the turn of the century to our present urban follies, these stories follow the fortunes of the socially secure and powerful as they try to cope with the changes shaped by the momentous events and growing anxieties of recent decades. Taken together, the tales weave a larger pattern of human strengths and foibles that bemuses the mind and touches the heart.
The elegant prose, crystalline dialogue, immense insight into the mores, preoccupations, and afflictions of the rich, and the connoisseur's sense of both art and life that are characteristic of Auchincloss—all are here, but with a depth of passion and irony exceeding anything he has accomplished in the past.
How did the families who live on Manhattan's Upper East Side get to where they are today? As much a penetrating social history as it is engaging fiction, East Side Story tells of the Carnochans, a family whose Scottish forebears establish themselves in New York's textile business during the Civil War. From there they quickly move on to seize prominent positions in the country's top schools and Manhattan's elite firms. As the novel unfolds, family members across the generations recount their stories, illuminating lives steeped in both good fortune and moral jeopardy. From women who outsmart their foolish husbands, to ambitious lawyers who protect the Carnochan name, to the family's artists and writers, all weigh the question that infuses so much of Auchincloss's fiction: what makes for a meaningful life in a family that has so much?
In its starred review, Kirkus Reviews hails Auchincloss for being "once again the master of his craft." East Side Story is both a loving and wicked look at New York's own as only this sublime master of manners can provide.
And yet, although most of them were surrounded by a staff of servants and had no discernible responsibilities, these women still lived their lives with serious intent backed by a considerable and undeniable power that in no way derived from "the snares and lures of womanly wiles.” Within the protected discipline of their surroundings, their lives were filled with drama and challenge—moments of passion, of betrayal and loyalty, of sweet revenge and joyless conquest, of irony and illumination.As the story unfolds, the women emerge as both heroines and victims; and in telling their story, Louis Auchincloss again proves himself a novelist of consummate skill whose sense of compassion and irony deepens with each new work. Of his book Narcissa and Other Fables reviewers said: “Auchincloss is still one of our best writers of fiction . . .” “A master story teller . . .” “Auchincloss is at his elegant best here.”
The Headmaster’s Dilemma is the story of Michael Sayre, the handsome, avant-garde headmaster of Averhill, the great New England prep school as he is faced with a school administrator’s worst nightmare: a lawsuit brought by fervent parents in response to an incident involving their son and an upperclassman. To make matters worse, Michael is losing support from both the board of trustees -- led by the conniving Donald Spencer -- and senior faculty members. With the help of his supportive wife, Michael attempts to right these wrongs, while keeping Averhill’s best interests in mind.
In what may be his finest novel since The Rector of Justin, Louis Auchincloss offers his richest portrait yet of the manners and mores of the Establishment world he knows so well. The lady of situations is Natica Chauncey, the daughter of a ruined financier who is forced to rely on a kindly matron for her glancing acquaintance with the aristocracy of Long Island. But Natica is too clear-sighted to pretend that such a life, as much as it dazzles her, would satisfy her intellect. Coming of age at a time when anything more than a modest show of ambition does not become a lady, she must seek her own fortune in the fortunes of others. And so, with little more than her wits and determination, she makes her way through the social shoals of New England prep schools, Hudson Valley estates, and New York drawing rooms.
Natica sees herself as a Bronte sister "without the moors and without the genius"; her doting Aunt Ruth, a woman of less imagination but considerably more compassion, would contend merely that she has "an attractive personality and a first-class mind." But Natica has one thing more: a gift for finding opportunity in improbable situations, even at the risk of scandal. Almost in spite of herself, she emerges as an unlikely, and unforgettable, femme fatale.Shrewd, observant, and always graceful, The Lady of Situations is Auchincloss at his best, the work of a master storyteller.
The Winthrop heritage begins in the stern confines of the Massachusetts Bay Colony—Governor John Winthrop's covenant with God versus Anne Hutchinson's compulsion to martyrdom. The burden of conscience falls in varying ways to the Governor's descendants. To his grandson, a judge in the Salem witch trials, it means dying in torment. To Rebecca Bayard, wife of a Hudson Valley patroon, it becomes an obsessive sense of duty leading to ironic consequences. It persuades an American diplomat, negotiating in Paris with the canny Talleyrand, to reject the easy gain of private power.
On the eve of the Civil War, Winthrop Ward, pillar of rectitude in New York society, finds himself playing God at the price of his own humanity. At the century's turn, there is Adam Winthrop, wealthy clubman and cultural arbiter, and his protégée Ada Guest—the passionate bluestocking novelist who opts to escape his stifling patronage. In a New England boarding school in the 1920s, the headmaster's bedeviled Winthrop soul becomes a strange challenge to the chaplain. On the current scene, young and fashionable Natica Seligmann yearns for salvation from an empty life. And finally, there is John Winthrop Gardiner, staunch State Department hawk, whose son is an Army deserter—and whose alcoholic ex-wife perceives only too clearly the latterday perversions of the Puritan spirit.
A compassionate, searching and wholly arresting view of a moral strain that, for better or worse, has marked our national character, The Winthrop Covenant is one of Louis Auchincloss' highest fictional achievements.
In "The Man of Good Will," an aging Seth Middletown finds himself unable to save a beloved grandson torn apart by the sixties — a boy carefully protected from a family secret. Dick and Joyce Emmons, in "The Lotos Eaters," are surprised to find their new marriage subtly undermined by their own enchanted existence on a paradisal Florida island. A theatrical grande dame and an admiring young actor are "Priestess and Acolyte"—until they realize that the passions that rule them are irreconcilable.
Evident on every page of the eight stories contained here are Auchincloss's superb ear for dialogue and his ability to suggest what lies beneath the surface of human relationships. Tales of Yesteryear will give Auchincloss's loyal readers cause to rejoice, and newcomers a delightful introduction to one of America's most distinguished authors.
A romantic early in life, Clara gets engaged—much to her mother's horror—to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world.
In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."
This delightful series of short essays explores friendship in its various forms — from true intimacy to professional detente between rivals. The friendships, literary and political, span two continents and three centuries — Boswell and Johnson, Fitzgerald and Hemingway, Richelieu and Father Joseph, FDR and Harry Hopkins, Edith Wharton and Margaret Chanler — sixteen sketches in all.
Auchincloss approaches his subjects with grace, tact, and insight, subtly defining the peculiar, gentle chemistry on which pla-tonic bonds depend. The result is a surprising array of social patterns and personal destinies, all stemming from the simple desire for human company.
The mysteries of character are at the heart of these six previously unpublished pieces. In the title story, a teacher at a private girls' school ruminates on a long career, wondering if he was right to encourage his students to find a life less constrained than the conventional one prescribed to them or if he cruelly raised unrealistic expectations. In "The Country Cousin" -- a delightful one-act play -- a wealthy woman's dependent niece unwittingly serves as the vehicle that reveals her rich relatives' self-involvement. Ranging from a boyhood friendship tested by the fabrications of the McCarthy era to an Episcopal priest tormented by an autocratic headmaster, Auchincloss's fiction illuminates the complications that ensue when our perceptions of other people's character -- as well as our own -- are upended.
Into this tense and steamy environment comes young Abigail Hill, Sarah's impoverished cousin. Sarah has arranged for her to be a maid to the Queen. But Abigail will discover that she has been marked by destiny for a special mission, which is nothing less than to bring to a halt a bloody and destructive world war. How she accomplishes this is the subject of this unusual but historically justified tale.
The drama of court life and high politics, the growing antagonism between Sarah and Abigail, and an engaging cast of characters make for a lively narrative. And the portrait of Queen Anne is a tour de force that lends further depth to this vivid and engaging book.
I gotthe germ of this tale from an incident in the life of George Templeton Strong recorded in an unpublished section of his famous diary. I later developed it into an article which appeared in my volume of essays, Reflections of a Jacobite. My first attempt to fictionalize it was the short story "In the Beauty of the Lilies" that became a part of The Winthrop Covenant. This novel is my final development of the theme.
- Louis Auchincloss
The protagonist of this major novel is a celebrated lawyer and political commentator. Felix Leit-ner's career—as advisor to presidents, brain-truster with the Justice Department, author of influential books on constitutional law and international politics, and Pulitzer-winning columnist—unfolds amid the pivotal issues and events of half a century. Its distinguishing characteristic is his unswerving commitment to intellectual truth, which often brings him to unpopular stands but which lends him, in the eyes of millions, the stature of an oracle.
To tell Felix's larger-than-life story, Louis Auchincloss returns to the mode of fictional biography that produced his masterful portrait The Rector of Justin. Like that earlier classic, The House of the Prophet reveals its subject through the eyes of both his admirers and detractors; here the several narrators include Felix's two ex-wives, his stepdaughter, and a former law partner. The biographer and principal narrator is Roger Cutter, Felix's longtime research assistant and protege. With Felix now in his eighties and dying by degrees in a nursing home, Roger—for complex personal motives as much as for posterity's sake—resolves to compile an intimate chronicle of his mentor's life.
The portrait that takes shape from Roger's memories, from documents willingly or reluctantly supplied by Felix's family and associates, and from Felix's own accounts, is that of a man whose lifelong aim has been to stay free of any ties that might impinge on his quest for truth, be they emotional, religious, patriotic, or even humanitarian. Was Felix, then, a heartless egotist or a saint? And did his integrity justify the human toll it exacted? These questions—and above all, the central paradox of a man obsessed with truth but about whom there are many "truths"—remain for Roger and his readers to ponder.
The House of the Prophet is Auchincloss's most powerful and ambitious novel in more than a decade, a penetrating, full-depth character study with a rich supporting cast and scenes that range from New York and Paris to a resort colony in Maine, from Georgetown dinner parties to an idyllic barge trip through the south of France. All are drawn with the unerring Auchincloss touch, and his portrait of Felix Leitner stands with The Rector of Justin as one of his greatest achievements.
Dan spends his boyhood in the company of old-money aunts from Bar Harbor and polo-playing uncles from Argentina, stumbles upon the complexities of adulthood at Yale in the 1930s, and grows to worldly maturity at the Wall Street law firm that provides him not only with a vocation but with seemingly endless material for his fiction. Fellow passengers are the people in his life, each one a story and each one a lesson. Only Auchincloss can ferret out with such precision and understanding the secrets, foibles, and ironies that lie just beneath the proper Establishment surface. This is Louis Auchincloss at the top of his form—a book to please his many admirers and delightful introduction for new readers as well.
In the title story, a wealthy muralist and patroness of the arts succumbs to the near compulsion of posing in the nude for a fellow artist who then blackmails her. In other tales, a clergyman conceives of adultery as a valid means of sharing Christian charity; a socially prominent family conspires to entrap a girl into a “front” marriage with their homosexual son and heir; an art student writes his thesis on some startling theories as to why a famed painter of elegant interiors never includes a human figure in his pictures; a federal judge sells his opinions to the highest bidder with a recklessness that seems, almost suicidally, to invite detection.
Combining his powers of storytelling and observation, Auchincloss creates in Narcissa and Other Fables a penetrating glimpse into the ethical malaise of our century.
Hermes, or in Auchincloss's ironic interpretation, "god of the self-made man," is a Jewish lawyer who finds acceptance into WASP society only at greatest personal cost; Hephaestus is a bachelor designer of Palladian villas whose young bride, enamored of newfangled things, compels him to "go modern." In other stories, a former World War II naval officer, guided perhaps by the goddess Athene, escapes a sinking cruise ship by disguising himself as a woman; and a Catholic convert, distracted by the muse Polyhymnia, is torn between his priestly duties and his worldly social and artistic ambitions.
In every tale a unique moral sensibility holds sway, revealing how the pagan impulse may surface in the most unlikely and provocative situations, compromising even the noblest of spirits. Keenly insightful, flawlessly executed, False Gods is the work of a master storyteller, widely acclaimed as American society's most entertaining and intelligent critic.
Auchincloss has conceived his novel as an extension of the Memoirs, in which Saint-Simon reveals his own story—as well as a great deal about the private lives of the great and near-great that did not find its way into the published record. With his inimitable gift for characterization, Auchincloss portrays Saint-Simon, the meticulous, proud aristocrat of the old school who is at once fascinated and threatened by the powerful centralized monarchy Louis is building and by the king’s plot to bolster his position by marrying off his illegitimate children to princes of the blood.
Elegant, crisp, and abounding in authentic detail, The Cat and the King shows us the factions, liaisons, intrigues and dalliances that made up daily life at Versailles as they might have been seen from Saint-Simon’s highly critical perspective. Auchincloss imagines the dominant figures of this greatest period in French history—the aging Louis; his pious morganatic spouse, Madame de Maintenon; Monsieur, the king’s homosexual brother; the great warrior and ladies’ man Conti; and many others—as wholly believable individuals with peculiar tics and foibles of their own; but none is stranger, more fascinating, or more believable than Saint-Simon himself.
A remarkable portrait of a quintessential man of his time, a discerning study of the use and abuse of power, and an utterly convincing recreation of a turbulent age that bears no small resemblance to our own, The Cat and the King is a many-faceted jewel that represents a new dimension of achievement in Louis Auchincloss’ distinguished career as a novelist.
Bringing together twelve previously unpublished pieces, The Young Apollo and Other Stories sparkles with Auchincloss's singular style, and, like East Side Story, reveals in precise, aphoristic prose "not only the textures of this world but also its elemental and evolving truths" (New York Times). From Edwardian garden parties to the Manhattan demimonde of the 1970s, Auchincloss travels with economical grace and agility in this collection, which illuminates the moral ambiguities, both personal and professional, of New York’s moneyed class.
A loving chronicle of a waning world, this collection is nonetheless an acute and gimlet-eyed portrait that refuses to shy away from its characters' less than savory ambitions and desires. In the title story, an older man eulogizes his young friend, the golden Lionel Manning--muse to the artists he gathered round himself and preserved forever in memory as the beautiful thirty-one-year-old man he was at death--only to reveal that despite Lionel’s burgeoning reputation as a poet, he could only inspire genius but not produce it. The Young Apollo and Other Stories crystallizes a world now gone but forever fixed in our romantic imaginations, uncovering its flaws and all too human foibles, as well as its considerable charms.
Bob's "perfect'' marriage to the graceful and intelligent Alice is no match for the ardor of his corporate drive. And it certainly pales beside his explosive affair with Sylvia, whose naked ambition matches his own and whose social connections provide the ultimate bridge to the pinnacles of success.
How Bob Service marches toward his fate while trampling on his associates and crippling his marriage forms the plot of this fast-paced novel about modern mores and life on the fast track of the big law firms. Office intrigue and duels for power rival anything that Machiavelli could have conjured up. And in Louis Auchincloss's hands, it all has an unnerv-ingly authentic ring.
Louis Auchincloss began his law career at a Wall Street firm after attending Yale and the University of Virginia Law School. He is a member of the National Institute of Arts and Letters and president of the Museum of the City of New York. This is his thirty-eighth book, the most recent being The Book Class and Honorable Men.
Winner of the Los Angeles Times Book Prize
Soon to be a miniseries from Hulu starring James Franco
ON NOVEMBER 22, 1963, THREE SHOTS RANG OUT IN DALLAS, PRESIDENT KENNEDY DIED, AND THE WORLD CHANGED. WHAT IF YOU COULD CHANGE IT BACK?
In this brilliantly conceived tour de force, Stephen King—who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer—takes readers on an incredible journey into the past and the possibility of altering it.
It begins with Jake Epping, a thirty-five-year-old English teacher in Lisbon Falls, Maine, who makes extra money teaching GED classes. He asks his students to write about an event that changed their lives, and one essay blows him away—a gruesome, harrowing story about the night more than fifty years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a sledgehammer. Reading the essay is a watershed moment for Jake, his life—like Harry’s, like America’s in 1963—turning on a dime. Not much later his friend Al, who owns the local diner, divulges a secret: his storeroom is a portal to the past, a particular day in 1958. And Al enlists Jake to take over the mission that has become his obsession—to prevent the Kennedy assassination.
So begins Jake’s new life as George Amberson, in a different world of Ike and JFK and Elvis, of big American cars and sock hops and cigarette smoke everywhere. From the dank little city of Derry, Maine (where there’s Dunning business to conduct), to the warmhearted small town of Jodie, Texas, where Jake falls dangerously in love, every turn is leading eventually, of course, to a troubled loner named Lee Harvey Oswald and to Dallas, where the past becomes heart-stoppingly suspenseful, and where history might not be history anymore. Time-travel has never been so believable. Or so terrifying.
One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father-a crusading local lawyer-risks everything to defend a black man unjustly accused of a terrible crime.
Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens -- town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing -- even murder -- to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out.
At last, mega-bestselling author Sister Souljah delivers the stunning sequel to The Coldest Winter Ever. Fierce, raw, and filled with adventure and emotional intensity, A Deeper Love Inside is an unforgettable coming-of-age story in the words of Porsche Santiaga, Winter’s younger sister.
Sharp-tongued, quick-witted Porsche worships her sister Winter. Cut from the same cloth as her father, Ricky Santiaga, Porsche is also a natural-born hustler. Passionate and loyal to the extreme, she refuses to accept her new life in group homes, foster care, and juvenile detention after her family is torn apart. Porsche—unique, young, and beautiful—cries as much as she fights and uses whatever she has to reclaim her status. Unselfish, she pushes to get back everything that ever belonged to her wealthy, loving family.
In A Deeper Love Inside, readers will encounter their favorite characters from The Coldest Winter Ever, including Winter and Midnight. Sister Souljah’s soulful writing will again move your heart and open your eyes to a shocking reality.
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
Room is a tale at once shocking, riveting, exhilarating--a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.
Colin Hancock is giving his second chance his best shot. With a history of violence and bad decisions behind him and the threat of prison dogging his every step, he's determined to walk a straight line. To Colin, that means applying himself single-mindedly toward his teaching degree and avoiding everything that proved destructive in his earlier life. Reminding himself daily of his hard-earned lessons, the last thing he is looking for is a serious relationship.
Maria Sanchez, the hardworking daughter of Mexican immigrants, is the picture of conventional success. With a degree from Duke Law School and a job at a prestigious firm in Wilmington, she is a dark-haired beauty with a seemingly flawless professional track record. And yet Maria has a traumatic history of her own, one that compelled her to return to her hometown and left her questioning so much of what she once believed.
A chance encounter on a rain-swept road will alter the course of both Colin and Maria's lives, challenging deeply held assumptions about each other and ultimately, themselves. As love unexpectedly takes hold between them, they dare to envision what a future together could possibly look like . . . until menacing reminders of events in Maria's past begin to surface.
As a series of threatening incidents wreaks chaos in Maria's life, Maria and Colin will be tested in increasingly terrifying ways. Will demons from their past destroy the tenuous relationship they've begun to build, or will their love protect them, even in the darkest hour?
Rich in emotion and fueled with suspense, SEE ME reminds us that love is sometimes forged in the crises that threaten to shatter us . . . and that those who see us for who we truly are may not always be the ones easiest to recognize.
It is now being developed as one of the most ambitious television miniseries of all time. Executive Producer Sam Raimi (director of the three Spider-Man movies), in collaboration with Disney/ABC, is creating a 22-episode adaptation of the book to be filmed in New Zealand.
Richard and Kahlan’s story unfolds over ten more novels, collectively known as the Sword of Truth series, concluding with Confessor in 2007. Placing Goodkind in the elite club of #1 New York Times bestselling authors, the series has sold more than twenty million copies to date worldwide.
In Wizard’s First Rule, Goodkind introduced the world to an ordinary forest guide, Richard Cypher, and the mysterious, powerful woman he comes to love, Kahlan Amnell. Learning his true identity, Richard accepts his destiny as the one man who can stop the bloodthirsty tyrant Darken Rahl. Hunted relentlessly, betrayed and alone, Kahlan calls upon Richard to reach beyond his sword and invoke something more noble within himself as the final confrontation with Darken Rahl looms.
The importance of Wizard’s First Rule is sourced in Goodkind taking on the toughest of all literary challenges: to tell an electrifying story of action, violence, and adventure that also makes people think, and that would influence the choices and actions of its readers.
After being caught in the middle of a love triangle that led to a devastating betrayal, Kiera pledged to learn from the mistakes she’d made. She was determined to never again inflict that kind of pain on anyone, especially the soulful, talented man who held her heart. But life offers new challenges for every relationship, and when Kiera’s love is put to the ultimate test, will it survive? Love is easy…trust is hard.
Creating "true narrative magic" (The Washington Post) at every revelatory turn, Stephen King surpasses all expectation in the stunning final volume of his seven-part epic masterwork. Entwining stories and worlds from a vast and complex canvas, here is the conclusion readers have long awaited—breathtakingly imaginative, boldly visionary, and wholly entertaining.
Roland Deschain and his ka-tet have journeyed together and apart, scattered far and wide across multilayered worlds of wheres and whens. The destinies of Roland, Susannah, Jake, Father Callahan, Oy, and Eddie are bound in the Dark Tower itself, which now pulls them ever closer to their own endings and beginnings...and into a maelstrom of emotion, violence, and discovery.
Powerful and sensual, Midnight is an intelligent, fierce fighter and Ninjutsu-trained ninja warrior. He attracts attention wherever he goes but remains unmoved by it and focuses on protecting his mother and sister and regaining his family’s fortunes. When Midnight, a devout Muslim, takes sixteen-year-old Akemi from Japan as his wife, they look forward to building a life together, but their tumultuous teenage marriage is interrupted when Akemi is kidnapped and taken back to Japan by her own father, even though the marriage was consummated and well underway.
“There’s not one drop of inferiority in my blood,” Midnight says as he first secures his mother, Umma, and sister, Naja, before setting off on a global journey to reclaim his wife. Midnight must travel across three countries and numerous cultures in his attempt to defeat his opponent. Along this magnificent journey he meets people who change him forever, even as he changes them. He encounters temptations he never would have imagined and takes risks that many a lesser man would say no to, all for the women he loves and is sworn to protect.
Can love survive when life gets Reckless?
When the band hits it big, Kiera and Kellan must ask themselves: Can their love for each other withstand the constant pressures of superstardom? The friendships they’ve formed, the new family they’ve found, and the history they’ve forged will all play a part in helping them navigate the turbulent waters of the band’s exploding popularity. A greedy executive hell-bent on success, a declining pop star looking for an edge, and a media circus that twists lies into truths are just some of the obstacles the lovers will have to overcome if they are going to remain together. Fame comes with a price—but will it cost Kiera and Kellan everything?
A Murdered son. Shattered bonds. Forbidden affairs. Forced to choose one lover over another. A brother’s love tainted by deception. Blackmail. Hate. Lust. Love. Corruption. Four friends torn apart by treachery. The threat of going up against one of the most sophisticated and deadliest Chinese crime organizations. When there’s nothing left except a choice between war or death…there’s really no choice.
At twenty-two years old, Sydney is enjoying a great life: She’s in college, working a steady job, in love with her wonderful boyfriend, Hunter, and rooming with her best friend, Tori. But everything changes when she discovers that Hunter is cheating on her—and she’s forced to decide what her next move should be.
Soon, Sydney finds herself captivated by her mysterious and attractive neighbor, Ridge. She can't take her eyes off him or stop listening to the passionate way he plays his guitar every evening out on his balcony. And there’s something about Sydney that Ridge can’t ignore, either. They soon find themselves needing each other in more ways than one.
A passionate tale of friendship, betrayal, and romance, Maybe Someday will immerse readers in Sydney’s tumultuous world from the very first page.
For almost two years now, Kiera’s boyfriend, Denny, has been everything she’s ever wanted: loving, tender, and endlessly devoted to her. When they head off to a new city to start their lives together—Denny at his dream job and Kiera at a top-notch university—everything seems perfect. Then an unforeseen obligation forces the happy couple apart. Feeling lonely, confused, and in need of comfort, Kiera turns to an unexpected source—a local rock star named Kellan Kyle. At first, he’s purely a friend she can lean on, but as her loneliness grows, so does their relationship. And then one night everything changes…and none of them will ever be the same.
The Handmaid’s Tale is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States and is now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men in its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment’s calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid’s Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and a tour de force. It is Margaret Atwood at her best.
Everyone fears the Master...
Rich, irresistible politician/Mafiya boss Maksimilian Sevastyan prefers tall, obedient blondes to fulfill his…complicated desires. That is, until the icy Russian encounters a disobedient brunette whose exquisite little body threatens his legendary restraint.
Catarina Marín was a well-off young wife until her world fell apart. Now she’s hiding out, forced to start working as an escort in Miami. Her very first client is beyond gorgeous, but when he tells her what he plans to do to her, Cat almost walks out of the door.
If pleasure is a game, play to win.
After their mind-blowing encounter burns out of control, the lovers crave more. If they escape the deadly threats surrounding them, can Maksim overcome his past—to offer Cat his future? Only then will she tempt him with what he really wants: her, all tied up with a bow.
Vince Flynn’s intensely suspenseful #1 New York Times bestseller puts the young, hungry, and lethal superagent of American Assassin in the crosshairs even as he kills with impunity.
In the year since the CIA trained and then unleashed him, Mitch Rapp has dismantled, kill by untraceable kill, the network of monsters behind the Pan Am Lockerbie terrorist attack. The hunt leads to Paris, where a deadly trap is sprung as the bullet leaves Rapp’s silenced pistol—followed by the discovery of nine bodies, including Libya’s oil minister, in one of the city’s finest hotels. Washington wants no part of the international crisis, and Rapp is deemed a liability by Stan Hurley, one of his handlers. But as he slips outside their control to operate on his own, it will soon become clear that nothing is more dangerous than a wounded and cornered Mitch Rapp.