Named to Kirkus Reviews' Best Books of 2016!
A Mississippi Clarion-Ledger best seller!
"Miéville and Smith's dialogue is fantastic: witty, smart, with great rhythm that doesn't sacrifice artful turns of phrase to reach for an internal rhyme...Smith's artwork keeps pace with the text, which the artist sets into little rectangles to contrast with the jaggedly flamboyant paintings that get increasingly manic as the girl goes on, incorporating tentacles and pterodactyls as well as piled-high foodstuffs...This should be in the hands of all kids who aren't easily satiated by tamer picture books and who would engage with a real work of art that they can revisit over and over. None of the artwork is too gross to behold, even for the squeamish, but it does perfectly illustrate the culinary horrors the girl is trying to convey to her sister. A brilliant, original, infinitely rereadable book that can sit alongside Sendak and Dahl."
--Kirkus Reviews, Starred review
"Miéville lets it rip in this stomping, howling rant about a bad meal of legendary proportions . . . Punk artist Smith’s neatly framed dialogue boxes and crisp black contours have a buttoned-up look, but no: tentacles wave from inside bowls, monsters smile amid mountains of vile sausages, and a blue alien juggles cherry tomatoes. As the pages turn, the towers of bad food grow ever loftier. In the end, a simple tea strainer saves the sisters from another terrible meal. This one’s for families enamored of new words, exotic foods, and strong opinions."
"Miéville, known for his genre-defying fantasy novels for adults, makes a splash with his picture book debut. Smith’s illustrations, filled with geometric shapes and patterns, are the perfect complement to the text...This is a subversive delight."
--School Library Journal
"Deftly written by the exceptionally talented China Miéville and shockingly but gifted illustrated by Zak Smith, The Worst Breakfast is a unique picture book that will be enduringly popular . . . Very highly recommended."
--Midwest Book Review
"This is a child’s imagination come to life, where a good thing can be the greatest thing in existence and a minor inconvenience snowballs into the most horrendous, atrocious, appalling, not good, very bad meal you’ve ever had."
--San Francisco Book Review
"Imaginative and fun, The Worst Breakfast is perfect for any picky eater out there. A rhyming scheme and inventive text kept up the giggles and the pace. The text is best read aloud going along with all of the suggestions, with emphasis placed on capitalized words and pauses between syllables when they are spaced out. The illustrations are very different than what you typically see in children’s books; they are bright and fun, but edgier and begged to be looked at deeper. You can spend time on each page trying to find each food and a series of silly little monsters."
--100 Pages a Day
Part of Akashic's Black Sheep imprint.
Two sisters sit down one morning and begin describing all of the really gross things that were in the worst breakfast they ever had, until all they can picture is a table piled sky-high with the weirdest, yuckiest, slimiest, slickest, stinkiest breakfast possible. And then they have the best breakfast ever...almost.
In 1980, the author was starting his first year at the Ontario College of Art when printmaking instructor Bill Poole approached him with a crazy idea: to create ninety-six wood engravings for Poole's limited, letterpress edition of Alice's Adventures in Wonderland. This 2011 edition celebrates Alice's adventures with wood engravings.
From great works of the Italian Renaissance to masterpieces from the Impressionist movement, the Dover Masterworks series offers more experienced colorists the opportunity to re-create some of the world's most famous paintings.
The illustrations are printed on only one side of perforated pages, making it easy for artists to remove and display their finished pieces.
The original paintings are included in full color on the inside covers for reference.
The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.
Steven Naifeh and Gregory White Smith galvanized readers with their astonishing Jackson Pollock: An American Saga, winner of the Pulitzer Prize for biography, a book acclaimed for its miraculous research and overwhelming narrative power. Now Naifeh and Smith have written another tour de force—an exquisitely detailed, compellingly readable, and ultimately heartbreaking portrait of creative genius Vincent van Gogh.
Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials. While drawing liberally from the artist’s famously eloquent letters, they have also delved into hundreds of unpublished family correspondences, illuminating with poignancy the wanderings of Van Gogh’s troubled, restless soul. Naifeh and Smith bring a crucial understanding to the larger-than-life mythology of this great artist—his early struggles to find his place in the world; his intense relationship with his brother Theo; his impetus for turning to brush and canvas; and his move to Provence, where in a brief burst of incandescent productivity he painted some of the best-loved works in Western art.
The authors also shed new light on many unexplored aspects of Van Gogh’s inner world: his deep immersion in literature and art; his erratic and tumultuous romantic life; and his bouts of depression and mental illness.
Though countless books have been written about Van Gogh, and though the broad outlines of his tragedy have long inhabited popular culture, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh’s life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius whose signature images of sunflowers and starry nights have won a permanent place in the human imagination.
From the Hardcover edition.
Thomas Kinkade sold more canvases than any other painter in history-more than Picasso, Rembrandt, Gauguin, Monet, Manet, Renoir, and Van Gogh combined.
Thomas Kinkade, the celebrated Painter of Light, is the most widely collected artist in the world. His tranquil, light-infused paintings affirm the basic values of family, home, faith in God, and the beauty of nature. To commemorate the 25th anniversary of Thomas Kinkade's first published work, Thomas Kinkade: 25 Years collects more than 150 of his most beloved paintings, personal mementos, and unpublished artworks to create a stunning, lavishly produced retrospective of his unprecedented career.
Inside the book's pages, Thomas Kinkade's luminous images of lighthouses and seascapes mingle with his magnificent landscapes, quaint villages, and inviting front porches to illustrate a story of personal and professional growth. Each chapter begins with an introduction chronicling a milestone in Thomas Kinkade's life and artistic development, followed by beautiful, full-color reproductions of some of his favorite paintings. Exclusive photographs, family mementos, and never-before-seen unpublished artworks document Thom's life like a personal scrapbook, from childhood through his formative years as a student, to his present status as America's most beloved artist. No other book has given his legions of fans such an up close and personal look at his life.
Thomas Kinkade received numerous accolades for his works on and off the canvas, including multiple National Association of Limited Edition Dealers (NALED) awards for Artist of the Year, Graphic Artist of the Year, and nine awards for Lithograph of the Year. NALED also heralded Thomas Kinkade as the Most Award Winning Artist in the Past 25 Years. He commemorated a number of important milestones in American heritage, including the Salt Lake City 2002 Olympic Winter Games, the 2002 World Series, and Disneyland's 50th anniversary. He was also involved in a number of nonprofit organizations focusing on children, humanitarian relief, and the arts.
Belgian-born Frans Masereel (1889–1972) was one of the greatest woodcut artists of the twentieth century. Ingeniously portraying the human experience through dramatic art, this novel-without-words — crafted from 167 intricate woodcuts — is considered to be the Flemish artist's masterpiece.
A feast for the eyes and the imagination, this powerful visual narrative details the life of an ordinary man. From the first bustling frame to the last haunting image, we are deeply drawn into the hero's day-to-day encounters, and discover a spirit in quest — one that we can profoundly relate to, emotionally and intellectually. Through each extraordinarily vivid depiction, readers feel the hero's happiness, grief, awe, and despair.
With a lively but judicious hand, biographer Jeffrey Meyers sketches Modigliani and the art he produced, illuminating not only this little-known figure but also the painters, writers, lovers, and others who inhabited early twentieth-century Paris with him.
Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings.
With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.
From the Trade Paperback edition.
This magnificent collection displays more than eighty of Arthur Rackham's most beguiling illustrations. These phantasmagoric renderings spring from such literary legends as Rip Van Winkle, A Midsummer Night's Dream, Alice's Adventures in Wonderland, Aesop's Fables, Puck of Pook's Hill, Peter Pan in Kensington Gardens, and A Wonder Book. From the loveliest fairy to the most grotesque goblin, Rackham's art captures the wonder, innocence, and adventure that forever stir the human heart.
This enchanting compilation of 59 full-color illustrations draws upon Nielsen's images from scores of beloved tales, from the nasty characters in "Rumpelstiltskin" to the mysterious and magical figures in "The Blue Belt," "The Hardy Tin Soldier," "The Nightingale," "The Real Princess," "Hansel and Gretel," "Snowdrop," and many more.
Certain to delight fans of fairy tales, this dazzling collection will also thrill lovers of fine art, as well as Nielsen admirers.
The Fox and the Star is the story of a friendship between a lonely Fox and the Star who guides him through the frightfully dark forest. Illuminated by Star’s rays, Fox forages for food, runs with the rabbits, and dances in the rain—until Star suddenly goes out and life changes, leaving Fox huddling for warmth in the unfamiliar dark. To find his missing Star, Fox must embark on a wondrous journey beyond the world he knows—a journey lit by courage, newfound friends, and just maybe, a star-filled new sky.
Inspired by the Arts and Crafts movement and the art of William Blake, The Fox and the Star is a heartwarming, hopeful tale which comes alive through Bickford-Smith’s beloved illustrations, guiding readers both young and grown to “look up beyond your ears.”
When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their most recent recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.
In Joni Mitchell: In Her Own Words, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni's childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes . . . This riveting narrative, told in interviews, lyrics, paintings, and photographs, is shared in the hope of illuminating a timeless body of work and inspiring others.
Ai Weiwei - artist, architect, curator, publisher, poet and urbanist - extended the notion of art and is one of the world's most significant creative and cultural figures. In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the Chinese state.
Together, these extraordinary discussions give a unique insight into the outstanding complexity of Ai Weiwei's thought and work, and are an essential reminder of the need for personal, political and artistic freedom.
Joe Fig asked a wide range of celebrated artists these and many other questions during the illuminating studio visits documented in Inside the Artist's Studio—the follow-up to his acclaimed 2009 book, Inside the Painter's Studio. In this remarkable collection, twenty-four painters, video and mixed-media artists, sculptors, and photographers reveal highly idiosyncratic production tools and techniques, as well as quotidian habits and strategies for getting work done: the music they listen to; the hours they keep; and the relationships with gallerists and curators, friends, family, and fellow artists that sustain them outside the studio.
Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.
“This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent
--Kirkus Reviews (starred review)
"Spanning worlds, generations, cultures and environments, each of Meno's short stories in this stellar collection explores depression, loneliness and insanity in the world . . ."
--Publishers Weekly (starred review)
"Eclectic, funny, constantly surprising—these are the things a short story collection should be allowed to be, and Joe Meno's Demons in the Spring absolutely is . . . a rich, unforgettable stew of a book."
The limited-edition hardcover of Demons in the Spring was a finalist for the 2009 Story Prize, a Kirkus Reviews Best Book of 2008, a Time Out Chicago Best Book of 2008, and it drew starred reviews in Publishers Weekly and Kirkus Reviews. It is a collection of twenty short stories with illustrations by twenty artists from the fine art, graphic art, and comic book worlds.
Joe Meno is the best-selling author of five novels, including the smash hits Hairstyles of the Damned and The Boy Detective Fails (both published by Akashic Books), and two story collections. He was the winner of the 2003 Nelson Algren Award for short fiction and is a professor of creative writing at Columbia College in Chicago.
Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript.
That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them".
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
Throughout her life, Sylvia Plath cited art as her deepest source of inspiration. This collection sheds light on these key years in her life, capturing her exquisite observations of the world around her. It includes Plath’s drawings from England, France, Spain, and New England, featuring such subjects as Parisian rooftops, trees, and churches, as well as a portrait Ted Hughes.
Sylvia Plath: Drawings includes letters and diary entries that add depth and context to the great poet’s work, as well as an illuminating introduction by her daughter, Frieda Hughes.
Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles.
Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger.
Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone’s Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, “Man at His Leisure,” and his creation of the Femlin, the iconic Playboy nymphette.
With his life’s work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.
Symptomatic of critics’ neglect is the fact that Rockwell has never before been the subject of a serious critical biography. Based on private family archives and interviews and publishes to coincide with a major two-year travelling retrospective of his work, this book reveals for the first time the driven workaholic who had three complicated marriages and was a distant father —so different from the loving, all-American-dad image widely held to this day. Critically acclaimed author Laura Claridge also breaks new ground with her reappraisal of Rockwell’s art, arguing that despite his popular sentimental style, his artistry was masterful, complex, and far more manipulative than people realize.
For this edition of the Vesalius illustrations, Dover has combined the best existing plates and text. The illustrations have been reproduced from the sumptuous (1934) Munich edition of Vesalius titled Icones Anatomicae. The Munich plates were struck for the most part from the original wood blocks then in the collection of the Library of the University of Munich. These priceless art objects were destroyed in the bombing of Munich during World War II. Aside from the original copies of the woodcuts (of which only a few complete sets are known), the Munich restrikes are the best representations of the Vesalian anatomical drawings, for they preserve much of the freshness and richness of the 1543 edition.
The text of this Dover edition has been faithfully reproduced from an edition of Vesalius published by World Publishing Company in 1950. The editors, distinguished authorities on sixteenth-century medicine, have provided a very comprehensive history of Vesalius, his career, and excellent explanations of the legends surrounding the illustrators, artists, and publishers involved with the production of his books. No other source will provide the general reader, bibliophile, art historian, artist, or historian of science and medicine with such complete data on Vesalius and his fabulous anatomical illustrations.
This English translation of Edvard Munch's private diaries, the most extensive edition to appear in any language, captures the eloquent lyricism of the original Norwegian text. The journal entries in this volume span the period from the 1880s, when Munch was in his twenties, until the 1930s, reflecting the changes in his life and his work. The book is illustrated with fifteen of Munch's drawings, many of them rarely seen before. While these diaries have been excerpted before, no translation has captured the real passion and poetry of Munch's voice. This is a translation that lets Munch speak for himself and evokes the primal passion of his diaries. J. Gill Holland's exceptional work adds a whole new level to our understanding of the artist and the depth of his scream.
Leonardo da Vinci?artist, inventor, and prototypical Renaissance man?is a perennial source of fascination because of his astonishing intellect and boundless curiosity about the natural and man-made world. During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.
The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.
The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.
Artist Georgia O’Keeffe was born into a family of strong Midwestern farmwomen and taught self-reliance at an early age. Coming of age in the modern era, she went on to defy the social conventions of her time and lead a successful and emancipated life full of creativity, feminism, and austerity that has taken on mythic proportion. Roxana Robinson’s multilayered book explores O’Keeffe’s journey to personal and professional independence, the evolution of her art, and her most influential relationships. Written with the cooperation of O’Keeffe’s family, and using sources unavailable during her lifetime, this biography presents the artist’s own voice through her letters to family and friends.
Robinson follows O’Keeffe from her childhood on a Wisconsin farm to the center of the New York art scene where she met her husband, photographer Alfred Stieglitz. Stieglitz championed O’Keeffe, exhibiting her work at his gallery and drawing her into his inner circle of early modernists. But O’Keeffe, ever caught between the demands of love and art, left New York to find inspiration in the New Mexico desert where she created some of her most renowned work.
This vividly rendered, beautifully written account succeeds in capturing the passions, controversies, and contradictions in the life of an extraordinary woman.
Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life.
In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work.
Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.
From the Hardcover edition.
Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest?
Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee.
In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.
From the Hardcover edition.
A perfectionist in his artwork, Leonardo da Vinci studied nature and anatomy to produce amazingly realistic paintings. Using scientific methods in his investigations of the human body — the first ever by an artist — he was able to create remarkably accurate depictions of the "ideal" figure.
This exceptional collection of 59 precise, detailed drawings reprints Leonardo's sketches, still considered the finest ever made, of the skeleton; vertebral column; skull; upper and lower extremities; cardiovascular, respiratory, and nervous systems; human embryos; and other subjects. The volume will be a welcome addition to the libraries of artists, illustrators, and scientists.
When Adam Parfrey tracked down Walter Keane—the credited artist of the weepy waifs, for a San Diego Reader cover story in 1992—he discovered some shocking facts. Decades of lawsuits and countersuits revealed the reality that Keane was more of a con man than an artist, and that he forced his wife Margaret to sign his name to her own paintings. As a result, those weepy waifs may not have been as capricious an invention as they seemed.
Parfrey's story was reprinted in Juxtapoz magazine and inspired a Margaret Keane exhibition at the Laguna Art Museum. And now director Tim Burton is filming a movie about the Keanes called Big Eyes, and it's scheduled for release in 2014. Burton's Ed Wood, starring Johnny Depp, was based upon the Feral House book edited and published by Parfrey about the angora sweater-wearing B-film director.
Citizen Keane is a book-length expansion of Parfrey's original article, providing fascinating biographical and sociological details, photographs, color reproductions, and appendices with legal documents and pseudonymous essays by Tom Wolfe inflating big eye art to those painted by the great masters.
Based on extensive interviews with the artist, his four wives (including Frida Kahlo), and his friends, colleagues, and opponents, The Fabulous Life of Diego Rivera captures Rivera's complex personality—-sometimes delightful, frequently infuriating and always fascinating—-as well as his development into one of the twentieth century's greatest artist.
After serving in the Confederate Army during the Civil War, Walker traveled throughout the South to sell his paintings to tourists in areas such as New Orleans, Charleston, and cities across Georgia. In those years, he created the most extensive record of black life of the period and permanently influenced art in the South.
With ninety-nine color illustrations and sixty-three black-and-white paintings and drawings, William Aiken Walker is a remarkable documentary of Walker's life as an artist and as a man. First published in 1972, this book is now presented by Pelican in a stunning new edition that includes scores of color photographs not used in the previous edition.
In this unique and beautiful work, Sandra Calder Davidson remembers growing up as the daughter of this larger-than-life pair and celebrates the family—the children and grandchildren—that grew out of their loving home. Sandra has a gift for caricaturing people as animals—her father as a circus lion, Louisa as a nippy fox—and the book is organized around these portraits, accompanied by vivid recollections and anecdotes about the subjects. The “other critters” include, besides Miller and Steinberg, other family friends and whimsical fauna she has encountered, like St. Louis Cardinal fans in full cardinal regalia or a Florida gator at a cocktail party for retirees.
Celebrating family and the joyful dance of life, here is a book with the freshness and grace of a Calder mobile.