In his concise Introduction, Eric Steinberg explores the conditions that led Hume to write the Enquiry and the work's important relationship to Book I of Hume's A Treatise of Human Nature.
Published in 1738, A Treatise on Human Nature is considered one of the most important philosophical works published, and it became highly influential on later moral philosophy because of Hume’s theory of free will as being determined by an individual’s own motivation.
HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
Nor is there required such profound knowledge to discover the present imperfect condition of the sciences, but even the rabble without doors may, judge from the noise and clamour, which they hear, that all goes not well within. There is nothing which is not the subject of debate, and in which men of learning are not of contrary opinions. The most trivial question escapes not our controversy, and in the most momentous we are not able to give any certain decision. Disputes are multiplied, as if every thing was uncertain; and these disputes are managed with the greatest warmth, as if every thing was certain. Amidst all this bustle it is not reason, which carries the prize, but eloquence; and no man needs ever despair of gaining proselytes to the most extravagant hypothesis, who has art enough to represent it in any favourable colours. The victory is not gained by the men at arms, who manage the pike and the sword; but by the trumpeters, drummers, and musicians of the army....
The introduction to this edition discusses the Enquiry’s origin, evolution, and critical reception, while appendices provide examples of contemporary responses to Hume.
Working initially from Graburn’s definition of tourist art, as the art of one culture made specifically for the consumption of another, Tourism Art and Souvenirs sheds light on important aspects of the souvenir that have not been widely discussed. The most recent research is used to consider how the souvenir is designed and consumed, consumer expectations and influence on the character of the souvenir, how the souvenir maker is consumed by the tradition of heritage and how products become successful as souvenirs. The title also investigates the language involved in the representation of place and the recording of experience through the souvenir, developing a method that expresses the descriptive data of individual souvenir artefacts graphically so the patterns of language may be analysed.
Enhancing the understanding of material culture in tourism and therefore adding to future tourism development this volume will be of interest to upper level students, researchers and academics in tourism, culture, heritage and sustainability.
The introduction to this edition discusses the Enquiry’s origin, evolution, and critical reception, while appendices provide examples of contemporary responses to Hume.
Only, it's not quite that simple. Spanish soccer expert and historian Sid Lowe covers 100 years of rivalry, athletic beauty, and excellence. Fear and Loathing in La Liga is a nuanced, revisionist, and brilliantly informed history that goes beyond sport. Lowe weaves together this story of the rivalry with the history and culture of Spain, emphasizing that it is “never about just the soccer.” With exclusive testimonies and astonishing anecdotes, he takes us inside this epic battle, including the wounds left by the Civil War, Madrid's golden age in the fifties when they won five European cups, Johan Cruyff's Barcelona Dream Team, the doomed Galáctico experiment, and Luís Figo's “betrayal.”
By exploring the history, politics, culture, economics, and language—while never forgetting the drama on the field—Lowe demonstrates the relationship between these two soccer giants and reveals the true story behind their explosive rivalry.
“With scrupulous scholarship based on a profound knowledge of the Hebrew, Latin, and Spanish sources, Roth sets out to shatter all existing preconceptions about late medieval society in Spain.”—Henry Kamen, Journal of Ecclesiastical History
“Scholarly, detailed, researched, and innovative. . . . As the result of Roth’s writing, we shall need to rethink our knowledge and understanding of this period.”—Murray Levine, Jewish Spectator
“The fruit of many years of study, investigation, and reflection, guaranteed by the solid intellectual trajectory of its author, an expert in Jewish studies. . . . A contribution that will be particularly valuable for the study of Spanish medievalism.”—Miguel Angel Motis Dolader, Annuario de Estudios Medievales
O'Callaghan divides his story into five compact historical periods and discusses political, social, economic, and cultural developments in each period. By treating states together, he is able to put into proper perspective the relationships among them, their similarities and differences, and the continuity of development from one period to the next. He gives proper attention to Spain's contacts with the rest of the medieval world, but his main concern is with the events and institutions on the peninsula itself. Illustrations, genealogical charts, maps, and an extensive bibliography round out a book that will be welcomed by scholars and student of Spanish and Portuguese history and literature, as well as by medievalists, as the fullest account to date of Spanish history in the Middle Ages.
“One of Orwell’s very best books and perhaps the best book that exists on the Spanish Civil War.”—The New Yorker
In 1936, originally intending merely to report on the Spanish Civil War as a journalist, George Orwell found himself embroiled as a participant—as a member of the Workers’ Party of Marxist Unity. Fighting against the Fascists, he described in painfully vivid and occasionally comic detail life in the trenches—with a “democratic army” composed of men with no ranks, no titles, and often no weapons—and his near fatal wounding. As the politics became tangled, Orwell was pulled into a heartbreaking conflict between his own personal ideals and the complicated realities of political power struggles.
Considered one of the finest works by a man V. S. Pritchett called “the wintry conscience of a generation,” Homage to Catalonia is both Orwell’s memoir of his experiences at the front and his tribute to those who died in what he called a fight for common decency. This edition features a new foreword by Adam Hochschild placing the war in greater context and discussing the evolution of Orwell’s views on the Spanish Civil War.
“No one except George Orwell . . . made the violence and self-dramatization of Spain so burning and terrible.”— Alfred Kazin, New York Times
“A wise book, one that once read will never be forgotten.”—Chicago Sunday Tribune
On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change of clothes, his violin, a tin of biscuits, and some cheese. He spent the first night in a ditch, wide awake and soaking wet.
From those unlikely beginnings, Laurie Lee fashioned not just the adventure of a lifetime, but one of the finest travel narratives of the twentieth century. As I Walked Out One Midsummer Morning, written more than thirty years after the events it describes, is an elegant and irresistibly charming portrait of life on the road—first in England, where the familiar landscapes and people somehow made Lee feel far from home, and then in Spain, whose utter foreignness afforded a new kind of comfort.
In that brief period of peace, a young man was free to go wherever he wanted to in Europe. Lee picked Spain because he knew enough Spanish to ask for a glass of water. What he did not know, and what would become clear only after a year spent tramping across the beautiful and rugged countryside—from the Galician port city of Vigo, over the Sierra de Guadarrama and into Madrid, and along the Costa del Sol—was that the Spanish Republic would soon need idealistic young men like Lee as badly as he needed it.
There is only one problem with this widely accepted account: it is a myth.
In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden features of this medieval culture by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed.
This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate’s conquest of Spain. Far from a land of tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life, and by the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities.
As professors, politicians, and pundits continue to celebrate Islamic Spain for its “multiculturalism” and “diversity,” Fernández-Morera sets the record straight—showing that a politically useful myth is a myth nonetheless.
Ringing with the fury of two great empires locked in an epic battle, Conquest captures in extraordinary detail the Mexican and Spanish civilizations and offers unprecedented in-depth portraits of the legendary opponents, Montezuma and Cortés. Conquest is an essential work of history from one of our most gifted historians.
In 1494, award-winning author Stephen R. Bown tells the untold story of the explosive feud between monarchs, clergy, and explorers that split the globe between Spain and Portugal and made the world's oceans a battleground.
When Columbus triumphantly returned from America to Spain in 1493, his discoveries inflamed an already-smouldering conflict between Spain's renowned monarchs, Ferdinand and Isabella, and Portugal's João II. Which nation was to control the world's oceans? To quell the argument, Pope Alexander VI—the notorious Rodrigo Borgia—issued a proclamation laying the foundation for the Treaty of Tordesillas of 1494, an edict that created an imaginary line in the Atlantic Ocean dividing the entire known (and unknown) world between Spain and Portugal.
Just as the world's oceans were about to be opened by Columbus's epochal voyage, the treaty sought to limit the seas to these two favored Catholic nations. The edict was to have a profound influence on world history: it propelled Spain and Portugal to superpower status, steered many other European nations on a collision course, and became the central grievance in two centuries of international espionage, piracy, and warfare.
The treaty also began the fight for "the freedom of the seas"—the epic struggle to determine whether the world's oceans, and thus global commerce, would be controlled by the decree of an autocrat or be open to the ships of any nation—a distinctly modern notion, championed in the early seventeenth century by the Dutch legal theorist Hugo Grotius, whose arguments became the foundation of international law.
At the heart of one of the greatest international diplomatic and political agreements of the last five centuries were the strained relationships and passions of a handful of powerful individuals. They were linked by a shared history, mutual animosity, and personal obligations—quarrels, rivalries, and hatreds that dated back decades. Yet the struggle ultimately stemmed from a young woman's determination to defy tradition and the king, and to choose her own husband.
No modern conflict has inflamed the passions of both civilians and intellectuals as much as the Spanish Civil War of 1936–39. Burned into our collective historical consciousness, it not only prefigured the imminent Second World War but also ushered in a new and horrific form of warfare that would come to define the twentieth century. At the same time it echoed the revolutionary aspirations of millions of Europeans and Americans after the painful years of the Great Depression.
In this authoritative history, Paul Preston vividly recounts the political ideals and military horrors of the Spanish Civil War – including the controversial bombing of Guernica – and tracks the emergence of General Franco’s brutal but extraordinarily durable fascist dictatorship.
In these pages, Robert Hughes scrolls through Barcelona's often violent history; tells the stories of its kings, poets, magnates, and revolutionaries; and ushers readers through municipal landmarks that range from Antoni Gaudi's sublimely surreal cathedral to a postmodern restaurant with a glass-walled urinal. The result is a work filled with the attributes of Barcelona itself: proportion, humor, and seny—the Catalan word for triumphant common sense.
The Golden Empire also presents the legendary men whom King Charles V sent on perilous and unprecedented expeditions: Hernán Cortés, who ruled the “New Spain” of Mexico as an absolute monarch—and whose rebuilding of its capital, Tenochtitlan, was Spain’s greatest achievement in the sixteenth century; Francisco Pizarro, who set out with fewer than two hundred men for Peru, infamously executed the last independent Inca ruler, Atahualpa, and was finally murdered amid intrigue; and Hernando de Soto, whose glittering journey to settle land between Rio de la Palmas in Mexico and the southernmost keys of Florida ended in disappointment and death. Hugh Thomas reveals as never before their torturous journeys through jungles, their brutal sea voyages amid appalling storms and pirate attacks, and how a cash-hungry Charles backed them with loans—and bribes—obtained from his German banking friends.
A sweeping, compulsively readable saga of kings and conquests, armies and armadas, dominance and power, The Golden Empire is a crowning achievement of the Spanish world’s foremost historian.
From the Hardcover edition.
Picking up at the end of his earlier classic study, Islamic Spain, 1250 to 1500— which described the courageous efforts of the followers of Islam to preserve their secular, as well as sacred, culture in late medieval Spain—L. P. Harvey chronicles here the struggles of the Moriscos. These forced converts to Christianity lived clandestinely in the sixteenth century as Muslims, communicating in aljamiado— Spanish written in Arabic characters. More broadly, Muslims in Spain, 1500 to 1614, tells the story of an early modern nation struggling to deal with diversity and multiculturalism while torn by the fanaticism of the Counter-Reformation on one side and the threat of Ottoman expansion on the other. Harvey recounts how a century of tolerance degenerated into a vicious cycle of repression and rebellion until the final expulsion in 1614 of all Muslims from the Iberian Peninsula.
Retold in all its complexity and poignancy, this tale of religious intolerance, political maneuvering, and ethnic cleansing resonates with many modern concerns. Eagerly awaited by Islamist and Hispanist scholars since Harvey's first volume appeared in 1990, Muslims in Spain, 1500 to 1614, will be compulsory reading for student and specialist alike.
“The year’s most rewarding historical work is L. P. Harvey’s Muslims in Spain 1500 to 1614, a sobering account of the various ways in which a venerable Islamic culture fell victim to Christian bigotry. Harvey never urges the topicality of his subject on us, but this aspect inevitably sharpens an already compelling book.”—Jonathan Keats, Times Literary Supplement
After a brief overview of Spanish film before Franco, the author proceeds to a discussion of censorship as practiced by the Franco regime. The response of directors to censorship—the “franquista aesthetic,” or “aesthetic of repression,” with its highly metaphorical, oblique style—is explored in the works of Luis Buñuel, Carlos Saura, Juan Antonio Bardem, Luis García Berlanga, and other important directors.
Virginia Higginbotham combines historical perspective with detailed critical analysis and interpretation of many famous Franco-era films. She shows how directors managed to evade the censors and raise public awareness of issues relating to the Spanish Civil War and the repressions of the Franco regime.
Film has always performed an educational function in Spain, reaching masses of poor and uneducated citizens. And sometimes, as this study also reveals, Spanish film has been ignored when the questions it raised became too painful or demanding.
The author concludes with a look at post-Franco cinema and the directions it has taken. For anyone interested in modern Spanish film, this book will be essential reading.
Franco joined the Spanish Army when he was barely fifteen years old. In 1926 he became the youngest general in Europe and, driven by an astonishing sense of his own greatness, was recognized as sole military commander of the Nationalist zone during the Spanish Civil War. His ambition was always to hold on to the power that he had secured. In practice, this meant winning the Spanish Civil War and surviving the fall of the fascist regimes of Hitler and Mussolini and the international isolation that followed their defeat.
But behind the military heroics and dexterous political footwork lay an insecure and vengeful man, wracked by contradictory impulses. Although fueled by a single-minded determination to succeed, he was full of self-doubt. A bold and sometimes inspirational soldier in Africa, he became an indecisive, hesitant military commander during the Civil War. Filled with a burning conviction that his destiny was bound up with the medieval kings of Spain and God Himself, he appeared shy, withdrawn, and humble. Ruthlessly intent on wiping out all political opposition, he denied heatedly that he was a dictator. A stubborn man, he could be remarkably flexible when it came to safeguarding his power.
Gabrielle Ashford Hodges' psychological biography considers Franco's mental state, as well as his political motivation. In doing so, it succeeds admirably in getting under the skin of Europe's most enduring dictator.
What began as Portugal's mission to discover an unknown world soon became a quest to find Prester John, the legendary Christian priest/king presumed to be living on the far side of Islam. In an attempt to form a Christian military alliance, the search was both concluded and, in a manner, initiated by explorer P ro da Covilh in 1493 with his overland journey to the Highland court of Emperor Eskendar. This was instrumental in setting up a string of ties between the two nations - diplomatic, military, religious, cultural and (most long-lasting of all) architectural - almost three decades before Portugal's diplomatic mission of 1520.
The fascinating story contained in the stones can yet be seen in the Portuguese and "Gondarine" ruins that dot the Gojjam and Lake Tana regions; they continue to influence today's Highland architectural design. Hespeler-Boultbee examines over thirty different sites, many of which are remote and rarely visited. Fully illustrated with colour photos and drawings.
About the Author
J.J. Hespeler-Boultbee is an Art & Architectural Historian and Associate of the Institute of Ethiopian Studies, Addis Ababa University. He lived for twenty-five years in Portugal, during that time making several forays into the Ethiopian Highlands on behalf of the Department of History and CIDEHUS (Centro de Investiga o e Desenvolvimento em Ci ncias Humanas e Sociais), the research and development institute at the University of vora. For the two year period, 2007-2009, he lived in and conducted research from Bahir Dar on Lake Tana, Ethiopia, during which time he found his historical conclusions were at considerable variance with colleagues in the History Department at Bahir Dar University - disagreements which have prompted the revisions leading to this current updated and revised edition of "A Story in Stones."