G. K. Chesterton’s highly influential treatise on one of the most controversial topics of the early twentieth century

When G. K. Chesterton first published Eugenics and Other Evils in 1922, he seemed to be the lone voice of reason against the fashionable concept of selectively breeding a population for “desirable” traits. Though later generations came to associate eugenics with the horrors of the Third Reich, worldwide support for the philosophy was at an all-time high when Chesterton penned this brave and prophetic work. His unique combination of somber analysis and coruscating wit produces an argument too persuasive to ignore. 

Eugenics and Other Evils showcases Chesterton at the height of his rhetorical powers. His discussion of capitalism, socialism, and the concerns that guide our moral decisions is as pertinent today as the day it was penned.
 
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Considered by many to be Chesterton's greatest masterpiece of all his writings, this is his whole view of world history as informed by the Incarnation. Beginning with the origin of man and the various religious attitudes throughout history, Chesterton shows how the fulfillment of all of man's desires takes place in the person of Christ and in Christ's Church.

Chesterton propounds the thesis that "those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact." And with all the brilliance and devastating irony, so characteristic of his best writing, Chesterton gleefully and tempestuously tears to shreds that "very stale formula" and triumphantly proclaims in vivid language the glory and unanswerable logic of that very striking fact. Here is the genius of Chesterton at its delightful best.

A Timeless Argument for Traditional Christianity
If you think orthodoxy is boring and predictable, think again. In this timeless classic, G. K. Chesterton, one of the literary giants of the twentieth century, presents a logical and personal reasoning for Christianity in model apologetic form. Gilbert Keith Chesterton was a self-described pagan at age 12 and totally agnostic by age 16. Yet, his spiritual journey ultimately led to a personal philosophy of orthodox, biblical Christianity. The account of his experiences, Orthodoxy bridges the centuries and appeals to today's readers who face the same challenges of materialism, self-centeredness, and progress.

"Hope means hoping when things are hopeless, or it is no virtue at all. And faith mean believing the incredible, or it is no virtue at all."
--G.K. Chesterton

A unique book, Orthodoxy addresses our faith struggles and how we communicate our faith to others. Through philosophy, poetry, reason and humor Chesterton leads us on a literary journey toward truth.

This edition includes a foreword by Philip Yancey who, like C. S. Lewis and other leading Christian writers, found this book to be pivotal his Christian experience. Yancey credits Chesterton with helping to revive and define his faith.

Saint Francis of Assisi Francis is one of the most venerated religious figures in history. On March 13, 2013, upon his election as Pope, Cardinal Jorge Mario Bergoglio of Argentina chose Francis as his papal name in honor of Saint Francis of Assisi, becoming Pope Francis. 

G.K. Chesterton is well known for his reasoned apologetics, and even some of those who disagree with him have recognized the universal appeal of such works as his biography on Saint Francis. Chesterton has been called the “prince of paradox.” Time magazine, in a review of a biography of Chesterton, observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” 

The patron saint of animals, birds, and the environment, Francis of Assisi led the rediscovery of nature in the Christian West. This magnificent spiritual biography by the phenomenally popular G. K. Chesterton—a convert to Catholicism—chronicles the beloved saint's calling, his extraordinary life, and his influence in the Church. Its charm and wit will appeal to even the most secular-minded readers.
How fitting that Francesco Bernardone was born just after the Dark Ages when the world was awakening. He started out as a colorful troubadour with a fondness for French poetry, extravagant with money . . . until the sight of a beggar seeking alms opened his eyes to a world beyond himself. The scene so moved him, he vowed to God that he would devote his life to the poor and embrace a life of simplicity. This sense of humility and generosity continues to call to each of us today. With great affection, Chesterton explores the life and times of St. Francis—his joyous devotion, his sense of compassion and love for all creation, his visions and miracles, his stigmata, and his band of followers that became the Franciscan Order. Praising this great and original man who became one of the most popular figures in Christendom, the author calls him "a poet whose whole life was a poem." Here is a stimulating read for Chesterton fans, Christian readers, and anyone looking for a burst of pure inspiration.

Gilbert Keith Chesterton (1874-1936) has been called "the ablest and most exuberant proponent of orthodox Christianity of his time." In this captivating classic, Chesterton offers a unique explanation of the essentials of the Christian faith, and of his own journey from scepticism to belief. Since its first publication in 1908, Orthodoxy has been a powerful factor in the conversion and spirituality of many leading Christian thinkers, including C S Lewis and Philip Yancey.

"It is constantly assumed, especially in our Tolstoian tendencies, that when the lion lies down with the lamb the lion becomes lamb-like... That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is - can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved." - from Orthodoxy.

This classic exploration of human history vis-à-vis its link to Christianity ponders the question: What makes human beings uniquely human? In this thoughtful response to the rampant social Darwinism of the early twentieth century, G. K. Chesterton explains how religion—a blend of philosophy and mythology—satisfies both the human intellect and the spirit, and sets man starkly apart from any other living creature.
Written in 1925, this enduring polemic still strikes a modern chord. Addressing evolution, feminism, and cultural relativism within the context of religion, the book also examines religious skepticism. How does one sustain belief in Jesus Christ—and the Church—when, throughout history, the key to religious truth has been constantly reshaped? According to Chesterton, the shape of the key is not important. What matters is that it fits the lock and opens the door. An emphatic affirmation of Christian faith, The Everlasting Man is leavened with the author's characteristic wit and wisdom, and appeals to the mind as well as the heart.

This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy-or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric and sweet-natured man. Smith has a positive effect on the house-he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world.

Then the unexpected happens: Smith shoots at one of the tenants, and two doctors arrive to arrest him, claiming that he's a bigamist, an attempted murderer, and a thief. But cynical writer Moon insists that the case be tried there-and they explore Smith's past history, revealing startling truths about what he does. Is he the wickedest man in Britain, or is he "blameless as a buttercup"?

Beautifully written, mixing the ridiculous with the profound, full of hilarious dialogue and lushly detailed writing, Chesterton's main character Innocent Smith somehow manages to restore joy to all the dull and cynical lives around him. In this delightfully strange mystery, Chesterton demonstrates why life is worth living, and that sometimes we need a little madness just to know we are alive.

This carefully crafted ebook: “The Complete Father Brown Mysteries (Unabridged)” is formatted for your eReader with a functional and detailed table of contents. Father Brown is a fictional character created by English novelist G. K. Chesterton, who stars in 51 detective short stories , most of which were later compiled in five books. Chesterton based the character on Father John O'Connor, a parish priest in Bradford who was involved in Chesterton's conversion to Catholicism. The relationship was recorded by O'Connor in his 1937 book Father Brown on Chesterton. This omnibus contains the following books: 1. The Innocence of Father Brown 2. The Wisdom of Father Brown 3. The Incredulity of Father Brown 4. The Secret of Father Brown 5. The Scandal of Father Brown Gilbert Keith Chesterton (1874 – 1936) was an English writer, lay theologian, poet, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist. Chesterton is often referred to as the "prince of paradox”.

In the aptly titled treatise What's Wrong With the World, one of the twentieth century's most memorable and prolific writers takes on education, government, big business, feminism, and a host of other topics. A steadfast champion of the working man, family, and faith, Chesterton eloquently opposed materialism, snobbery, hypocrisy, and any adversary of freedom and simplicity in modern society.

Mr. Chesterton's long essay on eugenics and other evils was written in 1922, just a few years after the close of the 'Great War.' This war was not yet known as World War I, and it could not then be imagined that a greater calamity could be possible. Chesterton ends with the acidic observation that if his readers don't believe how toxic materialistic philosophies are, "neither would they believe though one rose from the dead." Prophetic; Chesterton would die in 1936, a few short years before the horrors of World War II, carried out once again by the hands of those who rejected Christianity and embraced a secular humanism grounded in atheistic evolutionary theory. This deserves our careful consideration, and no author demands it with such wit, humor, and intellect.

This audacious allegory transforms the old rule about judging a book by its cover into entertainment of the highest order

A wind sprang high in the west, like a wave of unreasonable happiness, and tore eastward across England, trailing with it the frosty scent of forests and the cold intoxication of the sea.
 
Seeking shelter from a storm of biblical proportions, a mysterious new tenant by the name of Innocent Smith arrives on the doorsteps of Beacon House. Eccentric, spry, and eager to make new friends, Innocent turns the culture of this ho-hum London boarding establishment upside down. But the fun and games come to an abrupt end when word arrives that the new lodger is wanted on charges of burglary, polygamy, desertion of a spouse, and murder. Only a jury of his peers can determine if Innocent is as guilty as he appears.
 
Written in upbeat and lighthearted prose, this charming novel of life, salvation, and the human predicament captures G. K. Chesterton at his finest.
 
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Orthodoxy, as author G. K. Chesterton employs the term here, means "right opinion." In this, the masterpiece of his brilliant literary career, Chesterton applies the concept of correct reasoning to his acceptance of Christian faith. As he expresses it in his preface, "It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer. It deals first with all the writer's own solitary and sincere speculations and then with all the startling style in which they are all suddenly satisfied by the Christian Theology. The writer regards it as amounting to a convincing creed. But if it is not that, it is at least a repeated and surprising coincidence."
Written in a down-to-earth and familiar style, Orthodoxy nevertheless presents formal and scholarly arguments in the explanation and defense of the tenets underlying Christianity. Paradox and contradiction, Chesterton maintains, do not constitute barriers to belief; imagination and intuition are as relevant to the processes of thought and understanding as logic and rationality. "Whenever we feel there is something odd in Christian theology," he observes, "we shall generally find that there is something odd in the truth." Chesterton defines his insights with thought-provoking analogies, personal anecdotes, and engaging humor, making his century-old book a work of enduring charm and persuasion.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Chesterton is best remembered, perhaps, as a teller of mystery tales, though here, in this delightful 1912 novel, what looks like a crime story-about Mr. Innocence Smith, accused of murder and other odd mischievousness-is merely the shell of a meander through Chesterton's philosophy of living in the moment and appreciating life to the fullest. Considered by fans to be the ultimate embodiment of the author-Smith is believed to be a stand-in for the writer-this is an excellent introduction, or reminder, of Chesterton's unmatched wit and wisdom.

Chesterton’s finest achievement—at once a gripping thriller and a powerful allegory

In a colorful neighborhood of West London, two poets are at each other’s throats. Gregory is an anarchist who longs to upend civilization with the power of his words, while Syme is a man of reason, convinced his opponent’s beliefs are nothing but a fashionable pose. To prove his seriousness, Gregory introduces Syme to the central council of European radicals, where the newcomer is given the codename “Thursday.” Though none will admit it, every man in the council is a liar—and each is deadly in his own way.
 
Gregory has no inkling that his new comrade Syme is an undercover detective, sent by Scotland Yard to destroy the council from within. But as the other men reveal their secrets in turn, it becomes clear that Thursday is not the enemy; it is the mysterious figure named Sunday whom they all should fear.
 
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British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language This 1909 collection shows off Chesterton's talent as a master of short-form prose. These "fleeting sketches," which originally appeared the London newspaper Daily News, describe the most ordinary of events and observations, but through Chesterton's eye, they take on profound new meaning. He explores: . the secret of a train . an extraordinary cabman . the advantages of having one leg . on lying in bed . what he found in his pocket . an orthodox barber . some policemen and a moral . little birds who won't sing . and much more.

Gilbert Keith Chesterton is one of the most celebrated and reverently esteemed figures in modern literature. He was a phenomenally prolific writer. After achieving early success as an illustrator, he subsequently established his fame as a playwright, novelist, poet, literary commentator, pamphleteer, essayist, lecturer, apologist, and editor. The depth and range of his work are astounding.

A pagan at only 12 and totally agnostic by 16, Chesterton had the remarkable experience of developing a personal, positive philosophy that turned out to be orthodox Christianity. Orthodoxy, his account of it all, has not lost its force as a timeless argument for the simple plausibility of traditional Christianity. C.S. Lewis and many other emerging Christian thinkers have found this book a pivotal step in their adoption of a credible Christian faith. This intellectual and spiritual autobiography of the leading 20th century essayist combines simplicity with subtlety in a model apologetic that appeals to today's generations of readers who face the same materialism and antisupernaturalism as did the "man at war with his times."

Of the numerous works that Chesterton wrote, the most scintillating synthesis of his philosophy and deeply religious faith was manifested in his masterpiece, Orthodoxy, written when he was only thirty-four and which tells, in his inimitable, soaring prose, of his earth-shaking discovery that orthodoxy is the only satisfactory answer to the perplexing riddle of the universe. Orthodoxy is perhaps the most outstanding example of the originality of his style and the brilliance of his thought.

Acclaimed as the best book ever written on St. Thomas, this outstanding profile introduces one of Christianity's most important and influential thinkers. G. K. Chesterton chronicles the saint's life, focusing on the man and the events that shaped him, rather than on theology. In a concise, witty, and eminently readable narrative, he illustrates the relevance of St. Thomas' achievements to modern readers.
Born into an aristocratic family, Thomas rejected a life of privilege to join a new order of preaching and teaching monks, the Dominicans. Chesterton compares Thomas' views to those of another famous thirteenth-century figure, St. Francis of Assisi. He also explores the influence of Aristotelian philosophy on Thomas' character, along with the effects of Parisian culture, society, and politics. The final chapter examines the impact of Thomas' work on later religious thinkers, including Martin Luther. This brief but vivid profile provides fascinating glimpses into the medieval scholastic movement, and it presents an excellent beginning to further explorations of St. Thomas Aquinas' works.

In Orthodoxy, Gilbert K. Chesterton explains how and why he came to believe in Christianity, and more specifically, the Catholic Church's brand of orthodoxy. In the book, Chesterton takes the spiritually curious reader on an intellectual quest. While looking for the meaning of life, he finds truth that uniquely fulfills human needs. This is the truth revealed in Christianity. Chesterton likens this discovery to a man setting off from the south coast of England, journeying for many days, only to arrive at Brighton, the point he originally left from. Such a man, he proposes, would see the wondrous place he grew up in with newly appreciative eyes. This is a common theme in Chesterton's works, and one which he gave fictional embodiment to in Manalive. A truly lively and enlightening book!

In the aptly titled treatise What's Wrong With the World, one of the twentieth century's most memorable and prolific writers takes on education, government, big business, feminism, and a host of other topics. A steadfast champion of the working man, family, and faith, Chesterton eloquently opposed materialism, snobbery, hypocrisy, and any adversary of freedom and simplicity in modern society.
Culled from the thousands of essays he contributed to newspapers and periodicals over his lifetime, the critical works collected for this edition pulse with the author's unique brand of clever commentary. As readable and rewarding today as when they were written over a century ago, these pieces offer Chesterton's unparalleled analysis of contemporary ideals, his incisive critique of modern efficiency, and his humorous but heartfelt defense of the common man against trendsetting social assaults.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as "The Christian ideal has not been tried and found wanting; it has been found difficult and left untried," stood 6'4" and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying, "Am at Market Harborough. Where ought I to be?" His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language In this collection of twenty classic essays, first published in 1905, Chesterton cleverly and wisely develops his ideas about "heretics"-or those who have the great misfortune not to share his moderate outlook on the world. Essays include: . "On the Importance of Orthodoxy" . "On Mr. Rudyard Kipling and Making the World Small" . "Mr. Bernard Shaw" . "Mr. H. G. Wells and the Giants" . "Christmas and the Aesthetes" . "On Scandals and Simplicity" . "Science and the Savages" . "Celts and Celtophiles" . "On Smart Novelists and the Smart Set" . "On the Wit of [James McNeill] Whistler" . and others.

An enduring collection of moral and social commentary from one of the twentieth century’s most original thinkers

This groundbreaking work epitomizes why G. K. Chesterton is considered one of the pithiest and most versatile philosophers of his era. An anthology of his early writings, What’s Wrong with the World takes on such thorny subjects as public education, jingoism, feminism, imperialism, politics, and the modern family. Chesterton’s humor and intellectual verve are on full display, making these incisive essays as applicable in their exploration of ethics and the human heart today as when they were penned over a hundred years ago.
 
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Now with a foreword by Matthew Lee Anderson

Antiquated. Unimaginative. Repressive. We've all heard these common reactions to orthodox Christian beliefs. Even Christians themselves are guilty of the tendency to discard historic Christianity.

Yet as we read through the literature in Christianity’s past, we learn that we are in better company with our beliefs than we might think. Through his enchanting book, Orthodoxy, G.K. Chesterton reminds us of the paradoxes of our faith and the joy that comes when we explore them.

From the foreword by Matthew Lee Anderson, author of The End of Our Exploring:

“How can we contrive to be at once astonished at the world and yet at home in it?”

And with that question, G.K. Chesterton recounts the heart of an intellectual journey that took him from the edges of a nihilistic pessimism into the center of the paradoxical joy of Christian orthodoxy. His book is not a defense of the Christian faith, at least not primarily, so much as an attempt to explain how the startling paradoxes and sharp edges of the creed explain everything else.

It is a dated work, dealing in the categories and concerns of Chesterton’s contemporaries, and yet it comes nearer timelessness than anything we have today. Though Orthodoxy was written near the start of the 20th century, I have dubbed it the most important book for the 21st. There are few claims I have made in my life that I am more sure of than that one. 

First published in 1920, this trenchant, at times angry book reveals a different side of G K Chesterton (1874-1936), renowned for his lively essays, his detective stories, and his Christian apologetics. In it, Chesterton reflects on the long history of Jerusalem, and offers perceptive observations and critiques on the three religions for whom it is holy ground - Judaism, Islam, and Christianity. Chesterton's perspectives mingle poetic flights with blunt assessments about the situation in the Muslim East, particularly with regard to Zionism. His views are the antithesis of what would be regarded today as 'politically correct', yet they have proved to be almost prophetic in some respects.

Chesterton has been called the Prince of Paradox. His works include journalism, philosophy, poetry, biography, fantasy and detective stories. Chesterton has great fun satirizing the Victorian sleuths such as Sherlock Holmes . These 39 tales will delight the reader. Chesterton said that these stories just came to him like sitting still and letting them light on him like flies. Some of these tales are just for fun while other are filled with good common sense. Gilbert Keith Chesterton (1874-1936) was an English literary and social critic, historian, playwright, poet, Catholic theologian, debater, mystery writer and foremost, a novelist. Among the primary achievements of Chesterton's extensive writing career are the wide range of subjects written about, the large number of genres employed, and the sheer volume of publications produced. He wrote several plays, around 80 books, several hundred poems, some 200 short stories and 4000 essays. Chesterton's writings without fail displayed wit and a sense of humor by incorporating paradox, yet still making serious comments on the world, government, politics, economics, theology, philosophy and many other topics. Chesterton uses his compilation of essays in Tremendous Trifles as a guide to reflect on everyday life. Among this collection: A Piece of Chalk -where a drawing exercise turns into a lesson on the nature of truth, Twelve Men -an explanation on why we have juries made of our peers and not professional jurors, The Dragon's Grandmother -on why we should read fairy tales to our children along with many more endearing reflections.

An entertaining collection drawn from G. K. Chesterton’s early years as a newspaper columnist

This compilation of “fleeting sketches,” written by G. K. Chesterton while he was a columnist for the Daily News, contains the humor, foresight, and intellectual curiosity that quickly made the young writer a household name throughout London. A tribute to the playfulness of Chesterton’s spirit, Tremendous Trifles contains such gems as “An Accident,” in which the author crashes an omnibus into a hansom cab, and “The Advantages of Having One Leg,” a charmingly thorough investigation of optimism and pessimism.
 
Fans of Chesterton’s most famous works—from the Father Brown Stories to Heretics and Orthodoxy—will delight in the cleverness and invigorating wit of Tremendous Trifles.
 
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Immortalized in these famous stories, G. K. Chesterton's endearing amateur sleuth has entertained countless generations of readers. For, as his admirers know, Father Brown's cherubic face and unworldly simplicity, his glasses and his huge umbrella, disguise a quite uncanny understanding of the criminal mind at work. This edition includes seven tales from a number of G. K. Chesterton's 'Father Brown' books.

The thrilling allegorical novel from the author of The Man Who Was Thursday and the Father Brown Stories

First serialized in the Commonwealth, G. K. Chesterton’s fantastical third novel opens with a debate between Professor Lucifer and Brother Michael as they soar across the sky above London. Part farce, part theological exploration, The Ball and the Cross soon settles on the story of another pair of contraries. When differences of opinion lead an atheist and a devout Roman Catholic to plan a duel to the death, fate intervenes and propels the two men toward deeper understanding.
 
Widely considered to be one of Chesterton’s most accessible and substantive works, The Ball and the Cross was commended by Pope John Paul I for the profound truths it reveals. Readers for over a hundred years have marveled at the brilliance of this exhilarating tale about belief, nonbelief, and our collective search for the truth.
 
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In this 1905 collection of articles Chesterton exposes the faulty thinking underlying popular modern "heresies" such as negativism, relativism, neo-paganism, puritanism, aestheticism, and individualism. The book includes one of his best essays: "On Certain Modern Writers and the Institution of Family." With his characterstic wit and wisdom, Chesterton brilliantly critiques writers such as Rudyard Kipling, G B Shaw, and H G Wells, whose views are still influential today.

Your Special Illustrated & Annotated edition includes: • Bibliography of G. K. Chesterton since 1980 – MLA 7th edition format for quick research! • 11 brand new line art Chisel DrawingsTM of Chesterton through his life by sequential artist Lucio Marcetti • Exclusive biography “The Boyhood Days of G.K. Chesterton” C.S. Lewis, author of the Chronicles of Narnia series, regarded Chesterton's humble defense of Christianity as having 'baptised' his intellect. "The best popular apologetic I know" - C.S. Lewis

This book brings together a diverse selection of newspaper essays by celebrated author G K Chesterton (1874-1936), written before World War I. This is a sampling of Chesterton at his brilliant best, tackling politics, literature, the ups and downs of daily life, and much more - all of it displaying his robust "uncommon sense", his lively intellect, and his profound Christian faith.

G. K. Chesterton, the "Prince of Paradox," is at his witty best in this collection of twenty essays and articles from the turn of the twentieth century. Focusing on "heretics"—those who pride themselves on their superiority to conservative views—Chesterton appraises prominent figures who fall into that category from the literary and art worlds. Luminaries such as Rudyard Kipling, George Bernard Shaw, H. G. Wells, and James McNeill Whistler come under the author's scrutiny, where they meet with equal measures of his characteristic wisdom and good humor.
In addition to incisive assessments of well-known individuals ("Mr. Rudyard Kipling and Making the World Small" and "Mr. H. G. Wells and the Giants"), these essays contain observations on the wider world. "On Sandals and Simplicity," "Science and the Savages," "On Certain Modern Writers and the Institution of the Family," "On Smart Novelists and the Smart Set," and "Slum Novelists and the Slums" reflect the main themes of Chesterton's life's work. Heretics roused the ire of some critics for censuring contemporary philosophies without providing alternatives; the author responded a few years later with a companion volume, Orthodoxy (also available from Dover Publications). Sardonic, jolly, and generous, both books are vintage Chesterton.

The Napoleon of Notting Hill is a futuristic novel set in London in 1984. Chesterton envisions neither great technological leaps nor totalitarian suppression. Instead, England is ruled by a series of randomly selected Kings, because people have become entirely indifferent. The joker Auberon Quin is crowned and he instates elaborate costumes for every sector of London. All the city's provosts are bored with the idea except for the earnest young Adam Wayne - the Napoleon of Notting Hill.

In this exciting allegorical novel, Chesterton relates the adventures of two men who want to fight a duel over God and the Virgin Mary. The world thinks them both mad, of course, because they seem to be serious. Chesterton's aim is to highlight the conflict between rationalism and religion - between the Ball and the Cross - and to rouse the complacent and indifferent to conviction, either way. Readers will learn the joy that can result from genuine opposition.

The fourth collection of Father Brown stories featuring the ingenious amateur detective. Ahead of a new series of the popular BBC adaptation starring Mark Williams, all five of Chesterton's original Father Brown books have been republished with charming and collectible Penguin covers.

'You see, I had murdered them all myself ... I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was.'

Unassuming super-sleuth Father Brown has such brilliant powers of deduction that he knows more about crime than the criminals themselves. In this fourth volume of stories, the shabby priest unravels the most baffling conundrums involving, among others, a flying fish, a man with two beards and the Worst Crime in the World.

G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938.

'Chesterton knew how to make the most of a detective story' Jorge Luis Borges

It is very difficult to classify THE MAN WHO WAS THURSDAY. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, THE MAN WHO WAS THURSDAY succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is. [From the back cover.]

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Here, in the allegorical 1910 novel, Chesterton gives us the comic adventures of two Scotsmen caught in the grip of a profound argument: one is a devout Roman Catholic, the other an atheist, and their opposing-strongly held-philosophies bring them nearly to blows. Hidden under their raging is, however, an exploration of the differences and values of faith and skepticism through which only Chesterton could have led us.

Chesterton was an orthodox religious person, eventually converting to Roman Catholicism. In 1923, he wrote this short biography of St. Francis of Assisi, after whom Cardinal Jorge Mario Bergoglio chose his papal name, Pope Francis, when he was elected as the 266th and current Pope of the Catholic Church, on 13 March 2013. The biography of St. Francis may help one understand why the Pope chose St. Francis as his namesake. Chesterton begins:

"A sketch of St. Francis of Assisi in modern English may be written in one of three ways. Between these the writer must make his selection; ... First, he may deal with this great and most amazing man as a figure in secular history and a model of social virtues. ... Second, he may go to the opposite extreme, and decide, as it were, to be defiantly devotional. ... Third, he may try to do what I have tried to do here; ... I am here addressing the ordinary common man, sympathetic but sceptical, and I can only rather hazily hope that, by approaching the great saint's story through what is evidently picturesque and popular about it, I may at least leave the reader understanding a little more than he did before of the consistency of a complete character; ...."

"Here is an historical character which is admittedly attractive to many of us already, by its gaiety, its romantic imagination, its spiritual courtesy and cameraderie, but which also contains elements (evidently equally sincere and emphatic) which seem to you quite remote and repulsive. But after all, this man was a man and not half a dozen men. What seems inconsistency to you did not seem inconsistency to him. Let us see whether we can understand, with the help of the existing understanding, these other things that now seem to be doubly dark, by their intrinsic gloom and their ironic contrast."

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Considered by many readers to be his best work, this 1908 novel is an outrageous satire about a club of gentlemen in London at the turn of the 20th century who have vowed to destroy the world. Subtitled "A Nightmare," and bursting with Chesterton's trademark wit and abundant in surprising metaphors about religion, nature, and human civilization itself, it is a philosophical and ironic wonder, a delight to read and an even greater delight to ponder.

Part comedy, part adventure, part social commentary, this astonishing tale of tomorrow explores the essence of human nature

Published in 1904, G. K. Chesterton’s debut novel is set eighty years in the future. Technology and social mores remain the same, but the England of 1984 boasts a government in which ineffectual kings are selected at random from an otherwise apathetic populace that has “lost faith in revolutions.” The political system hits a snag when Auberon Quin is selected as the next monarch. More joker than potentate, Quin amuses himself by installing a series of laws and bizarre customs that inflate civic pomp and circumstance to laughable proportions. These policies inevitably put Quin, a leader who does not believes in any of his dictums, on a collision course with his most earnest supporter: Adam Wayne, otherwise known as the Napoleon of Notting Hill.
 
A favorite among scholars and critics, The Napoleon of Notting Hill showcases the eclectic wit and unorthodox intellect that established Chesterton as one of the twentieth century’s most influential and far-reaching thinkers.
 
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To celebrate the 100th anniversary of G. K. Chesterton’s Father Brown mysteries, BBC One Daytime has commissioned a new 10-part drama series for January 2013 to bring the priest-turned-detective back to life. BBC Books will be publishing a new edition of the original and complete short stories to tie-in to transmission.

Set in the early-twentieth century, Father Brown's world is quintessentially English; crime scenes await in country houses, rural parish churches and quaint gardens as well as foggy London streets and shadowy railway stations. Father Brown may be a kindly cleric, but his bumbling nature disguises a detective mind to rival Sherlock Holmes...

The character of Father Brown, brought to life by Mark Williams, is based on a real parish priest and the idea that priests, through hearing Confession, know the worst of human nature more than anyone, including the police. Father Brown uses his experiences to put himself into the mind of the criminal to solve each mystery and catch the perpetrators.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Considered by many readers to be his best work, this 1908 novel is an outrageous satire about a club of gentlemen in London at the turn of the 20th century who have vowed to destroy the world. Subtitled "A Nightmare," and bursting with Chesterton's trademark wit and abundant in surprising metaphors about religion, nature, and human civilization itself, it is a philosophical and ironic wonder, a delight to read and an even greater delight to ponder.