Ages of the Moon
Evanescence; Shakespeare in the Alley
Short Life of Trouble
The Unseen Hand
The Rock Garden
Fourteen Hundred Thousand
Forensic & The Navigators
The Holy Ghostly
Back Bog Beast Bait
The Pulitzer-Prize winning playwright Sam Shepard was invited to write a Fellini-esque film out of the chaos. Throughout the many moods and moments of his travels he kept an impressionistic logbook of life on the road, replete with poetry, sketches and intimate accounts: This is that logbook.
Updated with a myriad of candid photographs - many never before published - a foreword by T-Bone Burnett and a poetical preface from Sam Shepard, The Rolling Thunder Logbook perfectly captures the camaraderie, isolation, head games and pill-popping mayhem of the tour, providing a window into Dylan's singular talent, enigmatic charisma, and vision of America.
“The Rolling Thunder Revue was more fun than the law allows. By a long shot. It was a bus full of musicians and singers and painters hurtling through the dead of night, making a movie, writing songs, and playing some of the most incendiary, intense, and inspired rock ‘n’ roll, before or since.” T-Bone Burnett
A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.”
Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.
From the Hardcover edition.
A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince’s hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this family from its sin.
Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm. Soon after they agree to put up Frank’s old friend Haynes, who is on the lam from a secret government project involving plutonium, they’re visited by Welch, an unctuous government bureaucrat from hell. His aggressive patriotism puts Frank, Emma, and Haynes on the defensive, transforming a heartland American household into a scene of torture and promoting a radioactive brand of conformity with a dangerously long half life.
From the Trade Paperback edition.
A boy watches a “remedy man” tame a wild stallion, a contest that mirrors his own struggle with his father. A woman driving her mother’s ashes across the country has a strangely transcendent run-in with an injured hawk. Two aging widowers, in Stetsons and bolo ties, together make a daily pilgrimage to the local Denny’s, only to be divided by the attentions of their favorite waitress. Peering unblinkingly into the chasms that separate fathers and sons, husbands and wives, friends and strangers, these powerful tales bear the unmistakable signature of an American master.
From the Trade Paperback edition.
In The Late Henry Moss–which premiered in San Francisco, starring Sean Penn and Nick Nolte–two estranged brothers confront the past as they piece together the drunken fishing expedition that preceded their father’s death. In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.
From the Trade Paperback edition.
From the Trade Paperback edition.
From the Trade Paperback edition.
An aging rock star in a world in which entertainment and street warfare go hand in hand, Hoss must defend himself against Crow, a newcomer who battles him for fame. Combining musical styles and intense dialogue in an unconventional musical-fantasy, Tooth of Crime riffs brilliantly on rising stars and fading legends, and rock lived and died for.
From the Trade Paperback edition.
This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. More and more, memory is overtaking him: in his mind he sees himself in a movie-set trailer, his young face staring back at him in a mirror surrounded by light bulbs. In his dreams and in visions he sees his late father—sometimes in miniature, sometimes flying planes, sometimes at war. By turns, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father's young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by jazz, benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable.
From the Hardcover edition.
The ride to the tiny village in Mexico where he’s due to film has not been easy. The actor has to first put up with Gunther, a maniac German driver in a tuxedo, the Narcos who insist on excavating the contents of their car, the customs official in Mexico who sends him back across the border, and an embittered woman in the Mexican consulate for whom he must play Spencer Tracy.
From the Pulitzer Prize-winner, “the greatest playwright of our generation,” director, prose-stylist, musician, and actor Sam Shepard—"Spencer Tracy Is not Dead," selected from Cruising Paradise, is a gleaming testament to Shepard's mastery and a tender portrait of American masculinity on the road.
An ebook short.
Over the next several months, Angela and Tupac shared a near-daily exchange of letters, poems and phone calls, and their the relationship quickly grew into something neither of them could quite define, a kinship of souls that touched each in unexpected ways. Those original poems and letters, many of them written after Tupac's transfer from Rikers to Dannemora State Prison, are presented here, along with the increasingly passionate and personal phone calls that touched on every subject imaginable. Far from the media spotlight, Tupac was by turns playful, sensual and serious, offering sharp observations on prison, music and the uncertainties of life. His letters to Angela reflect how he felt about being shot five times and left for dead one terrible night in New York in 1994, and his heartfelt verse encapsulates his dreams for the future--a future that would be so tragically cut short just over eighteen months after their correspondence began.
Tupac Shakur was shot on September 7th, 1996 and died a week later from his injuries. His murder remains unsolved, an ending as enigmatic as his life. But while Tupac may be gone, his words live on here, giving every fan a rare glimpse inside the mind and unbroken spirit of a passionate and unpredictable musical icon.
Angela Ardis is an author, screenwriter, actress and model.
In August 2007 Jade Goody received the shattering news that she had cervical cancer. She was only 27 years old. But with her usual strength of character, Jade was determined to beat the disease and carry on with life as normal with her two little boys Bobby and Freddy.
Neither the chemotherapy, which left her weak and bald, or the hysterectomy that crushed her dreams of having a little girl, could break Jade's sunny personality or her fierce refusal to be a victim. But in February 2009, Jade received the tragic news that any mother dreads to hear: she was going to be torn from her beloved sons. The cancer had spread and was untreatable.
Forever In My Heart is Jade's final 'love letter' to her two little boys. Covering her initial diagnosis while appearing on Celebrity Big Brother in India, their emotional last Christmas as a family, her magical wedding to her partner Jack Tweed and her dying wish to see be christened with her boys, Jade's heart-breaking diary of her final months is set against a backdrop of flashbacks to her difficult early years, her rise to fame in the Big Brother house and those moments of joy and laughter as the nation's darling.
It is the powerful story of a young mother's brave fight against a terminal disease, her unique humour, her determination to provide for her sons and her fierce desire to leave a legacy which might prevent other young women being torn from their families in the prime of life.
A percentage of profits from the book will be donated to Marie Curie Cancer Care.
Unlike views of Depression life "from the bottom up" that rely on recollections recorded several decades later, this book captures the daily anguish of people during the thirties. It puts the reader in direct contact with Depression victims, evoking a feeling of what it was like to live through this disaster.
Following Franklin D. Roosevelt's inauguration, both the number of letters received by the White House and the percentage of them coming from the poor were unprecedented. The average number of daily communications jumped to between 5,000 and 8,000, a trend that continued throughout the Rosevelt administration. The White House staff for answering such letters--most of which were directed to FDR, Eleanor Roosevelt, or Harry Hopkins--quickly grew from one person to fifty.
Mainly because of his radio talks, many felt they knew the president personally and could confide in him. They viewed the Roosevelts as parent figures, offering solace, help, and protection. Roosevelt himself valued the letters, perceiving them as a way to gauge public sentiment. The writers came from a number of different groups--middle-class people, blacks, rural residents, the elderly, and children. Their letters display emotional reactions to the Depression--despair, cynicism, and anger--and attitudes toward relief.
In his extensive introduction, McElvaine sets the stage for the letters, discussing their significance and some of the themes that emerge from them. By preserving their original spelling, syntax, grammar, and capitalization, he conveys their full flavor.
The Depression was far more than an economic collapse. It was the major personal event in the lives of tens of millions of Americans. McElvaine shows that, contrary to popular belief, many sufferers were not passive victims of history. Rather, he says, they were "also actors and, to an extent, playwrights, producers, and directors as well," taking an active role in trying to deal with their plight and solve their problems.
For this twenty-fifth anniversary edition, McElvaine provides a new foreword recounting the history of the book, its impact on the historiography of the Depression, and its continued importance today.
From the Trade Paperback edition.
Members of that generation were, characteristically, grateful for the attention and modest about their own lives as they shared more remarkable stories about their experiences in the Depression and during the war years.
"Their children and grandchildren were eager to share the lessons and insights they gained from the stories they heard about the lives of a generation now passing on too swiftly. They wanted to say thank you in their own way. I had wanted to write a book about America, and now America was writing back.
"The letters, many of them written in firm Palmer penmanship on flowered stationery, have given me a much richer understanding not only of those difficult years but also of my own life. They give us new, intensely personal perspectives of a momentous time in our history. They are the voices of a generation that has given so much and wants to share even more.
"Some of the letters were written from the front during the war, or from families to their loved ones in harm's way in distant places. There were firsthand accounts of battles and poignant reflections on loneliness, exuberant expressions of love and somber accounts of loss.
"It seems that everyone in that generation has something worthwhile to contribute, and so we have included some pages in The Greatest Generation Speaks for others to share memories at once inspirational and instructive.
"If we are to heed the past to prepare for the future, we should listen to these quiet voices of a generation that speaks to us of duty and honor, sacrifice and accomplishment. I hope more of their stories will be preserved and cherished as reminders of all that we owe them and all that we can learn from them." —Tom Brokaw
So Samuel Langhorne Clemens made his excuse for late copy to the Sacramento Union, the newspaper that was underwriting his 1866 trip. If the young reporter's excuse makes perfect sense to you, join the thousands of Island lovers who have delighted in Twain's efforts when he finally did put pen to paper.
Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” In On Love, we see Bukowski reckoning with the complications and exaltations of love, lust, and desire. Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.
Bukowski is brilliant on love—often amusing, sometimes playful, and fleetingly sweet. On Love offers deep insight into Bukowski the man and the artist; whether writing about his daughter, his lover, his friends, or his work, he is piercingly honest and poignantly reflective, using love as a prism to see the world in all its beauty and cruelty, and his own fragile place in it. “My love is a hummingbird sitting that quiet moment on the bough,” he writes, “as the same cat crouches.”
Brutally honest, flecked with humor and pathos, On Love reveals Bukowski at his most candid and affecting.
The Selected Letters of Laura Ingalls Wilder is a vibrant, deeply personal portrait of this revered American author, illuminating her thoughts, travels, philosophies, writing career, and dealings with family, friends, and fans as never before.
This is a fresh look at the adult life of the author in her own words. Gathered from museums and archives and personal collections, the letters span over sixty years of Wilder’s life, from 1894–1956 and shed new light on Wilder’s day-to-day life. Here we see her as a businesswoman and author—including her beloved Little House books, her legendary editor, Ursula Nordstrom, and her readers—as a wife, and as a friend. In her letters, Wilder shares her philosophies, political opinions, and reminiscences of life as a frontier child. Also included are letters to her daughter, writer Rose Wilder Lane, who filled a silent role as editor and collaborator while the famous Little House books were being written.
Wilder biographer William Anderson collected and researched references throughout these letters and the result is an invaluable historical collection, tracing Wilder’s life through the final days of covered wagon travel, her life as a farm woman, a country journalist, Depression-era author, and years of fame as the writer of the Little House books. This collection is a sequel to her beloved books, and a snapshot into twentieth-century living.
Neal Cassady is best remembered today as Jack Kerouac’s muse and the basis for the character “Dean Moriarty” in Kerouac’s classic On The Road, and as one of Ken Kesey’s merriest of Merry Pranksters, the driver of the psychedelic bus “Further,” immortalized in Tom Wolfe’s The Electric Kool-Aid Acid Test. This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious. Here is the real Neal Cassady—raw and uncut.
“The cat is the beautiful devil.”
Felines touched a vulnerable spot in Charles Bukowski’s crusty soul. For the writer, there was something majestic and elemental about these inscrutable creatures he admired, sentient beings whose searing gaze could penetrate deep into our being. Bukowski considered cats to be unique forces of nature, elusive emissaries of beauty and love.
On Cats offers Bukowski’s musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly onto the world around them: “A cat is only ITSELF, representative of the strong forces of life that won’t let go.”
Funny, moving, tough, and caring, On Cats brings together the acclaimed writer’s reflections on these animals he so admired. Bukowski’s cats are fierce and demanding—he captures them stalking their prey; crawling across his typewritten pages; waking him up with claws across the face. But they are also affectionate and giving, sources of inspiration and gentle, insistent care.
Poignant yet free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered his most profound teachers.
An “unorthodox, critical, and engaging biography” (Boston Globe) – Winner of The Lincoln Prize
Robert E. Lee is remembered by history as a tragic figure, stoic and brave but distant and enigmatic. Using dozens of previously unpublished letters as departure points, Pryor produces a stunning personal account of Lee's military ability, shedding new light on every aspect of the complex and contradictory general's life story. Explained for the first time in the context of the young United States's tumultuous societal developments, Lee's actions reveal a man forced to play a leading role in the formation of the nation at the cost of his private happiness.
One of the most beloved books in American literature, Walden is must reading for any American or anyone interested in reading great literature. But for those who go there looking for reasons Thoreau became a recluse they are sure to be disappointed. Instead, reading Walden is more of a journey to the self and how that self can live in the world. This new edition has an insightful and lyrical essay introducing the text by Sam Pickering, the inspiration for the Dead Poets Society. His essay is the most provocative piece on Walden since e. B. White.
Steinbeck's letters were written on the left-hand pages of a notebook in which the facing pages would be filled with the test of East of Eden. They touched on many subjects—story arguments, trial flights of worknamship, concern for his sons.
Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.
From their early days as tutor and scholar discussing philosophy over Spartan dinners to their work together to publish Einstein’s books in Europe, in Maurice Solovine, Albert Einstein found both an engaged mind and a loyal friend. While Einstein frequently shared his observations on science, politics, philosophy, and religion in his correspondence with Solovine, he was just as likely to express his feelings about everyday life—his health and the effects of aging and his experiences in the various places where he settled and visited in his long career. The letters are both funny and frank, and taken together, reflect the changes—large and small—that took place over a half century and in the remarkable life of the world’s foremost scientist. Published in English alongside the German text and accompanied by facsimile copies of the original letters, the collected Letters to Solovine offers scholar and interested reader alike unprecedented access to the personal life of Albert Einstein. This authorized ebook features a new introduction by Neil Berger, PhD, and an illustrated biography of Albert Einstein, which includes rare photos and never-before-seen documents from the Albert Einstein Archives at the Hebrew University of Jerusalem.
Keenly observed and written with his insightful and deadpan sense of humor, he explores enduring Southern truths about home, place, spirit, table, and the regions' varied geographies, including his native Alabama, Cajun country, and the Gulf Coast. Everything is explored, from regional obsessions from college football and fishing, to mayonnaise and spoonbread, to the simple beauty of a fish on the hook.
Collected from over a decade of his writing, with many never-before-published essays written specifically for this edition, My Southern Journey is an entertaining and engaging read, especially for Southerners (or feel Southern at heart) and anyone who appreciates great writing.
Franklin's extraordinary range of interests and accomplishments are brilliantly recorded in his Autobiography, considered one of the classics of the genre. Covering his life up to his prewar stay in London as representative of the Pennsylvania Assembly, this charming self-portrait recalls Franklin's boyhood, his determination to achieve high moral standards, his work as a printer, experiments with electricity, political career, experiences during the French and Indian War, and more. Related in an honest, open, unaffected style, this highly readable account offers a wonderfully intimate glimpse of the Founding Father sometimes called "the wisest American."
While helping a friend clear out an old apartment in Paris, diplomat Jean-Yves Berthault came upon a leather portfolio that contained a collection of handwritten letters. After reading the first one, Berthault realized that he had stumbled upon an extraordinary correspondence—a charged and passionate epistolary love affair that brought to mind the French classics The Story of O, Justine, and Delta of Venus. He began to piece together clues. The letters were from Simone, a well-to-do, unmarried Parisian woman, to her younger, married lover, Charles. Written between 1928 and 1930, they tell the story of an illicit love affair that sparked a sexual awakening for both lovers. As the affair intensifies, Simone becomes obsessed with Charles, even as he begins to grow more distant. As her hunger deepens, she pushes him beyond all boundaries into dangerous and forbidden realms, in an effort to keep him enthralled. With each broken taboo, Charles submits—until their last fateful encounter.
The Passion of Mademoiselle S. is a tour de force. In language that is by turns elegant, impassioned, and surprisingly graphic, these love letters are a portrait of a sexual and psychological obsession. Berthault’s notes on the period add dimension and context to the correspondence. But it is the voice of Simone—that of a sensual, vulnerable, and curiously modern woman—that comes through most vibrantly and echoes down the centuries.
Praise for The Passion of Mademoiselle S.
“The steamiest . . . text ever.”—Le Parisien
From the Hardcover edition.
Dietrich Bonhoeffer was a young German pastor who was executed by the Nazis in 1945 for his part in the “officers’ plot” to assassinate Adolf Hitler.
This expanded version of Letters and Papers from Prison shifts the emphasis of earlier editions of Bonhoeffer’s theological reflections to the private sphere of his life. His letters appear in greater detail and show his daily concerns. Letters from Bonhoeffer’s parents, siblings, and other relatives have also been added, in addition to previously inaccessible letters and legal papers referring to his trial.
Acute and subtle, warm and perceptive, yet also profoundly moving, the documents collectively tell a very human story of loss, of courage, and of hope. Bonhoeffer’s story seems as vitally relevant, as politically prophetic, and as theologically significant today, as it did yesterday.
Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews
This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide.
Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud.
Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon.
• On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.”
• To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.”
• To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.”
• To Norman Mailer: “I am cuter than you are.”
Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.
Praise for Kurt Vonnegut: Letters
“Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review
“[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR
“Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday
“These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
From the Hardcover edition.
Based on extensive study of original sources and animated throughout by historical detail, anecdote, and insight, the narrative traces Wilde's progression from his childhood in an intellectual Irish household to his maturity as a London author to the years of his European exile. Here is Wilde the Oxford Aesthete becoming the talk of London, going off to tour America, lecturing on the craftsmanship of Cellini to the silver miners of Colorado, condemning the ugliness of cast-iron stoves to the ladies of Boston. Here is the domestic Wilde, building sandcastles with his sons, and the generous Wilde, underwriting the publication of poets, lending and spending with no thought of tomorrow. And here is the romantic Wilde, enthralled with Lord Alfred Douglas in an affair that thrived on laughter, smitten with Florence Balcombe, flirting with Violet Hunt, obsessed with Lillie Langtry, loving Constance, his wife.
Vividly evoked are the theatres, clubs, restaurants, and haunts that Wilde made famous. More than previous accounts, Belford's biography evaluates Wilde's homosexuality as not just a private matter but one connected to the politics and culture of the 1890s. Wilde's timeless observations, which make him the most quoted playwright after Shakespeare, are seamlessly woven into the life, revealing a man of remarkable intellect, energy, and warmth.
Too often portrayed as a tragic figure--persecuted, imprisoned, sent into exile, and shunned--Wilde emerges from this intuitive portrait as fully human and fallible, a man who, realizing that his creative years were behind him, committed himself to a life of sexual freedom, which he insisted was the privilege of every artist.
Even now, we have yet to catch up with the man who exhibited some of the more distinguishing characteristics of the twentieth century's preoccupation with fame and zeal for self-advertisement. Wilde's personality shaped an era, and his popularity as a wit and a dramatist has never ebbed.
NOTE: This edition does not include a photo insert.
The third and final volume begins with Lewis, already a household name from his BBC radio broadcasts and popular spiritual books, on the cusp of publishing his most famous and enduring book, The Lion, the Witch and the Wardrobe, which would ensure his immortality in the literary world. It covers his relationship with and marriage to Joy Davidman Gresham, subject of the film Shadowlands, and includes letters right up to his death on November 22, 1963, the day John F. Kennedy was assassinated.
This volume also includes both a special section of newly found letters from earlier time periods covered in volumes one and two and mini-biographies of Lewis's regular correspondents.
As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life.
Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier.
Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.
Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia. Inspiring and practical, this classic series has become an American institution. In July 2016, Vintage Shorts celebrates Foxfire's 50th Anniversary.
A moving document of decline, Rimbaud’s letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as “diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.”
I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason’s authoritative presentation of Rimbaud’s writings. Called by Edward Hirsch “the definitive translation for our time,” Mason’s first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud’s poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. “These letters,” he writes, “are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history.
From the Hardcover edition.
The 566 letters collected here, nearly 20 percent of the total, range from the funny (and mostly misspelled) reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through those from her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and during her growing eminence as a novelist. Postcards and letters describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Written to family and close friends and to such luminaries as Sarah Orne Jewett, Robert Frost, Yehudi Menuhin, Sinclair Lewis, and the president of Czechoslovakia, Thomas Masaryk, they reveal her in her daily life as a woman and writer passionately interested in people, literature, and the arts in general.
The voice heard in these letters is one we already know from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. The Selected Letters is a deep pleasure to read and to ponder, sure to appeal to those with a special devotion to Cather as well as to those just making her acquaintance.
Focusing on different stages of Drinker's personal development within the domestic context, this abridged edition highlights four critical phases of her life cycle: youth and courtship, wife and mother, middle age in years of crisis, and grandmother and family elder. There is little that escaped Elizabeth Drinker's quill, and her diary is a delight not only for the information it contains but also for the way in which she conveys her world across the centuries.
StoryCorps founder and legendary radio producer Dave Isay selects the most memorable stories from StoryCorps' collection, creating a moving portrait of American life.
The voices here connect us to real people and their lives--to their experiences of profound joy, sadness, courage, and despair, to good times and hard times, to good deeds and misdeeds. To read this book is to be reminded of how rich and varied the American storybook truly is, how resistant to easy categorization or stereotype. We are our history, individually and collectively, and Listening Is an Act of Love touchingly reminds us of this powerful truth.
Dave Isay's newest book, Callings, is now available from Penguin Press.
Posterity is at once an epistolary chronicle of America and a fascinating glimpse into the hearts and minds of some of history’s most admired figures and storied families. Spanning more than three centuries, these letters contain enduring lessons—in life, love, character and compassion—that will surprise and enlighten.
Included here are letters from Thomas Jefferson to his daughter, warning her of the evils of debt; General Patton on D-Day to his son, a cadet at West Point, about what it means to be a good soldier; W.E.B. Du Bois to his daughter about character beneath the color of skin; Oscar Hammerstein about why, after all his success, he doesn’t stop working; Woody Guthrie, writing from a New Jersey asylum, to nine-year-old Arlo about universal human frailty; Eleanor Roosevelt chastising her grown son for his Christmas plans; and Groucho Marx as a dog to his twenty-five-year-old son.
Here are renowned Americans in their own words and in their own times, seen as they were seen by their children. Here are our great Americans as mothers and fathers.