* Beautifully illustrated with images relating to Irving's life and works
* Concise introductions to the story collections and other works
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Scarce satirical works, like Irving’s first ever book LETTERS OF JONATHAN OLDSTYLE – appearing in a digital collection for the first time
* Many famous short stories are illustrated with their original artwork
* Special chronological and alphabetical contents tables for the short stories
* Easily locate the short stories you want to read
* Includes Irving's two ‘lost’ plays, discovered over a hundred years after the author’s death – first time in digital print
* Rare poems appearing for the first time in digital print
* Special criticism section, with essays evaluating Irving’s contribution to literature
* Features two biographies - discover Irving's literary life
* Scholarly ordering of texts into chronological order and literary genres
* UPDATED with rare stories and the seminal non-fiction work A TOUR ON THE PRAIRIES
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The Short Story Collections
THE SKETCH BOOK OF GEOFFREY CRAYON, GENT.
TALES OF A TRAVELLER
TALES OF THE ALHAMBRA
THE CRAYON MISCELLANY
The Short Stories
LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
LETTERS OF JONATHAN OLDSTYLE, GENT.
A HISTORY OF NEW YORK
THE WILD HUNTSMAN
LIST OF POEMS
A TOUR ON THE PRAIRIES
CHRONICLE OF THE CONQUEST OF GRANADA
THE ADVENTURES OF CAPTAIN BONNEVILLE. THE ROCKY MOUNTAINS
LIFE OF OLIVER GOLDSMITH
LIFE OF GEORGE WASHINGTON: VOLUME I
ELIA, AND GEOFFREY CRAYON by William Hazlitt
SPEECH: NEW YORK, FEBRUARY 18, 1842 by Charles Dickens
A FABLE FOR CRITICS by James Russell Lowell
POE, IRVING, HAWTHORNE by George Parsons Lathrop
CORRESPONDENCE BETWEEN WASHINGTON IRVING AND EDGAR ALLAN POE
WASHINGTON IRVING by Henry W. Boynton
WASHINGTON IRVING by Charles Dudley Warner
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North of New York City lies Sleepy Hollow, a secluded glen rumored to be the home of countless phantoms and specters. Chief among them is the Headless Horseman, the ghost of a Hessian soldier whose head was removed by a stray cannonball in the Revolutionary War. He rides across the glen each night and disappears in a flash of fire and brimstone at the bridge near the Old Dutch Burial Ground.
Ichabod Crane, a superstitious schoolteacher who recently arrived from Connecticut, wants to marry Katrina Van Tassel, the only child of a wealthy farmer. The locals spook him with story after story about the ghosts of Sleepy Hollow. Late one night, he spies a menacing figure at a crossroads. Worse yet, the man’s head appears to be on his saddle. Crane has only one chance to survive—he has to make it to the bridge before it’s too late.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
‘There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land.’
Featuring ‘The Legend of Sleepy Hollow’ and ‘Rip Van Winkle’, this collection of inspired essays, stories and sketches established Washington Irving’s reputation as one of America’s foremost authors. Irving’s timeless characters, including Ichabod Crane, Rip Van Winkle and the headless Hessian trooper, jostle for space alongside 31 equally atmospheric and lyrical works in this haunting anthology from one of America’s most distinctive literary voices.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
“Exceptional talent….I am one of his most ardent admirers. I admired Mr. Irving’s work so much, in fact, that I gave it the ultimate praise; I ‘borrowed it.’”—Edgar Allan Poe
With an Introduction by Wayne Franklin
This edition features all 51 full-page color plates, as well as the full text of Irving's classic tale. And enduring foundation of Catskill lore, the captivating narrative recounts the fanciful adventures of an amiable ne'er-do-well colonial farmer who wanders into the highlands, falls asleep after drinking with a band of strange little mountain men, and wakes twenty years later in a world that has passed him by.
Effusing a gentle humor, Rackham's art is a constant reminder of a more innocent era. This edition — sure to enchant art lovers — will also delight Rackham devotees and fantasy fans alike.
And here, before setting forth, let me indulge in a few previous remarks on Spanish scenery and Spanish travelling. Many are apt to picture Spain to their imaginations as a soft southern region, decked out with the luxuriant charms of voluptuous Italy. On the contrary, though there are exceptions in some of the maritime provinces, yet, for the greater part, it is a stern, melancholy country, with rugged mountains, and long sweeping plains, destitute of trees, and indescribably silent and lonesome, partaking of the savage and solitary character of Africa. What adds to this silence and loneliness, is the absence of singing-birds, a natural consequence of the want of groves and hedges. The vulture and the eagle are seen wheeling about the mountain-cliffs, and soaring over the plains, and groups of shy bustards stalk about the heaths; but the myriads of smaller birds, which animate the whole face of other countries, are met with in but few provinces in Spain, and in those chiefly among the orchards and gardens which surround the habitations of man.
In the interior provinces the traveller occasionally traverses great tracts cultivated with grain as far as the eye can reach, waving at times with verdure, at other times naked and sunburnt, but he looks round in vain for the hand that has tilled the soil. At length he perceives some village on a steep hill, or rugged crag, with mouldering battlements and ruined watchtower: a stronghold, in old times, against civil war, or Moorish inroad; for the custom among the peasantry of congregating together for mutual protection is still kept up in most parts of Spain, in consequence of the maraudings of roving freebooters.
Owing to a chance encounter on a steamboat with the newly appointed Indian Commissioner, and embracing an opportunity to silence critics who had begun to doubt his patriotism (after so much time abroad), Irving finds himself sleeping under the stars, traversing hostile plains, and venturing blindly into the unknown. He discovers a certain kind of tranquility in the open air and relishes the traditions and culture of the Pawnee. Irving kept a daily account of his excursion into what is now Oklahoma, and upon his return home, spun this fabulously entertaining and groundbreaking work. With unparalleled descriptions of the natural terrain—a land of giant flowing rivers and endless golden plains—and vivid depictions of the lives in Native Americans, A Tour on the Prairies stands as a classic portrait of what life was like out West before chronic warfare left the plains and the population decimated. Irving’s book became a huge success when it was originally published and quickly silenced critics who questioned his affection for his homeland.
Irving recalls with warmth and wonder his many colorful experiences of a traditional Victorian Christmas while a guest at an English estate--from the Christmas Eve trip by a stagecoach filled with "rosy-cheeked boys" returning from school, and scenes of domestic hilarity during holiday games, to solemn services at the village church and the return home to a sumptuous holiday dinner.
Enhanced with more than 100 charming illustrations by noted nineteenth-century artist Randolph Caldecott, this engaging book helped nurture America's recognition of the holiday. Perfect for gift-giving, the collection elicits from a master American storyteller a magical remembrance of Christmas past.
Rip Van Winkle walks into the mountains one day and meets some strange old men. He comes home twenty years later. One dark night, Ichabod Crane is riding home and sees a man on a black horse behind him. The man has no head. Are there ghosts in these stories? What do you think?
Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Irving includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.eBook features:
* The complete unabridged text of ‘The Complete Poetry by Washington Irving - Delphi Classics (Illustrated)’
* Beautifully illustrated with images related to Irving’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
By the time the contents of the first volume had appeared in this occasional manner, they began to find their way across the Atlantic, and to be inserted, with many kind encomiums, in the London Literary Gazette. It was said, also, that a London bookseller intended to publish them in a collective form. I determined, therefore, to bring them forward myself, that they might at least have the benefit of my superintendence and revision. I accordingly took the printed numbers which I had received from the United States, to Mr. John Murray, the eminent publisher, from whom I had already received friendly attentions, and left them with him for examination, informing him that should he be inclined to bring them before the public, I had materials enough on hand for a second volume. Several days having elapsed without any communication from Mr. Murray, I addressed a note to him, in which I construed his silence into a tacit rejection of my work, and begged that the numbers I had left with him might be returned to me. The following was his reply...