Retracing for modern-day visitors the Paris of "The Sun Also Rises" and "A Moveable Feast," of James Joyce, Gertrude Stein, F. Scott Fitzgerald, and Ezra Pound, thsi guidebook uncovers the cafes, hotels, restaurants, bars, nightclubs, gardens, and other landmarks immortalized by Hemingway in his fiction and nonfiction.
Legions of youthful Americans have taken On the Road as a manifesto for rebellion and an inspiration to hit the road. But there is much more to the book than that. In Why Kerouac Matters, John Leland embarks on a wry, insightful, and playful discussion of the novel, arguing that it still matters because it lays out an alternative road map to growing up. Along the way, Leland overturns many misconceptions about On the Road as he examines the lessons that Kerouac?s alter ego, Sal Paradise, absorbs and dispenses on his novelistic journey to manhood, and how those lessons?about work and money, love and sex, art and holiness? still reverberate today.
This study provides the first comprehensive examination of every prop in Shakespeare’s plays, whether mentioned in stage directions, indicated in dialogue or implied by the action. Building on the latest scholarship and offering a witty treatment of the subject, the authors delve into numerous historical documents, the business of theater in Renaissance England, and the plays themselves to explain what audiences might have seen at the Globe, the Rose, the Curtain, or the Blackfriars Playhouse, and why it matters. Students of the plays will be able to read beyond Shakespeare’s words and visualize the drama as it might have appeared on the stage. Scholars will find a wealth of previously unmined material for reconstructing Renaissance theatrical practices. School drama groups, amateur theaters and directors and prop masters of professional troupes will find help in mounting their own productions as the Bard’s audiences would have seen them.