Now an instant #1 New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out to create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in an attempt to capture New Yorkers and their stories. The result of these efforts was a vibrant blog he called "Humans of New York," in which his photos were featured alongside quotes and anecdotes.
The blog has steadily grown, now boasting millions of devoted followers. Humans of New York is the book inspired by the blog. With four hundred color photos, including exclusive portraits and all-new stories, Humans of New York is a stunning collection of images that showcases the outsized personalities of New York.
Surprising and moving, Humans of New York is a celebration of individuality and a tribute to the spirit of the city.
From the photographer:
The Civil War had been over for exactly ninety years in 1954, when my cousin, Shelby Foote, published--PILLAR OF FIRE--as part of his novel, Jordan County: A Landscape in Narrative. The book's stories painted a vivid picture of a fictitious Mississippi county steeped in Southern culture.
PILLAR OF FIRE took readers into a heartbreaking and commonplace scene late in the Civil War, when Union troops moved through the civilian South destroying not only plantations but also ordinary homes and cabins. Those troops, battle-hardened and bitter from the loss of their own brethren, take no joy in burning a home in front of its dying, elderly owner and his frail servants. The cruelty of the circumstances is as much a given for them as the dying man's grief over all the memories that burn with his house.
Now, on the eve of the Civil War's 150th commemoration, my mission is to draw attention not only to the architectural heritage devastated by the war but also the heritage we've lost since then: to neglect, to poverty, and to shame, as the war's infamy colored the attitudes of later generations and tainted the homes those generations inherited. What the war didn't take, time and apathy did. And yet those grand old homes whether mansion or cabin deserve our reverence and protection.
The movement in its inception was nameless. It, as we found, has many definitions and associations. Some original members of the scene referred to themselves as punks, others new romantics, new wavers, the bats, or the morbids, for example. Goth often did not become a term until the late 1980s or, in some countries such as Peru, a label in the 1990s. Therefore, postpunk in all its variety, is deemed as the "single" word that encompasses all evolutions of the 1980s proto-punk alternative movement. In one decade, the genre evolved, grew darker and crossed borders: from Argentina to the Netherlands, Greece to Canada and Belgium to Japan.
Even though the postpunk and goth timeline varied between countries, the movement began at approximately 1978 and concluded around 1992. Some regions reflected the economic challenges and sentiments towards social issues, while others relied on the individual desire to gain solace in a subculture that accepted diversity. To identify and encompass the words postpunk and goth are arduous since everyone has a different perspective on such definitions. There is no "one "truth about their timeline or attributes. Therefore, this book""is about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture.
Though not a complete historical essay on postpunk and goth, "Some Wear Leather, Some Wear Lace" is a visual and oral history of the first decade of the scene. The team found and interviewed both the performers and the audience in order to capture the community both on and off stage. Participants of the project dug through their personal archives for photographs of their past and these are placed alongside professional photography. By combining both personal collections and professional images, a unique range of fashions, bands and scenes are revealed within these pages.
Foreword by Reid Callanan
Director, Santa Fe Photographic Workshops
of years. The powerful Iroquois Nation first invaded the area in the 1600s during the Beaver Wars. When the French planted their flag in 1749, they collided with the British Empire for control of the forks of the Ohio River and all of North America. One hundred years later, this swath of frontier wilderness became the “workplace of the world,” the heart of the great Industrial Revolution. Immigrants arrived from around Europe to work in the glass, iron, and steel mills. Industrial giants such as Carnegie, Frick, Mellon, and Heinz forged their fortunes here.
Downtown Pittsburgh is the story of the great transformation of this city and its contributions to the world.
These images remind us that in the hustle and bustle of daily life, we so often forget to stop and appreciate the things that surround us—the historical and architectural heritage left to us by our ancestors. Readers join Osmann from the point of view of the main character and are taken on a journey to different historical and cultural sites. The project aims to acquaint readers with different lifestyles. For Osmann and Zakharova, this theme seems infinite, as there are an endless number of places to visit on our planet. Paging through the book, readers will be invited to see something familiar to them from another point of view, via the lens of Osmann’s camera.
Follow Zakharova and Osmann on a trip around the world, through such locations as Moscow, Madrid, Ibiza, Hong Kong, New York, and London.
The words are Seale’s, with contributions by other former party members; the photographs, including many icons of the 1960s, are by Stephen Shames, who also interviewed many other members of the party—including Kathleen Cleaver, Elbert “Big Man” Howard, Ericka Huggins, Emory Douglas, and William “Billy X” Jennings—and supplements his own photography with Panther ephemera and graphic art.
Shames, a student at the University of California, Berkeley, first encountered and photographed Seale in April 1967 at an anti–Vietnam War rally. Seale became a mentor to Shames, and Shames, in turn, the most trusted photographer to the party, remained by Seale’s side through his campaign for mayor of Oakland in 1973. Power to the People is a testament to their warm association: At its heart are Shames’s memorable images, accompanied by Seale’s colorful in-depth commentary culled from many hours of conversation.
Admired, reviled, emulated, misunderstood, the Black Panther Party was one of the most creative and influential responses to racism and inequality in American history. They advocated armed self-defense to counter police brutality, and initiated a program of patrolling the police with shotguns—and law books.
Published on the 50th anniversary of the party’s founding, Power to the People is the in-depth chronicle of the only radical political party in America to make a difference in the struggle for civil rights—the Black Panther Party.
New York City Firefighting: 1901-2001 chronicles the proudest fire department in America. The proximity of buildings in the city streets and the construction materials made each fire especially dangerous, but determined firefighters never hesitated to battle the flames and rescue the victims. Later, facing unprecedented heights and unparalleled danger, firefighters in New York City were called upon to battle infernos in the first skyscrapers, often using the most rudimentary equipment and barely protected from the flames. In its most trying moments, the Fire Department of New York responded to the terrorist attacks on the World Trade Center in 1993 and 2001, dutifully rushing into the towers to save as many lives as possible and ultimately losing hundreds of their own.
Elizabeth City is a volume that shares with readers keepsakes from the town's defining years. Vintage photographs, many taken by well-known Elizabeth City photographer William Henry Zoeller, come alive through descriptive text. Spotlighted are the many residents who contributed to the city's heritage, whether publicly or in a smaller, more personal fashion, including Dr. A.L. Pendleton and his family in the city's first automobile and the Wright Brothers who stayed in the city for a while before making their way to Kitty Hawk. Other images offer glimpses of the ever-changing streets and waterfront, as well as the various forms of architecture that have lined both over the years.
States of America, and the United States of America.
Using numerous vintage photographs from the archives of the Tybee Island Historical Society, Tybee Island guides the reader through over two hundred years of history. Although much of its history is linked to nearby Savannah, Tybee is singular among Georgia’s coastal islands, and has a history and lore that is uniquely its own. This visual journey begins with the building of Georgia’s oldest and tallest lighthouse, and continues through Tybee’s involvement in the Civil War. Also covered are the island’s later roles as a military installation, a
popular coastal resort, and a residential community. Vintage photographs recall earlier days on Tybee, when the island was known as “Ocean City,” “Savannah Beach,” and, to some, “the best kept secret on the East Coast.”