The grammar was written with every student of the Hawaiian language in mind - from the casual interested layperson to the professional linguist and grammarian. Although it was obviously impossible to avoid technical terms, their use was kept to a minimum, and a glossary is included for those who need its help. Each point of grammar is illustrated with examples, many from Hawaiian-language literature.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
This handsome collection, the first to bring together the finest stories about Tasmania, includes works by notable early Australian writers, such as Marcus Clarke and Tasma; internationally renowned practitioners, like Hal Porter, Carmel Bird and Nicholas Shakespeare; and a range of newer voices, from Danielle Wood and Rohan Wilson to Rachael Treasure.
These twenty-four superb stories showcase the island's colonial past, its darkness and humour, the unique beauty and savagery of its landscape.
A must-read for enthusiasts of Australian literature, Deep South comes with a critical introduction from the editors and biographical sketches of the contributors:
A. J. O., Carmel Bird, Roy Bridges, Marcus Clarke, Geoffrey Dean, Adrienne Eberhard, Henry J. Goldsmith, James Leakey, Tahune Linah, James McQueen, Hal Porter, Philomena van Rijswijk, Barney Roberts, Margaret Scott, Nicholas Shakespeare, H. W. Stewart, Tasma, Theresa Tasmania, Rachael Treasure, Price Warung, A. Werner, Rohan Wilson, Joan Wise and Danielle Wood.
Ralph Crane is the author or editor of sixteen academic books. He lives in Hobart and is Professor of English at the University of Tasmania.
Danielle Wood is the author of a novel, The Alphabet of Light and Dark (2003; winner of the Australian Vogel and Dobbie awards); a collection of short stories, Rosie Little's Cautionary Tales for Girls (2006); and a non-fiction work, Housewife Superstar: The Very Best of Marjorie Bligh (2011). She lives in Hobart and teaches at the University of Tasmania.
'[A] beautifully presented short-story collection....Co-editor Danielle Wood does have a wonderful contemporary story in the book, portraying a sleep-deprived new mother coming to terms with the changes in her world. Wood manages to merge the contours and endlessness of Tasmania with the mother's sense of being lost to herself.' Readings Monthly
Just as special are the people who make horses their lives: drovers and dressage riders, bush brumby runners, the famous horse handlers on film sets and rags-to-riches metropolitan trainers. Riders who have persevered through accident and adversity to stay in the saddle.
From the traditions of old-timers to new methods that challenge the way we think about horses, these stories capture the essence of that special bond between humans and horses. They will resonate with horse-lovers and anyone who enjoys a great Australian yarn.
To which Major-General A.S. Allen drafted this reply: “If you think you can do any better come up and bloody try.”
Is there an Australian national character? What are its distinguishing features? Over the years, how have insiders and outsiders summed up this country and its people, and how have Australians responded to outside criticism?
In The Australians, John Hirst gathers together the key assessments of the national character, on topics as diverse as sport, war, mateship, humour, put-downs, suburbia and going native. There is celebration and criticism. There is humour and insight. There is the difference between what Australians think of themselves and what they are really like.
Contributors include Winston Churchill, Ned Kelly, Tim Flannery, Henry Lawson, Peter Cosgrove, Germaine Greer, Charles Darwin, Charles Dickens, Captain James Cook, David Malouf, Mark Twain, H.G. Wells, Patrick White, Oscar Wilde and Tim Winton.
“This is the most democratic place I have ever been in. And the more I see of democracy, the more I dislike it.”—D.H. Lawrence
'... a selection of lively, engaging and often passionately felt stories and essays revolving around one of the more urgent social and philosophical issues of our times.'
- J.M. Coetzee, Winner of the 2003 Nobel Prize for Literature, Patron of Voiceless and Chair of the judging panel
Struggling to shield Pippa from her mother's games, Rosie must face the ghosts of her own painful past while fighting a growing attraction to her handsome, emotionally unavailable employer. But help comes in the form of a quirky, elderly neighbor; a welcoming Outback town, and two horsemen who visit Rosie each night in her dreams. When Rosie and Pippa act impulsively to save a small, white pony from slaughter, their ill-timed compassion puts Adam's custody dispute, Pippa's fantasies, and Rosie's worst fears all up for bid in an epic courtroom showdown.
The Auction blends the heart-wrenching, Gothic undertones of Jane Eyre with the can-do spirit of The Horse Whisperer, and just a hint of the supernatural.
Keywords: Australia, Australian romance, Australia romance, Aussie romance, horse romance, horse auction, horse, horses, nanny, nanny romance, governess, governess romance, Jane Eyre, teacher, teacher romance, Australia, Aussie, Oz, Aboriginal myth, Aboriginal mythology, Mimi, Mimis, Dreamtime, Aboriginal Dreamtime, First Australians, Condamine River, fracking, animal abuse, horse abuse, horse slaughter, custody dispute, custody battle, bitter custody dispute, mental illness, divorce, child custody, child abuse, child neglect, bitter divorce, divorce trial, single father, single dad, dating after divorce, australian outback romance books, Jimeta, dressage, natural horsemanship, what to read after The Horse Whisperer, life after divorce, Queensland, Darling Downs, what to read after the thorn birds, Toowoomba, what to read after the man from snowy river, Millmerran, cattle station, cattle ranch, ranch, station, cattle station, ghost, ghosts, ghost rider, fairy, fairies, fairy queen, gothic, Gothic romance
Ghost stories are commonplace in traditional Filipino culture. Whether they take place at a relative's funeral or a hacienda located deep in a remote province, virtually all families have their own personal accounts of their encounters with the supernatural. Passed on from generation to generation, these tales act as a bridge to the past, to a time lost or nearly forgotten.
To write this book of ghostly encounters with all manner of things eerie and terrifying in the Philippines, the author collected creepy tales that have been told in his family for generations. Covering ghostly encounters in bustling cities and in remote towns—and even a short section of hauntings on American soil—Filipino Ghost Stories offers good, old-fashioned scary stories perfect to share around the campfire or under the blankets with a flashlight.
Like secret food recipes, traditional ghost stories in the Philippines are valuable personal heirlooms, something to be passed forward to future generations. This book delivers terrific entertainment—and some good spine-tingling chills—for those interested in the Philippines and aficionados of the supernatural alike.
Filipino ghost stories include:Great Balls of FireCaught in the WakeFamily Ties that BindJust Outside the DoorPitch BlackOnly the WindA Brush with the UnknownHide and Shriek
Of all the charming misfits on television, there’s no doubt Raj from The Big Bang Theory—the sincere yet incurably geeky Indian astrophysicist—ranks among the misfittingest. Now, we meet the actor who is every bit as loveable as the character he plays on TV. In this revealing collection of essays written in his irreverent, hilarious, and self-deprecating voice, Kunal Nayyar traces his journey from a little boy in New Delhi who mistakes an awkward first kiss for a sacred commitment, gets nosebleeds chugging Coca-Cola to impress other students, and excels in the sport of badminton, to the confident, successful actor on the set of TV’s most-watched sitcom since Friends.
Going behind the scenes of The Big Bang Theory and into his personal experiences, Kunal introduces readers to the people who helped him grow, such as his James Bond-loving, mustachioed father. Kunal also walks us through his college years in Portland, where he takes his first sips of alcohol and learns to let loose with his French, 6’8” gentle-giant roommate, works his first-ever job for the university’s housekeeping department cleaning toilets for minimum wage, and begins a series of romantic exploits that go just about as well as they would for Raj. (That is, until he meets and marries a former Miss India in an elaborate seven-day event that we get to experience in a chapter titled “My Big Fat Indian Wedding.”)
Full of heart, but never taking itself too seriously, this witty collection of underdog tales follows a young man as he traverses two continents in search of a dream, along the way transcending culture and language (and many, many embarrassing incidents) to somehow miraculously land the role of a lifetime.
Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985?
Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.
The Last Painting of Sara de Vos by Dominic Smith is a novel that describes the way two lives become intertwined through a mutual obsession with a seventeenth-century Dutch artist.
In the year 1957, wealthy New Yorker Marty de Groot realizes that his beloved painting, the only known surviving oil-on-canvas by seventeenth-century Dutch artist Sara de Vos, has gone missing. In its place over his bed is a fake. Hoping to get his revenge, Marty goes after the suspected forger, whom he later learns is a pretty, 20-something graduate student named Ellie Shipley. Little does Marty know that their meeting will end up having a profound effect on both of their lives.
During a charity event at his and his wife Rachel’s penthouse on the Upper East Side, thieves steal into Marty’s bedroom and take his de Vos, a 1636 painting titled At the Edge of a Wood…
PLEASE NOTE: This is summary and analysis of the book and NOT the original book.
Inside this Instaread Summary of The Last Painting of Sara de Vos:
Summary of the Book
Analysis of the Themes and Author’s Style
About the Author
With Instaread, you can get the key takeaways, summary and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.
No writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks.
During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death.
“It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.”
Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life.
“Oliver Sacks was like no other clinician, or writer. He was drawn to the homes of the sick, the institutions of the most frail and disabled, the company of the unusual and the ‘abnormal.’ He wanted to see humanity in its many variants and to do so in his own, almost anachronistic way—face to face, over time, away from our burgeoning apparatus of computers and algorithms. And, through his writing, he showed us what he saw.”
—Atul Gawande, author of Being Mortal
The Best Australian Essays 2012 presents the country’s most eloquent voices at the peak of their powers. Helen Garner, Anna Krien and Romy Ash discuss animals; David Marr, Rhys Muldoon and James Button discuss those of the political variety. Peter Robb meets Akira Isogawa, J.M. Coetzee considers Les Murray’s black dog, and Gillian Mears her award-winning novel.
John Bryson reflects on the drawn-out, unnecessary agony of the Azaria case. With humour, Louis Nowra walks in the shadow of death, while Lee Kofman’s teenage passions unfurl in a time of war. There’s Andrew Ford on John Cage, Maria Tumarkin on food, Clive James on Pauline Kael, and Nick Bryant on Gina Rinehart. These are essays full of insight and wit, on the subjects that moved us in 2012.
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *
ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .
A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
Alexander Gibson, my father, was a young Englishman who with his brother settled in Australiain the 1920s. The brothers each married one of the Solomon sisters just prior to the Great Depression.The Taciturn Man begins just after the Second World War when Alexander took up a roughbush sheep-grazing block in isolation among the tall trees of New England (New South Wales).
I was born in 1937, and so I was just three years old when my father went to war, and age eightwhen he returned. Fortunately, by then I was old enough to absorb much of the material for thiscollection which I hope you will now enjoy.
Praise for "The Taciturn Man"
"A delightful memoir with all the emotions of life itself-seriousness, humor, joy and sadnessand more. The author's observations of people and lively writing style make ita great bedside book to be savored, rather than hurried through."
--Deborah K. Frontiera, author of Fighting CPS: Guilty Until Proven Innocentof Child Protective Services Charges
"The Taciturn Man is a trip through Australia's countryside that feels like a nostalgic summerbreeze as Gibson's personal narrative reveals its beauty, culture, and history through his ownexperiences and unique voice."
--Susan Violante, author of "Innocent War: Behind an Immigrant's Past"
About the AuthorGeoffrey Gibson grew up in rural Australia in the 1940s, earned his keep as a jackeroo (farmhand), had a brief stint in the Army, followed by thirty years as a suburban real estate agent inSydney. He has dabbled in politics, and in retirement now spends his time writing, surfing andmucking about with friends on the state's South coast.
From the World Voices Series www.ModernHistoryPress.com
This Is the Story of a Happy Marriage takes us into the very real world of Ann Patchett’s life. Stretching from her childhood to the present day, from a disastrous early marriage to a later happy one, it covers a multitude of topics, including relationships with family and friends, and charts the hard work and joy of writing, and the unexpected thrill of opening a bookstore.
As she shares stories of the people, places, ideals, and art to which she has remained indelibly committed, Ann Patchett brings into focus the large experiences and small moments that have shaped her as a daughter, wife, and writer.
Isolated by ocean, New Zealand's ecosystem is particularly vulnerable to introduced species. The constant arrival of new flora and fauna, via humans, wind and sea, means the biodiversity is constantly changing. Humans too have been washing up on New Zealand's shores for centuries, leading to constant shifts in demographics, culture and economics, building on strong Maori and Pakeha traditions. Auckland is now one of the most culturally diverse cities in the world. As a result, New Zealand is adjusting and evolving to create a new twenty-first century identity at the crossroads of the Pacific.
Griffith REVIEW 43: Pacific Highways, co-edited by Julianne Schultz and acclaimed New Zealand author Lloyd Jones, examines the shifting tides in New Zealand through a heady mix of essay, memoir, fiction and poetry by some of New Zealand's most exciting and innovative writers. Pacific Highways explores New Zealand's position as a hub between the Pacific, Tasman and Southern oceans, and examines the exchange of people and culture, points of resistance and overlap.
How New Zealand adapts to recent profound changes and moves forward is a matter of urgent consideration. The country's economic model is generating escalating environmental and cultural strains, but also presents great opportunities. A recent worldwide survey found the NZ education system is one of the worst at overcoming economic and social disadvantage. Auckland is home to more than a third of the (increasingly diverse) population, presenting challenges and opportunities for the whole country. Christchurch is finding inspiring new ways of reinvention. Pacific Highways asks what can be learnt, and what lessons does New Zealand offer the world?
New Zealand celebrates its unique cultural heritage, but with multiculturalism comes questions of identity, which many of the writers in Pacific Highways explore. Who decides who is a 'New Zealander'? How are Chinese immigrants accepted? Who are you if you are brought up with the strict codes and behavioural norms of your parents' country but live in another? Does immigration offer the capacity for reinvention?
New Zealand is an island nation, and oceans and rivers imbue Pacific identities. They run paths through major cities and offer courseways for stories. From migrating eels to tasty sea grapes, castaway sailors to volcanic rafts, waterways flow through the essays and stories of Pacific Highways.
Pacific Highways also celebrates the art and literature of New Zealand looking at the country's wealth of artistic and literary talent in critical essays, and includes short stories and poetry by many of New Zealand's best writers, from many backgrounds.
Pacific Highways, with support from the New Zealand Book Council and Creative New Zealand, is a profound overview of a complex Pacific nation with a polyphony of voices. It will challenge what you thought you knew, and inspire you to think again.
In a generation women have taken control of their economic fate, risen to the most powerful political positions in the land and climbed to the top of the corporate ladder. However, there still remains vast inequality between men and women across all measures, from economics to opportunity to security. Does access to power equate to actual power?
In WOMEN & POWER, Griffith REVIEW explores the changing relationship between women and power in public and private spheres, here and abroad.
Are women accepted as equal partners in politics in Australia? Would the introduction of quotas mean that men with higher merit are overlooked? Should a woman act as 'one of the boys' in order to get ahead? Can a woman be too good at sport? Are women their own worst enemy? Does the cut of Julia Gillard's jacket matter? WOMEN & POWER brings provocative and insightful perspectives on these questions and many more through a fascinating mix of memoir, reportage, essays and fiction.
Contributors include Anne Summers, Chris Wallace, Mary Delahunty, Jo Chandler, Mischa Merz, Tegan Bennett Daylight and many more.Julianne Schultz AM is the founding editor of Griffith REVIEW, Australia's most awarded and extracted quarterly, produced by Griffith University and Text Publishing. She is a professor in the Griffith Centre for Cultural Research, a member of the boards of the ABC and the Grattan Institute, and chair of the Queensland Design Council. Julianne is an acclaimed author and in 2009 became a Member of the Order of Australia for services to journalism and the community.
'Griffith REVIEW is a wonderful journal. It's pretty much setting the agenda in Australia and fighting way above its weight.' Phillip Adams, ABC Radio National
Get up-to-speed with some of the biggest challenges facing New Zealand with this bundle of high-profile BWB Texts.
These four works are combined into one easy-to-read e-book, available direct and DRM-free from our website or from international e-book retailers.
Seventy-five years after Labour’s social security reforms of the 1930s, Paul Dalziel and Caroline Saunders argue in Wellbeing Economics it is time for a major shift in New Zealand’s economic perspective.
In Growing Apart, Shamubeel Eaqub highlights the changing economic fortunes of people in different parts of New Zealand – the growing gaps between our regions.
Max Rashbrooke’s The Inequality Debate provides a succinct introduction to income inequality in New Zealand using the latest data.
The meaning of The Piketty Phenomenon for New Zealand is explored by a diverse range of economists and commentators addressing the relevance of Thomas Piketty’s ‘Capital in the Twenty-First Century’.
BWB Texts are short books on big subjects by great New Zealand writers. Commissioned as short digital-first works, BWB Texts unlock diverse stories, insights and analysis from the best of our past, present and future New Zealand writing.
These four works are combined into one easy-to-read e-book, available direct and DRM-free from our website or from international e-book retailers.
Martin Edmond’s Barefoot Years is a memoir in which the author attempts to re-inhabit the lost domain of childhood.
Widely regarded as one of New Zealand’s greatest fiction writers, Maurice Gee has written virtually no non-fiction. The exceptions are the two exquisite childhood reminiscences combined in a mini-memoir, Creeks and Kitchens.
In this exquisitely written ‘notebook’ – ‘My Katherine Mansfield Project’ – Kirsty Gunn explores the meaning of ‘home’ in Thorndon.
Owen Marshall reflects at length on his writing career and the forces that have shaped him as a writer, in Tunes for Bears to Dance To.
BWB Texts are short books on big subjects by great New Zealand writers. Commissioned as short digital-first works, BWB Texts unlock diverse stories, insights and analysis from the best of our past, present and future New Zealand writing.
Stories include: writer Malcolm Gladwell's wedding toast gone horribly awry; legendary rapper Darryl "DMC" McDaniels' obsession with a Sarah McLachlan song; poker champion Annie Duke's two-million-dollar hand; and A. E. Hotchner's death-defying stint in a bullring . . . with his friend Ernest Hemingway. Read about the panic of former Clinton Press Secretary Joe Lockhart when he misses Air Force One after a hard night of drinking in Moscow, and Dr. George Lombardi's fight to save Mother Teresa's life.
This will be a beloved read for existing Moth enthusiasts, fans of the featured storytellers, and all who savor well-told, hilarious, and heartbreaking stories.
"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.
Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.
Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
Based on the National Public Radio series of the same name, This I Believe features eighty essayists—from the famous to the unknown—completing the thought that begins the book's title. Each piece compels readers to rethink not only how they have arrived at their own personal beliefs but also the extent to which they share them with others.
Featuring a well-known list of contributors—including Isabel Allende, Colin Powell, Gloria Steinem, William F. Buckley Jr., Penn Jillette, Bill Gates, and John Updike—the collection also contains essays by a Brooklyn lawyer; a part-time hospital clerk from Rehoboth, Massachusetts; a woman who sells Yellow Pages advertising in Fort Worth, Texas; and a man who serves on the state of Rhode Island's parole board.
The result is a stirring and provocative trip inside the minds and hearts of a diverse group of people whose beliefs—and the incredibly varied ways in which they choose to express them—reveal the American spirit at its best.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
Selected by five hundred writers, English professors, and creative writing teachers from across the country, this collection includes only the most highly regarded nonfiction work published since 1970.
Contributers include: Jo Ann Beard, Wendell Berry, Eula Biss, Mary Clearman Blew, Charles Bowden, Janet Burroway, Kelly Grey Carlisle, Anne Carson, Bernard Cooper, Michael W. Cox, Annie Dillard, Mark Doty, Brian Doyle, Tony Earley, Anthony Farrington, Harrison Candelaria Fletcher, Diane Glancy, Lucy Grealy, William Harrison, Robin Hemley, Adam Hochschild, Jamaica Kincaid, Barbara Kingsolver , Ted Kooser, Sara Levine, E.J. Levy, Phillip Lopate, Barry Lopez, Thomas Lynch, Lee Martin, Rebecca McCLanahan, Erin McGraw, John McPhee, Brenda Miller, Dinty W. Moore, Kathleen Norris, Naomi Shihab Nye, Lia Purpura, Richard Rhodes, Bill Roorbach, David Sedaris, Richard Selzer, Sue William Silverman, Floyd Skloot, Lauren Slater, Cheryl Strayed, Amy Tan, Ryan Van Meter, David Foster Wallace, and Joy Williams.
Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash.
Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media.
As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).
Originally published in 1979, the first volume of the bestselling “Gonzo Papers” is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson’s largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style.
Ranging in date from the National Observer days to the era of Rolling Stone, The Great Shark Hunt offers myriad, highly charged entries, including the first Hunter S. Thompson piece to be dubbed “gonzo”—“The Kentucky Derby Is Decadent and Depraved,” which appeared in Scanlan's Monthly in 1970. From this essay a new journalistic movement sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful ‘60s and ‘70s.
One of the most beloved books in American literature, Walden is must reading for any American or anyone interested in reading great literature. But for those who go there looking for reasons Thoreau became a recluse they are sure to be disappointed. Instead, reading Walden is more of a journey to the self and how that self can live in the world. This new edition has an insightful and lyrical essay introducing the text by Sam Pickering, the inspiration for the Dead Poets Society. His essay is the most provocative piece on Walden since e. B. White.
Keenly observed and written with his insightful and deadpan sense of humor, he explores enduring Southern truths about home, place, spirit, table, and the regions' varied geographies, including his native Alabama, Cajun country, and the Gulf Coast. Everything is explored, from regional obsessions from college football and fishing, to mayonnaise and spoonbread, to the simple beauty of a fish on the hook.
Collected from over a decade of his writing, with many never-before-published essays written specifically for this edition, My Southern Journey is an entertaining and engaging read, especially for Southerners (or feel Southern at heart) and anyone who appreciates great writing.
The book collects dozens of Hurley's essays on feminism, geek culture, and her experiences and insights as a genre writer, including "We Have Always Fought," which won the 2013 Hugo for Best Related Work. The Geek Feminist Revolution will also feature several entirely new essays written specifically for this volume.
Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and others on the rise of women in genre, her passion for SF/F, and the diversification of publishing.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Klosterman visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We’re Wrong? is built on interviews with a variety of creative thinkers—George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others—interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It’s a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It’s about how we live now, once “now” has become “then.”
From the Hardcover edition.
At the Rock Creek Lodge Testicle Festival in Missoula, Montana, average people perform public sex acts on an outdoor stage. In a mansion once occupied by The Rolling Stones, Marilyn Manson reads his own Tarot cards and talks sweetly to his beautiful actress girlfriend. Across the country, men build their own full-size castles and rocketships that will send them into space. Palahniuk himself experiments with steroids, works on an assembly line by day and as a hospice volunteer by night, and experiences the brutal murder of his father by a white supremacist. With this new direction, Chuck Palahniuk has proven he can do anything.
BONUS: This ebook edition includes an excerpt from Chuck Palahniuk's Doomed.
With the insight and good humor his fans appreciated in On ?Writing , Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.
“Buy the ticket, take the ride,” was a favorite slogan of Hunter S. Thompson, and it pretty much defined both his work and his life. Jann S. Wenner, the outlaw journalist’s friend and editor for nearly thirty-five years, has assembled articles—and a wealth of never- before-seen correspondence and internal memos from Hunter’s storied tenure at Rolling Stone—that begin with Thompson’s infamous run for sheriff of Aspen on the Freak Party ticket in 1970 and end with his final piece on the Bush-Kerry showdown of 2004. In between is Thompson’s remarkable coverage of the 1972 presidential campaign and plenty of attention paid to Richard Nixon; encounters with Muhammad Ali, Bill Clinton, and the Super Bowl; and a lengthy excerpt from his acknowledged masterpiece, Fear and Loathing in Las Vegas. The definitive volume of Hunter S. Thompson’s work published in the magazine, Fear and Loathing at Rolling Stone traces the evolution of a personal and professional relationship that helped redefine modern American journalism, presenting Thompson through a new prism as he pursued his lifelong obsession: The life and death of the American Dream.
From acclaimed poet and creator of the popular Twitter account @sosadtoday comes a darkly funny and brutally honest collection of essays.
Melissa Broder always struggled with anxiety. In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest feelings, and which quickly gained a dedicated following. In SO SAD TODAY, Broder delves deeper into the existential themes she explores on Twitter, grappling with sex, death, love low self-esteem, addiction, and the drama of waiting for the universe to text you back. With insights as sharp as her humor, Broder explores--in prose that is both ballsy and beautiful, aggressively colloquial and achingly poetic--questions most of us are afraid to even acknowledge, let alone answer, in order to discover what it really means to be a person in this modern world.
This second collection of This I Believe essays gathers seventyfive essayists—ranging from famous to previously unknown—completing the thought that begins the book's title. With contributors who run the gamut from cellist Yo-Yo Ma to ordinary folks like a diner waitress, an Iraq War veteran, a farmer, a new husband, and many others, This I Believe II, like the first New York Times bestselling collection, showcases moving and irresistible essays.
Included are Sister Helen Prejean writing about learning what she truly believes through watching her own actions, singer Jimmie Dale Gilmore writing about a hard-won wisdom based on being generous to others, and Robert Fulghum writing about dancing all the dances for as long as he can. Readers will also find wonderful and surprising essays about forgiveness, personal integrity, and honoring life and change.
Here is a welcome, stirring, and provocative communion with the minds and hearts of a diverse, new group of people—whose beliefs and the remarkably varied ways in which they choose to express them reveal the American spirit at its best.
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. ”
— Henry David Thoreau, Walden
Commentary by Henry James, Robert Frost, Matthew Arnold, Oliver Wendell Holmes, and Henry David Thoreau
The definitive collection of Emerson’s major speeches, essays, and poetry, The Essential Writings of Ralph Waldo Emerson chronicles the life’s work of a true “American Scholar.” As one of the architects of the transcendentalist movement, Emerson embraced a philosophy that championed the individual, emphasized independent thought, and prized “the splendid labyrinth of one’s own perceptions.” More than any writer of his time, he forged a style distinct from his European predecessors and embodied and defined what it meant to be an American. Matthew Arnold called Emerson’s essays “the most important work done in prose.”
INCLUDES A MODERN LIBRARY READING GROUP GUIDE
From the Trade Paperback edition.
In the title essay, Emerson writes about the extraordinary power of nature as a way of bringing the divine into our lives. In "Gifts," he reminds us that flowers and gold may be acceptable to those we love, but "the only gift is a portion of thyself." "Spiritual Laws" points out that because a higher law than our own rules the world, there is no need for struggle. Other essays include "Character," "Prudence," "Intellect," "Love," "Beauty," "The American Scholar" address and others. Readers of all ages will want to keep this volume on hand to inspire and refresh the spirit
As edited by Dan Wakefield, this book reads like a narrative in the unique voice that made Vonnegut a hero to readers of all ages. At times hilarious, razor-sharp, freewheeling, and deeply serious, these reflections are ideal for anyone undergoing what Vonnegut would call their "long-delayed puberty ceremony"-marking the passage from student to full-time adult.
This book makes the perfect gift for high school or college graduates-or for parents and grandparents who remember Vonnegut fondly and want to connect with him in a new context.
Darian Richards is an ex-cop, a good one. He did whatever it took to solve a crime and stop the bad guy. Whatever it took! But after sixteen years as the head of Victoria's Homicide Squad, he'd had enough of promising victims' families he'd find the answers they needed. He had to walk away to save his sanity.
Now Police Commissioner Copeland Walsh has tracked Darian down. He needs him to help clear an old case. The death of Isobel Vine. The coroner gave an open finding. An open finding that never cleared the cloud of doubt that hovered over four young cops who were present the night Isobel died.
Twenty-five years later, one of those young cops is next in line to become police commissioner, so Copeland Walsh needs the case closed once and for all. In his mind there is only one man for the job. One man who would be completely independent. One man who has never bowed to political or police pressure. One man who knows how to get the job done - Darian Richards.
Darian is going back to stir a hornet's nest. But once Darian is on a case he won't back off tracking down evil, no matter who he has to take down.
'Cavanaugh has created a fascinating hero who is a law unto himself. Worthy of the world stage' - West Australian
'Cavanaugh's best novel to date' - Sunday Canberra Times
'Dark and powerful, this is Cavanaugh's best novel to date' - Newcastle Herald
'This is the Cavanaugh's fourth novel, and like the others is outstanding' - Illawarra Mercury
The Darian Richards Series
Dead Girl Sing
The Soft Touch (Short Story)
The Train Rider
Kingdom of the Strong
Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Dr. Thompson is at his apocalyptic best—covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP's obsession with drugs and drug abuse; while at the same time capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, and CNN—24 hours of mainline news. Showcasing his inimitable talent for social and political analysis, Generation of Swine is vintage Thompson—eerily prescient, incisive, and enduring.
The Best American Essays 2015 includes
Hilton Als, Roger Angell, Justin Cronin, Meghan Daum, Anthony Doerr, Margo Jefferson, David Sedaris, Zadie Smith, Rebecca Solnit and others
ARIEL LEVY, guest editor, has been a staff writer at The New Yorker since 2008. She received the National Magazine Award for essays and criticism for her piece “Thanksgiving in Mongolia,” which she is expanding into a book for Random House. Female Chauvinist Pigs, Levy’s first book, has been translated into seven languages. She teaches at the Fine Arts Work Center in Provincetown, Massachusetts, and at Wesleyan University.
ROBERT ATWAN, the series editor of The Best American Essays since its inception in 1986, has published on a wide variety of subjects, from American advertising and early photography to ancient divination and Shakespeare. His criticism, essays, humor, poetry, and fiction have appeared in numerous periodicals nationwide.
From the bestselling author of Help, Thanks, Wow and Hallelujah Anyway comes her long-awaited collection of new and selected essays on hope, joy, and grace.
Anne Lamott writes about faith, family, and community in essays that are both wise and irreverent. It’s an approach that has become her trademark. Now in Small Victories, Lamott offers a new message of hope that celebrates the triumph of light over the darkness in our lives. Our victories over hardship and pain may seem small, she writes, but they change us—our perceptions, our perspectives, and our lives. Lamott writes of forgiveness, restoration, and transformation, how we can turn toward love even in the most hopeless situations, how we find the joy in getting lost and our amazement in finally being found.
Profound and hilarious, honest and unexpected, the stories in Small Victories are proof that the human spirit is irrepressible.
First, Best, and Best-Selling
The Best American series is the premier annual showcase for the country’s finest short fiction and nonfiction. Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites . A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected—and most popular—of its kind.
The Best American Essays 2011 includes
Hilton Als, Katy Butler, Toi Derricotte, Christopher Hitchens,
Pico Iyer, Charlie LeDuff, Chang-Rae Lee, Lia Purpura, Zadie Smith,
Reshma Memon Yaqub, and others
This is Smith’s vivid account of the rescue efforts by the fire and police departments and emergency medical teams as they rushed to face a disaster that would claim thousands of lives. Smith takes readers inside the minds and lives of the rescuers at Ground Zero as he shares stories about these heroic individuals and the effect their loss had on their families and their companies. “It is,” says Smith, “the real and living history of the worst day in America since Pearl Harbor.” Written with drama and urgency, Report from Ground Zero honors the men and women who—in America’s darkest hours—redefined our understanding of courage.
Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.
A Miami Herald Best Book of the Year
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile.
Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.
BONUS MATERIAL: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light.