The book, We Lesser Gods is a record of a difficult compilation of one life, one self - events, sentiments, ideas -- these formed and being accepted or rejected in their come maturity. Ideas are included at many cognitive levels, toward the consensus, said to be a choice, but a forced choice, involving components of only surmisal, balanced by the forward appendage of thought: hope.
...I must admit you have a way with words! I found your poetry interesting, and your descriptions very vivid, and with emotion. I thank you very much for sharing your talents with me...best wishes for your continued success.
...besides literary gifts you have the gift of thoughtfulness. Thank you so much for sharing your talents and gifts with others...
Sister Dorothea Songeroth
President of St. Dominics Health Services
St. Dominic Hospital
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.
“It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”
Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer’s remarkable life.
Every poetic phrase, every poignant verse can be found within the pages of this sure-to-be-treasured volume—from her reflections on African American life and hardship in the compilation Just Give Me a Cool Drink of Water ’fore I Diiie (“Though there’s one thing that I cry for / I believe enough to die for / That is every man’s responsibility to man”) to her revolutionary celebrations of womanhood in the poem “Still I Rise” (“Out of the huts of history’s shame / I rise / Up from a past that’s rooted in pain / I rise”) to her “On the Pulse of Morning” tribute at President William Jefferson Clinton’s inauguration (“Lift up your eyes upon / The day breaking for you. / Give birth again / To the dream.”).
Maya Angelou: The Complete Poetry also features her final long-form poems, including “A Brave and Startling Truth,” “Amazing Peace,” “His Day Is Done,” and the honest and endearing Mother:
“I feared if I let you go
You would leave me eternally.
You smiled at my fears, saying
I could not stay in your lap forever”
This collection also includes the never-before-published poem “Amazement Awaits,” commissioned for the 2008 Olympic Games:
“We are here at the portal of the world we had wished for
At the lintel of the world we most need.
We are here roaring and singing.
We prove that we can not only make peace, we can bring it with us.”
Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou’s most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher—a phenomenal woman for the ages.
Mary Oliver’s Dog Songs is a celebration of the special bond between human and dog, as understood through the poet’s relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver’s poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it.
Dog Songs includes visits with old friends, like Oliver’s beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver’s life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.
A luminous, seductive new collection from the "fearless" (The New York Times) Pulitzer Prize–winning poet
Louise Glück is one of the finest American poets at work today. Her Poems 1962–2012 was hailed as "a major event in this country's literature" in the pages of The New York Times. Every new collection is at once a deepening and a revelation. Faithful and Virtuous Night is no exception.
You enter the world of this spellbinding book through one of its many dreamlike portals, and each time you enter it's the same place but it has been arranged differently. You were a woman. You were a man. This is a story of adventure, an encounter with the unknown, a knight's undaunted journey into the kingdom of death; this is a story of the world you've always known, that first primer where "on page three a dog appeared, on page five a ball" and every familiar facet has been made to shimmer like the contours of a dream, "the dog float[ing] into the sky to join the ball." Faithful and Virtuous Night tells a single story but the parts are mutable, the great sweep of its narrative mysterious and fateful, heartbreaking and charged with wonder.
“If I have any secret stash of poems, anywhere, it might be about love, not anger,” Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds.
Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection.
As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.
With much love, d.s.
From the Paperback edition.
The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .”
Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
From the Hardcover edition.
Edited by Millay biographer Nancy Milford, The Selected Poetry of Edna St. Vincent Millay also includes the collections A Few Figs from Thistles and Second April, as well as "The Ballad of the Harp-Weaver" and eight of Millay’s sonnets from the early twenties.
Wheatley's elegies and odes offer fascinating glimpses into the origins of African-American literary traditions. Most of the poems express the effects of her religious and classical New England education, consisting of elegies for the departed and odes to Christian salvation. This edition of Wheatley's historic works includes letters and a biographical note written by one of the poet's descendants. Includes a selection from the Common Core State Standards Initiative: "On Being Brought from Africa to America."
With her novel THE HOUSE ON MANGO STREET, Sandra Cisneros introduced one of the most lyrically inventive voices ever to emerge from the barrio. Now she gives us a book of poems with the lilt of NORTEÑO music and the romantic abandon of a hot Saturday night. Celebrating the cataclysms of love and mapping the faultlines in the Mexican-American psyche, LOOSE WOMAN is by turns bawdy and introspective, flagrantly erotic and unabashedly funny, a work that is both a tour de force and a triumphant outpouring of pure soul.
This is the definitive edition of the work of one of America's greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop's poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape—from New England, where she grew up, to Brazil and Florida, where she later lived—human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos.
This new edition offers readers the opportunity to take in, entire, one of the great careers in twentiethcentury poetry.
Whoever you are,
However you got here,
This is exactly where you are supposed to be.
This moment has waited its whole life for you.
These are the opening lines of "Today Means Amen," YouTube star Sierra deMulder’s immensely powerful and virally popular poem, which lends its title to this collection. Like her fellow Millennial poets Tyler Knot Gregson, Clementine von Radics, and Lang Leav, Sierra has the gift of speaking directly to the reader. “Today Means Amen” has become an anthem of sorts to thousands, who find themselves reflected in its pain, its fierceness, its tenderness — but also in its triumphant culminating refrain:
You made it
You made it
You made it
The poems in Sierra's new book explore the rocky terrains of love, family, and womanhood with this same remarkable honesty and generosity. Today Means Amen brings this important young poet's work to an even broader audience.
One of Europe’s greatest recent poets is also its wisest, wittiest, and most accessible. Nobel Prize–winner Wislawa Szymborska draws us in with her unexpected, unassuming humor. Her elegant, precise poems pose questions we never thought to ask. “If you want the world in a nutshell,” a Polish critic remarks, “try Szymborska.” But the world held in these lapidary poems is larger than the one we thought we knew.
Carefully edited by her longtime, award-winning translator, Clare Cavanagh, the poems in Map trace Szymborska’s work until her death in 2012. Of the approximately two hundred and fifty poems included here, nearly forty are newly translated; thirteen represent the entirety of the poet’s last Polish collection, Enough, never before published in English.
Map is the first English publication of Szymborska’s work since the acclaimed Here, and it offers her devoted readers a welcome return to her “ironic elegance” (The New Yorker).
With her signature eloquence and heartfelt appreciation, renowned poet and national treasure Maya Angelou celebrates the first woman we ever knew: Mother. “You were always the heart of happiness to me,” she acknowledges in this loving tribute, “Bringing nougats of glee / Sweets of open laughter.”
From the beginnings of this profound relationship through teenage rebellion and, finally, to adulthood, where we stand to inherit timeless maternal wisdom, Angelou praises the patience, knowledge, and compassion of this remarkable parent.
Always bold, musical, honest, these poems plunge us into the essence of experience. This is a highly charged, beautifully organized collection from one of the finest poets writing today.
From the Trade Paperback edition.
Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.
The beloved bestselling author of Forever Fifty and Suddenly Sixty now tackles the ins and outs of becoming a septuagenarian with her usual wry good humor.
Fans of Judith Viorst's funny, touching, and wise poems about turning thirty, forty, fifty, and sixty will love this new volume for the woman who deeply believes she is too young to be seventy, "too young in my heart and my soul, if not in my thighs."
Viorst explores, among the many other issues of this stage of life, the state of our sex lives and teeth, how we can stay married though thermostatically incompatible, and the joys of grandparenthood and shopping. Readers will nod with rueful recognition when she asks, "Am I required to think of myself as a basically shallow woman because I feel better when my hair looks good?," when she presses a few helpful suggestions on her kids because "they may be middle aged, but they're still my children," and when she graciously -- but not too graciously -- selects her husband's next mate in a poem deliciously subtitled "If I Should Die Before I Wake, Here's the Wife You Next Should Take." Though Viorst acknowledges she is definitely not a good sport about the fact that she is mortal, her poems are full of the pleasures of life right now, helping us come to terms with the passage of time, encouraging us to keep trying to fix the world, and inviting us to consider "drinking wine, making love, laughing hard, caring hard, and learning a new trick or two as part of our job description at seventy."
I'm Too Young to Be Seventy is a joy to read and makes a heartwarming gift for anyone who has reached or is soon to reach that -- it's not so bad after all -- seventh decade.
Alice Notley has become one of the most highly regarded figures in American poetry, a master of the visionary mode acclaimed for genre-bending book-length poems of great ambition and adventurousness. Her newest work sets out to explore the world and its difficulties, from the recent economic crisis and climate change to the sorrow of violence and the disappointment of democracy or any other political system. Notley channels these themes in a mix of several longer poems - one is a kind of spy novella in which the author is discovered to be a secret agent of the dead, another an extended message found in a manuscript in a future defunct world - with some unique shorter pieces. Varying formally between long expansive lines, a mysteriously cohering sequence in meters reminiscent of ancient Latin, a narration with a postmodern broken surface, and the occasional sonnet, these are grand poems, inviting the reader to be grand enough to survive, spiritually, a planet's ruin.
From the Trade Paperback edition.
Celebrations is a collection of timely and timeless poems that are an integral part of the global fabric. Several works have become nearly as iconic as Angelou herself: the inspiring “On the Pulse of Morning,” read at President William Jefferson Clinton’s 1993 inauguration; the heartening “Amazing Peace,” presented at the 2005 lighting of the National Christmas Tree at the White House; “A Brave and Startling Truth,” which marked the fiftieth anniversary of the United Nations; and “Mother,” which beautifully honors the first woman in our lives. Angelou writes of celebrations public and private, a bar mitzvah wish to her nephew, a birthday greeting to Oprah Winfrey, and a memorial tribute to the late Luther Vandross and Barry White.
More than a writer, Angelou is a chronicler of history, an advocate for peace, and a champion for the planet, as well as a patriot, a mentor, and a friend. To be shared and cherished, the wisdom and poetry of Maya Angelou proves there is always cause for celebration.
From the Hardcover edition.
"The beautiful thing about Lasky, in all her work, but particularly here, is her ability to create that same sense of earnestness, the sense that she is telling you a secret."—InDigest Magazine, InDigest Picks
Go, brave and gentle reader, with Dorothea Lasky to the "purple motel / where the bird lives." Go with her, as you have willingly gone down the dark passages before, with her bare-faced poems for guidance. Thunderbird's controlled rage plunges into the black interior armed with nothing but guts and Lasky's own fiery heart to light the way.
Baby of air
You rose into the mystical
Side of things
You could no longer live with us
We put you in a little home
Where they shut and locked the door
And at night
You blew out
And went wandering . . .
Dorothea Lasky is also the author of Black Life and AWE, both from Wave Books. She lives in New York.
Before Andevai, the waking of dreaming dragons, the war for Europa, and the cruel treachery of the Wild Hunt, cousins Catherine and Beatrice Hassi Barahal were novice students at the Academy. Here, Cat and Bee learned of mathematics and politics, history and storytelling. But not all stories are told or remembered in the same way--particularly where the tale of Dido and Aeneas, and the fate of Carthage and Rome are concerned.
To the victors go the spoils--only this time, it is the gilded-tongued Bee and the quick-footed Cat who will collect the winnings.
Set before the start of Cold Magic, The Beatriceid is a brand new, standalone short story written in Iambic Pentameter that reimagines The Aeneid in a feminist, Phonecian light.
She Too: Four Voices in (Almost) Harmony is a poetry anthology brought to you by four female poets from two continents - Australia & the United States. She Too offers a poetic glimpse of the gifts and tragedies found while cultivating a glorious existence. There are magical moments and moments that tease a tear within this diverse anthology.
She Too: Four Voices in (Almost) Harmony is an anthology that captures a variety of life experiences created to celebrate National Poetry Month, April, 2014.
Check out what others are saying …
“In She Too, Delaina, Rosemary, Leigh and Helen have created an intriguing blend of female voices from a diverse range of life experience and backgrounds. Reading it, you will find yourself in joy & pain, mourning, amused & in love. Their poetry is alive — which is about the best thing I can say.”
–Brian Miller, owner dVerse Poets Pub
“Love, nature, life, death and a hint of witchery cast a spell over the poems in this compendium of work by four international poets. She Too opens the door on a conversation being held by four very different writers who have found common ground and, as the subtitle suggests, "almost" harmony. Pop culture, memory, sexuality and even beloved pets mark the entry points for this accessible collection of poetry.”
–Collin Kelley, author of the collections Render and Slow to Burn
"The poets are great story-tellers as well as lyricists, unwinding narratives that both amuse and enlighten."
–Karin Gustafson, author of 1 Mississippi, Going on Somewhere, Nose Dive, and (soon) Nice, who blogs as Manicddaily, http://Manicddaily.wordpress.com and is one of the team of presenters at dVerse Poets Pub
"Each poet has her own distinct voice and I enjoyed the sensation of feeling as if I was becoming part of their group as I learned to recognise each voice and share the experiences and emotions expressed."
–Michele Brenton, poet, novelist and editor, whose Fifty Shades of Blue was a Kindle poetry best-seller. Michele also writes humorous verse as Banana the Poet.
Start reading right away!
Carson McCullers is renowned for her Southern Gothic fiction and for such modern classics as The Member of the Wedding. This collection includes an assortment of her earliest work, written mostly before she was nineteen.
Included are stories, essays, articles, poems, and writing about writing—including the working outline of “The Mute,” which would become her bestselling novel The Heart is a Lonely Hunter—as well as an introduction by Joyce Carol Oates. As new generations continue to discover the work of Carson McCullers, this volume provides both an enjoyable read and an inspiring look at the beginning of a brilliant literary career.
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;
And then, to go to sleep;
And then, if it should be
The will of its Inquisitor,
The liberty to die.
Generally considered among the greatest American poets, Emily Dickinson has been read, studied, and admired by generations of literature students and poetry lovers. This modestly priced edition presents over 100 of her best-known and most-loved poems, reprinted from authoritative early editions. Unflinchingly honest, psychologically penetrating, and technically adventurous, the poems include such favorites as "The Chariot," "I taste a liquor never brewed," "The Snake," "I'm nobody, who are you?" "A Book," "There's a certain slant of light," "Hope," and many more.
By Madeleine L’Engle
“In a brilliant marriage of myth and manner, histories sacred and profane, prayers of petition and of praise, these poems both articulate and illumine the trouble in the gap in which we live–the gap between human affections and Divine Love. L’Engle is unfailing in her willingness to see through–not around–human suffering, and in so doing announces no final severing of spirit and flesh but an enduring vision of resurrection in that crux, in the cross, in the One in Whom all things meet, continuing.”
–Scott Cairns, author of Slow Pilgrim and Philokalia: New and Selected Poems
“I love L’Engle’s poetry for the way it incarnates not only the great Truths of the faith, but all the little truths of our ordinary existence–our working and playing and loving and fighting and dreaming and idling and all the rest of it–and for the way it shows us that those big and little truths should not, cannot, be separated.”
–Carolyn Arends, recording artist and author
“Why is L’Engle one of the defining poets of our time? Because when life hurts, she does not shrink from the wounds. She clarifies the murk with hope as we feel the lift of grace.”
–Calvin Miller, Beeson Divinity School
“We are, all of us, the richer for this carefully crafted and prayerfully rendered collection.”
–Phyllis Tickle, Author, The Divine Hours
“Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared.”
Madeleine L’Engle’s writing has always translated the invisible and intricate qualities of love into the patterns and rhythms of visible life. Now, with compelling language and open-hearted vulnerability, The Ordering of Love brings together the exhaustive collection of L’Engle’s poetry for the first time.
This volume collects nearly 200 of L’Engle’s original poems, including eighteen that have never before been published. Reflecting on themes of love, loss, faith, and beauty, The Ordering of Love gives vivid and compelling insight into the language of the heart.
This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market. A haunting fairy tale in verse, Goblin Market was once labeled a children's poem, yet its intricate symbolism and themes of temptation, sin, and redemption mark it for an adult audience. Among other works included in this choice collection are "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," "No, Thank You, John," and "After Death."
fundamental beauty of existence, as she explores what it means to experience life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community.
About Walker’s Horses Make a Landscape Look More Beautiful, America said, “In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind,” and the same can be said about this astonishing new collection, Absolute Trust in the Goodness of the Earth.
From the Trade Paperback edition.
"She has written without embarrassment or apology, with remarkable passion and savagery and nerve, poems about family and family pathology, early erotic fascination, and sexual life inside marriage."
Sharon Olds divides this new book into five sections--"Blood," "Tin," "Straw," "Fire," and "Light"--each made up of fourteen poems whose dominant imagery is drawn from one of these
elements. The poems are rooted in different moments of an ordinary life and weave back and forth in time. Each section suggests the progression of the making of a soul cleansed by blood, forged by fire, suffused by light. Unafraid to confront the ecstatic or the brutal side of a woman's experience, Sharon Olds transforms her subjects with an alchemist's art, using language that is alternately casual and startling, fierce and transcendent.
This is an intensely moving collection by one of our finest poets.
From the Hardcover edition.
"Everywhere, a forceful, scrupulous intelligence is active- a luminous diction, a range of cadences." So has Mark Strand written of the work of Joanna Klink, who has won acclaim for elegant, sensual, and musical poems that "remain alert to the reparations of beauty and song" (Dean Young). The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.
Acclaimed for her visionary, incantatory verse and her experimental ethos, Anne Waldman's newest book-length poem is an allegory of a radical spirit in lockdown, dominated by "Deciders" and "Imposters" who threaten the future of poetry and its archive. A doppelganger nightmare ensues: the imposter "Anne" is a succubus, and the original Anne has to break free from a metaphorical castle of torture and psychological domination. There are travels through Vedic cosmology and ancient Japan before resolution on a treeless tundra, where fragile life forms struggle to survive. Waldman's oracular poem is a witty meditation on identity theft and a searing plea for the primacy of imagination and for collective sanity in our provocative yet precarious time.
"This collection is not only for fans of the Brontë Sisters and classic rhyming poetry but also for readers that crave heartbreaking gothic angst." — Eastside Middle School
Among the most talented siblings in English literary history, the Brontë sisters are best remembered for their novels: Emily's Wuthering Heights, Charlotte's Jane Eyre, and Anne's Tenant of Wildfell Hall, among other works. It is less well known that the sisters also composed a considerable amount of fine poetry.
This volume contains forty-seven poems by all three sisters. Selections include Charlotte's "Presentiment," "Passion," two poems on the deaths of her sisters, and six more. There are twenty-three poems by Emily (considered the best poet of the three), including "Faith and Despondency" and "No Coward Soul Is Mine." The works of all three sisters share the qualities of intelligence, awareness, and heartfelt emotion, expressed in simple, highly readable verse. Gathered in this handy, inexpensive collection, the poems represent a superb introduction to a lesser-known aspect of the Brontës' literary art.
For Anne Sexton, writing served as both a means of expressing the inner turmoil she experienced for most of her life and as a therapeutic force through which she exorcised her demons. Some of the richest poetic descriptions of depression, anxiety, and desperate hope can be found within Sexton’s work. The Complete Poems, which includes the eight collections published during her life, two posthumously published books, and other poems collected after her death, brings together her remarkable body of work with all of its range of emotion.
With her first collection, the haunting To Bedlam and Part Way Back, Sexton stunned critics with her frank treatment of subjects like masturbation, incest, and abortion, blazing a trail for representations of the body, particularly the female body, in poetry. She documented four years of mental illness in her moving Pulitzer Prize–winning collection Live or Die, and reimagined classic fairy tales as macabre and sardonic poems in Transformations. The Awful Rowing Toward God, the last book finished in her lifetime, is an earnest and affecting meditation on the existence of God. As a whole, The Complete Poems reveals a brilliant yet tormented poet who bared her deepest urges, fears, and desires in order to create extraordinarily striking and enduring art.
The essence of Walker’s independent spirit emanates from words and images that are simple but deep in meaning. An empowering approach to life...the inspiration to live completely in the moment...the chance to nurture one’s creativity and peace of mind—all these beautiful elements are evoked by this unusual and original book.
From the Hardcover edition.
With these moving, vivid, and utterly distinctive poems, Katha Pollitt reminds us that poetry can be both profound and accessible, and reconfirms her standing in the first rank of modern American poets.
From the Hardcover edition.
By attentively chronicling the conditions of human life today, Walker shows, as ever, her deep compassion, profound spirituality, and necessary political commitments. The poems in The World Will Follow Joy remind us of our human capacity to come together and take action, even in our troubled political times. Above all, the gems in this collection illuminate what it means to live in our world today.
When Deborah Digges died in the spring of 2009, at the age of fifty-nine, she left this gathering of poems that returns to and expands the creative terrain we recognize as hers. Here are poems that bring to life her rural Missouri childhood in a family with ten children (“Oh what a wedding train / of vagabonds we were who fell asleep just where we lay”); the love between men and women as well as the devastation of widowhood (“love’s house she goes dancing her grief-stricken dance / for his unpacked suitcases, . . . / . . . / his closets of clothes where I crouch like a thief”); and the moods of nature, which schooled her (“A tree will take you in, flush riot of needles light burst, the white pine / grown through sycamore”). Throughout, touching all subjects, either implicitly or explicitly, is the call to poetry itself.
The final work from one of our finest poets, The Wind Blows Through the Doors of My Heart is a uniquely intimate collection, a sustaining pleasure that will stand to remind us of Digges’s gift in decades to come.
From the Hardcover edition.