A young Englishman, Nicholas Urfe, accepts a teaching post on a remote Greek island in order to escape an unsatisfactory love affair. There, his friendship with a reclusive millionaire evolves into a mysterious--and deadly--game of violence, seduction, and betrayal. As he is drawn deeper into the trickster's psychological traps, Nicholas finds it increasingly difficult to distinguish past from present, fantasy from reality. He becomes a desperate man fighting for his sanity and his very survival.
John Fowles expertly unfolds a spellbinding exploration of the complexities of the human mind. By turns disturbing, thrilling and seductive, The Magus is a masterwork of contemporary literature.
The eponymous hero of John Fowles's largest and richest novel is an English playwright turned Hollywood screenwriter who has begun to question his own values. Summoned home to England to visit an ailing friend, Daniel Martin finds himself back in the company of people who once knew him well, forced to confront his buried past, and propelled toward a journey of self-discovery through which he ultimately creates for himself a more satisfying existence. A brilliantly imagined novel infused with a profound understanding of human nature, Daniel Martin is John Fowles at the height of his literary powers.
—Los Angeles Times Book Review
“The Tree is the fullest and finest exploration I’ve ever read of how the useless delights to be discovered in nature can ripen into the practice of art.”
—Lewis Hyde, author of The Gift
“The most original argument for wilderness preservation I have encountered.”
Finally back in print, here is the 30th anniversary edition of The Tree—the renowned English novelist John Fowles’s (The Magus, The French Lieutenant’s Woman) moving meditation on the connection between the natural world and human creativity. An inspiring modern ecological classic, The Tree is both a powerful argument against taming the wild and a major author’s inspiring and beautifully written defense of “the joys of getting lost,” and of spontaneity in life and art.
Commencing in Fowles’s final year at Oxford, the journals in this volume chronicle the years he spent as a university lecturer in France; his experiences teaching school on the Greek island of Spetsai (which would inspire The Magus) and his love affair there with the married woman who would later become his first wife; and his return to England and his ongoing struggle to achieve literary success. It is an account of a life lived in total engagement with the world; although Fowles the novelist takes center stage, we see as well Fowles the nascent poet and critic, ornithologist and gardener, passionate naturalist and traveler, cinephile and collector of old books.
Soon after he fell in love with his first wife, Elizabeth, Fowles wrote in his journal, “She has asked me not to write about her in here. But I could not not write, loving her as I do. . . . What else I betrayed, I could not betray this diary.” It is that determined, unsparing honesty and forthrightness that imbues these journals with all the emotional power and narrative complexity of his novels. They are a revelation of both the man and the artist.
From the Hardcover edition.
Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.
Ben Roselli, president of First Mercantile American Bank and grandson of the founder, makes the shocking announcement that he’s dying. With no offspring to inherit the company, Roselli knows that executive VPs Roscoe Heyward and Alex Vandervoort are the obvious candidates to succeed him. Heyward, who has been with First Mercantile for two decades, will do whatever it takes to bring in new clients and win the coveted presidency. Vandervoort, a newcomer from the Federal Reserve with a left-wing girlfriend, advocates for a socially responsible plan of growth. And now the discovery of counterfeit cash and credit card fraud threatens the future of the bank itself.
From the day-to-day business dealings to the inner sanctums of the money trading center and the boardroom, Hailey’s novel is a riveting tale of ambition, greed, and the US banking system.
The man he knew as "Control" is dead, and the young Turks who forced him out now run the Circus. But George Smiley isn't quite ready for retirement—especially when a pretty, would-be defector surfaces with a shocking accusation: a Soviet mole has penetrated the highest level of British Intelligence. Relying only on his wits and a small, loyal cadre, Smiley recognizes the hand of Karla—his Moscow Centre nemesis—and sets a trap to catch the traitor.
The Oscar-nominated feature film adaptation of Tinker Tailor Soldier Spy is directed by Tomas Alfredson (Let the Right One In) and features Gary Oldman as Smiley, Academy Award winner Colin Firth (The King's Speech), and Tom Hardy (Inception).
With an introduction by the author.
Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
The 50th-anniversary edition of the bestselling novel that launched John le Carré’s career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse—a desk job—Control offers him a unique opportunity for revenge. Assuming the guise of an embittered and dissolute ex-agent, Leamas is set up to trap Mundt, the deputy director of the East German Intelligence Service—with himself as the bait. In the background is George Smiley, ready to make the game play out just as Control wants.
Setting a standard that has never been surpassed, The Spy Who Came in from the Cold is a devastating tale of duplicity and espionage.
A Voyage Round My Father opened in June 2006 at the Donmar Theatre, London starring Derek Jacobi.
Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
Theresa Dunn spends her days as a schoolteacher whose rigid Catholic upbringing has taught her to find happiness by finding the right man. But at night, her resentment of those social mores and fear of attachment lead her into the alcohol-and-drug fueled underworld of singles' bars, where she engages in a pattern of dangerous sexual activity that threatens her safety and, ultimately, her life.
Looking for Mr. Goodbar is “uncommonly well-written and well-constructed fiction, easily accessible, but full of insight and intelligence and illumination” (The New York Times Book Review). With more than four million copies in print, this seminal novel—a lightning rod for controversy upon its publication—has become a cultural touchstone that has forever influenced our perception of social rebellion and sexual empowerment.
Throughout this study, Mahmoud Salami attempts to locate Fowles's fiction in the context of modern critical theory and narrative poetics. He provides a lively analysis of the ways in which Fowles deliberately deployed realistic historical narrative in order to subvert them from within the very conventions they seek to transgress, and he examines these subversive techniques and the challenges they pose to the tradition of narratology. Salami presents, for instance, a critique of the self-conscious narrative of the diary form in The Collector, the intertextual relations of the multiplicity of voices, the problems of subjectivity, the reader's position, the politics of seduction, ideology, and history in The Magus and The French Lieutenant's Woman.
The book also analyzes the ways in which Fowles uses and abuses the short-story genre, in which enigmas remain enigmatic and the author disappears to leave the characters free to construct their own texts. Salami centers, for example, on A Maggot, which embodies the postmodernist technique of dialogical narrative, the problem of narrativization of history, and the explicitly political critique of both past and present in terms of social and religious dissent. These political questions are also echoed in Fowles's nonfictional book The Aristos, in which he strongly rejects the totalization of narratives and the materialization of society. Indeed, Fowles emerges as a postmodernist novelist committed to the underprivileged, to social democracy, and to literary pluralism.
This study clearly illustrates the fact that Fowles is a poststructuralist--let alone a postmodernist--in many ways: in his treatment of narratives, in mixing history with narrative fiction and philosophy, and in his appeal for freedom and for social and literary pluralism. It significantly contributes to a better understanding of Fowles's problematical narratives, which can only be properly understood if treated within the fields of modern critical theory, narratology, and the poetics of postmodernism.
Joan Foster is the bored wife of a myopic ban-the-bomber. She takes off overnight as Canada's new superpoet, pens lurid gothics on the sly, attracts a blackmailing reporter, skids cheerfully in and out of menacing plots, hair-raising traps, and passionate trysts, and lands dead and well in Terremoto, Italy. In this remarkable, poetic, and magical novel, Margaret Atwood proves yet again why she is considered to be one of the most important and accomplished writers of our time.
John le Carré, the legendary author of sophisticated spy thrillers, is at the top of his game in this classic novel of a world in chaos. With the Cold War over, a new era of espionage has begun. In the power vacuum left by the Soviet Union, arms dealers and drug smugglers have risen to immense influence and wealth. The sinister master of them all is Richard Onslow Roper, the charming, ruthless Englishman whose operation seems untouchable. Slipping into this maze of peril is Jonathan Pine, a former British soldier who’s currently the night manager of a posh hotel in Zurich. Having learned to hate and fear Roper more than any man on earth, Pine is willing to do whatever it takes to help the agents at Whitehall bring him down—and personal vengeance is only part of the reason why.
Praise for The Night Manager
“A splendidly exciting, finely told story . . . masterly in its conception.”—The New York Times Book Review
“Intrigue of the highest order.”—Chicago Sun-Times
“Richly detailed and rigorously researched . . . Le Carré’s gift for building tension through character has never been better realized.”—People
“Grimly fascinating, often nerve-wracking, and impossible to put down.”—Boston Herald
When Tommy and Tuppence visit an elderly aunt in her gothic nursing home, they think nothing of her mistrust of the doctors; after all, Ada is a very difficult old lady.
But when Mrs. Lockett mentions a poisoned mushroom stew and Mrs. Lancaster talks about "something behind the fireplace," Tommy and Tuppence find themselves caught up in a spine-chilling adventure that could spell death for either of them.
Lillian is charming, beautiful . . . and slowly dying of consumption. But she doesn’t wish to end her days in a hospital in the Alps. She wants to see Paris again, then Venice—to live frivolously for as long as possible. She might die on the road, she might not, but before she goes, she wants a chance at life.
Clerfayt, a race-car driver, tempts fate every time he’s behind the wheel. A man with no illusions about chance, he is powerfully drawn to a woman who can look death in the eye and laugh. Together, he and Lillian make an unusual pair, living only for the moment, without regard for the future. It’s a perfect arrangement—until one of them begins to fall in love.
“The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review
From the Trade Paperback edition.
Darkness Visible opens at the height of the London Blitz, when a naked child steps out of an all-consuming fire. Miraculously saved but hideously scarred, soon tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him, twins as exquisite as they are loveless. Toni dabbles in political violence; Sophy, in sexual tyranny. As Golding weaves their destinies together, his book reveals both the inner and outer darkness of our time.
In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II.
Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.
Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leave the lives of those closest to him in tatters. Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in human lives it sometimes demands.
From the Trade Paperback edition.
‘Who could tell what forms, what visions, what faces, what forgiveness he could see in the glow of the west!’
Jim is a well-bred young romantic who takes to the seas with hopes of adventure and the aspiration to prove his mettle. When the boat he sails in threatens to sink, Jim abandons ship in fear in order to save himself, leaving the other passengers to their fate. However, the ship does not sink and guilt-ridden Jim admits to the maritime court of inquiry that he deserted the boat and is consequently stripped of his sailing papers. Blighted by his own cowardice, Jim’s subsequent self-exile to a remote Malaysian trading post gives Conrad the opportunity to explore the question of moral identity and through his hero, he embodies the values and deterioration of the declining empire of late Victorian Britain. With its rich descriptions of an unknown, exotic world and beautifully constructed prose, Lord Jim is considered one of Conrad’s greatest works.
Bukowski . . . "a professional disturber of the peace . . . laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost." —Jack Kroll, Newsweek
"Bukowski’s poems are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all it’s glorious simplicity, was accessible the way poetry seldom is – a testament to his genius." —Nick Burton, PIF Magazine
Charles Bukowski (1920-1994) published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including books published by City Lights Publishers such as Notes of a Dirty Old Man, More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, Absence of the Hero and The Bell Tolls for No One,.
From the Hardcover edition.
Praise for Anne Rice and Cry to Heaven
“Daring and imaginative . . . [Anne] Rice seems like nothing less than a magician: It is a pure and uncanny talent that can give a voice to monsters and angels both.”—The New York Times Book Review
“To read Anne Rice is to become giddy as if spinnning through the mind of time.”—San Francisco Chronicle
“If you surrender and go with her . . . you have surrendered to enchantment, as in a voluptuous dream.”—The Boston Globe
“Rice is eerily good at making the impossible seem self-evident.”—Time
From the Trade Paperback edition.
Orchestrating these and other diverse characters into his multilayered semiotic adventure, Eco has created a superb cerebral entertainment.
Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.
In Tender Is the Night, Fitzgerald deliberately set out to write the most ambitious and far-reaching novel of his career, experimenting radically with narrative conventions of chronology and point of view and drawing on early breakthroughs in psychiatry to enrich his account of the makeup and breakdown of character and culture.
Tender Is the Night is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true. This account of a caring man who disintegrates under the twin strains of his wife's derangement and a lifestyle that gnaws away at his sense of moral values offers an authorial cri de coeur, while Dick Diver's downward spiral into alcoholic dissolution is an eerie portent of Fitzgerald's own fate.
F. Scott Fitzgerald literally put his soul into Tender Is the Night, and the novel's lack of commercial success upon its initial publication in 1934 shattered him. He would die six years later without having published another novel, and without knowing that Tender Is the Night would come to be seen as perhaps its author's most poignant masterpiece. In Mabel Dodge Luhan's words, it raised him to the heights of "a modern Orpheus."
The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.
From that moment, Lewis spirals into bereavement that has effects on his relationship with his wife, his psyche, and with time itself: "It was a wonder there could be so much movement, so much purpose, all the time. He himself had none."
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.
This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal
inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In 1720 the eminent man of letters Daniel Foe is approached by Susan Barton, lately a castaway on a desert island. She wants him to tell her story, and that of the enigmatic man who has become her rescuer, companion, master and sometimes lover: Cruso. Cruso is dead, and his manservant, Friday, is incapable of speech. As she tries to relate the truth about him, the ambitious Barton cannot help turning Cruso into her invention. For as narrated by Foe—as by Coetzee himself—the stories we thought we knew acquire depths that are at once treacherous, elegant, and unexpectedly moving.
'My life looks as if it had been wasted for want of chances! When I see what you know, what you have read, and seen, and thought, I feel what a nothing I am!'
Challenging the hypocrisy and social conventions of the rural Victorian world, Tess of the D'Urbervilles follows the story of Tess Durbeyfield as she attempts to escape the poverty of her background, seeking wealth by claiming connection with the aristocratic D'Urberville family. It is through Tess's relationships with two very different men that Hardy tells the story of his tragic heroine, and exposes the double standards of the world that she inhabits with searing pathos and heart-rending sentiment.
'There was one place in the world that stood solid and did not melt into unreality: the place where his mother was. Everybody else could grow shadowy, almost non-existent to him, but she could not.'
In his quest to find his emotional and independent self, Paul Morel is torn between the strong, Oedipal bond he has with his mother and the relationships he forges as a young adult, with chaste Miriam and the provocative Clara. As Paul matures and struggles with his own and his mother's feelings towards the other women in his life, Lawrence expertly crafts a timeless and universal story of family, love and the relationships that define us.
Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. But when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.
Lurie pursues his relationship with the young Melanie—whom he describes as having hips “as slim as a twelve-year-old’s”—obsessively and narcissistically, ignoring, on one occasion, her wish not to have sex. When Melanie and her father lodge a complaint against him, Lurie is brought before an academic committee where he admits he is guilty of all the charges but refuses to express any repentance for his acts. In the furor of the scandal, jeered at by students, threatened by Melanie’s boyfriend, ridiculed by his ex-wife, Lurie is forced to resign and flees Cape Town for his daughter Lucy’s smallholding in the country. There he struggles to rekindle his relationship with Lucy and to understand the changing relations of blacks and whites in the new South Africa. But when three black strangers appear at their house asking to make a phone call, a harrowing afternoon of violence follows which leaves both of them badly shaken and further estranged from one another. After a brief return to Cape Town, where Lurie discovers his home has also been vandalized, he decides to stay on with his daughter, who is pregnant with the child of one of her attackers. Now thoroughly humiliated, Lurie devotes himself to volunteering at the animal clinic, where he helps put down diseased and unwanted dogs. It is here, Coetzee seems to suggest, that Lurie gains a redeeming sense of compassion absent from his life up to this point.
Written with the austere clarity that has made J. M. Coetzee the winner of two Booker Prizes, Disgrace explores the downfall of one man and dramatizes, with unforgettable, at times almost unbearable, vividness the plight of a country caught in the chaotic aftermath of centuries of racial oppression.
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns for adventure, and at eighteen leaves home, eventually pursuing a career as an artist in Paris. When he returns to London to study medicine, he meets the androgynous but alluring Mildred and begins a doomed love affair that will change the course of his life. There is no more powerful story of sexual infatuation, of human longing for connection and freedom.
"Here is a novel of the utmost importance," wrote Theodore Dreiser on publication. "It is a beacon of light by which the wanderer may be guided. . . . One feels as though one were sitting before a splendid Shiraz of priceless texture and intricate weave, admiring, feeling, responding sensually to its colors and tones."
With an Introduction by Gore Vidal
Commentary by Theodore Dreiser and Graham Greene
The final volume of a new, definitive text of A la recherche du temps perdu was published by the Bibliotheque de la Pleiade in 1989. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff's translation to take into account the new French editions.
Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, an enigmatic stranger who comes to Jefferson, Mississippi, in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”
From the Trade Paperback edition.
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
Praise for Cloud Atlas
“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers
“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People
“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon
“Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.”—The Washington Post Book World
“Thrilling . . . One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step.”—Boston Sunday Globe
“Grand and elaborate . . . [Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate.”—Los Angeles Times
From the Trade Paperback edition.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.
It was just a stage I was going through.
Despite its controversial debut, this now-classic drama, inspired by the new ideas of naturalism and psychology that swept Europe in the late 19th century, helped to shape modern theater, and remains one of the most potent-and most frequently performed-of modern plays. The full text of Miss Julie is reprinted here as translated by Edwin Björkman, complete with Strindberg's critical preface to the play, considered by many to be one of the most important manifestos in theater history.
Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.