Appendices include essays on childhood by contemporaries such as John Ruskin and Charles Dickens, as well as contextualizing selections from Victorian fantasy and fairy tales.
In October 1857, George MacDonald wrote what he described as a kind of fairy tale, in the hope that it will pay me better than the more evidently serious work. This was Phantastes -- one of MacDonald s most important works; a work which so overwhelmed C. S. Lewis that a few hours after he began reading it he knew he had crossed a great frontier.
The book is about the narrator s (Anodos) dream-like adventures in fairyland, where he confronts tree-spirits and the shadow, sojourns to the palace of the fairy queen, and searches for the spirit of the earth. The tale is vintage MacDonald, conveying a profound sadness and a poignant longing for death.
Lilith is equal if not superior to the best of Poe, wrote W. H. Auden in his introduction to the 1954 reprint of George MacDonald s Lilith, which was first published in 1895.
It is the story of Mr. Vane, an orphan and heir to a large house -- a house in which he has a vision that leads him through a large old mirror into another world. In chronicling the five trips Mr. Vane makes to this other world, MacDonald hauntingly explores the ultimate mystery of evil.
Appendices include essays on childhood by contemporaries such as John Ruskin and Charles Dickens, as well as contextualizing selections from Victorian fantasy and fairy tales.
“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific observations with wry commentary about the challenges and pleasures of living in the wilds of the Serengeti—for man and beast alike. Over two decades, Sapolsky survives culinary atrocities, gunpoint encounters, and a surreal kidnapping, while witnessing the encroachment of the tourist mentality on the farthest vestiges of unspoiled Africa. As he conducts unprecedented physiological research on wild primates, he becomes evermore enamored of his subjects—unique and compelling characters in their own right—and he returns to them summer after summer, until tragedy finally prevents him.
By turns hilarious and poignant, A Primate’s Memoir is a magnum opus from one of our foremost science writers.
Capstick has written post facto about classic hunters of the past and safaris in which he participated as a professional hunter in such books as Death in the Silent Places and Death in the Dark Continent. Now, he presents an enthralling tale of an entirely new safari, an exciting first-person adventure of his own dangerous and very personal excursion. The result is a definitive work on African hunting, and one of his greatest achievements.
In 1985, Capstick went back into the African bush with two top photographers and a crack professional hunter. It was a venture taken for personal challenge, and for the chance to look anew at what had become of the Africa immortalized in his own earlier works. Peter Capstick’s Africa: A Return to the Long Grass is the chronicle, in text and pictures, of this safari. It is full of the same edge-of-the-seat narration, witty anecdotes, and wry observations that have made Capstick’s earlier books so popular. The text of the book has been integrated with the photographs of Paul Kimble and Dick van Niekerk into a lavish full-color production that illustrates Capstick’s narrative in a way his fans have never seen before.
-- ERNEST HEMINGWAY
In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. "I had quite a trip," the author told his friend Philip Percival, with characteristic understatement.
Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
In I Didn't Do It for You, Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with a sharp eye for detail and a taste for the incongruous, tells the story of colonialism itself and how international power politics can play havoc with a country's destiny.
Starting in November 2013 in a forest in Rwanda, where a modest spring spouts a trickle of clear, cold water, Wood set forth on foot, aiming to become the first person to walk the entire length of the fabled river. He followed the Nile for nine months, over 4,000 miles, through six nations—Rwanda, Tanzania, Uganda, South Sudan, the Republic of Sudan, and Egypt—to the Mediterranean coast.
Like his predecessors, Wood camped in the wild, foraged for food, and trudged through rainforest, swamp, savannah, and desert, enduring life-threatening conditions at every turn. He traversed sandstorms, flash floods, minefields, and more, becoming a local celebrity in Uganda, where a popular rap song was written about him, and a potential enemy of the state in South Sudan, where he found himself caught in a civil war and detained by the secret police. As well as recounting his triumphs, like escaping a charging hippo and staving off wild crocodiles, Wood’s gripping account recalls the loss of Matthew Power, a journalist who died suddenly from heat exhaustion during their trek. As Wood walks on, often joined by local guides who help him to navigate foreign languages and customs, Walking the Nile maps out African history and contemporary life.
An inimitable tale of survival, resilience, and sheer willpower, Walking the Nile is an inspiring chronicle of an epic journey down the lifeline of civilization in northern Africa.
Gauging the state of affairs, he talks to Africans, aid workers, missionaries, and tourists. What results is an insightful meditation on the history, politics, and beauty of Africa and its people, and "a vivid portrayal of the secret sweetness, the hidden vitality, and the long-patient hope that lies just beneath the surface" (Rocky Mountain News). In a new postscript, Theroux recounts the dramatic events of a return to Africa to visit Zimbabwe.
Fodor's correspondents highlight the best of Africa, including Kenya's Masai Mara, South Africa's Kruger National Park, and Botswana's Kwando Reserve. Our local experts vet every recommendation to ensure you make the most of your time, whether it’s your first safari or your fifth.
This travel guide includes:
· Dozens of full-color maps
· Hundreds of hotel and restaurant recommendations, with Fodor's Choice designating our top picks
· Coverage of Kenya, Tanzania, South Africa, Rwanda, Uganda, Botswana, Namibia, Victoria Falls, and The Seychelles
Planning to focus on South Africa? Check out Fodor's travel guide to South Africa.
Paul Theroux’s best-selling Dark Star Safari chronicled his epic overland voyage from Cairo to Cape Town, providing an insider’s look at modern Africa. Now, with The Last Train to Zona Verde, he returns to discover how both he and Africa have changed in the ensuing years.
Traveling alone, Theroux sets out from Cape Town, going north through South Africa, Namibia, then into Angola, encountering a world increasingly removed from tourists’ itineraries and the hopes of postcolonial independence movements. After covering nearly 2,500 arduous miles, he cuts short his journey, a decision he chronicles with unsparing honesty in a chapter titled “What Am I Doing Here?” Vivid, witty, and beautifully evocative, The Last Train to Zona Verde is a fitting final African adventure from the writer whose gimlet eye and effortless prose have brought the world to generations of readers.
"Everything is under scrutiny in Paul Theroux’s latest travel book—not just the people, landscapes and sociopolitical realities of the countries he visits, but his own motivations for going where he goes . . . His readers can only be grateful." — Seattle Times
“If this book is proof, age has not slowed Theroux or encouraged him to rest on his achievements . . . Gutsy, alert to Africa's struggles, its injustices and history.” — San Francisco Chronicle
Staging heart-pounding, espionage-style raids, Ofir Drori and his organization, The Last Great Ape (LAGA), have put countless poachers and traffickers of endangered species behind bars, and they have fought back against a Kafkaesque culture of corruption. Before Ofir arrived in Cameroon, no one had ever even tried.
The Last Great Ape follows a young Ofir on fantastical adventures as he crosses remote African lands by camel, on a horse, and in dug-out canoes, while living with exotic tribes and struggling against nature at its rawest: charging elephants and hyenas, flash floods, and the need to eat river algae and snails to stay alive. The story moves from places of extreme beauty to those of the darkest horror: the war zones of Sierra Leone and Liberia. Ofir begins to work as a photojournalist in order to expose his shocking encounter with war victims and child soldiers. His experiences forge in him a resolution to become an activist and to fight for justice.
The search for a cause eventually leads him to Cameroon. When Ofir discovers that no one is fighting to disprove Jane Goodall's dark prophesy that apes in the wild will be extinct in twenty years, he decides that he is the man to step in; because he knows he can make a difference, he sees it as his responsibility. And LAGA is born.
The Last Great Ape is a story of the fight against extinction and the tragedy of endangered worlds, not just of animals but of people struggling to hold onto their culture. This book reveals the intense beauty and strife that exist side by side in Africa, and Ofir makes the case that activism and dedication to a cause are still relevant in a cynical modern world. This dangerous and dramatic story is one of courage and hope and, most importantly, a search for meaning.
The majority of Madagascar's wildlife is endemic -- found nowhere else. Lemurs rule the forest canopy, while on the ground, snakes and lizards search for evening meals of frogs and bugs, all against a gorgeous backdrop of rainforest. It's a biologist's paradise - but at times can also be a foreigner's worst nightmare. Madagascar in no way resembles what most Westerners know as normal existence. Technologically, it is laps behind the first world. Time shuffles by at a slow gait. Poverty is rampant - people pride themselves on how many pots of rice a day they eat. Language and culture barriers, combined with bureaucratic red tape, can make travel virtually impossible.
In stories that are in turns moving, insightful, hilarious, and beautiful, Heather recounts her experiences -- from run-ins with naked sailors and unusually hostile lemurs to tropical hurricanes and greedy tourist entrepreneurs. As she carefully navigates an obstacle-strewn path, she gradually uncovers the hidden lives of the beautiful yellow and blue poison frogs she studies. And all the while, she is coming to understand her role as a female Westerner in a foreign society, and her intense love for and fascination with the stunning cultures and wildlife of Madagascar.
When Sarah Erdman, a Peace Corps volunteer, arrived in Nambonkaha, she became the first Caucasian to venture there since the French colonialists. But even though she was thousands of miles away from the United States, completely on her own in this tiny village in the West African nation of Côte d'Ivoire, she did not feel like a stranger for long.
As her vivid narrative unfolds, Erdman draws us into the changing world of the village that became her home. Here is a place where electricity is expected but never arrives, where sorcerers still conjure magic, where the tok-tok sound of women grinding corn with pestles rings out in the mornings like church bells. Rare rains provoke bathing in the streets and the most coveted fashion trend is fabric with illustrations of Western cell phones. Yet Nambonkaha is also a place where AIDS threatens and poverty is constant, where women suffer the indignities of patriarchal customs, where children work like adults while still managing to dream.
Lyrical and topical, Erdman's beautiful debut captures the astonishing spirit of an unforgettable community.
In the spring of 2015, Mark Beaumont set out from the bustling heart of Cairo on his latest world record attempt - solo, the length of Africa, intending to ride to Cape Town in under 50 days. Seven years since he smashed the world record for cycling round the world, this would be his toughest trip yet. And he would set a new mark that would simply break the limits of endurance.
Despite illness, mechanical faults, attempted robbery and stone-throwing children, as well as dehydration in the deserts and unprecedented levels of exhaustion, Mark completed the journey in just 41 days, 10 hours and 22 minutes, after cycling 6,762 miles, spending 439 hours in the saddle (sometimes up to 16 hours a day) and climbing 190,355 feet through 8 countries. It was an astonishing journey, and one that will fascinate and grip the reader.
From the obvious dangers of Egypt, Sudan and Kenya, over the unpaved, muddy, mountainous roads of Ethiopia, through the beautiful grasslands of Tanzania and Zambia, to riding at night in Botswana in the company of elephants and giraffes, Mark brings Africa to life in all its complex glory, friendship and curiosity, while inspiring us all to question the bounds of what is possible.
At the age of twenty-eight, while sitting in a friend’s backyard in the remote mining township of Jabiru, Heather Ellis has a light-bulb moment: she is going to ride a motorcycle across Africa. The idea just feels right – no matter that she’s never done any long-distance motorcycle travelling before, and has never even set foot on the African continent. Twelve months later, Heather unloads her Yamaha TT600 at the docks in Durban, South Africa, and her adventure begins.
Her travels take her to the dizzying heights of Mt Kilimanjaro and the Rwenzori Mountains, to the deserts of northern Kenya where she is befriended by armed bandits and rescued by Turkana fishermen, to a stand-off with four Ugandan men intent on harm, and to a voyage on a ‘floating village’ on the mighty Zaire River. Everywhere she goes Heather is aided by locals and travellers alike, who take her into their homes and hearts, helping her to truly understand the spirit of ubuntu – a Bantu word meaning ‘I am because you are’.
Ubuntu is the extraordinary story of a young woman who, alone and against all odds, rode a motorcycle to some of the world’s most remote, beautiful and dangerous places.
In Wild Edens: Africa's Premier GameParks and Their Wildlife, longtime conservationist and seasoned African travelerJoseph James Shomon journeys through the wild African scene, revealing its magnificence and mystique, and wonderfully describes the game parks' location, ecology, and irreplaceable wildlife.
From the summit of Kilimanjaro, Africa's highest mountain, the author surveys the marvelous Edens of East Africa, among the last Pleistocene-like concentrations of animals left in the world today. Descending, Shomon gives a firsthand account of the great sanctuaries, providing a knowledgeable escort on safari in the scrublands of Tsavo, where elephants are imperiled. He continues on to the Ark at Aberdares, where visitors can watch, under floodlights of a watchtower, rain forest animals come to feed; to the rain forests of Mount Kenya; and to the Serengeti and Mara Plains, with their great migrating herds besieged by predators and thwarted in their journeys by swollen rivers and flooded lakes.
The journey continues through the Great Rift Valley and Olduvai Gorge to Lake Manyara with its tree-climbing lions; Ngorongoro Crater; Samburu and Meru, where the rhino is threatened; the waterways of Uganda; the Mountains of the Moon; the Kalahari Desert; and the wildlife sanctuaries of South Africa, ending the tour at the Cape of Good Hope.
Shomon argues that the plethora of impersonal technology and excessive mechanization, as well as the world's focus on violence, social ills, and discord on our domestic front, consume the world's energies, leaving little interest for safeguarding and conserving Africa's wild edens.
Shomon's engaging and informative text, complemented with attractive photographs and pen-and-ink drawings, encourages those interested in Africa and its wildlife to visit the cradle of our ancestral beginnings and to take an active role in its preservation and conservation.
In the tradition of Bill Bryson, a new writer brings us the lively adventures and biting wit of an African safari guide. Peter Allison gives us the guide’s-eye view of living in the bush, confronting the world’s fiercest terrain of wild animals and, most challenging of all, managing herds of gaping tourists. Passionate for the animals of the Kalahari, Allison works as a top safari guide in the wildlife-rich Okavango Delta. As he serves the whims of his wealthy clients, he often has to stop the impulse to run as far away from them as he can, as these tourists are sometimes more dangerous than a pride of lions.
No one could make up these outrageous-but-true tales: the young woman who rejected the recommended safari-friendly khaki to wear a more “fashionable” hot pink ensemble; the lost tourist who happened to be drunk, half-naked, and a member of the British royal family; establishing a real friendship with the continent’s most vicious animal; the Japanese tourist who requested a repeat performance of Allison’s being charged by a lion so he could videotape it; and spending a crazy night in the wild after blowing a tire on a tour bus, revealing that Allison has as much good-natured scorn for himself.
The author’s humor is exceeded only by his love and respect for the animals, and his goal is to limit any negative exposure to humans by planning trips that are minimally invasive—unfortunately it doesn’t always work out that way!
New story: People often ask safari guides about the experience that frightened them the most. In this story Peter Allison tells of the time he became aware of unseen danger, and knew that somewhere within meters of him was a hunting lioness. Peter Allison is originally from Sydney, Australia. His safaris have been featured in National Geographic, Conde Nast Traveler, and on television programs such as Jack Hanna’s Animal Adventures. He travels frequently to speaking appearances, and splits most of his time between Botswana, Sydney, and San Francisco.