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One of the Ten Best Books of The New York Times Book Review
Winner of the Los Angeles Times Book Prize
Now a miniseries from Hulu starring James Franco

ON NOVEMBER 22, 1963, THREE SHOTS RANG OUT IN DALLAS, PRESIDENT KENNEDY DIED, AND THE WORLD CHANGED. WHAT IF YOU COULD CHANGE IT BACK?

In this brilliantly conceived tour de force, Stephen King—who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer—takes readers on an incredible journey into the past and the possibility of altering it.

It begins with Jake Epping, a thirty-five-year-old English teacher in Lisbon Falls, Maine, who makes extra money teaching GED classes. He asks his students to write about an event that changed their lives, and one essay blows him away—a gruesome, harrowing story about the night more than fifty years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a sledgehammer. Reading the essay is a watershed moment for Jake, his life—like Harry’s, like America’s in 1963—turning on a dime. Not much later his friend Al, who owns the local diner, divulges a secret: his storeroom is a portal to the past, a particular day in 1958. And Al enlists Jake to take over the mission that has become his obsession—to prevent the Kennedy assassination.

So begins Jake’s new life as George Amberson, in a different world of Ike and JFK and Elvis, of big American cars and sock hops and cigarette smoke everywhere. From the dank little city of Derry, Maine (where there’s Dunning business to conduct), to the warmhearted small town of Jodie, Texas, where Jake falls dangerously in love, every turn is leading eventually, of course, to a troubled loner named Lee Harvey Oswald and to Dallas, where the past becomes heart-stoppingly suspenseful, and where history might not be history anymore. Time-travel has never been so believable. Or so terrifying.
#1 NEW YORK TIMES BESTSELLER • “Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies.”—Entertainment Weekly
 
We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the apocalyptic years.
 
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

THE INSPIRATION FOR THE MAJOR MOTION PICTURE

“Will spook you for real.”—The New York Times Book Review
 
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today
 
“Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick 
 
“Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News
Includes the story “Premium Harmony”—set in the fictional town of Castle Rock, Maine

The masterful #1 New York Times bestselling story collection from O. Henry Prize winner Stephen King that includes twenty-one iconic stories with accompanying autobiographical comments on when, why and how he came to write (or rewrite) each one.

For more than thirty-five years, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he introduces each story with a passage about its origins or his motivations for writing it.

As Entertainment Weekly said about this collection: “Bazaar of Bad Dreams is bursting with classic King terror, but what we love most are the thoughtful introductions he gives to each tale that explain what was going on in his life as he wrote it."

There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. In “Afterlife,” a man who died of colon cancer keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Others address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.

“I made these stories especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

Stories include:
-Mile 81
-Premium Harmony
-Batman and Robin Have an Altercation
-The Dune
-Bad Little Kid
-A Death
-The Bone Church
-Morality
-Afterlife
-Ur
-Herman Wouk Is Still Alive
-Under the Weather
-Blockade Billy
-Mister Yummy
-Tommy
-The Little Green God of Agony
-Cookie Jar
-That Bus Is Another World
-Obits
-Drunken Fireworks
-Summer Thunder
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." ~ H.P. Lovecraft


This collection includes 160 of H.P. Lovecraft's works. The collection is grouped by Early Writings, Fiction, Collaborative Works, Poetry and Essays. The groups are organized in chronological order by the date that each work was written. 


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* Links to download full-length audiobooks included FREE! 


Early Writings:
The Little Glass Bottle (1897)
The Secret Cave (1898)
The Mystery Of The Graveyard (1898)
The Mysterious Ship (1902)
The Beast in the Cave (1905)
The Alchemist (1908)


Fiction:
The Tomb (1917)
Dagon (1917)
A Reminiscence of Dr. Samuel Johnson (1917)
Sweet Ermengarde (1917)
Polaris (1918)
Beyond the Wall of Sleep (1919)
Memory (1919)
Old Bugs (1919)
The Transition of Juan Romero (1919)
The White Ship (1919)
The Doom That Came to Sarnath (1919)
The Statement of Randolph Carter (1919)
The Terrible Old Man (1920)
The Tree (1920)
The Cats of Ulthar (1920)
The Temple (1920)
Facts Concerning the Late Arthur Jermyn and His Family (1920)
The Street (1920)
Celephaas (1920)
From Beyond (1920)
Nyarlathotep (1920)
The Picture in the House (1920)
Ex Oblivione (1921)
The Nameless City (1921)
The Quest of Iranon (1921)
The Moon-Bog (1921)
The Outsider (1921)
The Other Gods (1921)
The Music of Erich Zann (1921)
Herbert West--Reanimator (1922)
Hypnos (1922)
What the Moon Brings (1922)
Azathoth (1922)
The Hound (1922)
The Lurking Fear (1922)
The Rats in the Walls (1923)
The Unnamable (1923)
The Festival (1923)
The Shunned House (1924)
The Horror at Red Hook (1925)
He (1925)
In the Vault (1925)
The Descendant (1926)
Cool Air (1926)
The Call of Cthulhu (1926)
Pickman's Model (1926)
The Silver Key (1926)
The Strange High House in the Mist (1926)
The Dream-Quest of Unknown Kadath (1927)
The Case of Charles Dexter Ward (1927)
The Colour Out of Space (1927)
The Very Old Folk (1927)
The Thing in the Moonlight (1927)
A History Of The Necronomicon (1927)
Ibid (1928)
The Dunwich Horror (1928)
The Whisperer in Darkness (1930)
At the Mountains of Madness (1931)
Discarded Draft of The Shadow Over Innsmouth (1931)
The Shadow Over Innsmouth (1931)
The Dreams in the Witch House (1932)
The Thing on the Doorstep (1933)
The Evil Clergyman (1933)
The Book (1933)
The Shadow Out of Time (1934-1935)
The Haunter of the Dark (1935)


Collaborative Works:
The Green Meadow (1918)
Poetry and the Gods (1920)
The Crawling Chaos (1920)
The Horror At Martin's Beach (1922)
Under the Pyramids (1924)
Two Black Bottles (1926)
The Last Test (1927)
The Curse Of Yig (1928)
The Electric Executioner (1929)
The Mound (1929)
Medusa's Coil (1930)
The Trap (1931)
The Man Of Stone (1932)
The Horror In The Museum (1932)
Through the Gates of the Silver Key (1932)
Winged Death (1933)
Out of the Aeons (1933)
The Horror In The Burying-Ground (1933)
The Hoard Of The Wizard-Beast (1933)
The Slaying of the Monster (1933)
The Tree On the Hill (1934)
The Battle That Ended the Century (1934)
Till A' the Seas... (1935)
Collapsing Cosmoses (1935)
The Challenge From Beyond (1935)
The Disinterment (1935)
The Diary Of Alonzo Typer (1935)
In the Walls of Eryx (1936)
The Night Ocean (1936)


Poetry:
Poemata Minora, Volume II (1902)
On Receiving a Picture of Swans (1915)
March (1915)
Unda; or, The Bride of the Sea (1915)
An American to Mother England (1916)
Lines on Gen. Robert Edward Lee (1916)
The Rose of England (1916)
The Poe-et's Nightmare (1916)
The Teuton's Battle-Song
Fact and Fancy (1917)
Pacifist War Song—1917 (1917)
A Garden (1917)
The Peace Advocate (1917)
Ode for July Fourth, 1917 (1917)
Nemesis (1917)
Astrophobos (1917)
Sunset (1917)
Laeta; a Lament (1918)
Psychopompos: A Tale in Rhyme (1917-1918)
The Conscript (1918)
Despair (1919)
Revelation (1919)
The House (1919)
The City (1919)
To Edward John Moreton Drax Plunkett, Eighteenth Baron Dunsany (1919)
The Nightmare Lake (1919)
On Reading Lord Dunsany's
Book of Wonder (1920)
Christmas (1920)
Sir Thomas Tryout (1921)
Waste Paper (1922)
Providence (1924)
The Cats (1925)
Festival (1925)
Hallowe'en in a Suburb (1925)
The Wood (1929)
The Outpost (1929)
The Ancient Track (1929)
The Messenger (1929)
Fungi from Yuggoth (1929-1930)
Little Sam Perkins (1934)
Dead Passion's Flame (1935)
Arcadia (1935)
In a Sequester'd Providence Churchyard Where Once Poe Walk'd (1936)
To Clark Ashton Smith, Esq., upon His Phantastick Tales, Verses, Pictures, and Sculptures (1936)
Life's Mystery (No date)
Nathicana (No date)
Christmas Greetings (No date)

Essays:
Metrical Regularity (1915)
The Allowable Rhyme (1915)
At the Root (1918)
The Despised Pastoral (1918)
The Literature of Rome (1918)
Americanism (1919)
Literary Composition (1920)
Winifred Virginia Jackson: A "Different" Poetess (1921)
Supernatural Horror In Literature (1925-1927)
Cats And Dogs (1926)
Notes On Writing Weird Fiction (1933)

Audiobook Links: Links to download 60 free, full-length audiobooks for H.P. Lovecraft's works can be found at the end of the book.

David Wong has updated the Lovecraft tradition and infused it with humor that rather than lessening the horror, increases it dramatically. Every time I set the book down down, I was wary that something really was afoot, that there were creatures I couldn't see, and that because I suspected this, I was next. Engaging, comic, and terrifying.-- Joe Garden, Features Editor, The Onion
"Wong is like a mash-up of Douglass Adams and Stephen King... 'page-turner' is an understatement."
--Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep

"That rarest of things--a genuinely scary story."--David Wellington, author of Monster Island, Vampire Zero

"JOHN DIES AT THE END has a cult following for a reason: it's horrific, thought-provoking, and hilarious all at once. This is one of the most entertaining and addictive novels I've ever read."--Jacob Kier, Publisher, Permuted Press

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.

The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

#1 NEW YORK TIMES BESTSELLER • The “mercilessly entertaining” (Vanity Fair) instant classic “about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships” (Lev Grossman, Time).

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • People • Entertainment Weekly • O: The Oprah Magazine • Slate • Kansas City Star • USA Today • Christian Science Monitor

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • St. Louis Post Dispatch • Chicago Tribune • HuffPost • Newsday

“Absorbing . . . In masterly fashion, Flynn depicts the unraveling of a marriage—and of a recession-hit Midwest—by interweaving the wife’s diary entries with the husband’s first-person account.”—New Yorker

“Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood around the pages . . . Ms. Flynn has much more up her sleeve than a simple missing-person case. As Nick and Amy alternately tell their stories, marriage has never looked so menacing, narrators so unreliable.”—The Wall Street Journal

“The story unfolds in precise and riveting prose . . . even while you know you’re being manipulated, searching for the missing pieces is half the thrill of this wickedly absorbing tale.”—O: The Oprah Magazine
Stephen King’s second novel, the classic vampire bestseller ’SALEM’S LOT, tells the story of evil in small-town America. For the first time in a major trade edition, this terrifying novel is accompanied by previously unpublished material from King’s archive, two short stories, and eerie photographs that bring King’s fictional darkness and evil to vivid life.

When Stephen King’s classic thriller’SALEM’S LOT hit the stands in 1975, it thrilled and terrified millions of readers with tales of demonic evil in small-town America. Now, thirty years later and still scaring readers witless, ’SALEM’S LOT reemerges in a brilliant new edition, complete with photographs, fifty pages of deleted and alternate scenes, and two short stories related to the events of the novel.

While the original edition of ’SALEM’S LOT will forever be a premier horror classic, ’SALEM’S LOT: ILLUSTRATED EDITION, with the inclusion of material from King’s archive, is destined to become a classic in its own right and a must-have for all Stephen King fans. In this edition, the hair-raising story of Jerusalem’s Lot, a small town in Maine whose inhabitants succumb to the evil allure of a new resident, is told as the author envisioned it, complete with fifty pages of alternate and deleted scenes. With a new introduction by the author, two short stories related to the events and residents of Jerusalem’s Lot, the lavishly creepy photographs of Jerry Uelsmann, and a stunning new page design, this edition brings the story to life in words and pictures as never before.

No library will be complete without this ideal collector’s item for any King aficionado, the definitive illustrated edition of the great ’SALEM’S LOT.
One of the Ten Best Books of The New York Times Book Review
Winner of the Los Angeles Times Book Prize
Soon to be a miniseries from Hulu starring James Franco

This enhanced ebook edition contains a 13-minute film, written and narrated by Stephen King and enhanced with historic footage from CBS News, that will take you back—as King’s novel does—to Kennedy era America.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force.

Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.

Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk.

Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination. So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life – a life that transgresses all the normal rules of time.

A tribute to a simpler era and a devastating exercise in escalating suspense, 11/22/63 is Stephen King at his epic best.
NEW YORK TIMES BESTSELLER

The pistol appeared in his hand the way a dove appears in the hand of a good magician, as if it materialized out of thin air. “You think I won’t do it right here in the open. But you’d be surprised. . . . You’ll drop before you get the breath to scream.” 
 
The truck driver is decked out like a rhinestone cowboy, only instead of a guitar he’s slinging a gun—and Odd Thomas is on the wrong end of the barrel. Though he narrowly dodges a bullet, Odd can’t outrun the shocking vision burned into his mind . . . or the destiny that will drive him into a harrowing showdown with absolute evil.
 
DEEPLY ODD
 
How do you make sure a crime that hasn’t happened yet, never does? That’s the critical question facing Odd Thomas, the young man with a unique ability to commune with restless spirits and help them find justice and peace. But this time, it’s the living who desperately need Odd on their side. Three helpless innocents will be brutally executed unless Odd can intervene in time. Who the potential victims are and where they can be found remain a mystery. The only thing Odd knows for sure is who the killer will be: the homicidal stranger who tried to shoot him dead in a small-town parking lot. 
 
With the ghost of Alfred Hitchcock riding shotgun and a network of unlikely allies providing help along the way, Odd embarks on an interstate game of cat and mouse with his sinister quarry. He will soon learn that his adversary possesses abilities that may surpass his own and operates in service to infinitely more formidable foes, with murder a mere prelude to much deeper designs. Traveling across a landscape haunted by portents of impending catastrophe, Odd will do what he must and go where his path leads him, drawing ever closer to the dark heart of his long journey—and, perhaps, to the bright light beyond.

Praise for Deeply Odd and Dean Koontz’s Odd Thomas series
 
“Not since Watchers has Dean Koontz created such an endearing and enduring character as Odd Thomas. . . . One of our contemporary masters.”—San Antonio Express-News
 
“[A] popular series . . . Koontz asks real questions about the nature of good and evil.”—The New York Times Book Review
 
“Odd evokes the homespun wisdom of Forrest Gump amid the mind-spinning adventures of a Jack Bauer. . . . The ultimate Everyman . . . an avatar of hope and honor and courage for all of us—the linchpin of a rollicking good tale.”—BookPage
 
“There’s never anything predictable about an Odd Thomas adventure. Another satisfying entry in this wildly popular series. It’s Koontz, and it’s Odd. Class dismissed.”—Booklist
From the creators of the wildly popular Welcome to Night Vale podcast comes an imaginative mystery of appearances and disappearances that is also a poignant look at the ways in which we all struggle to find ourselves...no matter where we live.

"Hypnotic and darkly funny. . . . Belongs to a particular strain of American gothic that encompasses The Twilight Zone, Stephen King and Twin Peaks, with a bit of Tremors thrown in."--The Guardian

Located in a nameless desert somewhere in the great American Southwest, Night Vale is a small town where ghosts, angels, aliens, and government conspiracies are all commonplace parts of everyday life. It is here that the lives of two women, with two mysteries, will converge.

Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "KING CITY" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels.

Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it.

Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "KING CITY". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it.

The spine-tingling, bone-chilling novel of supernatural suspense from the #1 New York Times bestselling author of The Fireman and Horns—now an AMC original series starring Zachary Quinto, Ebon Moss-Bachrach, and Ashleigh Cummings.

"A masterwork of horror."— Time

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be.

Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.

Then comes the day when Vic goes looking for trouble...and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie's evil is all grown up and desperate to forget. But Charlie Manx hasn't stopped thinking about Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special—something Vic can never replace.

As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.

Includes the story “The Man in the Black Suit”—set in the fictional town of Castle Rock, Maine

From #1 New York Times bestselling author Stephen King, the iconic, spine-tingling story collection that includes winners of an O. Henry Prize and other awards, and “Riding the Bullet,” which attracted over half a million online readers and became the most famous short story of the decade, as well as stories first published in The New Yorker, “1408,” made into a movie starring John Cusack.

“Riding the Bullet” is the story of Alan Parker, who’s hitchhiking to see his dying mother but takes the wrong ride, farther than he ever intended. In “Lunch at the Gotham Café,” a sparring couple’s contentious lunch turns very, very bloody when the maître d’ gets out of sorts. “1408,” the audio story in print for the first time, is about a successful writer whose specialty is “Ten Nights in Ten Haunted Graveyards,” or “Ten Nights in Ten Haunted Houses,” and though Room 1408 at the Dolphin Hotel doesn’t kill him, he won’t be writing about ghosts anymore. And in “That Feeling, You Can Only Say What It Is in French,” terror is déjà vu at 16,000 feet.

Whether writing about encounters with the dead, the near dead, or about the mundane dreads of life, from quitting smoking to yard sales, Stephen King is at the top of his form in the fourteen “brilliantly creepy” (USA TODAY) tales assembled in Everything’s Eventual. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Stories include:
-Autopsy Room Four
-The Man in the Black Suit
-All That You Love Will Be Carried Away
-The Death of Jack Hamilton
-In the Deathroom
-The Little Sisters of Eluria
-Everything's Eventual
-L.T.'s Theory of Pets
-The Road Virus Heads North
-Lunch at the Gotham Café
-That Feeling, You Can Only Say What It Is in French
-1408
-Riding the Bullet
-Luckey Quarter
Originally published in 1971, The Exorcist is now a major television series on FOX. It remains one of the most controversial novels ever written and went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying.

Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark.

Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

Fear, compassion, evil, courage, hope, wonder, the exquisite terror of not knowing what will happen on the next page to characters you care about deeply—these are the marvels that Dean Koontz weaves into the unique tapestry of every novel. His storytelling talents have earned him the devotion of fans around the world, making him one of the most popular authors of our time, with more than 200 million copies of his books sold worldwide.

Christopher Snow is different from all the other residents of Moonlight Bay, different from anyone you've ever met. For Christopher Snow has made his peace with a very rare genetic disorder shared by only one thousand other Americans, a disorder that leaves him dangerously vulnerable to light. His life is filled with the fascinating rituals of one who must embrace the dark. He knows the night as no one else ever will, ever can—the mystery, the beauty, the many terrors, and the eerie, silken rhythms of the night—for it is only at night that he is free.

Until the night he witnesses a series of disturbing incidents that sweep him into a violent mystery only he can solve, a mystery that will force him to rise above all fears and confront the many-layered strangeness of Moonlight Bay and its residents.

Once again drawing daringly from several genres, Dean Koontz has created a narrative that is a thriller, a mystery, a wild adventure, a novel of friendship, a rousing story of triumph over severe physical limitations, and a haunting cautionary tale.

This ebook edition contains a special preview of Dean Koontz’s The Silent Corner.
Mile 81 is Stand by Me meets Christine—the story of an insatiable car and a heroic kid.

At Mile 81 on the Maine turnpike is a boarded up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons goes when his older brother, who’s supposed to be looking out for him, heads off to the gravel pit to play “paratroopers over the side.” Pete, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out.

Not much later, a mud-covered station wagon (which is strange because there hadn’t been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says “closed, no services.” The driver’s door opens but nobody gets out.

Doug Clayton, an insurance man from Bangor, is driving his Prius to a conference in Portland. On the backseat are his briefcase and suitcase and in the passenger bucket is a King James Bible, what Doug calls “the ultimate insurance manual,” but it isn’t going to save Doug when he decides to be the Good Samaritan and help the guy in the broken down wagon. He pulls up behind it, puts on his four-ways, and then notices that the wagon has no plates.

Ten minutes later, Julianne Vernon, pulling a horse trailer, spots the Prius and the wagon, and pulls over. Julianne finds Doug Clayton’s cracked cell phone near the wagon door – and gets too close herself. By the time Pete Simmons wakes up from his vodka nap, there are a half a dozen cars at the Mile 81 rest stop. Two kids – Rachel and Blake Lussier – and one horse named Deedee are the only living left. Unless you maybe count the wagon.
An instant classic, Brian Lumley's astonishing feat of imagination spawned a universe which Lumley has explored and expanded through more that a baker's dozen of novels and novellas.

Millions of copies of Necroscope and its successors are in print in a dozen languages throughout the world. Nominated for the British Fantasy Award, Necroscope has inspired everything from comic books and graphic novels to sculptures and soundtracks.

This new edition of Necroscope uses the author's preferred text and includes a special introduction by Brian Lumley, telling how the Necroscope saga came to be. It also includes chapter ornaments by Hugo-Award-Winning artist Bob Eggleton, long identified with Lumley's blood-sucking monsters.

As a classic, Necroscope rightfully claims a place in the Orb trade paperback list, for scholars of the field and the dedicated Lumley collector. And also for all the people who have read more than one mass market copy of the book to tatters.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all humanity.

In Necroscope, Harry is startled to discover that he is not the only person with unusual mental powers--Britain and the Soviet Union both maintain super-secret, psychically-powered espionage organizations. But Harry is the only person who knows about Thibor Ferenczy, a vampire long buried in the mountains of Romania--still horribly alive, in undeath--and Thibor's insane "offspring," Boris Dragosani, who rips information from the souls of the dead in a terrible, ever-lasting form of torture.

Somehow, Harry must convince Britain's E-Branch that only by working together can they locate and destroy Dragosani and his army of demonic warriors--before the half-vampire succeeds in taking over the world!

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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