"Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.
Concentrating not on rare landmarks but on typical dwellings in ordinary neighborhoods all across the United States -- houses built over the past three hundred years and lived in by Americans of every social and economic background -- the book provides you with the facts (and frame of reference) that will enable you to look in a fresh way at the houses you constantly see around you. It tells you -- and shows you in more than 1,200 illustrations -- what you need to know in order to be able to recognize the several distinct architectural styles and to understand their historical significance. What does that cornice mean? Or that porch? That door? When was this house built? What does its style say about the people who built it? You'll find the answers to such questions here.
This is how the book works: Each of thirty-nine chapters focuses on a particular style (and its variants). Each begins with a large schematic drawing that highlights the style's most important identifying features. Additional drawings and photographs depict the most common shapes and the principal subtypes, allowing you to see at a glance a wide range of examples of each style. Still more drawings offer close-up views of typical small details -- windows, doors, cornices, etc. -- that might be difficult to see in full-house pictures. The accompanying text is rich in information about each style -- describing in detail its identifying features, telling you where (and in what quantity) you're likely to find examples of it, discussing all of its notable variants, and revealing its origin and tracing its history.
In the book's introductory chapters you'll find invaluable general discussions of house-building materials and techniques ("Structure"), house shapes ("Form"), and the many traditions of architectural fashion ("Style") that have influenced American house design through the past three centuries. A pictorial key and glossary help lead you from simple, easily recognized architectural features -- the presence of a tile roof, for example -- to the styles in which that feature is likely to be found.
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In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.
From the Trade Paperback edition.
Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God.
Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.
When France fell to the Germans in June 1940, the legendary Hôtel Ritz on the Place Vendôme—an icon of Paris frequented by film stars and celebrity writers, American heiresses and risqué flappers, playboys, and princes—was the only luxury hotel of its kind allowed in the occupied city by order of Adolf Hitler.
Tilar J. Mazzeo traces the history of this cultural landmark from its opening in fin de siècle Paris. At its center, The Hotel on Place Vendôme is an extraordinary chronicle of life at the Ritz during wartime, when the Hôtel was simultaneously headquarters to the highest-ranking German officers, such as Reichsmarshal Hermann Göring, and home to exclusive patrons, including Coco Chanel. Mazzeo takes us into the grand palace’s suites, bars, dining rooms, and wine cellars, revealing a hotbed of illicit affairs and deadly intrigue, as well as stunning acts of defiance and treachery.
Rich in detail, illustrated with black-and-white photos, The Hotel on Place Vendôme is a remarkable look at this extraordinary crucible where the future of post-war France—and all of post-war Europe—was transformed.
Construction of the giant dam was a triumph of human ingenuity, yet the full story of this monumental endeavor has never been told. Now, in an engrossing, fast-paced narrative, Joseph E. Stevens recounts the gripping saga of Hoover Dam. Drawing on a wealth of material, including manuscript collections, government documents, contemporary newspaper and magazine accounts, and personal interviews and correspondence with men and women who were involved with the construction, he brings the Hoover Dam adventure to life.
Described here in dramatic detail are the deadly hazards the work crews faced as they hacked and blasted the dam’s foundation out of solid rock; the bitter political battles and violent labor unrest that threatened to shut the job down; the deprivation and grinding hardship endured by the workers’ families; the dam builders’ gambling, drinking, and whoring sprees in nearby Las Vegas; and the stirring triumphs and searing moments of terror as the massive concrete wedge rose inexorably from the canyon floor.
Here, too, is an unforgettable cast of characters: Henry Kaiser, Warren Bechtel, and Harry Morrison, the ambitious, headstrong construction executives who gambled fortune and fame on the Hoover Dam contract; Frank Crowe, the brilliant, obsessed field engineer who relentlessly drove the work force to finish the dam two and a half years ahead of schedule; Sims Ely, the irascible, teetotaling eccentric who ruled Boulder City, the straightlaced company town created for the dam workers by the federal government; and many more men and women whose courage and sacrifice, greed and frailty, made the dam’s construction a great human, as well as technological, adventure.
Hoover Dam is a compelling, irresistible account of an extraordinary American epic.
As The Indian Tipi makes obvious, the American Indian is both a practical person and a natural artist. Indian inventions are commonly both serviceable and beautiful. Other tents are hard to pitch, hot in summer, cold in winter, poorly lighted, unventilated, easily blown down, and ugly to boot. The conical tipi of the Plains Indian has none of these faults. It can be pitched by one person. It is roomy, well ventilated at all times, cool in summer, well lighted, proof against high winds and heavy downpours, and, with its cheerful fire inside, snug in the severest winter weather. Moreover, its tilted cone, trim smoke flaps, and crown of poles, presenting a different silhouette from every angle, form a shapely, stately dwelling even without decoration.
In this new edition the Laubins have retained all the invaluable aspects of the first edition, and have added a tremendous amount of new material on day-to-day living in the tipi: the section on Indian cooking has been expanded to include a large number and range of Indian foods and recipes, as well as methods of cooking over an open fire, with a reflector oven, and with a ground oven; there are new sections on making buckskin, making moccasins, and making cradle boards; there is a whole new section on child care and general household hints. Shoshoni, Cree, and Assiniboine designs have been added to the long list of tribal tipi types discussed.
This new edition is richly illustrated with color and black and white photographs, and drawings to aid in constructing and living in the tipi. It is written primarily for the interested amateur, and will appeal to anyone who likes camping, the out-of-doors, and American Indian lore.
For nearly a decade, Pulitzer Prize–winning critic Justin Davidson has explained the ever-changing city of New York to his readers at New York magazine, introducing new buildings, interviewing architects, tracking the way the transforming urban landscape shapes who New Yorkers are. Now, his extensive, inspiring knowledge will be available to a wide audience. An insider’s guide to the architecture and planning of New York that includes maps, photographs, and original insights from the men and women who built the city and lived in it—its designers, visionaries, artists, writers—Magnetic City offers first-time visitors and lifelong residents a new way to see New York.
Includes walking tours throughout Manhattan, Brooklyn, and the Bronx
• the Financial District
• the World Trade Center
• the Seaport and the Brooklyn waterfront
• Chelsea and the High Line
• 42nd Street
• the Upper West Side
• the South Bronx and Sugar Hill
Praise for Magnetic City
“An intimate, seductive guidebook.”—The New York Times
“An enthralling new book makes clear that I’m not alone in my home-town infatuation . . . lends nuance, texture and historical perspective to my impression that New York City has never been so appealing or life-affirming as it is today.”—New York Post
“[Davidson] combines a keen intelligence, experience, observational skills, expertise (especially but not solely architectural), and an elegant writing style to make this beautifully produced book indispensable.”—Booklist (starred review)
“A street-level celebration of New York City in all ‘its perpetual complexity and contradiction’ . . . a worthy companion to Alfred Kazin’s A Walker in the City and the American Institute of Architects guides to the architecture of New York as well as a treat for fans of the metropolis.”—Kirkus Reviews (starred review)
“Justin Davidson does more than direct our feet to New York’s hidden monuments. He explains the structure of the city with a clarity that would be bracing even for a Gotham habitué, but more than that, he finds the meaning in every building and byway.”—Andrew Solomon, National Book Award-winning author of Far from the Tree
“Mr. Davidson’s exceptional knowledge of our beloved city is inspiring. Magnetic City is now my official chaperone.”—Patti LuPone
“Justin Davidson has a mind alive to every signal, and his brilliant prose style transmits that electricity in black-and-white type. He is thus born to the task of capturing the chaotic splendor of New York City on the page.”—Alex Ross, author of Listen to This
“Justin Davidson’s beautiful tours of New York City invoke and redouble our love of the metropolis.”—Jerry Saltz, senior art critic, New York
Over 100 detailed illustrations, including 36 floor plans, depict such venerable residences as The Hermitage, Andrew Jackson's white-pillared homestead near Nashville; Annandale, a Mississippi mansion in the Italian Renaissance style; Rosedown, the Greek-revival state in Louisiana where John James Audubon completed Birds of America; Belle Alliance, a splendid plantation house of wrought iron and white pillars; the lovely Gothic chapel of Old Jefferson College, and many more. The author has provided a rich commentary on each house, offering colorful historical anecdotes and perceptive architectural analysis, along with additional material on carpentry, masonry, the portico, staircases, and other topics.
Architects will find this an especially revealing tour of the building styles and technical features of the great homes of the Old South. But general readers will also find it an insightful and absorbing look at a time long past in the lower Mississippi Valley, when the stately white-pillared mansions of the well-to-do graced the Southern landscapes and provided a bastion of security, comfort, and prosperity in a vast and promising new land.
Lincoln’s White House is the first book devoted to capturing the look, feel, and smell of the executive mansion from Lincoln’s inauguration in 1861 to his assassination in 1865. James Conroy brings to life the people who knew it, from servants to cabinet secretaries. We see the constant stream of visitors, from ordinary citizens to visiting dignitaries and diplomats. Conroy enables the reader to see how the Lincolns lived and how the administration conducted day-to-day business during four of the most tumultuous years in American history. Relying on fresh research and a character-driven narrative and drawing on untapped primary sources, he takes the reader on a behind-the-scenes tour that provides new insight into how Lincoln lived, led the government, conducted war, and ultimately, unified the country to build a better government of, by, and for the people.
Critically acclaimed author Robert Klara leads readers through an unmatched tale of political ambition and technical skill: the Truman administration's controversial rebuilding of the White House.
In 1948, President Harry Truman, enjoying a bath on the White House's second floor, almost plunged through the ceiling of the Blue Room into a tea party for the Daughters of the American Revolution. A handpicked team of the country's top architects conducted a secret inspection of the troubled mansion and, after discovering it was in imminent danger of collapse, insisted that the First Family be evicted immediately. What followed would be the most historically significant and politically complex home-improvement job in American history. While the Trumans camped across the street at Blair House, Congress debated whether to bulldoze the White House completely, and the Soviets exploded their first atomic bomb, starting the Cold War.
Indefatigable researcher Robert Klara reveals what has, until now, been little understood about this episode: America's most famous historic home was basically demolished, giving birth to today's White House. Leaving only the mansion's facade untouched, workmen gutted everything within, replacing it with a steel frame and a complex labyrinth deep below ground that soon came to include a top-secret nuclear fallout shelter,
The story of Truman's rebuilding of the White House is a snapshot of postwar America and its first Cold War leader, undertaking a job that changed the centerpiece of the country's national heritage. The job was by no means perfect, but it was remarkable—and, until now, all but forgotten.
It is the first book to showcase the amazing diversity of architecture, design and art found in Burma (Myanmar). Ranging for the monumental pagodas of Pagan (Bagan) to the architectural heritage of Rangoon (Yangon), religious as well as contemporary secular buildings are presented in rich detail. A series of authoritative essays by archaeological experts highlight the major influences sand styles found throughout the country, while chapters on Myanmar's rich art and craft traditions provide a wealth of information on Buddha images, lacquererware, painting, ceramics, woodcarving, bronzes, textiles, costumes and much more.
Burmese design, heavily influenced by its proximity to China and India, is a many-layered thing, interwoven with spiritual, religious and political messages. Burmese Design & Architecture takes an in-depth look at the entire span of Burmese design, from arts and crafts to both religious and secular architecture.
The book takes a look at equipment and materials, architectural drafting, and architectural drawing conventions. Discussions focus on drawing pencils, technical drawing pens, set squares/templates, circle templates/compasses, line weight/line types, drafting technique, drawing circular elements, floor plan, doors and windows in plan, stairs, wall indications, plan grids, and site boundaries. The manuscript examines rendition of value and context and graphic symbols and lettering. Topics include tonal values, media and techniques, value/texture rendition, material rendition, shades and shadows, people, furniture, graphic representation symbols, and hand lettering. The text explores freehand drawing and architectural presentations, including freehand sketching, graphic diagraming, and sketching equipment.
The publication is a valuable reference for architects interested in doing further studies in architectural graphics.
Campbell dispels long-held myths and casts a provocative new light on the true origins and meaning of the Gateway Arch. He shows that the monument was the scheme of shrewd city leaders who sought to renew downtown St. Louis and were willing to steal an election, destroy historic buildings, and drive out local people and businesses to achieve their goal. Campbell also tells the human story of the architect Eero Saarinen, whose prize-winning design brought him acclaim but also charges of plagiarism, and who never lived to see the completion of his vision. As a national symbol, the Gateway Arch has a singular place in American culture, Campbell concludes, yet it also stands as an instructive example of failed urban planning./div
This volume retains all of the photographs from the original two-volume work; the text, however, has been replaced with a version specially written for this edition. In addition to an introductory essay on the period's social and esthetic trends, extensive captions for each plate include most of the valuable information from Sheldon's descriptions plus biographical comments on the homeowners and their families, comments on paintings and sculptures, present condition of the houses, and locations.
Over 200 photographs of 97 grand buildings include rare photographs of the New York homes of Hamilton Fish and Ulysses S. Grant; multiple views of the Henry Villard house, now part of the Helmsley Palace Hotel in Manhattan; rooms from William H. Vanderbilt's Fifth Avenue residence; interiors from J. Pierpont Morgan's Madison Avenue home; the Marshall Field house in Chicago, and many others. Here are richly paneled rooms that rivaled the baronial halls of European castles, miniature art galleries, magnificent tapestries, plush draperies, and brilliant chandeliers. With its thorough scholarship and wealth of detail, this impressive survey offers not only inside views of the homes of the rich and powerful families during the Gilded Age but also fascinating insights into the social history and architectural development of the United States.
In this groundbreaking history, bestselling author Judith Dupré chronicles the most astonishing architectural project in memory: One World Trade Center.
The new World Trade Center represents one of the most complex collaborations in human history. Nearly every state in the nation, a dozen countries around the world, and more than 25,000 workers helped raise the tower, which consumed ninety million pounds of steel, one million square feet of glass, and enough concrete to pave a sidewalk from New York to Chicago.
With more than seventy interviews with the people most intimately involved, and unprecedented access to the building site, suppliers, and archives, Dupré unfurls the definitive story of fourteen years of conflict and controversy-and its triumphant resolution.
This fascinating, oversize book delivers new insight into the 1,776-foot-tall engineering marvel, from design and excavation through the final placement of its spire. It offers:Access to the minds of world-class architects, engineers, ironworkers, and other tradespeoplePanoramas of New York from One World Observatory-1,268 feet above the earthDramatic cutaways that show the building's advanced structural technologiesA time-lapse montage showing the evolution of the sixteen-acre site Chronologies tracking design, construction, and financial milestones, with rare historic photographs
It also features extensive tour of the entire Trade Center, including in-depth chapters on Two, Three, Four, and Seven World Trade Center; the National September 11 Memorial & Museum; Liberty Park; St. Nicholas National Shrine; and the soaring Transportation Hub.
One World Trade Center is the only book authorized by the Port Authority of New York & New Jersey, and the one book necessary to understand the new World Trade Center in its totality. This is a must-have celebration of American resilience and ingenuity for all who are invested in the rebuilding of Ground Zero.
You may be surprised by what you find inside-and you will undoubtedly be inspired.
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....
So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age.
Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Asia has emerged in the last couple of decades as the global leader in tropical villa design. With innovative indoor/outdoor architecture engineered to facilitate relaxed, al fresco lifestyles, there are myriad solutions to suit every taste and pocket. Featuring hundreds of homes, garden estates, hotels, restaurants and more from India to Indochina, Indonesia to Sri Lanka, the design book gives a tantalizing glimpse of the latest trends for tropical wannabe decorators.
Full-color photography of interiors and exteriors, garden features, pools and pavilions, as well as decorative details and fashion forward furniture, is accompanied by insightful text that traces past history and present trends, and predicts what is to come, design wise, in the future.
headlands of Marin County, as if to suggest the paradox of California
and America itself-the place that Fitzgerald saw as the last spot
commensurate with the human capacity for wonder. The bridge, completed
in 1937, also announced to the world America's engineering prowess and
full assumption of its destined continental dominance. The Golden Gate
is a counterpart to the Statue of Liberty, pronouncing American
achievement in an unmistakable American fashion. The nation's very
history is expressed in the bridge's art deco style and stark
Kevin Starr's Golden Gate is a brilliant and
passionate telling of the history of the bridge, and the rich and
peculiar history of the California experience. The Golden Gate is a
grand public work, a symbol and a very real bridge, a magnet for both
postcard photographs and suicides. In this compact but comprehensive
narrative, Starr unfolds the hidden-in-plain-sight meaning of the Golden
Gate, putting it in its place among classic works of art.
Photographers Steve Gross and Susan Daley specialize in photographing interiors and the architecture of the changing American landscape. They are the coauthors of ten previous books on the various styles of American homes and design, including Creole Houses, Old Florida, and most recently Farmhouse Revival and The Creative Cottage. Their work has been published extensively in magazines around the world and is in private collections including the Smithsonian Institution
Clearly laid out and fully illustrated, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites, but also its lesser-known gems. Maps are tailored to each walking tour and provide additional references and insights, along with introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference materials, Goy’s guide will appeal both to travelers who desire a greater architectural context and analysis than that offered by a traditional guide and to return visitors looking to rediscover Florence’s most enchanting sites.
Bali is an island with literally tens of thousands of temples, a proliferation of religious architecture probably not equaled anywhere else in the world. Each temple is like a model of the universe in miniature, reflecting Balinese assumptions about the nature of the universe and man's place in relation to the gods, the ancestors, and the rest of creation.
This book is intended as a general introduction to the architectural symbolism of the typical Balinese temple and the cosmological significance of its layout. The informative text is complemented by dozens of watercolor illustrations and will provide a useful guide to many of the temples that the reader is likely to visit during a stay on the island.
This book includes such highlights as the Grand Opera House, once graced by entertainers and cultural icons like Charlie Chaplin, Sarah Bernhardt and Mark Twain; the infamous brothels protested by reformer Carrie Nation, wielding her hatchet and sharp tongue; and the Columbia Gardens, built by copper king William Clark as a respite from the smoke and toil of the mines and later destroyed by fire. Through the stories of these structures, lost to the march of time and urban renewal, historian Richard Gibson recalls the boom and bust of Butte, once a mining metropolis and now part of the largest National Historic Landmark District.
The result was Expo 86, and more than 22 million people came for the party. It took eight years of planning and hard work to transform a former railroad yard into a colourful showplace full of pavilions and shows for the six-month event, but those lucky enough to have been there would agree that it was worth it. Expo 86, truly a worlds fair,
included pavilions from 9 provinces and territories, 54 nations and international groups, and 3 American states. Many of Canadas largest industries joined in, as well, to celebrate the fairs theme, A World
in Movement, A World in Touch. Vintage photographs recapture the fun and excitement of the largest event held to that time in British Columbia.
To create this unique volume, Karen Lehrman Bloch interviewed renowned aesthetes with homes all over the world, including interior designers Juan Montoya, Darryl Carter, and Vicente Wolf; fashion designers Donna Karan, Alberta Ferretti, and Consuelo Castiglioni; stylist Lori Goldstein; and artist Michele Oka Doner.
The direct and practical advice featured inside, along with a wealth of extraordinary photographs of the homes, teaches us how to feel visually, understand color and texture, and find objects, new and used, with a sense of life. An inspired home, Bloch reveals, fulfills our physical and spiritual needs, provides an enduring sense of rejuvenation and pleasure, and is both easily attainable and timeless.
Abundant with details uncovered by Hafertepe in his research, including corrections to construction dates based on newly tapped records, this guide features those buildings visible to visitors from the public streets and sidewalks. The author lists which buildings are open for tours and which ones have been converted to public use such as museums, stores, or restaurants.
The buildings of Fredericksburg reflect memories of classic German construction and technique with a gradual transition to American styles, including a few remarkable decades that were neither purely German nor American distinctively but saw the creation of a regional style.
This book allows readers to walk down the streets of Fredericksburg and see the layers of Texas history on display: everything from a pioneer log cabin to an art deco courthouse.
The world has changed immeasurably over the last thirty years, with more, bigger, better being the common mantra. But in the midst of this constantly evolving world, there is a growing community of people who are looking at our history, searching for answers to issues that are faced everywhere, such as energy, water, materials, food and population crisis.
In Just Enough, author Azby Brown turned to the history of Japan, where he finds a number of lessons on living in a sustainable society that translate beyond place and time. This book of stories depicts vanished ways of life from the point of view of a contemporary observer, and presents a compelling argument around how to forge a society that is conservation-minded, waste-free, well-housed, well-fed and economically robust.
Included at the end of each section are lessons in which Brown elaborates on what Edo Period life has to offer us in the global battle to reverse environmental degradation. Covering topics on everything from transportation, interconnected systems, and waste reduction to the need for spiritual centers in the home, there is something here for everyone looking to make changes in their life.
Just Enough is much-needed beacon in our evolving world, giving us hope in our efforts to achieve sustainability now.