Concentrating not on rare landmarks but on typical dwellings in ordinary neighborhoods all across the United States -- houses built over the past three hundred years and lived in by Americans of every social and economic background -- the book provides you with the facts (and frame of reference) that will enable you to look in a fresh way at the houses you constantly see around you. It tells you -- and shows you in more than 1,200 illustrations -- what you need to know in order to be able to recognize the several distinct architectural styles and to understand their historical significance. What does that cornice mean? Or that porch? That door? When was this house built? What does its style say about the people who built it? You'll find the answers to such questions here.
This is how the book works: Each of thirty-nine chapters focuses on a particular style (and its variants). Each begins with a large schematic drawing that highlights the style's most important identifying features. Additional drawings and photographs depict the most common shapes and the principal subtypes, allowing you to see at a glance a wide range of examples of each style. Still more drawings offer close-up views of typical small details -- windows, doors, cornices, etc. -- that might be difficult to see in full-house pictures. The accompanying text is rich in information about each style -- describing in detail its identifying features, telling you where (and in what quantity) you're likely to find examples of it, discussing all of its notable variants, and revealing its origin and tracing its history.
In the book's introductory chapters you'll find invaluable general discussions of house-building materials and techniques ("Structure"), house shapes ("Form"), and the many traditions of architectural fashion ("Style") that have influenced American house design through the past three centuries. A pictorial key and glossary help lead you from simple, easily recognized architectural features -- the presence of a tile roof, for example -- to the styles in which that feature is likely to be found.
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"Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.
Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God.
Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.
In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.
From the Trade Paperback edition.
For nearly a decade, Pulitzer Prize–winning critic Justin Davidson has explained the ever-changing city of New York to his readers at New York magazine, introducing new buildings, interviewing architects, tracking the way the transforming urban landscape shapes who New Yorkers are. Now, his extensive, inspiring knowledge will be available to a wide audience. An insider’s guide to the architecture and planning of New York that includes maps, photographs, and original insights from the men and women who built the city and lived in it—its designers, visionaries, artists, writers—Magnetic City offers first-time visitors and lifelong residents a new way to see New York.
Includes walking tours throughout Manhattan, Brooklyn, and the Bronx
• the Financial District
• the World Trade Center
• the Seaport and the Brooklyn waterfront
• Chelsea and the High Line
• 42nd Street
• the Upper West Side
• the South Bronx and Sugar Hill
Praise for Magnetic City
“An intimate, seductive guidebook.”—The New York Times
“An enthralling new book makes clear that I’m not alone in my home-town infatuation . . . lends nuance, texture and historical perspective to my impression that New York City has never been so appealing or life-affirming as it is today.”—New York Post
“[Davidson] combines a keen intelligence, experience, observational skills, expertise (especially but not solely architectural), and an elegant writing style to make this beautifully produced book indispensable.”—Booklist (starred review)
“A street-level celebration of New York City in all ‘its perpetual complexity and contradiction’ . . . a worthy companion to Alfred Kazin’s A Walker in the City and the American Institute of Architects guides to the architecture of New York as well as a treat for fans of the metropolis.”—Kirkus Reviews (starred review)
“Justin Davidson does more than direct our feet to New York’s hidden monuments. He explains the structure of the city with a clarity that would be bracing even for a Gotham habitué, but more than that, he finds the meaning in every building and byway.”—Andrew Solomon, National Book Award-winning author of Far from the Tree
“Mr. Davidson’s exceptional knowledge of our beloved city is inspiring. Magnetic City is now my official chaperone.”—Patti LuPone
“Justin Davidson has a mind alive to every signal, and his brilliant prose style transmits that electricity in black-and-white type. He is thus born to the task of capturing the chaotic splendor of New York City on the page.”—Alex Ross, author of Listen to This
“Justin Davidson’s beautiful tours of New York City invoke and redouble our love of the metropolis.”—Jerry Saltz, senior art critic, New York
When France fell to the Germans in June 1940, the legendary Hôtel Ritz on the Place Vendôme—an icon of Paris frequented by film stars and celebrity writers, American heiresses and risqué flappers, playboys, and princes—was the only luxury hotel of its kind allowed in the occupied city by order of Adolf Hitler.
Tilar J. Mazzeo traces the history of this cultural landmark from its opening in fin de siècle Paris. At its center, The Hotel on Place Vendôme is an extraordinary chronicle of life at the Ritz during wartime, when the Hôtel was simultaneously headquarters to the highest-ranking German officers, such as Reichsmarshal Hermann Göring, and home to exclusive patrons, including Coco Chanel. Mazzeo takes us into the grand palace’s suites, bars, dining rooms, and wine cellars, revealing a hotbed of illicit affairs and deadly intrigue, as well as stunning acts of defiance and treachery.
Rich in detail, illustrated with black-and-white photos, The Hotel on Place Vendôme is a remarkable look at this extraordinary crucible where the future of post-war France—and all of post-war Europe—was transformed.
Pioneering Japanologist A. L. Sadler's invaluable study of Japanese architecture first appeared in 1941. Considered a classic in its field, unequaled in clarity and insight, Japanese Architecture A Short History is a lucid and uncomplicated introduction to this important aspect of Japanese culture. Beginning with the earliest evidence from prehistory and ending with the Edo period, when Japan attained stature as a modern state, Japanese Architecture is as relevant today as it was in 1941.
The book includes an overview of Japanese domestic architecture as it evolved through successive periods of history and perfected the forms so widely admired in the West. Of particular importance in this respect are the four concluding chapters, in which the distinctive features of the Japanese house are presented in clear detail. The architecture book also contains excellent illustrations, which show details of planning and construction.
Construction of the giant dam was a triumph of human ingenuity, yet the full story of this monumental endeavor has never been told. Now, in an engrossing, fast-paced narrative, Joseph E. Stevens recounts the gripping saga of Hoover Dam. Drawing on a wealth of material, including manuscript collections, government documents, contemporary newspaper and magazine accounts, and personal interviews and correspondence with men and women who were involved with the construction, he brings the Hoover Dam adventure to life.
Described here in dramatic detail are the deadly hazards the work crews faced as they hacked and blasted the dam’s foundation out of solid rock; the bitter political battles and violent labor unrest that threatened to shut the job down; the deprivation and grinding hardship endured by the workers’ families; the dam builders’ gambling, drinking, and whoring sprees in nearby Las Vegas; and the stirring triumphs and searing moments of terror as the massive concrete wedge rose inexorably from the canyon floor.
Here, too, is an unforgettable cast of characters: Henry Kaiser, Warren Bechtel, and Harry Morrison, the ambitious, headstrong construction executives who gambled fortune and fame on the Hoover Dam contract; Frank Crowe, the brilliant, obsessed field engineer who relentlessly drove the work force to finish the dam two and a half years ahead of schedule; Sims Ely, the irascible, teetotaling eccentric who ruled Boulder City, the straightlaced company town created for the dam workers by the federal government; and many more men and women whose courage and sacrifice, greed and frailty, made the dam’s construction a great human, as well as technological, adventure.
Hoover Dam is a compelling, irresistible account of an extraordinary American epic.
As The Indian Tipi makes obvious, the American Indian is both a practical person and a natural artist. Indian inventions are commonly both serviceable and beautiful. Other tents are hard to pitch, hot in summer, cold in winter, poorly lighted, unventilated, easily blown down, and ugly to boot. The conical tipi of the Plains Indian has none of these faults. It can be pitched by one person. It is roomy, well ventilated at all times, cool in summer, well lighted, proof against high winds and heavy downpours, and, with its cheerful fire inside, snug in the severest winter weather. Moreover, its tilted cone, trim smoke flaps, and crown of poles, presenting a different silhouette from every angle, form a shapely, stately dwelling even without decoration.
In this new edition the Laubins have retained all the invaluable aspects of the first edition, and have added a tremendous amount of new material on day-to-day living in the tipi: the section on Indian cooking has been expanded to include a large number and range of Indian foods and recipes, as well as methods of cooking over an open fire, with a reflector oven, and with a ground oven; there are new sections on making buckskin, making moccasins, and making cradle boards; there is a whole new section on child care and general household hints. Shoshoni, Cree, and Assiniboine designs have been added to the long list of tribal tipi types discussed.
This new edition is richly illustrated with color and black and white photographs, and drawings to aid in constructing and living in the tipi. It is written primarily for the interested amateur, and will appeal to anyone who likes camping, the out-of-doors, and American Indian lore.
Simplicity, sensitivity to the natural environment, and the use of natural materials are the hallmarks of Japanese architecture. The Art of Japanese Architecture provides a broad overview of traditional Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of modern Japanese buildings. Important historical influences and trends—notably the introduction of Buddhist culture from Korea and China, the development of feudalism, and the influence of modern Western styles of building—are all discussed in detail as facets of Japanese design.
Through all of these changes, a restrained architectural tradition developed in marked contrast to an exuberant tradition characterized by monumentality and the use of bold colors. The book provides tremendous insights into the dynamic nature of Japanese architecture and how it reflects an underlying diversity within Japanese culture.
The book is profusely illustrated with over 370 color photographs, woodblock prints, maps, diagrams, and specially commissioned watercolors.
Critically acclaimed author Robert Klara leads readers through an unmatched tale of political ambition and technical skill: the Truman administration's controversial rebuilding of the White House.
In 1948, President Harry Truman, enjoying a bath on the White House's second floor, almost plunged through the ceiling of the Blue Room into a tea party for the Daughters of the American Revolution. A handpicked team of the country's top architects conducted a secret inspection of the troubled mansion and, after discovering it was in imminent danger of collapse, insisted that the First Family be evicted immediately. What followed would be the most historically significant and politically complex home-improvement job in American history. While the Trumans camped across the street at Blair House, Congress debated whether to bulldoze the White House completely, and the Soviets exploded their first atomic bomb, starting the Cold War.
Indefatigable researcher Robert Klara reveals what has, until now, been little understood about this episode: America's most famous historic home was basically demolished, giving birth to today's White House. Leaving only the mansion's facade untouched, workmen gutted everything within, replacing it with a steel frame and a complex labyrinth deep below ground that soon came to include a top-secret nuclear fallout shelter,
The story of Truman's rebuilding of the White House is a snapshot of postwar America and its first Cold War leader, undertaking a job that changed the centerpiece of the country's national heritage. The job was by no means perfect, but it was remarkable—and, until now, all but forgotten.
Lincoln’s White House is the first book devoted to capturing the look, feel, and smell of the executive mansion from Lincoln’s inauguration in 1861 to his assassination in 1865. James Conroy brings to life the people who knew it, from servants to cabinet secretaries. We see the constant stream of visitors, from ordinary citizens to visiting dignitaries and diplomats. Conroy enables the reader to see how the Lincolns lived and how the administration conducted day-to-day business during four of the most tumultuous years in American history. Relying on fresh research and a character-driven narrative and drawing on untapped primary sources, he takes the reader on a behind-the-scenes tour that provides new insight into how Lincoln lived, led the government, conducted war, and ultimately, unified the country to build a better government of, by, and for the people.
Campbell dispels long-held myths and casts a provocative new light on the true origins and meaning of the Gateway Arch. He shows that the monument was the scheme of shrewd city leaders who sought to renew downtown St. Louis and were willing to steal an election, destroy historic buildings, and drive out local people and businesses to achieve their goal. Campbell also tells the human story of the architect Eero Saarinen, whose prize-winning design brought him acclaim but also charges of plagiarism, and who never lived to see the completion of his vision. As a national symbol, the Gateway Arch has a singular place in American culture, Campbell concludes, yet it also stands as an instructive example of failed urban planning./div
A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom.
James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin
"I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart
It is the first book to showcase the amazing diversity of architecture, design and art found in Burma (Myanmar). Ranging from the monumental pagodas of Pagan (Bagan) to the architectural heritage of Rangoon (Yangon), religious as well as contemporary secular buildings are presented in rich detail. A series of authoritative essays by archaeological experts highlight the major influences and styles found throughout the country, while chapters on Myanmar's rich art and craft traditions provide a wealth of information on Buddha images, lacquerware, painting, ceramics, woodcarving, bronzes, textiles, costumes and much more.
Burmese design, heavily influenced by its proximity to China and India, is a many-layered thing, interwoven with spiritual, religious and political messages. Burmese Design & Architecture takes an in-depth look at the entire span of Burmese design, from arts and crafts to both religious and secular architecture.
Over 100 detailed illustrations, including 36 floor plans, depict such venerable residences as The Hermitage, Andrew Jackson's white-pillared homestead near Nashville; Annandale, a Mississippi mansion in the Italian Renaissance style; Rosedown, the Greek-revival state in Louisiana where John James Audubon completed Birds of America; Belle Alliance, a splendid plantation house of wrought iron and white pillars; the lovely Gothic chapel of Old Jefferson College, and many more. The author has provided a rich commentary on each house, offering colorful historical anecdotes and perceptive architectural analysis, along with additional material on carpentry, masonry, the portico, staircases, and other topics.
Architects will find this an especially revealing tour of the building styles and technical features of the great homes of the Old South. But general readers will also find it an insightful and absorbing look at a time long past in the lower Mississippi Valley, when the stately white-pillared mansions of the well-to-do graced the Southern landscapes and provided a bastion of security, comfort, and prosperity in a vast and promising new land.
Photographers Steve Gross and Susan Daley specialize in photographing interiors and the architecture of the changing American landscape. They are the coauthors of ten previous books on the various styles of American homes and design, including Creole Houses, Old Florida, and most recently Farmhouse Revival and The Creative Cottage. Their work has been published extensively in magazines around the world and is in private collections including the Smithsonian Institution
To create this unique volume, Karen Lehrman Bloch interviewed renowned aesthetes with homes all over the world, including interior designers Juan Montoya, Darryl Carter, and Vicente Wolf; fashion designers Donna Karan, Alberta Ferretti, and Consuelo Castiglioni; stylist Lori Goldstein; and artist Michele Oka Doner.
The direct and practical advice featured inside, along with a wealth of extraordinary photographs of the homes, teaches us how to feel visually, understand color and texture, and find objects, new and used, with a sense of life. An inspired home, Bloch reveals, fulfills our physical and spiritual needs, provides an enduring sense of rejuvenation and pleasure, and is both easily attainable and timeless.
Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional Chinese homes, presenting examples from a range of rural and metropolitan areas throughout China.
The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen.
Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience.
Japanese interior design has long been renowned for its spare beauty, utility and grace. Today, more and more people outside Japan are incorporating Japanese features in their homes and gardens as they come to appreciate the way in which materials, colors, patterns and shapes are interwoven in a uniquely light and evocative way.
Japan Home, lavishly illustrated with full-color photos and packed with practical information, is the perfect source for anyone eager to find ways to decorate or enhance their home with that special Japanese flair. The authors explore ways to create typical Japanese spaces both inside and outside the home that are tranquil yet dramatic, understated yet elegant. All designs are enriched with the distinct Japanese aesthetic.
This concise, scholarly volume traces the history of the castle from its ancient roots in the Levant, through Roman times and the Middle Ages, to the fanciful chateaux of the sixteenth century. Profusely illustrated with nearly 200 photographs, floor-plan diagrams, and pen-and-ink renderings, Castles explores innovations in castle design, siege operations, artillery, and other weapons, living conditions within the castle, and clearly explains intriguing features of construction: moats, baileys, keeps, donjons, barbicans, double curtains, loopholes, and many others.
In addition, noted historian and fortification expert Sidney Toy takes the reader on a detailed guided tour of over 120 of the most famous castles and fortresses of Europe and the Middle East. Explore Caernarvon Castle (associated with the Princes of Wales), Dover Castle, Arundel Castle, Hadrian's Wall, the Tower of London, the famed city of Troy, and dozens of others in vivid accounts focusing on the architecture, offensive and defensive modifications, and historical importance of each structure or site.
Castle enthusiasts, medievalists, military buffs, travelers, and anyone interested in the evolution and development of the castle will find this meticulously researched overview an informative and absorbing account.
The Baltimore Rowhouse tells the fascinating 200-year story of this building type. It chronicles the evolution of the rowhouse from its origins as speculative housing for immigrants, through its reclamation and renovation by young urban pioneers thanks to local government sponsorship, to its current occupation by a new cadre of wealthy professionals.
This volume retains all of the photographs from the original two-volume work; the text, however, has been replaced with a version specially written for this edition. In addition to an introductory essay on the period's social and esthetic trends, extensive captions for each plate include most of the valuable information from Sheldon's descriptions plus biographical comments on the homeowners and their families, comments on paintings and sculptures, present condition of the houses, and locations.
Over 200 photographs of 97 grand buildings include rare photographs of the New York homes of Hamilton Fish and Ulysses S. Grant; multiple views of the Henry Villard house, now part of the Helmsley Palace Hotel in Manhattan; rooms from William H. Vanderbilt's Fifth Avenue residence; interiors from J. Pierpont Morgan's Madison Avenue home; the Marshall Field house in Chicago, and many others. Here are richly paneled rooms that rivaled the baronial halls of European castles, miniature art galleries, magnificent tapestries, plush draperies, and brilliant chandeliers. With its thorough scholarship and wealth of detail, this impressive survey offers not only inside views of the homes of the rich and powerful families during the Gilded Age but also fascinating insights into the social history and architectural development of the United States.
This contemporary Asian design book contains over 400 color photos by world-renowned photographer Luca Invernizzi Tettoni. Each home is designed to achieve perfect harmony with its tropical surroundings. In this book, the essential design elements of these homes are presented thematically, to show the various ways in which the harmony and beauty is achieved.
Well-known architects, designers and authorities on Asia's cultural heritage provide insightful views on the houses and their design elements. A final section on tropical decorating provides helpful tips on selecting Asian fabrics, furniture and artifacts.
Manhattan's oldest residence. Built by Roger Morris in 1765 as a summer estate, it has truly been a witness to history throughout the last 250 years. Located in the upper Manhattan neighborhood of Washington Heights, the mansion sits on a large hill, with sweeping views of both the East and Hudson Rivers. George Washington strategically located his headquarters here during the fall of 1776, but the Jumels, who made the house their home from 1810 to 1895, left the most indelible mark. In 1904, the residence became a museum, thanks to the Daughters of the American Revolution, who saved the house and allowed it to grow with the changing neighborhood. Today, this landmark is a symbol of both the long history of the city and the contemporary face of its now diverse neighborhood.
headlands of Marin County, as if to suggest the paradox of California
and America itself-the place that Fitzgerald saw as the last spot
commensurate with the human capacity for wonder. The bridge, completed
in 1937, also announced to the world America's engineering prowess and
full assumption of its destined continental dominance. The Golden Gate
is a counterpart to the Statue of Liberty, pronouncing American
achievement in an unmistakable American fashion. The nation's very
history is expressed in the bridge's art deco style and stark
Kevin Starr's Golden Gate is a brilliant and
passionate telling of the history of the bridge, and the rich and
peculiar history of the California experience. The Golden Gate is a
grand public work, a symbol and a very real bridge, a magnet for both
postcard photographs and suicides. In this compact but comprehensive
narrative, Starr unfolds the hidden-in-plain-sight meaning of the Golden
Gate, putting it in its place among classic works of art.
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....
So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age.
Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Asia has emerged in the last couple of decades as the global leader in tropical villa design. With innovative indoor/outdoor architecture engineered to facilitate relaxed, al fresco lifestyles, there are myriad solutions to suit every taste and pocket. Featuring hundreds of homes, garden estates, hotels, restaurants and more from India to Indochina, Indonesia to Sri Lanka, the design book gives a tantalizing glimpse of the latest trends for tropical wannabe decorators.
Full-color photography of interiors and exteriors, garden features, pools and pavilions, as well as decorative details and fashion forward furniture, is accompanied by insightful text that traces past history and present trends, and predicts what is to come, design wise, in the future.
Bali is an island with literally tens of thousands of temples, a proliferation of religious architecture probably not equaled anywhere else in the world. Each temple is like a model of the universe in miniature, reflecting Balinese assumptions about the nature of the universe and man's place in relation to the gods, the ancestors, and the rest of creation.
This book is intended as a general introduction to the architectural symbolism of the typical Balinese temple and the cosmological significance of its layout. The informative text is complemented by dozens of watercolor illustrations and will provide a useful guide to many of the temples that the reader is likely to visit during a stay on the island.