Publishing Co., 1995), this anthology will be most useful to
instructors who must try to do justice to Aristotle in a semester-long
ancient-philosophy survey, but it will also be appropriate for a variety
of introductory-level courses. Introductory Readings provides accurate,
readable, and integrated translations that allow the reader to follow
Aristotle's use of crucial technical terms and to grasp the details of
his argument. Included are adaptations of the glossary and notes that
helped make its parent volume a singularly useful aid to the study of
In CliffsNotes on Mythology, you'll review the myths from seven different cultures and gain an overview of the stories that people have lived by from ancient times to the present. The gods and their stories depict life's lessons and personal relationships and present a moral code of human conduct. These stories are also a map to understanding history.
This CliffsNotes guide covers Egyptian, Babylonian, Indian, Greek, Roman, and Norse mythologies, as well as the Arthurian legends. Features that help you figure out these important works includeAn introduction to mythologyThe main gods of various culturesReview questionsRecommended readingsGenealogical tables of major gods
Classic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
are all warriors. Each of us struggles every day to define and defend
our sense of purpose and integrity, to justify our existence on the
planet and to understand, if only within our own hearts, who we are and
what we believe in. Do we fight by a code? If so, what is it? What is
the Warrior Ethos? Where did it come from? What form does it take today?
How do we (and how can we) use it and be true to it in our internal and
The Warrior Ethos is intended not only for men
and women in uniform, but artists, entrepreneurs and other warriors in
other walks of life. The book examines the evolution of the warrior code
of honor and "mental toughness." It goes back to the ancient Spartans
and Athenians, to Caesar's Romans, Alexander's Macedonians and the
Persians of Cyrus the Great (not excluding the Garden of Eden and the
primitive hunting band). Sources include Herodotus, Thucydides,
Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen.
George Patton, Field Marshal Erwin Rommel, and Israeli Minister of
Defense, Moshe Dayan.
Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.
The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia’s mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra’s encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.
The trilogy is presented here in George Thomson’s classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.
(Book Jacket Status: Jacketed)
Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."
In CliffsNotes on The Odyssey, you follow along on Homer's grand adventure. This epic poem unfurls the story of Odysseus' triumph over Troy and arduous journey home to reclaim his kingdom. At 2,500 years old, it is one of the finest books ever written; as poetry, it sets the standard for comparison; and it serves as one of the foundations of the Western world's cultural heritage.
This study guide carries you along on Odysseus' journey by providing summaries and critical analyses of each book. You'll also explore the life and background of the epic, Homer, and gain insight into the Homeric Question. Other features that help you study includeCharacter analyses of major playersA character map that graphically illustrates the relationships among the charactersCritical essays on the literary devices and major symbols of The OdysseyA review section that tests your knowledgeA Resource Center full of books, articles, films, and Internet sites
Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
Is history destined to repeat itself?Will biblical prophecies come true, and if so, when?
It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnaki—the extraterrestrials who fashioned man and gave mankind civilization and religion. In this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.
In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Future—that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.
In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.
In Stephen Mitchell’s Iliad, the epic story resounds again across 2,700 years, as if the lifeblood of its heroes Achilles and Patroclus, Hector and Priam flows in every word. And we are there with them, amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful.
Mitchell’s Iliad is the first translation based on the work of the preeminent Homeric scholar Martin L. West, whose edition of the original Greek identifies many passages that were added after the Iliad was first written down, to the detriment of the music and the story. Omitting these hundreds of interpolated lines restores a dramatically sharper, leaner text. In addition, Mitchell’s illuminating introduction opens the epic still further to our understanding and appreciation.
Now, thanks to Stephen Mitchell’s scholarship and the power of his language, the Iliad’s ancient story comes to moving, vivid new life.
From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion.
At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries.
The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.
Introducing his celebrated translations of these two poems and of the Shield, a very ancient poem of disputed authorship, Apostolos Athanassakis positions Hesiod simultaneously as a philosopher-poet, a bard with deep roots in the culture of his native Boeotia, and the heir to a long tradition of Hellenic poetry. For this eagerly anticipated revised edition, Athanassakis has provided an expanded introduction on Hesiod and his work, subtly amended his faithful translations, significantly augmented the notes and index, and updated the bibliography. Already a classic, Hesiod: Theogony, Works and Days, Shield is now more valuable than ever for students of Greek mythology and literature.-- Peter L. Smith
Two thousand years ago, an itinerant Jewish preacher walked across the Galilee, gathering followers to establish what he called the “Kingdom of God.” The revolutionary movement he launched was so threatening to the established order that he was executed as a state criminal. Within decades after his death, his followers would call him God.
Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history’s most enigmatic figures by examining Jesus through the lens of the tumultuous era in which he lived. Balancing the Jesus of the Gospels against the historical sources, Aslan describes a man full of conviction and passion, yet rife with contradiction. He explores the reasons the early Christian church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary. And he grapples with the riddle of how Jesus understood himself, the mystery that is at the heart of all subsequent claims about his divinity.
Zealot yields a fresh perspective on one of the greatest stories ever told even as it affirms the radical and transformative nature of Jesus’ life and mission.
Praise for Zealot
“Riveting . . . Aslan synthesizes Scripture and scholarship to create an original account.”—The New Yorker
“Fascinatingly and convincingly drawn . . . Aslan may come as close as one can to respecting those who revere Jesus as the peace-loving, turn-the-other-cheek, true son of God depicted in modern Christianity, even as he knocks down that image.”—The Seattle Times
“[Aslan’s] literary talent is as essential to the effect of Zealot as are his scholarly and journalistic chops. . . . A vivid, persuasive portrait.”—Salon
“This tough-minded, deeply political book does full justice to the real Jesus, and honors him in the process.”—San Francisco Chronicle
“A special and revealing work, one that believer and skeptic alike will find surprising, engaging, and original.”—Jon Meacham, Pulitzer Prize–winning author of Thomas Jefferson: The Art of Power
“Compulsively readable . . . This superb work is highly recommended.”—Publishers Weekly (starred review)
• Full exposure to the grammar and morphology that students will encounter in actual texts
• Self-contained instructional chapters, with challenging, carefully tailored exercises
• Progressively more complex chapters to build the student's knowledge of declensions, tenses, and constructions by alternating emphasis on morphology and syntax
• Readings based on actual texts and include unadapted passages from Xenophon, Lysias, Plato, Aristophanes, and Thucydides.
• Concise introduction to the history of the Greek language
• Composite list of verbs with principal parts, and an appendix of all paradigms
• Greek-English and English-Greek glossaries
•Robust online supplements for teaching and learning available at atticgreek.org
•Answer Key to exercises also available from UC Press (978-0-520-27574-4)
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. "Farce" sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of "Realpolitik" which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion up-to-date and reveal farce as a complex and potent comic form, with its own history, rules and traditions. "Farce" sheds light on the genre, its history, and usage in terms of dramatic critics. Davis examines the recurring themes in farcical comedies including rebellion, revenge, and coincidence. This classic work, updated with a new introduction and 50% new material, has been a staple of literary and humor studies libraries for years. It is part of the Transaction Series in Humor edited by Arthur Asa Berger. Jessica Milner Davis co-ordinates the Australasian Humour Scholars Network from the University of New South Wales in Sydney as a Visiting Fellow in its Faculty of Arts and Social Sciences. Since her first book she has published a wide variety of papers on comedy and humor, edited two specialist volumes of "The Australian Journal of Comedy" (in 1997 and 2001) and serves on the boards of two international humor research journals and book-series.
? Romans on urban living: The satirist Juvenal lists "fires, falling buildings, and poets reciting in August as hazards to life in Rome."
? On enhanced interrogation: "If we are obliged to take evidence from an arena-fighter or some other such person, his testimony is not to be believed unless given under torture." (Justinian)
? On dreams: Dreaming of eating books "foretells advantage to teachers, lecturers, and anyone who earns his livelihood from books, but for everyone else it means sudden death"
? On food: "When people unwittingly eat human flesh, served by unscrupulous restaurant owners and other such people, the similarity to pork is often noted." (Galen)
? On marriage: In ancient Rome a marriage could be arranged even when the parties were absent, so long as they knew of the arrangement, "or agreed to it subsequently."
? On health care: Pliny caustically described medical bills as a "down payment on death," and Martial quipped that "Diaulus used to be a doctor, now he's a mortician. He does as a mortician what he did as a doctor." For anyone seeking an inglorious glimpse at the underside of the greatest empire in history, A Cabinet of Roman Curiosities offers endless delights.
The hymns presented in this book were anonymously composed somewhere in Asia Minor, most likely in the middle of the third century AD. At this turbulent time, the Hellenic past was fighting for its survival, while the new Christian faith was spreading everywhere. The Orphic Hymns thus reflect a pious spirituality in the form of traditional literary conventions. The hymns themselves are devoted to specific divinities as well as to cosmic elements. Prefaced with offerings, strings of epithets invoke the various attributes of the divinity and prayers ask for peace and health to the initiate. Coauthors Apostolos N. Athanassakis and Benjamin M. Wolkow have produced an accurate and elegant translation accompanied by rich commentary.
Near the end of the last Ice Age 12,800 years ago, a giant comet that had entered the solar system from deep space thousands of years earlier, broke into multiple fragments. Some of these struck the Earth causing a global cataclysm on a scale unseen since the extinction of the dinosaurs. At least eight of the fragments hit the North American ice cap, while further fragments hit the northern European ice cap. The impacts, from comet fragments a mile wide approaching at more than 60,000 miles an hour, generated huge amounts of heat which instantly liquidized millions of square kilometers of ice, destabilizing the Earth's crust and causing the global Deluge that is remembered in myths all around the world. A second series of impacts, equally devastating, causing further cataclysmic flooding, occurred 11,600 years ago, the exact date that Plato gives for the destruction and submergence of Atlantis.
The evidence revealed in this book shows beyond reasonable doubt that an advanced civilization that flourished during the Ice Age was destroyed in the global cataclysms between 12,800 and 11,600 years ago. But there were survivors - known to later cultures by names such as 'the Sages', 'the Magicians', 'the Shining Ones', and 'the Mystery Teachers of Heaven'. They travelled the world in their great ships doing all in their power to keep the spark of civilization burning. They settled at key locations - Gobekli Tepe in Turkey, Baalbek in the Lebanon, Giza in Egypt, ancient Sumer, Mexico, Peru and across the Pacific where a huge pyramid has recently been discovered in Indonesia. Everywhere they went these 'Magicians of the Gods' brought with them the memory of a time when mankind had fallen out of harmony with the universe and paid a heavy price. A memory and a warning to the future...
For the comet that wrought such destruction between 12,800 and 11,600 years may not be done with us yet. Astronomers believe that a 20-mile wide 'dark' fragment of the original giant comet remains hidden within its debris stream and threatens the Earth. An astronomical message encoded at Gobekli Tepe, and in the Sphinx and the pyramids of Egypt,warns that the 'Great Return' will occur in our time...
Recent translations of the plays, while linguistically correct, often fail to capture the beauty of Sophocles’ original words. In combining the skills of a distinguished poet, Ruth Fainlight, and an eminent classical scholar, Robert J. Littman, this new edition of the Theban Plays is both a major work of poetry and a faithful translation of the original works.
Thoughtful introductions, extensive notes, and glossaries frame each of the plays within their historical contexts and illuminate important themes, mythological roots, and previous interpretations.
This elegant and uncommonly readable translation will make these seminal Greek tragedies accessible to a new generation of readers.
Thug Notes has been featured on BET, PBS, and NPR and has been used in hundreds of classrooms around the world. Whether you’re a student, teacher, or straight-up literary gangster like Dr. Sweets, Thug Notes has got you covered. You'll certainly never look at literature the same way again.
Don't curse Zeus yet!
The Complete Idiot's Guide to Classical Mythology has all you need for a working knowledge of the timeless world of Greek and Roman myths.
Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds's new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth.
Contributors are Jordi Pàmias, on the reception of Greek myth through history; H. S. Versnel, on the intersections of myth and ritual; Carolina López-Ruiz, on the near Eastern contexts; Joseph Falaky Nagy, on Indo-European structure in Greek myth; William Hansen, on myth and folklore; Claude Calame, on the application of semiotic theory of narrative; Christiane Sourvinou-Inwood, on reading visual sources such as vase paintings; and Robert A. Segal, on psychoanalytic interpretations.
From the Trade Paperback edition.
In this compelling study, Vered Lev Kenaan offers a radical revision of the Greek myth of the first woman. She argues that Pandora leaves a decisive mark on ancient poetics and shows that we can unravel the profound impact of Pandora’s image once we recognize that Pandora embodies the very idea of the ancient literary text. Locating the myth of the first woman right at the heart of feminist interrogation of gender and textuality, Pandora’s Senses moves beyond a feminist critique of masculine hegemony by challenging the reading of Pandora as a one-dimensional embodiment of the misogynist vision of the feminine. Uncovering Pandora as a textual principle operating outside of the feminine, Lev Kenaan shows the centrality of this iconic figure among the poetics of such central genres as the cosmological and didactic epic, the Platonic dialogue, the love elegy, and the ancient novel. Pandora’s Senses innovates our understanding of gender as a critical lens through which to view ancient literature.
Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.
New York Times Book Review Notable Book Selection for 2000: "[Lombardo] has brought his laconic wit and love of the ribald. . . to his version of the Odyssey. His carefully honed syntax gives the narrative energy and a whirlwind pace. The lines, rhythmic and clipped, have the tautness and force of Odysseus' bow." --Chris Hedges, The New York Times Book Review