Over a century after his death, author, translator, and educator Lafcaido Hearn remains one of the best-known Westerners ever to make Japan his home. Almost more Japanese than the Japanese—"to think with their thoughts" was his aim—his prolific writings on things Japanese were instrumental in introducing Japanese culture to the West.
Part One, "The Land," chronicles Hearn's early years when he wrote primarily about the appearance of his adopted home. Part Two, "The People," records the author's later years when he came to terms with the Japanese themselves. In this anthology, Richie, more gifted in capturing the essence of a person on the page than any other foreign writer living in Japan, has picked out the best of Hearn's evocations.
Select writings include:The Chief City of the Province of the GodsThree Popular BalladsIn the Cave of the Children's GhostsBits of Life and DeathA Street SingerKimikoOn A Bridge
THE DEAD AND THE COUNTESS, by Gertrude Atherton
THE CEDAR CLOSET, by Lafcadio Hearn
THE WRAITH OF BARNJUM, by F. Anstey
THE JOLLY CORNER, by Henry James
THE ROLL-CALL OF THE REEF, by A. T. Quiller-Couch
THE BOWMEN, by Arthur Machen
OMAN, By Leopold Kompert
THE MIDDLE TOE OF THE RIGHT FOOT, by Ambrose Bierce
THE TOLL-HOUSE, by W.W. Jacobs
THE HAUNTED COVE, by Sir George Douglas
THE GHOST OF LORD CLARENCEUX, by Arnold Bennett
THE HAUNTED AUTOMATON, by W. C. Morrow
THE GHOSTS AT GRANTLEY, by Leonard Kip
THE SPECTRE COOK OF BANGLETOP, by John Kendrick Bangs
THE SUPERSTITIOUS MAN’S STORY, by Thomas Hardy
THE SPECTRE BRIDEGROOM, by William Hunt
THE SPECTRE IN THE CART, by Thomas Nelson Page
THE TALE OF THE PORCELAIN-GOD, by Lafcadio Hearn
THE BELL IN THE FOG, by Gertrude Atherton
THE HAUNTING OF WHITE GATES, by G. M. Robins
THE SHADOW ON THE BLIND, by Mrs. Alfred (Louisa) Baldwin
NO. 5 BRANCH LINE: THE ENGINEER, by Amelia Ann Blanford Edwards
THE SHADOW IN THE CORNER, by Mary Elizabeth Braddon
THE SECRET CHAMBER, by Margaret Oliphant
THE UPPER BERTH, by F. Marion Crawford
MR. GRAY'S STRANGE STORY, by Louisa Murray
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Japanese curios, with sundry cobwebs, excite the curiosity and imagination of a master spinner of tales, and the result is Kotto, another Lafcadio Hearn classic about old Japan. Here Hearn spins tales from old Japanese books to illustrate some strange beliefs. They are only curios, he says laconically, but some of these legends will make your spine tingle and your heart trip faster, like the one about a waterfall called Yurei–Daki, or the Cascade of Ghosts.
The ghosts were as real as their warnings, but a bold woman failed to heed them—a horrible mistake. Hearn could also find in the commonplace the stuff of which imperishable literature is spun. A drop of dew hangs quivering on the bamboo lattice of his study window. Its tiny sphere repeats the colors of the morning—of sky and field and far-off trees, of a cottage with children at play. But much more than the visible world is imaged by that dewdrop: the world invisible, of infinite mystery, is likewise repeated. Buddhism finds in such a dewdrop the symbol of that other microcosm called the Soul.
The title itself can be translated as "heart," "spirit" or "inner meaning," and that's exactly what this collection teaches us about Japan. Sometimes touching and always compelling, the writings here tell the stories of the people and social codes that make Japan the unique place it is. "Kimiko" paints the portrait of a beautiful geisha; "By Force of Karma" tells the story of a Buddhist monk; and in "A Conservative," we come to know the thoughts and actions of a Samurai.
As an early interpreter of Japan to the West, Lafcadio Hearn was without parallel in his time. His numerous books about that country were read with a fascination that was a tribute to his keen powers of observation and the vividness of his descriptions. Today, even though Japan has changed greatly from what it was when he wrote about it, his writing is still valid, for it captures the essence of the country—an essence that has actually changed a good deal less than outward appearances might suggest.
This collection of "reveries and studies," as author and legendary Japanologist Lafcadio Hearn subtitled Out of the East, contains unforgettable tales like "The Red Bridal," in which the conflict between duty and human feelings leads to tragedy in classically Japanese style; moving personal memoirs like "with Kyushu Students," Hearn's account of his experiences teaching at Kumamoto Higher Middle School; and marvelous evocations of atmosphere like "The Dream of Summer Day."
In works like these Hearn perceived and captured the essence of Japan as it was in the days when he fell under its spell and made Japan his adopted country. It is small wonder that Hearn's writing continues to live, for his very soul is in his writing—and the soul of Japan well.
In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.
Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover
Shadowings is made up of three parts: "Stories from Strange Books," which presents sex old Japanese tales; "Japanese Studies," in which Hearn explores the lore of his adopted country; and "Fantasies," a group of essays in which he gives free rein to his wide-ranging imagination. All in all, it is a delightful collection of Japanese curiosities and fancies.
Youngsters are transported to an exotic, faraway world of samurai warriors, rice fields, humble cottages, and a magical spring in five tales excellently translated and adapted by noted writer and linguist Lafcadio Hearn: "The Fountain of Youth," "Chin-Chin Kobakama," "The Goblin-Spider," "The Old Woman Who Lost Her Dumplings," and the title story. Six additional stories — in versions by Grace James, Basil Hall Chamberlain, and other authorities on Japanese folklore — include "The Tea-Kettle," "The Wooden Bowl," "My Lord Bag-o'-Rice," "The Hare of Inaba," "The Silly Jelly-Fish," and "The Matsuyama Mirror."
THE WALTZ, by Morris W. Gowen
THREE AT TABLE, by W.W. Jacobs
VERA, by Villiers de L’Isle-Adam
A LOST DAY, by Edgar Fawcett
METZENGERSTEIN, by Edgar Allan Poe
A TRAGEDY OF HIGH EXPLOSIVES, by Brainard Gardner Smith
THE LEGEND OF TCHI-NIU, by Lafcadio Hearn
THE OUTGOING OF THE TIDE, by John Buchan
A STRANGE REUNION, by T. G. Atkinson
A WORK OF ACCUSATION, by Harry How
THE NIGHT WIRE, by H. F. Arnold
THE ELIXIR OF LIFE, by Honoré de Balzac
THE MIRROR, by Catulle Mendès
THE WOMAN AND THE CAT, by Marcel Prevost
A LEMON-TREE, by Ouida
TWILIGHT ZONE, by Mary Keegan
UNHALLOWED HOLIDAY, by O. M. Cabral
THE ETERNITY OF FORMS, by Jack London
WOLVERDEN TOWER, by Grant Allen
THE MAGIC PHIAL, by J. Y. Akerman
THE HAUNTED MILL, by Jerome K. Jerome
THE GROVE OF ASHTAROTH, by John Buchan
THE WELL, by W. W. Jacobs
THE OBLONG BOX, by Edgar Allan Poe
DEATH AND THE WOMAN, by Gertrude Atherton
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Teeming with undead samurais, man-eating goblins, and other terrifying demons, these twenty classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.
Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories—"delicate, transparent, ghostly sketches"—about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales of long ago told to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.
Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he was clearly drawn to the hidden realms of the spirit world and to strange facts and marvels. In this collection of unforgettably haunting stories, Hearn brings together "the meeting of three ways"—the austere dreams of India, the subtle beauty of Japan and the relentless science of the Western world.
Japanese ghost and supernatural tales include:A musician called upon to perform for the deadMan-eating goblinsInsects who uncannily mimic human behavior
Hearn had a great affinity for the traditional ghost stories of China, and these stories clearly inspired him as he penned subsequent works. Set in richly atmospheric locales, these tales speak of heroic sacrifice, chilling horror, eerie beauty and otherworldly intervention.
This completely reset and pinyin-converted edition of Hearn's classic work contains a new foreword by Victoria Cass, which places the stories, their author, and his love for the strange and mysterious into perspective. If you're seeking insights into the traditional Chinese world of ghosts, goblins and demons—or just want to feel a chill run down your spine on a dark and lonely night—then this book is the perfect companion.
Ghost stories include:The Soul of the Great BellThe Story of Ming YiThe Legend of Zhi NuThe Return of Yan ZhenjingThe Tradition of the Tea PlantThe Tale of the Porcelain God
Lafcadio Hearn's books continue to charm and captivate readers, as the exotic subjects about which he wrote charmed and captivated him. Gleanings In Buddha-Fields presents more Hearn magic as he enters into the spirit of Buddhism as though he were born into it.
Hearn says that if he were a god, dwelling in some old Izumo shrine on the summit of a hill, then "as air to the bird, as water to the fish, so would all substance be permeable to the essence of me. I should pass at will into the walls of my dwelling to swim in the long gold bath of a sunbeam, to thrill in the heart of a flower, to ride on the neck of a dragonfly."
He writes of a trip to Kyoto, telling of hazy autumn rice fields, with dragonflies darting over the drooping grain; maples crimsoning above a tremendous gorge; ranges of peaks steeped in morning mist; and a peasant's cottage perched on the verge of some dizzy mountain road.
Into this great western metropolis came young Lafcadio Hearn, who after several tentative starts became a newspaper reporter first for the Enquirer and then for the Commercial. Drawn to the Ohio River by his interest in the unusual, Hearn found beneath the rough surface of levee life a kind of cosmopolitan tolerance which emphasized the essential humanity of the community.
Hearn's twelve sketches -- here reprinted as a unit for the first time -- are perceptive and sympathetic, yet not highly subjective and romanticized. Collectively they form an important comprehensive picture of African American life in a border city just after the Civil War. Among the earliest of his writings, they also foreshadow the course Hearn's life was to take in New Orleans, the West Indies, and finally Japan.
Here is a Lafcadio Hearn gem about Japanese customs and traditions destined to survive the inroads of time and Western trends. This masterpiece has the deep azure patina of Fuji-san; it utters the chirping notes of Suzumushi, the caged insect; it is as melodious as Kajika, the singing frog--and is an altogether delightful and entrancing portrayal of a nation's "Exotics and Retrospectives," told by a master storyteller.
Lafcadio Hearn (1850 1904) gained Japanese citizenship and wrote many books about Japan for Western readers."
This book is published by Booklassic which brings young readers closer to classic literature globally.
Hearn's language, his incomparable prose, ripened and mellowed consistently to the end, enabling him to write rich, melancholy, and profound passages such as the final paragraph in The Romance of the Milky Way: "I see the thrill of its shining stream, and the mists that hover along its verge, and the water-grasses that bend in the winds of Autumn. White Orihime I see at her starry loom, and the ox that graces on the farther shore, and I know that the falling dew is the spray from the herdsman's oar. And the heaven seems very near and warm and human; and the silence about me is filled with the dream of a love unchanging, immortal, fever yearning and forever young, and forever left unsatisfied by the paternal wisdom of the Gods."
“We owe more to our illusions than to our knowledge” - Natusme, KokoroA collection of 15 essays that examine the inner spiritual life of Japan through the people that make Japan the unique place it is.
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This ebook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Jake Adelstein is the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police Press Club, where for twelve years he covered the dark side of Japan: extortion, murder, human trafficking, fiscal corruption, and of course, the yakuza. But when his final scoop exposed a scandal that reverberated all the way from the neon soaked streets of Tokyo to the polished Halls of the FBI and resulted in a death threat for him and his family, Adelstein decided to step down. Then, he fought back. In Tokyo Vice he delivers an unprecedented look at Japanese culture and searing memoir about his rise from cub reporter to seasoned journalist with a price on his head.
From the Trade Paperback edition.
In weaving together the historical facts and human drama leading up to and culminating in the war in the Pacific, Toland crafts a riveting and unbiased narrative history. In his Foreword, Toland says that if we are to draw any conclusion from The Rising Sun, it is “that there are no simple lessons in history, that it is human nature that repeats itself, not history.”
The Ninja, also known as Shinobi, inspired awe and terror in equal measure. Master of espionage and assassination, stealth and concealment, the ninja's ability to move swiftly and silently gave rise to popular legends of amazing exploits, invincibility and supernatural powers.
In Ninjutsu: The Art of Invisibility, Donn Draeger draws back the veil of mystery shrouding the arcane practices of feudal Japan's shadow warriors. Stripping away myth and exaggeration, Draeger reveals the secret tactics, exotic weapons, tricks and disguises that earned the ninja a reputation as history's most feared secret agents.
Chapters include: Entering the World of the NinjaHistory and OrganizationTraining and SkillsOperating TechniquesCostumeTools and WeaponsTactics, Ruses, and FeatsFacts and Legends
AN AMERICAN BOOK AWARD FINALIST
Now in paperback, War Without Mercy has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book . . . a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.”
Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most . . . with eloquence, crushing detail, and power.”
The U.S.S. Wahoo was the most successful submarine in the World War II Pacific fleet. She was the first to penetrate an enemy harbor and sink a Japanese ship. She was the first to wipe out an entire enemy convoy single-handed. In her 11 short months of life she managed an incredible 21 kills.
Just 45 minutes before leaving Midway for her last—and fatal—patrol, her Chief Yeoman Forest Sterling was transferred to other duty.
The result is this book—Sterling’s fantastic yet completely authentic account of a remarkable crew and captain, and the ship they lived and died for.
“Many will remember the newspaper stories during World War II and the photo of Wahoo with a broomstick tied to her periscope signifying a clean sweep...But (here is) the full story from the yeoman who made all the patrols...except the last one.”—Medal-of-Honor winner Captain E. B. Fluckey, USN
On April 16, 1945, the crewmen of the USS Laffey were battle hardened and prepared. They had engaged in combat off the Normandy coast in June 1944. They had been involved in three prior assaults of enemy positions in the Pacific-at Leyte and Lingayen in the Philippines and at Iwo Jima. They had seen kamikazes purposely crash into other destroyers and cruisers in their unit and had seen firsthand the bloody results of those crazed tactics. But nothing could have prepared the crew for this moment-an eighty-minute ordeal in which the single small ship was targeted by no fewer than twenty-two Japanese suicide aircraft.
By the time the unprecedented attack on the Laffey was finished, thirty-two sailors lay dead, more than seventy were wounded, and the ship was grievously damaged. Although she lay shrouded in smoke and fire for hours, the Laffey somehow survived, and the gutted American warship limped from Okinawa's shore for home, where the ship and crew would be feted as heroes.
Using scores of personal interviews with survivors, the memoirs of crew members, and the sailors' wartime correspondence, historian and author John Wukovits breathes life into the story of this nearly forgotten historic event. The US Navy described the kamikaze attack on the Laffey "as one of the great sea epics of the war." In Hell from the Heavens, the author makes the ordeal of the Laffey and her crew a story for the ages.
In November 1943, the men of the 2d Marine Division were instructed to clear out any token Japanese resistance on the Pacific island of Betio and return to their waiting ships. But when the Marines landed, the surviving Japanese poured out of their protective subterranean bunkers—and began one of the most brutal and bloody battles of World War II.
For three straight days, attackers and defenders fought over every square inch of sand in a battle with no defined frontlines, and where there was no possibility of retreat—because there was nowhere to retreat to. It was a clash that would leave both sides stunned and exhausted, and prove both the fighting mettle of the Americans and the fanatical devotion of the Japanese.
Drawn from new sources, such as participants’ letters and diaries and exclusive firsthand interviews with survivors, One Square Mile of Hell is the true story of a battle between two determined foes, neither of whom would ever look at the other in the same way again.
Comprehensive and well informed, it covers a wide array of topics in short articles accompanied by sidebars and numerous photographs, providing a lively digest of the society and culture of Japan. Designed to appeal to the generations of Westerners who grew up on Pokemon, manga and video games, A Geek in Japan reinvents the culture guide for readers in the Internet age.
Spotlighting the originality and creativity of the Japanese, debunking myths about them, and answering nagging questions like why they're so fond of robots, author Hector Garcia has created the perfect book for the growing ranks of Japanophiles in this inspired, insightful and highly informative guide.