Black has never been more beautiful, witnessed by this magnificent collection featuring accomplished dark skinned-women from all walks of life. In Dark Girls, celebrities such as Lupita Nyong'o, Vanessa Williams, Sheryl Lee Ralph, Judge Mablean Ephriam, Brandi and Karli Harvey, and over seventy-five other outstanding women share intimate insights into what their dark skin means to them.
Filled with gorgeous photographs, this thoughtful, sophisticated, alluring, and uplifting collection captures the elegance of dark skin—joyfully showcasing that we truly are beautiful for who we are.
In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event.
Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago.
“One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book’s power.” —Library Journal
In conversations with ten innovative chefs in America, Questlove explores what makes their creativity tick, how they see the world through their cooking and how their cooking teaches them to see the world. The conversations begin with food but they end wherever food takes them.
Food is fuel. Food is culture. Food is history. And food is food for thought.
Featuring conversations with: Nathan Myhrvold, Modernist Cuisine Lab, Seattle; Daniel Humm, Eleven Madison Park, and NoMad, NYC; Michael Solomonov, Zahav, Philadelphia; Ludo Lefebvre, Trois Mec, L.A.; Dave Beran, Next, Chicago; Donald Link, Cochon, New Orleans; Dominque Crenn, Atelier Crenn, San Francisco; Daniel Patterson, Coi and Loco'l, San Francisco; Jesse Griffiths, Dai Due, Austin; and Ryan Roadhouse, Nodoguro, Portland
This compelling collection of inspiring case studies from community arts projects in five countries will inform and inspire students, artists, and activists. ¡VIVA! is the product of a five-year transnational research project that integrates place, politics, passion, and praxis. Framed by postcolonial theories of decolonization, the pedagogy of the oppressed articulated by Brazilian educator Paulo Freire, and the burgeoning field of community arts, this collection not only analyzes the dynamic integration of the critical and the creative in social justice movements, it embodies such a praxis. Learn from Central America: Kuna children’s art workshops, a community television station in Nicaragua, a cultural marketplace in Guadalajara, Mexico, community mural production in Chiapas; and from North America: arts education in Los Angeles inner-city schools, theater probing ancestral memory, community plays with over one hundred participants, and training programs for young artists in Canada. These practices offer critical hope for movements hungry for new ways of knowing and expressing histories, identities, and aspirations, as well as mobilizing communities for social transformation.
Beautifully illustrated with more than one hundred color photographs, the book also includes a DVD with videos that bring the projects to life.
“¡Viva! is a powerful read, raising the bar on what we need to know and where we can grow. It is heartening to sense that we are part of a rising stream on its way to becoming a river. This book will become a touchstone in a growing international network of allies, so that more untold stories and projects can be heard and become part of a building momentum.” — Beverly Naidus, author of Arts for Change: Teaching Outside the Frame
The movement in its inception was nameless. It, as we found, has many definitions and associations. Some original members of the scene referred to themselves as punks, others new romantics, new wavers, the bats, or the morbids, for example. Goth often did not become a term until the late 1980s or, in some countries such as Peru, a label in the 1990s. Therefore, postpunk in all its variety, is deemed as the "single" word that encompasses all evolutions of the 1980s proto-punk alternative movement. In one decade, the genre evolved, grew darker and crossed borders: from Argentina to the Netherlands, Greece to Canada and Belgium to Japan.
Even though the postpunk and goth timeline varied between countries, the movement began at approximately 1978 and concluded around 1992. Some regions reflected the economic challenges and sentiments towards social issues, while others relied on the individual desire to gain solace in a subculture that accepted diversity. To identify and encompass the words postpunk and goth are arduous since everyone has a different perspective on such definitions. There is no "one "truth about their timeline or attributes. Therefore, this book""is about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture.
Though not a complete historical essay on postpunk and goth, "Some Wear Leather, Some Wear Lace" is a visual and oral history of the first decade of the scene. The team found and interviewed both the performers and the audience in order to capture the community both on and off stage. Participants of the project dug through their personal archives for photographs of their past and these are placed alongside professional photography. By combining both personal collections and professional images, a unique range of fashions, bands and scenes are revealed within these pages.
They were the youngest children to live in the White House in over a century - Caroline just three and John Jr. a newborn when their father took the oath of office. Symbolizing the youthful vigor of the new administration, they won the hearts of the American people as they romped around - and under - their father's desk in the Oval Office. And when, three years later, Caroline kissed JKF's coffin and John Jr. saluted the passing bier, they were forever etched into the nations' collective heart.
We see their awkward adolescence, their sorrows at senseless losses in the family, their first forays into romance, their efforts to establish themselves as responsible adults, their happy marriages and Caroline's motherhood. And we watch in admiration as Caroline recovers from the untimely death of her beloved brother to assume the mantle of the Camelot legend.
This is a book that will tug at the heart-strings of all who remember fondly these two remarkable American offspring.
If you already identify as a creative person, this book is an invitation to more intentionally explore your creative process. If you've ever said, “But I’m not really creative,” it’s a call to exhume a part of yourself that desperately needs to get out and breathe.
This is an honest discussion about creativity and the obstacles that stand in your way on that journey. It’s an invitation to consider the creative in all of us, and to recognize that your best work will always be done when you colour outside the lines and listen first to your own voice. Truly exceptional, authentic lives have never belonged to the talented or the fearless, but to those who find the courage to do their work, and to be themselves.
“A Beautiful Anarchy is raw energy bundled up in a book, and opening its cover is like lighting a fuse. This isn’t an ordinary book. Its message is challenging and liberating at the same time. What I like best is that David’s words are grounded in a life that is well lived. Reading it is like gaining access to the mentor and friend I always wished I had. Read this book if you want to make more meaningful photographs and live a more complete life.”
~ Chris Orwig, Author of The Creative Fight
“Every once in a while a book comes along that isn’t just informative and interesting but actually opens up possibility where before there was none. A Beautiful Anarchy by David duChemin is that book. This candid manifesto for the creative goes beyond philosophy and invites the reader to reconsider how they relate with what they fear and to systematically reinvent that relationship in order to create a remarkable life. Highly recommended.”
~ Dane Sanders, Author of Fast Track Photographer
“David duChemin’s A Beautiful Anarchy is more than a book. It’s a call to be truly alive! The powerful stories and principles shared will teach you how to create personal freedom, make your mark, and live with passion. Read this book and do something brilliant with your life!”
~ Richie Norton, Author of The Power of Starting Something Stupid
Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life. By putting photography at the center of the long African American freedom struggle, Raiford also explores how the recirculation of these indelible images in political campaigns and art exhibits both adds to and complicates our memory of the events.
An eye-opening chronicle of the Silicon Valley technology boom, capturing key moments in the careers of Steve Jobs and more than seventy other leading innovators as they created today’s digital world
In the spring of 1985, a technological revolution was under way in Silicon Valley, and documentary photographer Doug Menuez was there in search of a story—something big. At the same time, Steve Jobs was being forced out of his beloved Apple and starting over with a new company, NeXT Computer. His goal was to build a supercomputer with the power to transform education. Menuez had found his story: he proposed to photograph Jobs and his extraordinary team as they built this new computer, from conception to product launch.
In an amazing act of trust, Jobs granted Menuez unlimited access to the company, and, for the next three years, Menuez was able to get on film the spirit and substance of innovation through the day-to-day actions of the world’s top technology guru.
From there, the project expanded to include the most trailblazing companies in Silicon Valley, all of which granted Menuez the same complete access that Jobs had. Menuez photographed behind the scenes with John Warnock at Adobe, John Sculley at Apple, Bill Gates at Microsoft, John Doerr at Kleiner Perkins, Bill Joy at Sun Microsystems, Gordon Moore and Andy Grove at Intel, Marc Andreessen at Netscape, and more than seventy other leading companies and innovators. It would be fifteen years before Menuez stopped taking pictures, just as the dotcom bubble burst. An extraordinary era was coming to its close.
With his singular behind-the-scenes access to these notoriously insular companies, Menuez was present for moments of heartbreaking failure and unexpected success, moments that made history, and moments that revealed the everyday lives of the individuals who made it happen. This period of rapid, radical change would affect almost every aspect of our culture and our lives in ways both large and small and would also create more jobs and wealth than any other time in human history. And Doug Menuez was there, a witness to a revolution.
In more than a hundred photographs and accompanying commentary, Fearless Genius captures the human face of innovation and shows what it takes to transform powerful ideas into reality.
Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent
collaborations with mercurial actor Klaus Kinski - including the epics, Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema.
Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
In The Cinematic Legacy of Frank Sinatra, author David Wills presents a stunning collection highlighting the work of one of Hollywood's greatest stars in roles as varied as those in the classics Anchors Aweigh, From Here to Eternity, Suddenly, Guys and Dolls, The Man With the Golden Arm, Ocean's 11, The Manchurian Candidate,Von Ryan's Express, and The Detective. Pairing more than two hundred first-generation photos with reflections on Sinatra from costars and work associates, and including contributing essays by his children Nancy Sinatra, Tina Sinatra, and Frank Sinatra, Jr., it is an unforgettable showcase of the actor's transformation from world-famous singer, to movie star, to Academy Award winner, and finally to one of the most enduring icons in cinema history.
In the spirit of Humans of New York and PostSecret, MUSEUM OF BROKEN RELATIONSHIPS is a gorgeous gift book celebrating the objects that outlast love: a poignant, funny, sometimes bizarre and always delightful window into modern love and loss.
A postcard from a childhood sweetheart. A wedding dress sealed in a jar. A roll of undeveloped film. An axe used to chop an ex-lover's furniture in a fit of rage. A wind-up toy, a bar of bath soap, a tin of Love Potion with the simple caption "Doesn't work." These objects, and many more, make up the whimsical, imaginative, poignant population of the Museum of Broken Relationships. Started by two former lovers who wanted a way to commemorate their relationship even after it ended, who couldn't bear to simply throw away the objects that had once meant so much, the Museum of Broken Relationships has captured hearts and imaginations around the globe since its founding in 2010. Anonymous submissions have poured in by the thousands: objects with brief, compelling captions confessing to the story behind their meaning. The museum's Croatian exhibit quickly became a main draw for tourists from around the globe, and has garnered enthusiastic, glowing media attention from sources as disparate as the New York Times and the Chinese national news. Now, as the physical museum arrives for a permanent spot in Los Angeles, the authors have collected the best, funniest, most heartwarming and heartrending stories from their huge selection of submissions. Much like the bestselling Postsecret series, this beautiful oversized, four-color book will offer an irresistible glimpse inside other people's secret worlds, creating moments of deep human connection. It is a must read for anyone who has ever loved and lost.
In My Holiday in North Korea: The Funniest/Worst Place on Earth, Wendy shares a glimpse of North Korea as it’s never been seen before. Even though it’s the scariest place on Earth, somehow Wendy forgot to check her sense of humor at the border.
But Wendy’s initial amusement and bewilderment soon turned to frustration and growing paranoia. Before long, she learned the essential conundrum of “tourism” in North Korea: Travel is truly a love affair. But, just like love, it’s a two-way street. And North Korea deprives you of all this. They want you to fall in love with the singular vision of the country they’re willing to show you and nothing more.
Through poignant, laugh-out-loud essays and 92 never-before-published color photographs of North Korea, Wendy chronicles one of the strangest vacations ever. Along the way, she bares all while undergoing an inner journey as convoluted as the country itself.
In this magnificent collection, more than twenty of the world’s top photographers have joined together to celebrate the brilliant woman they were privileged to capture through their camera lenses. These photographs are a testament to Whitney’s dazzling physical presence, but they also remind us that she was a multidimensional woman: powerful, vulnerable, commanding, enchanting, thoughtful, bewitching . . . and absolutely unforgettable— a singer whose smile was as bright and true as her voice.
Curated by renowned photographer Randee St. Nicholas, these images, which span thirty years of Whitney Houston’s career, are a fitting tribute to a legendary recording artist, style icon, and devoted mother, who touched millions of lives by doing what she loved.
When Rushing started this work, he brought visceral, human questions. What is it like to be an inmate in Parchman Penitentiary? What happens to an individual there? How does it happen? How do the prisoners feel about their circumstances? What does it feel like when two people from completely different worlds look at each other over the top of a camera?
Moving to Ruleville, Mississippi, a small town in the heart of the Delta, Rushing came face to face with the influence of Parchman State Penitentiary. After becoming known in the area, he was allowed to photograph inmates for almost four years. These men volunteered and permitted him to photograph them in their cells. They even shared their written thoughts about their lives and prison conditions. It is particularly fascinating to see the visible change, or lack thereof, that becomes obvious when viewing portraits separated by two or three years.
These stark, moving portraits of prisoners attest to the impact of photography. The photos are accompanied by the prisoners' stories, told in their own words. Together the images and words provide the most complete understanding of Parchman ever published.
Dissident Cuban writer, photographer, and pioneering blogger Orlando Luis Pardo Lazo presents a collection of surreal, irony-laden photos and texts from his native city. His “diary of dystopia”—an unexpected fusion of images and words—brings us closer to Havana’s scaffolded and crumbling facades, ramshackle waterfronts, and teeming human bodies. In this book, as beautiful and bleak as Havana itself, Pardo guides us through the relics and fables of an exhausted Revolution in the waning days of Castro’s Cuba.
Praise for Abandoned Havana
“It is difficult to capture in images the soul of a landscape or a city, perhaps because they don’t have one alone but many. Orlando Luis Pardo Lazo’s photographs, and the commentaries they are accompanied with, capture whirlwinds of souls and offer them to us in such way that our own soul is transformed. They teach us how to see inside out and toward the depth of things, without slipping on the surface of things.”—Fernando Savater, author of Amador and winner of the Octavio Paz Prize
“Some [photographs] have a sly humor, others an abstract beauty...Mr. Pardo Lazo resists any easy categorization.”—David González, The New York Times Lens Blog
“He is giving us the poetics of the city that is not touristy, nostalgic, or exotic...He is giving people a way to read the politics of daily occurrences...He juxtaposes the eternal beauty of the city and the real political urgencies of the moment.”—Ana M. Dopico, New York University
Photographer and writer Orlando Luis Pardo Lazo was born in Havana, Cuba in 1971. Trained as a molecular biochemist, he is the webmaster for the blogs Lunes de Post-Revolución and Boring Home Utopics. His writing has appeared in Sampsonia Way Magazine, Diario De Cuba, CubaEncuentro, Penúltimos Días, All Voices, In These Times, Qué Pasa, and many other international publications. As an editor, he has compiled two anthologies of contemporary Cuban fiction translated into English and worked for the cultural magazine Extramuros as well as several independent Cuban digital magazines, including Cacharro(s), The Revolution Evening Post, and Voces. In 2012, he organized País de Píxeles, the first independent photodocumentary festival in Cuba. In 2013 his photographic work was profiled by David González of The New York Times. A resident of Havana, he visits the United States to give university lectures about social activism and Cuban civic society using new media.
Mary Jo Porter is an American who lives in Seattle devoted to helping Cuban dissidents on the island, especially the independent bloggers. Mary Jo, or “Maria” as her Cuban friends know her, is responsible for the English translation of Yoani Sanchez’s world renowned blog, Generation Y. She also translates for Claudia Cadelo’s Octavo Cerco, Reinaldo Escobar’s Desde Aqui, and many others. Together with friends and volunteers, Maria has help set up Hemos Oido, a website that posts the blogs of members of the alternative Cuban blogosphere and allows anyone who wishes to volunteer to translate these bloggers into other languages.
DIRTY WOW WOW AND OTHER LOVE STORIES celebrates the lives of fifty transitional love objects: a sweetly poignant collection of stuffies, blankies, lovies, and dolls who inspired and comforted their owners. Bundles of love and warmth fashioned from fluff and fur, these cherished friends have a lifetime of stories sewn up in their tattered bodies--a trip to Paris smushed in a suitcase, a secret hiding spot behind the family liquor cabinet, an interminable wait in the lost-and-found bin before a joyous
reunion at home.
With stunning photographs that reveal the personalities within, this thoughtful tribute is at once funny and oddly soothing-like a certain shabby buddy who's tucked away but never forgotten.
Hear the NPR Weekend Edition interview with the authors of Dirty Wow Wow
Reviews"This charming book would be a perfect gift for collectors and also an offbeat surprise for new parents."
-Minneapolis Star Tribune
"Dirty Wow Wow's striking photographs and brief narratives stir up vivid memories of . . . long-lost companions."
-Southwest Spirit Magazine
"This clever work, peppered with sumptuous snapshots of raggedy dolls, pays tribute to the beloved companions of childhood."
-Entertainment Weekly's "Must List"
View the gallery of entries from the Show Us your Dirty Wow Wow Contest
Think March of the Penguins meets Life's Little Instruction Book by way of National Geographic.
Award-winning nature photographer Jonathan Chester captures the essence of the Antarctic's most popular residents to illustrate the similarities between penguins' lives and our own. Patrick Regan's clever narrative offers surprising insights and humorously entertaining life lessons.
The appeal of penguins is undeniable and universal. And we can learn a lot from these fat, funny birds. Lessons like:
* The meek sleep alone,
* It's better to be smart than cute, and
* You can be too thin. (After all, the book explains, if the Olsen twins ever get locked in a walk-in cooler for days and are forced to live off their own body fat, they're goners. Penguins? They're good for months.)
Flipping Brilliant includes helpful environmental information about the penguin habitat and the effects of global warming, including Web sites that show how you can help.
A consummate photojournalist, Stanley Tretick was sent by United Press International to follow the Kennedy campaign of 1960. The photographer soon befriended the candidate and took many of JFK's best pictures during this time. When Kennedy took office, Tretick was given extensive access to the White House, and the picture magazine Look hired him to cover the president and his family. Tretick is best known today for the photographs he took of President Kennedy relaxing with his children. His photographs helped define the American family of the early sixties and lent Kennedy an endearing credibility that greatly contributed to his popularity.
Accompanied by an insightful, heartwarming essay from Kitty Kelley—Tretick's close friend—about the relationship between the photographer and JFK, Capturing Camelot includes some of the most memorable images of America's Camelot and brings to life the uniquely hopeful historical era from which it emerged.
Books in every home
"If your first love was book, love it forever"
The sixty heiau photographed and described in this volume are all located on Oahu, the island that has experienced by far the most development over the last two hundred years. These captivating images provide a compelling argument for the preservation of Hawaiian sacred places. The modest sites of the maka ainana (commoners) - small fishing, agricultural, craft, and family shrines - are given particular attention because they are often difficult to recognize and prone to vandalism and neglect. Also included are the portraits of twenty-eight Hawaiians who shared their knowledge with archaeologist J. Gilbert McAllister during his survey of Oahu in the 1930s. Without their contribution, the names and histories of many of the heiau would have been lost. The introductory text provides important contextual information about the definition and function of heiau, the history of the abolition of traditional Hawaiian religion, preservation issues, and guidelines for visiting heiau.
With contributions by Kehaunani Cachola-Abad, J. Mikilani Ho, and Kawika Makanani."
Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.
The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, tre Et Avoir, and The Fog Of War.
In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States.
Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look.
Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century.
Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis.
Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White.
Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.
When Janey Comes Marching Home juxtaposes forty-eight photographs by Sascha Pflaeging with oral histories collected by Laura Browder to provide a dramatic portrait of women at war. Women from all five branches of the military share their stories here--stories that are by turns moving, comic, thought-provoking, and profound. Seeing their faces in stunning color photographic portraits and reading what they have to say about loss, comradeship, conflict, and hard choices will change the ways we think about women and war.
Serving in a combat zone is an all-encompassing experience that is transformative, life-defining, and difficult to leave behind. By coming face-to-face with women veterans, we who are outside that world can begin to get a sense of how the long wars in Iraq and Afghanistan have shaped their lives and how their stories may ripple out and influence the experiences of all American women.
The book accompanies a photography exhibit of the same name opening May 1, 2010, at the Women in Military Service to America Memorial at Arlington National Cemetery, and continuing to travel around the country through 2011.
Robert C. Knudsen presents the majesty and dignity of this national cemetery with over 200 full-color photos of Arlington during each of the four seasons. He highlights the natural beauty that surrounds it, with the vibrant colors of fall foliage, the stark contrast of a winter's snow, the soft pink of the cherry blossoms, and the bright sun of the summer. Every branch of the military is represented as well, with up-close photographs of ceremonies, practices, and many of the unique and interesting gravesites Arlington holds.
A Living Treasure showcases the changing of the guard at the Tomb of the Unknown Soldier; Section 27 and Freedman's Village, where one-time slaves are buried; Kennedy's grave and the Eternal Flame; the honor guards, ceremonial units, and special events for each military branch; and so much more. It includes text sidebars explaining highlights of Arlington's history as well, from the Arlington Ladies to how burial at ANC became such an honor.
With a special focus on each branch of the military and each season of the year, A Living Treasure is a unique and beautiful keepsake, whether you've been to Arlington National Cemetery, plan on visiting, or just want to experience the beauty on your own.
More than forty years have passed since members of the LGBTQ community took to the streets of New York City on the first anniversary of the Stonewall Riots for the world’s first march for gay rights. From its modest, though ambitious, beginnings, the annual event has grown into an all-encompassing celebration of queer culture, drawing more than a million people. It has also come to mean many things to many people. For some, Pride has become too commercial or irrelevant as queer culture has become mainstream. To others, the festivities should be less about the politics of the gay rights movement and more about a joyful celebration of what it means to be queer.
But for anyone with a passion for freedom and for vivid, thoughtful photography, Pride & Joy—by noted photographer Jurek Wajdowicz with an introduction by the nationally known satirist and activist Kate Clinton and published in the wake of the historic U.S. Supreme Court decision on same-sex marriage—is an ode to this New York institution. Energetic, colorful, and irreverent, these images are a playful confirmation of equality. Incorporating portraits of marchers and bystanders and leading figures in the LGTBQ community, these photographs revel in the rich diversity of the parade. Exquisitely presented, the book includes interviews with members of the queer community about their relationship to the march, offering a startling variety of responses to this integral part of New York life. Pride & Joy is an inspiration not only to the queer community but to all those still fighting for their basic human rights.
The fourth in a major new series of LGBT-themed photography books, Pride & Joy is a visual treat for photography lovers, an inspiration for the global queer community, and a singular tribute to New York City.
Pride & Joy was designed by Emerson, Wajdowicz Studios (EWS).
Passengers 2012 will be the second book of the series. It’s a Fran Simó project for Barcelona Photobloggers.
James Beard Award-winning journalist Shane Mitchell and photographer James Fisher have traveled the world on assignment for food and travel publications such as Travel + Leisure and Saveur. Along the way, they have encountered the fascinating people who are keeping some of the world's oldest food traditions alive, such as taro farmers in Hawaii who have never left the islands, Maasai warriors in Kenya, and Icelandic shepherds who still use the techniques of their Viking ancestors. Full of compelling photography from far-flung locations, Far Afield profiles these people, sharing their unique and captivating stories along with forty recipes.
On May 1, 2016, a wildfire burning to the southwest of Fort McMurray, Alberta, led to the declaration of a local state of emergency. Two days later, the fire had reached Fort McMurray, forcing the evacuation of 88,000 citizens and destroying 2,400 buildings. In total, the fire would consume more than 500,000 hectares.
Into the Fire is a remarkable first-hand account of fighting a major wildfire as it moved with terrifying speed. Over the course of six days, firefighters Jerron Hawley, Graham Hurley, and Steve Sackett of the Fort McMurray Fire Department joined local expert wildfire teams and fire departments from across the country to battle the blaze. In photographs and notes made at the time, they vividly describe what they witnessed; their own personal losses and triumphs; and the fire's devastating effects.
With more than 90 stunning colour photographs, Into the Fire is a dramatic eyewitness account of one of the most catastrophic disasters in recent North American history. Intimate in its telling, it is above all a testament to the courage, pride, and extraordinary efforts of the citizens of Fort McMurray, who along with emergency personnel, came together to save their city.