* Beautifully illustrated with images relating to Hornung’s life and works
* Concise introductions to the major works
* Famous works in the Raffles series are illustrated with their original artwork
* Includes the complete Raffles stories, with a special Raffles table of contents
* All 20 novels, with individual contents tables
* Includes rare novels, appearing for the first time in digital publishing, including THE ROGUE’S MARCH and THE UNBIDDEN GUEST
* Features rare short stories from various Edwardian periodicals
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Special chronological and alphabetical contents tables for the short stories
* Easily locate the short stories you want to read
* Includes Hornung’s rare war poetry – available in no other collection
* Scholarly ordering of texts into chronological order and literary genres
Please note: no known copies of ‘Trusty and Well Beloved’, the dramatisation of ‘Raffles’ and several short stories are available at the time of this collection’s publication. As soon as we are able to locate a copy of these scarce works, they will be added to the collection as a free update.
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The A. J. Raffles Series
A BRIDE FROM THE BUSH
THE BOSS OF TAROOMBA
THE UNBIDDEN GUEST
THE ROGUE’S MARCH
MY LORD DUKE
DEAD MEN TELL NO TALES
THE BELLE OF TOORAK
THE SHADOW OF THE ROPE
MR. JUSTICE RAFFLES
THE CAMERA FIEND
FATHERS OF MEN
THE THOUSANDTH WOMAN
The Short Story Collections
UNDER TWO SKIES
SOME PERSONS UNKNOWN
THE AMATEUR CRACKSMAN
THE BLACK MASK
A THIEF IN THE NIGHT
THE CRIME DOCTOR
OLD OFFENDERS AND A FEW OLD SCORES
The Short Stories
LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
THE YOUNG GUARD
NOTES OF A CAMP-FOLLOWER ON THE WESTERN FRONT
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Nothing is so easy as falling in love on a long sea voyage, except falling out of love. Especially was this the case in the days when the wooden clippers did finely to land you in Sydney or in Melbourne under the four full months. We all saw far too much of each other, unless, indeed, we were to see still more. Our superficial attractions mutually exhausted, we lost heart and patience in the disappointing strata which lie between the surface and the bed-rock of most natures. My own experience was confined to the round voyage of the Lady Jermyn, in the year 1853. It was no common experience, as was only too well known at the time. And I may add that I for my part had not the faintest intention of falling in love on board; nay, after all these years, let me confess that I had good cause to hold myself proof against such weakness. Yet we carried a young lady, coming home, who, God knows, might have made short work of many a better man!
Eva Denison was her name, and she cannot have been more than nineteen years of age. I remember her telling me that she had not yet come out, the very first time I assisted her to promenade the poop. My own name was still unknown to her, and yet I recollect being quite fascinated by her frankness and self-possession. She was exquisitely young, and yet ludicrously old for her years; had been admirably educated, chiefly abroad, and, as we were soon to discover, possessed accomplishments which would have made the plainest old maid a popular personage on board ship. Miss Denison, however, was as ...
Handsome, young, Muslim, and married to two women living in one house along with his mother, Umma, and sister, Naja: can Midnight manage all that he has on his plate? He is surrounded by Americans who don’t share or understand his faith or culture, and adults who are offended by his maturity, intelligence, and his natural ability to make his hard work turn into real money. He is calm, confident, and cool, Ninja-trained and powerful, but one moment of rage throws this Brooklyn youth into a dark world of dirty police, gangs, guns, drugs, prisons, and dangerous inmates. Everything he ever believed, every dollar he ever earned, and all of the women he ever loved—including his mother—are at risk.
Will his manhood be taken, broken, or altered? Can he maintain his faith? Outnumbered, overruled, and deeply envied—how can he possibly survive? Will the streets convert him? What can he keep? What must he lose?
After the events in Gathering Prey, Lucas Davenport finds himself in a very unusual situation—no longer employed by the Minnesota BCA. His friend the governor is just cranking up a presidential campaign, though, and he invites Lucas to come along as part of his campaign staff. “Should be fun!” he says, and it kind of is—until they find they have a shadow: an armed man intent on killing the governor . . . and anyone who gets in the way.
They call them Travelers. They move from city to city, panhandling, committing no crimes—they just like to stay on the move. And now somebody is killing them.
Lucas Davenport’s adopted daughter, Letty, is home from college when she gets a phone call from a woman Traveler she’d befriended in San Francisco. The woman thinks somebody’s killing her friends, she’s afraid she knows who it is, and now her male companion has gone missing. She’s hiding out in North Dakota, and she doesn’t know what to do.
Letty tells Lucas she’s going to get her, and, though he suspects Letty’s getting played, he volunteers to go with her. When he hears the woman’s story, though, he begins to think there’s something in it. Little does he know. In the days to come, he will embark upon an odyssey through a subculture unlike any he has ever seen, a trip that will not only put the two of them in danger—but just may change the course of his life.
From the Hardcover edition.
Ten people, each with something to hide and something to fear, are invited to a lonely mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they die…
The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad—like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .
In Southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. “Issues” is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. The vote is four to one in favor.
Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier—a team of dognappers supplying medical labs—when he gets a call from Lucas Davenport. A murdered body has been found—and the victim is a local reporter. . . .
From the Hardcover edition.
Two children from Sierra Leone, Liberty and A’shai, are brought together by chance only to be forced apart by the most inevitable and tragic fate. Ashley and JaQuavis bring us this classic love story set against modern life’s most horrifying realities. Liberty is dying of a fatal heart condition, though she desperately wants to survive until her 25th birthday when her sister has promised to visit her. A’shai blames himself for not protecting Liberty, but all Liberty asks is for A’shai to tell her a story, to help her remember what brought them to this point. He knows that this is the last story he will ever tell and the last she will ever hear. As Liberty lies dying, A’shai walks her though their past, reliving their ill-fated journeys through the streets. Their story will take them from an arranged marriage, through Mexico’s drug cartel, child brothels, hustling in Detroit, to escaping the high-powered heads of L.A.’s underworld. But ultimately, this is a story of love and redemption that will leave you breathless from the unpredictable and mind-blowing ending.
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.
“What more . . . can a mystery addict desire?”—New York Times
The first storm comes from, of all places, the Minnesota zoo. Two large, and very rare, Amur tigers have vanished from their cage, and authorities are worried sick that they’ve been stolen for their body parts. Traditional Chinese medicine prizes those parts for home remedies, and people will do extreme things to get what they need. Some of them are a great deal more extreme than others—as Virgil is about to find out.
Then there’s the homefront. Virgil’s relationship with his girlfriend Frankie has been getting kind of serious, but when Frankie’s sister Sparkle moves in for the summer, the situation gets a lot more complicated. For one thing, her research into migrant workers is about to bring her up against some very violent people who emphatically do not want to be researched. For another…she thinks Virgil’s kind of cute.
“You mess around with Sparkle,” Frankie told Virgil, “you could get yourself stabbed.”
“She carries a knife?”
“No, but I do.”
Forget a storm—this one’s a tornado.
From the Hardcover edition.