The story begins at my young age of ten in the great depression of the thirties to the forties, when my sisters and I had to line up at the cake shop for stale cakes and then scavenge through the market garbage tips for enough food to survive on. It takes the reader through my service in the Royal Navy Cadets at the age of twelve then into the Welsh Home Guard at the age of fourteen.
England was under threat of being invaded by the Germans and my home town of Swansea was being bombed every night. At fifteen I tried to join the British Merchant Navy but was told I was too young. I then tried to join the Norwegian Maritime Service which requested a letter and signature from my Father giving his authority and my proof of age. I wrote a note and forged my Father's signature. I was on a Norwegian tanker the very next day. The war was raging now, and ships were being sunk faster than they could be built and there was loss of hundreds of Merchant Seamen and at fifteen I was right in the middle of it all.
The story takes you to many ports such as, America, Iran, Iraq, Durban, Cape Town, India, Lorenco Marques, Italy, Alexandria ( it was while I was in Alexandria that I got word that my older brother Ted had been killed in North Africa)
and many more ports around the world. -There had been many nights spent in the lockups in some of these ports.
The days and nights at sea were hell on high water, the short times ashore on leave, well, there were tears, laughter and one hell of a lot of loving going on. One must read the book to get the full impact of my exploits - it's a page turner.
"To hell with the expense, give the cat another canary and let the good times roll"
Over the next several months, Angela and Tupac shared a near-daily exchange of letters, poems and phone calls, and their the relationship quickly grew into something neither of them could quite define, a kinship of souls that touched each in unexpected ways. Those original poems and letters, many of them written after Tupac's transfer from Rikers to Dannemora State Prison, are presented here, along with the increasingly passionate and personal phone calls that touched on every subject imaginable. Far from the media spotlight, Tupac was by turns playful, sensual and serious, offering sharp observations on prison, music and the uncertainties of life. His letters to Angela reflect how he felt about being shot five times and left for dead one terrible night in New York in 1994, and his heartfelt verse encapsulates his dreams for the future--a future that would be so tragically cut short just over eighteen months after their correspondence began.
Tupac Shakur was shot on September 7th, 1996 and died a week later from his injuries. His murder remains unsolved, an ending as enigmatic as his life. But while Tupac may be gone, his words live on here, giving every fan a rare glimpse inside the mind and unbroken spirit of a passionate and unpredictable musical icon.
Angela Ardis is an author, screenwriter, actress and model.
the devastating loss of both her parents. For so long after, it seemed as though she would never find herself.
On Becoming is the real Toke Makinwa telling us what it is like to be one of the most talked about celebrities in Nigeria. She reveals the truth behind her 14-year relationship with the man she finally married. A marriage that ended
in an atrocious scandal that nearly brought her to her knees.
In the wake of the peaks and troughs that characterise Toke’s experiences, she now shares her struggle with blinding betrayal, finding forgiveness and
drawing strength from her faith in God.
On Becoming is Toke’s journey through pain to victory.
In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.
Praise for A Man Without a Country
“[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times
“Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review
“Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune
“Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian
“Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel
Love Letters of Great Men follows hot on the heels of the film and collects together some of history's most romantic letters from the private papers of Beethoven, Mark Twain, Mozart, and Lord Byron. For some of these great men, love is "a delicious poison" (William Congreve); for others, "a nice soft wife on a sofa with good fire, & books & music" (Charles Darwin). Love can scorch like the heat of the sun (Henry VIII), or penetrate the depths of one's heart like a cooling rain (Flaubert). Every shade of love is here, from the exquisite eloquence of Oscar Wilde and the simple devotion of Robert Browning, to the wonderfully modern misery of the Roman Pliny the Younger, losing himself in work to forget how much he misses his beloved wife, Calpurnia.
Taken together, these letters show that perhaps men haven't changed all that much over the last 2,000 years--passion, jealousy, hope and longing still rule their hearts and minds. In an age of e-mail and texted "i luv u"s, this timeless and unique collection reminds us that nothing can compare to the simple joy of sitting down to read a letter from the one you love.
A hugely influential collection for writers and artists of all kinds, Rilke's profound and lyrical letters to a young friend advise on writing, love, sex, suffering and the nature of advice itself.
One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
From the Trade Paperback edition.
Unlike views of Depression life "from the bottom up" that rely on recollections recorded several decades later, this book captures the daily anguish of people during the thirties. It puts the reader in direct contact with Depression victims, evoking a feeling of what it was like to live through this disaster.
Following Franklin D. Roosevelt's inauguration, both the number of letters received by the White House and the percentage of them coming from the poor were unprecedented. The average number of daily communications jumped to between 5,000 and 8,000, a trend that continued throughout the Rosevelt administration. The White House staff for answering such letters--most of which were directed to FDR, Eleanor Roosevelt, or Harry Hopkins--quickly grew from one person to fifty.
Mainly because of his radio talks, many felt they knew the president personally and could confide in him. They viewed the Roosevelts as parent figures, offering solace, help, and protection. Roosevelt himself valued the letters, perceiving them as a way to gauge public sentiment. The writers came from a number of different groups--middle-class people, blacks, rural residents, the elderly, and children. Their letters display emotional reactions to the Depression--despair, cynicism, and anger--and attitudes toward relief.
In his extensive introduction, McElvaine sets the stage for the letters, discussing their significance and some of the themes that emerge from them. By preserving their original spelling, syntax, grammar, and capitalization, he conveys their full flavor.
The Depression was far more than an economic collapse. It was the major personal event in the lives of tens of millions of Americans. McElvaine shows that, contrary to popular belief, many sufferers were not passive victims of history. Rather, he says, they were "also actors and, to an extent, playwrights, producers, and directors as well," taking an active role in trying to deal with their plight and solve their problems.
For this twenty-fifth anniversary edition, McElvaine provides a new foreword recounting the history of the book, its impact on the historiography of the Depression, and its continued importance today.
Letters of C. S. Lewis reveals the most intimate beliefs of the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics. Written to friends, family, and fans at various stages in his life, from his youth to the weeks before his death, these letters illuminate Lewis’s thoughts on God, humanity, nature, and creativity. In this captivating collection, devotees will discover details about Lewis’s conversion from atheism to Christianity as well as his philosophical thoughts on spirituality and personal faith.
The Selected Letters of Laura Ingalls Wilder is a vibrant, deeply personal portrait of this revered American author, illuminating her thoughts, travels, philosophies, writing career, and dealings with family, friends, and fans as never before.
This is a fresh look at the adult life of the author in her own words. Gathered from museums and archives and personal collections, the letters span over sixty years of Wilder’s life, from 1894–1956 and shed new light on Wilder’s day-to-day life. Here we see her as a businesswoman and author—including her beloved Little House books, her legendary editor, Ursula Nordstrom, and her readers—as a wife, and as a friend. In her letters, Wilder shares her philosophies, political opinions, and reminiscences of life as a frontier child. Also included are letters to her daughter, writer Rose Wilder Lane, who filled a silent role as editor and collaborator while the famous Little House books were being written.
Wilder biographer William Anderson collected and researched references throughout these letters and the result is an invaluable historical collection, tracing Wilder’s life through the final days of covered wagon travel, her life as a farm woman, a country journalist, Depression-era author, and years of fame as the writer of the Little House books. This collection is a sequel to her beloved books, and a snapshot into twentieth-century living.
In August 2007 Jade Goody received the shattering news that she had cervical cancer. She was only 27 years old. But with her usual strength of character, Jade was determined to beat the disease and carry on with life as normal with her two little boys Bobby and Freddy.
Neither the chemotherapy, which left her weak and bald, or the hysterectomy that crushed her dreams of having a little girl, could break Jade's sunny personality or her fierce refusal to be a victim. But in February 2009, Jade received the tragic news that any mother dreads to hear: she was going to be torn from her beloved sons. The cancer had spread and was untreatable.
Forever In My Heart is Jade's final 'love letter' to her two little boys. Covering her initial diagnosis while appearing on Celebrity Big Brother in India, their emotional last Christmas as a family, her magical wedding to her partner Jack Tweed and her dying wish to see be christened with her boys, Jade's heart-breaking diary of her final months is set against a backdrop of flashbacks to her difficult early years, her rise to fame in the Big Brother house and those moments of joy and laughter as the nation's darling.
It is the powerful story of a young mother's brave fight against a terminal disease, her unique humour, her determination to provide for her sons and her fierce desire to leave a legacy which might prevent other young women being torn from their families in the prime of life.
A percentage of profits from the book will be donated to Marie Curie Cancer Care.
If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"--for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest.
Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother--and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews
This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide.
Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud.
Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon.
• On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.”
• To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.”
• To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.”
• To Norman Mailer: “I am cuter than you are.”
Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.
Praise for Kurt Vonnegut: Letters
“Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review
“[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR
“Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday
“These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
From the Hardcover edition.
Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.
With his acute eye for the ridiculous and the troubled, Bukowski speaks to the deepest longings and strangest predilections of the human experience. Gloomy yet hopeful, this is tough, unrelenting poetry touched by grace.
This is Essential Bukowski.
Steinbeck's letters were written on the left-hand pages of a notebook in which the facing pages would be filled with the test of East of Eden. They touched on many subjects—story arguments, trial flights of workmanship, concern for his sons.
Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.
From the bestselling author of Letters from a Nut comes the latest collection of seemingly serious but crazed correspondence. All New Letters from a Nut includes more than 200 letters, from bizarre to outright loony requests and compliments written by Mr. Nancy to Icelandic malls, German theme parks, shoe museums, foreign presidents, commode companies, waffle cone businesses, and the Hotel Del Fino in Greece along with their equally sincere but hilarious responses.
With his previous books, Ted L. Nancy distinguished himself as America's favorite postal humorist. This latest compilation highlights his comic status through letters to an upscale Amsterdam hotel requesting a room for his 300 hamsters and him to put on his play HAMSTERDAM; to Vons Supermarkets complaining that their Diet Black Cherry soda is sending him paranormal messages; to Armour Meats seeking a 59-foot piece of bologna and a note to the City of Glendale, California, asking for help in starting his new comedy club, THE JOKESTRAP; and many more….
Throughout Ted L. Nancy demonstrates his genius for convincing people his absurd queries are dead serious, demonstrated by the responses he receives.
All New Letters From a Nut is unabashedly silly, unapologetically sophomoric, and 100% funny.
With a foreword by Jerry Seinfeld
"I have come to think that the true likeness of Flannery O'Connor will be painted by herself, a self-portrait in words, to be found in her letters . . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction
If you're heartbroken from a relationship, going through a struggle in life, or just desiring to live a more fulfilling life, this book is for you. Take your life to the next level.
An “unorthodox, critical, and engaging biography” (Boston Globe) – Winner of The Lincoln Prize
Robert E. Lee is remembered by history as a tragic figure, stoic and brave but distant and enigmatic. Using dozens of previously unpublished letters as departure points, Pryor produces a stunning personal account of Lee's military ability, shedding new light on every aspect of the complex and contradictory general's life story. Explained for the first time in the context of the young United States's tumultuous societal developments, Lee's actions reveal a man forced to play a leading role in the formation of the nation at the cost of his private happiness.
Members of that generation were, characteristically, grateful for the attention and modest about their own lives as they shared more remarkable stories about their experiences in the Depression and during the war years.
"Their children and grandchildren were eager to share the lessons and insights they gained from the stories they heard about the lives of a generation now passing on too swiftly. They wanted to say thank you in their own way. I had wanted to write a book about America, and now America was writing back.
"The letters, many of them written in firm Palmer penmanship on flowered stationery, have given me a much richer understanding not only of those difficult years but also of my own life. They give us new, intensely personal perspectives of a momentous time in our history. They are the voices of a generation that has given so much and wants to share even more.
"Some of the letters were written from the front during the war, or from families to their loved ones in harm's way in distant places. There were firsthand accounts of battles and poignant reflections on loneliness, exuberant expressions of love and somber accounts of loss.
"It seems that everyone in that generation has something worthwhile to contribute, and so we have included some pages in The Greatest Generation Speaks for others to share memories at once inspirational and instructive.
"If we are to heed the past to prepare for the future, we should listen to these quiet voices of a generation that speaks to us of duty and honor, sacrifice and accomplishment. I hope more of their stories will be preserved and cherished as reminders of all that we owe them and all that we can learn from them." —Tom Brokaw
“The cat is the beautiful devil.”
Felines touched a vulnerable spot in Charles Bukowski’s crusty soul. For the writer, there was something majestic and elemental about these inscrutable creatures he admired, sentient beings whose searing gaze could penetrate deep into our being. Bukowski considered cats to be unique forces of nature, elusive emissaries of beauty and love.
On Cats offers Bukowski’s musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly onto the world around them: “A cat is only ITSELF, representative of the strong forces of life that won’t let go.”
Funny, moving, tough, and caring, On Cats brings together the acclaimed writer’s reflections on these animals he so admired. Bukowski’s cats are fierce and demanding—he captures them stalking their prey; crawling across his typewritten pages; waking him up with claws across the face. But they are also affectionate and giving, sources of inspiration and gentle, insistent care.
Poignant yet free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered his most profound teachers.
Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” In On Love, we see Bukowski reckoning with the complications and exaltations of love, lust, and desire. Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.
Bukowski is brilliant on love—often amusing, sometimes playful, and fleetingly sweet. On Love offers deep insight into Bukowski the man and the artist; whether writing about his daughter, his lover, his friends, or his work, he is piercingly honest and poignantly reflective, using love as a prism to see the world in all its beauty and cruelty, and his own fragile place in it. “My love is a hummingbird sitting that quiet moment on the bough,” he writes, “as the same cat crouches.”
Brutally honest, flecked with humor and pathos, On Love reveals Bukowski at his most candid and affecting.
For John Steinbeck, who hated the telephone, letter-writing was a preparation for work and a natural way for him to communicate his thoughts on people he liked and hated; on marriage, women, and children; on the condition of the world; and on his progress in learning his craft. Opening with letters written during Steinbeck's early years in California, and closing with a 1968 note written in Sag Herbor, New York, Steinbeck: A Life in Letters reveals the inner thoughts and rough character of this American author as nothing else has and as nothing else ever will.
"The reader will discover as much about the making of a writer and the creative process, as he will about Steinbeck. And that's a lot." —Los Angeles Herald-Examiner
"A rewarding book of enduring interest, this becomes a major part of the Steinbeck canon." —The Wall Street Journal
This new volume of Pat Conroy’s nonfiction brings together some of the most charming interviews, magazine articles, speeches, and letters from his long literary career, many of them addressed directly to his readers with his habitual greeting, “Hey, out there.” Ranging across diverse subjects, such as favorite recent reads, the challenge of staying motivated to exercise, and processing the loss of dear friends, Conroy’s eminently memorable pieces offer a unique window into the life of a true titan of Southern writing.
With a beautiful introduction from his widow, novelist Cassandra King, A Lowcountry Heart also honors Conroy’s legacy and the innumerable lives he touched. Finally, the collection turns to remembrances of “The Great Conroy,” as he is lovingly titled by friends, and concludes with a eulogy. The inarguable power of Conroy’s work resonates throughout A Lowcountry Heart, and his influence promises to endure.
This moving tribute is sure to be a cherished keepsake for any true Conroy fan and remain a lasting monument to one of the best-loved masters of contemporary American letters.
Praise for A Lowcountry Heart
“A fascinating look into the mind of one of the South’s greatest authors . . . something to remember him by and cherish for years to come.”—The Clarion-Ledger
“Fans of Conroy . . . will relish the chance to spend more time with him in this glowing valedictory to his life and writing . . . Eloquent, folksy, and sometimes brutally honest.”—Publishers Weekly
“A moving and proper tribute to a true Southern icon.”—The Florida Times-Union
“Elegant essays [that] will not disappoint.”—The Washington Post
“Resplendent . . . As always, his storytelling, word choice and rhythm are gorgeous, almost lyrical.”—USA Today
Dietrich Bonhoeffer was a young German pastor who was executed by the Nazis in 1945 for his part in the “officers’ plot” to assassinate Adolf Hitler.
This expanded version of Letters and Papers from Prison shifts the emphasis of earlier editions of Bonhoeffer’s theological reflections to the private sphere of his life. His letters appear in greater detail and show his daily concerns. Letters from Bonhoeffer’s parents, siblings, and other relatives have also been added, in addition to previously inaccessible letters and legal papers referring to his trial.
Acute and subtle, warm and perceptive, yet also profoundly moving, the documents collectively tell a very human story of loss, of courage, and of hope. Bonhoeffer’s story seems as vitally relevant, as politically prophetic, and as theologically significant today, as it did yesterday.
Fleming's output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, friends and critics--and to the wife of the man whose name Fleming appropriated for his hero--charting 007's progress with correspondence that ranged from badgering Jonathan Cape about his quota of free copies--a coin was tossed and Fleming lost--to apologizing for having mistaken a certain brand of perfume and for equipping Bond with the wrong kind of gun. His letters also reflect his friendship with such contemporaries as Raymond Chandler, Noel Coward and Somerset Maugham.
This entertaining and engaging compilation traces the arc of Fleming's literary career and details the inner working of James Bond. Set against the backdrop of his Jamaican retreat Goldeneye, and a troubled marriage, Fleming's letters are filled with wit, humor and occasional self-doubt. They reveal an intimate portrait of a man, an era and a literary phenomenon.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.
In prison, Wade began a rigorous program of self-improvement. He would emerge from the darkness of prison a changed man. Once released, he enrolled in Stanford Law School’s Project ReMADE entrepreneurship program and began speaking about his experiences at UC Berkeley and other universities. Then in 2013, Wade founded the Scholastic Interest Group, a nonprofit dedicated to helping at-risk youth.
In addition to a gripping personal story, Pressure is also social commentary. Wade chronicles the societal forces that shaped him, and he explodes many of the myths about drug dealers, prison, and growing up in the inner city. A vivid, authentic account of the triumph of the human spirit, Pressure is a revelation with the power to open minds and change hearts.
Part of the vanguard of young New York publishers who revolutionized the book business in the 1920s and ’30s, Cerf helped usher in publishing’s golden age. Cerf was a true personality, whose other pursuits (columnist, anthologist, author, lecturer, radio host, collector of jokes and anecdotes, perennial judge of the Miss America pageant, and panelist on What’s My Line?) helped shape his reputation as a man of boundless energy and enthusiasm and brought unprecedented attention to his company and to his authors. At once a rare behind-the-scenes account of book publishing and a fascinating portrait of four decades’ worth of legendary authors, from James Joyce and William Faulkner to Ralph Ellison and Eudora Welty, At Random is a feast for bibliophiles and anyone who’s ever wondered what goes on inside a publishing house.
So Samuel Langhorne Clemens made his excuse for late copy to the Sacramento Union, the newspaper that was underwriting his 1866 trip. If the young reporter's excuse makes perfect sense to you, join the thousands of Island lovers who have delighted in Twain's efforts when he finally did put pen to paper.
"The voice of Kafka in Letters to Milena is more personal, more pure, and more painful than in his fiction: a testimony to human existence and to our eternal wait for the impossible. A marvelous new edition of a classic text."
'Joe is nothing short of hilarious' SARAH MILLICAN
'I Lycett, I Lycett a lot' HARRY HILL
'We were snorting with laughter like a happy pig throughout. Lots more of the same please Joe! 5*s' HEAT MAGAZINE
* * * * * *
Life is hard. We are a bombarded generation: Facebook, billboards, Twitter, Instagram, taxes, newspapers, watches monitoring our sleep, apps that read our pulse, terrorism. There's such an onslaught to the senses these days it's a marvel any of us manage to get out of bed. I love bed.
While we are overwhelmed and confused by the miasmic cloud of information, there are those that seek to take advantage: there are parking fines, hate Tweets, Nigerian email scams and Christmas newsletters from old school friends about their ugly kids. And just as we're getting round to doing something about it, we're distracted again.
I, Joe Lycett, comedian, wordsmith, and professional complainer, am here to help. During my short life of doing largely nothing I've discovered solutions to many of life's problems, which I impart to you, dear Reader. Containing a centurion of complaint letters to unsuspecting celebrities, companies and anyone brave enough to clog up my phone, as well as illustrations, one-liners , jokes and life hacks, this little gem offers you a collection of tips and advice* for all manner of modern woe. By the time you have finished reading this book you will have learnt how to:
- Reverse a parking fine
- Manipulate the tabloid press
- Navigate social media
- Respond to hate mail
- Out-weird internet trolls
- Contest a so-called ripe avocado
- Send the perfect Christmas newsletter
- Defeat ISIS
- Take down multi-national companies
AND MUCH, MUCH MORE!
Joe Lycett x
* If you are looking for guidance with taxes, quitting smoking, moving house, love, divorce, education, healthcare or anything actually important may I recommend speaking to friends or family members and not consulting a book by a comedian who eats halloumi at least twice a day.
Edited by Joan Watts & Anne Watts
Neal Cassady is best remembered today as Jack Kerouac’s muse and the basis for the character “Dean Moriarty” in Kerouac’s classic On The Road, and as one of Ken Kesey’s merriest of Merry Pranksters, the driver of the psychedelic bus “Further,” immortalized in Tom Wolfe’s The Electric Kool-Aid Acid Test. This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious. Here is the real Neal Cassady—raw and uncut.
In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut’s singular voice: the magic sound of a born storyteller mesmerizing us with truth.
“Vonnegut is at the top of his form, and it is wonderful.”—Newsday
This is the life of Abigail Adams, wife of patriot John Adams, who became the most influential woman in Revolutionary America. Rich with excerpts from her personal letters, Dearest Friend captures the public and private sides of this fascinating woman, who was both an advocate of slave emancipation and a burgeoning feminist, urging her husband to “Remember the Ladies” as he framed the laws of their new country.
John and Abigail Adams married for love. While John traveled in America and abroad to help forge a new nation, Abigail remained at home, raising four children, managing their estate, and writing letters to her beloved husband. Chronicling their remarkable fifty-four-year marriage, her blossoming feminism, her battles with loneliness, and her friendships with Thomas Jefferson and James Madison, Dearest Friend paints a portrait of Abigail Adams as an intelligent, resourceful, and outspoken woman.
The letters chronicle the social quirks and political upheavals of the twentieth century but also chart the stormy, enduring relationships between the uniquely gifted – and collectively notorious – Mitford sisters. There’s Nancy, the scalding wit and bestselling novelist; Pamela, who craved a quiet country life; Diana, the fascist wife of Sir Oswald Mosley; Unity, whose obsession with Adolf Hitler led to personal tragedy; Jessica, the runaway communist; and Deborah, the socialite who became Duchess of Devonshire.
Writing to one another to confide, tease, rage and gossip, the Mitford sisters set out, above all, to amuse. A correspondence of this scope is rare; a collection penned by six born storytellers is irreplaceable.
The original letters Anthony wrote between February 1989 and 1990, reproduced here along with Anthony’s comments, reveal the author’s wit, humanism, and social conscience.
Jenny has come out of her coma, but is still confined to a wheelchair. Anthony also named a character in his next Xanth novel after Jenny, whose limited but definite physical responses to his letters indicated how important they were to her.
As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life.
Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier.
Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Based on extensive study of original sources and animated throughout by historical detail, anecdote, and insight, the narrative traces Wilde's progression from his childhood in an intellectual Irish household to his maturity as a London author to the years of his European exile. Here is Wilde the Oxford Aesthete becoming the talk of London, going off to tour America, lecturing on the craftsmanship of Cellini to the silver miners of Colorado, condemning the ugliness of cast-iron stoves to the ladies of Boston. Here is the domestic Wilde, building sandcastles with his sons, and the generous Wilde, underwriting the publication of poets, lending and spending with no thought of tomorrow. And here is the romantic Wilde, enthralled with Lord Alfred Douglas in an affair that thrived on laughter, smitten with Florence Balcombe, flirting with Violet Hunt, obsessed with Lillie Langtry, loving Constance, his wife.
Vividly evoked are the theatres, clubs, restaurants, and haunts that Wilde made famous. More than previous accounts, Belford's biography evaluates Wilde's homosexuality as not just a private matter but one connected to the politics and culture of the 1890s. Wilde's timeless observations, which make him the most quoted playwright after Shakespeare, are seamlessly woven into the life, revealing a man of remarkable intellect, energy, and warmth.
Too often portrayed as a tragic figure--persecuted, imprisoned, sent into exile, and shunned--Wilde emerges from this intuitive portrait as fully human and fallible, a man who, realizing that his creative years were behind him, committed himself to a life of sexual freedom, which he insisted was the privilege of every artist.
Even now, we have yet to catch up with the man who exhibited some of the more distinguishing characteristics of the twentieth century's preoccupation with fame and zeal for self-advertisement. Wilde's personality shaped an era, and his popularity as a wit and a dramatist has never ebbed.
NOTE: This edition does not include a photo insert.