This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.
This collection features the following works:
A Midsummer Night’s Dream
All’s Well that Ends Well
Antony and Cleopatra
As You Like It
The Comedy of Errors
Hamlet, Prince of Denmark
King Henry the Eighth
King Henry the Fifth
King Henry the Fourth, the First Part
King Henry the Fourth, the Second Part
King Henry the Sixth, the First Part
King Henry the Sixth, the Second Part
King Henry the Sixth, the Third Part
King Richard the Second
King Richard the Third
Love’s Labour’s Lost
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
Much Ado About Nothing
Othello, the Moor of Venice
Pericles, Prince of Tyre
Romeo and Juliet
The Taming of the Shrew
Timon of Athens
Troilus and Cressida
Twelfth Night; or, What You Will
The Two Gentlemen of Verona
The Winter’s Tale
SONNETS AND POEMS
A Lover’s Complaint
The Passionate Pilgrim
The Phoenix and the Turtle
The Rape of Lucrece
Venus and Adonis
(The Complete Works of William Shakespeare by William Shakespeare, 9789380914831)
Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.
Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.
SONG OF BATTLE AND KINGS
Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable—reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.
Translated and with an Introduction by Burton Raffel
and an Afterword by Roberta Frank
In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods.
With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents in contemporary literature, but a deeper understanding of such classics as “The Waste Land,” “The Hollow Men,” “Ash Wednesday,” “Prufrock,” “Murder in the Cathedral,” and “The Cocktail Party.” The Complete Poems and Plays of T. S. Eliot is indispensable.
In his introduction, James Fenton dicusses the early publication and critical reception of Lawrence's poems, his develpoments as a poet and his use of free verse. This edition also includes a chronology, further reading and appendices, including Lawrence's comments on the work of Walt Whitman.
Among them are Marlowe: "The Passionate Shepherd to His Love"; Shakespeare: "Sonnet XVIII" ("Shall I compare thee to a summer's day?"); Donne: "Holy Sonnet X" ("Death, be not proud"); Marvell: "To His Coy Mistress"; Wordsworth: "I Wandered Lonely as a Cloud"; Shelley: "Ode to the West Wind"; Longfellow: "The Children's Hour"; Poe: "The Raven"; Tennyson: "The Charge of the Light Brigade"; Whitman: "O Captain! My Captain!"; Dickinson: "This Is My Letter to the World"; Yeats: "When You Are Old"; Frost: "The Road Not Taken"; Millay: "First Fig."
Works by many other poets — Milton, Blake, Burns, Coleridge, Byron, Keats, Emerson, the Brownings, Hardy, Housman, Kipling, Pound, and Auden among them — are included in this treasury, a perfect companion for quiet moments of reflection.
With this volume readers will now be able to enjoy a much broader selection of Old English poetry in translations by Liuzza. As the collection demonstrates, the range and diversity of the works that have survived is extraordinary—from heartbreaking sorrow to wide-eyed wonder, from the wisdom of old age to the hot blood of battle, and to the deepest and most poignant loneliness. There is breathless storytelling and ponderous cataloguing; there is fervent religious devotion and playful teasing. The poems translated here are meant to provide a sense of some of this range and diversity; in doing so they also offer significant portions of three of the important manuscripts of Old English poetry—the Vercelli Book, the Junius Manuscript, and the Exeter Book.
Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.
In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.
Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.
If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.
* Beautifully illustrated with images relating to ‘Beowulf’ and the Beowulf Poet’s times
* Concise introduction to the epic poem
* Images of how the poem was first printed, giving your eReader a taste of the original text
* Features Francis Barton Gummere's celebrated translation in imitative metre, widely acknowledged as capturing the alliterative pattern of the original Old English text
* Includes Gummere's original footnotes to aid comprehension of difficult phrases and sections
* Also features William Morris’ well-regarded translation
* A translation and the original text of the contemporary fragment THE ATTACK ON FINNSBURG
* Excellent formatting of the poetry texts
* Easily locate the sections you want to read
* Includes the original Old English text
* Provides a special dual modern English and Old English text, allowing readers to compare small sections of five lines each – ideal for students
* Scholarly ordering of texts into chronological order and literary genres
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BEOWULF: BRIEF INTRODUCTION
FRANCIS BARTON GUMMERE’S TRANSLATION
WILLIAM MORRIS’ TRANSLATION
The Old English Text
THE OLD ENGLISH TEXT
The Dual Text
CONTENTS OF THE DUAL TEXT
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Since its initial publication in 1953, this book has become the definitive edition of the poet’s work. Thomas wrote “Prologue” addressed to “my readers, the strangers” — an introduction in verse that was the last poem he would ever write. Also included are classics such as “And Death Shall Have No Dominion,” “Do Not Go Gentle into that Good Night,” and “Fern Hill” that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas’ portrait on the cover of Sgt. Pepper’s Lonely Hearts Club Band); this collection even appears in the film adaptation of Cormac McCarthy’s The Road when it is retrieved from the rubble of a bookshelf.
And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and their clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again,
Though lovers be lost love shall not:
And death shall have no dominion.
(From “And Death Shall Have No Dominion”)
Kate Tempest's words in Brand New Ancients are written to be read aloud; the book combines poem, rap, and humanist sermon, by turns tender and fierce. Set in Southeast London, Brand New Ancients finds the mythic in the mundane. It is the story of two half-brothers, Thomas and Clive, unknown to each other -- Thomas the result of an affair between his mother and Clive's father. Tempest, with wide-ranging empathy, takes us inside the passionless marriage of Jane and Kevin -- the man who suspects Thomas is not his son, but loves him just the same -- and the neighboring home of Mary and Brian, where betrayal has not been so placidly accepted. The sons of these two households -- quiet, creative Thomas and angry, destructive Clive -- will cross paths in adolescence, their fates converging with mortal fury.
These characters' loves, their infidelities, their disappointments and their small comforts -- these, Tempest argues, are timeless. Our lives and our choices are no less important than those of history and myth. Awarded the Ted Hughes Award for New Work in Poetry, Brand New Ancients insists on our importance as individuals -- and asserts Kate Tempest's importance as a talent impossible to ignore.
Winner of the 2011 Griffin Poetry Prize
Winner of the 2011 Poetry Now Award
Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other "hermit songs" that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled "Route 101" plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular.
Human Chain also includes a poetic "herbal" adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.
The poems of Songs of Innocence describe childhood states of naturalness and purity in delicately beautiful lyrics that reveal a child's unspoiled and beatific view of life and human nature. In Songs of Experience the mood and tone darken, the poems suggesting the bitter corruptions and disillusionment that await the innocent. The contrast between the two sets of lyrics is perhaps at its most acute in the poems "The Lamb" and "The Tyger," the latter ultimately expressing wonderment at the seemingly paradoxical coexistence of good and evil. The full texts of all the poems in the 1794 edition of both collections are included in this volume.
Picture the east Aegean sea by night,
And on a beach aslant its shimmering
Upwards of 50,000 men
Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for— / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement).
The second edition includes a new Middle English glossary, a timeline of Chaucer’s life and times, and detailed page headers showing the fragment and line numbers to assist readers in finding a specific section of the poem.
From the Trade Paperback edition.
Wendell Berry is the author of over forty works of poetry, fiction, and non-fiction, and has been awarded numerous literary prizes, including the T.S. Eliot Prize, a National Institute of Arts and Letters award for writing, the American Academy of Arts and Letters Jean Stein Award, and a Guggenheim Foundation Fellowship. While he began publishing work in the 1960s, Booklist has written that "Berry has become ever more prophetic," clearly standing up to the test of time.
through the space between one world and another . . .'
The Mabinogi is the Welsh national epic, a collection of prose tales of war and enchantment, adventure and romance, which have long fascinated readers all over the world. Matthew Francis's retelling of the first four stories (the Four Branches of the Mabinogi) is the first to situate it in poetry, and captures the magic and strangeness of this medieval Celtic world: a baby is kidnapped by a monstrous claw, a giant wades across the Irish Sea to do battle, a wizard makes a woman out of flowers, only to find she is less biddable than he expected. Permeating the whole sequence is a delight in the power of the imagination to transform human experience into works of tragedy, comedy and wonder.
The Mabinogi is an important contribution to the storytelling of the British Isles.
'I have waited a life for this book: our ancient British tales re-told, in English, by a poet, as they were in their original Welsh. This is more than translation. It picks up the harp and sings.' Gillian Clarke
This volume contains a rich selection of poems from that time by Rupert Brooke, Wilfred Owen, Siegfried Sassoon, Isaac Rosenberg, and others known especially for their war poetry — as well as poems by such major poets as Robert Graves, Thomas Hardy, A. E. Housman, Robert Bridges, and Rudyard Kipling.
Included among a wealth of memorable verses are Rupert Brooke's "The Soldier," Wilfred Owen's "Anthem for Doomed Youth," "In the Pink" by Siegfried Sassoon, "In Flanders Fields" by Lieut. Col. McCrae, Robert Bridges' "To the United States of America," Thomas Hardy's "In Time of 'The Breaking of Nations,'" as well as works by Walter de la Mare, May Wedderburn Cannan, Ivor Gurney, Alice Meynell, and Edward Thomas.
Moving and powerful, this carefully chosen collection offers today's readers an excellent overview of the brutal range of verse produced as poets responded to the carnage on the fields of Belgium and France.
The Yeats Reader is the most comprehensive single volume to display the full range of Yeats's talents. It presents more than one hundred and fifty of his best-known poems -- more than any other compendium -- plus eight plays, a sampling of his prose tales, and excerpts from his published autobiographical and critical writings. In addition, an appendix offers six early texts of poems that Yeats later revised. Also included are selections from the memoirs left unpublished at his death and complete introductions written for a projected collection that never came to fruition. These are supplemented by unobtrusive annotation and a chronology of the life.
Yeats was a protean writer and thinker, and few writers so thoroughly reward a reader's efforts to essay the whole of their canon. This volume is an excellent place to begin that enterprise, to renew an old acquaintance with one of world literature's great voices, or to continue a lifelong interest in the phenomenon of literary genius.
As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays.
In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.
From the Hardcover edition.
This collection includes, of course, such famous poems as “The Lady of Shalott” and “The Charge of the Light Brigade.” There are extracts from all the major masterpieces—“Idylls of the King,” “The Princess,” “In Memoriam”—and several complete long poems, such as “Ulysses” and “Demeter and Persephone,” that demonstrate his narrative grace. Finally, there are many of the short lyrical poems, such as “Come into the Garden, Maud” and “Break, Break, Break,” for which he is justly celebrated.
This Broadview edition includes a new critical introduction that takes into account the developments in scholarship on Smith’s work and women’s writing over the past three decades, and it provides readers with a wealth of contextual material for understanding the writer and the social and literary environment within which she wrote, including key works by her precursors and contemporaries, selections from her letters, and reviews of her poetry.
This volume brings together four works of the unknown fourteenth-century poet famous for the Arthurian romance Sir Gawain and the Green Knight, in their original Middle English. In one of the great tales of medieval literature, Gawain, the noblest knight of King Arthur's court, must keep a deadly bargain with a monstrous knight and resist the advances of his host's beautiful wife. The dream vision of Pearl depicts a bereaved father whose lost child leads him to glimpse heaven. And in moral poems based on stories from the Bible, Cleanness warns against sins of the flesh and of desecration, while Patience encourages readers to endure suffering as God's will.
Little is known about the so-called 'Gawain poet', who wrote during the late fourteenth century. It is believed that he came from south-east Cheshire, an important cultural and economic centre at the time, and he was clearly well-read in Latin, French and English. Although he is not named as the author of Sir Gawain and the Green Knight, Pearl, Patience, Cleanness, the four works have been attributed to him based on a careful comparison of their language, date and themes.
Myra Stokes was formerly Senior Lecturer in the Department of English at Bristol University. Her books include Justice and Mercy in Piers Plowman and The Language of Jane Austen.
Ad Putter teaches at the English Department and the Centre for Medieval Studies of the University of Bristol, where is Professor of Medieval English Literature. His monographs include Sir Gawain and the Green Knight and French Arthurian Romance and An Introduction to the Gawain Poet, and he is also co-editor of The Cambridge Companion to the Arthurian Legend.
From “Talking to my Daughter Late at Night”
We have a tray, a pot of tea, a scone.
This is the hour
When one thing pours itself into another:
The gable of our house stored in shadow.
A spring planet bending ice
Into an absolute of light.
Your childhood ended years ago. There is
No path back to it.
**Winner of the Roehampton Poetry Prize and the Goldsmiths Prize for Fiction**
From the award-winning British author—a poet's noir narrative that tells the story of a D-Day veteran in postwar America: a good man, brutalized by war, haunted by violence and apparently doomed to return to it, yet resolved to find kindness again, in the world and in himself.
Walker is a D-Day veteran with post-traumatic stress disorder; he can't return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he finds his way from New York to Los Angeles and San Francisco, we witness a crucial period of fracture in American history, one that also allowed film noir to flourish. The Dream had gone sour but—as those dark, classic movies made clear—the country needed outsiders to study and to dramatize its new anxieties. Both an outsider and, gradually, an insider, Walker finds work as a journalist, and tries to piece his life together as America is beginning to come apart: riven by social and racial divisions, spiraling corruption, and the collapse of the inner cities. Robin Robertson's fluid verse pans with filmic immediacy across the postwar urban scene—and into the heart of an unforgettable character—in this highly original work of art.
Derived from the Modern Library’s esteemed The Complete Poetry and Essential Prose of John Milton, this new volume, extensively revised and updated by its editors, contains Milton’s two late masterpieces, the brief epic Paradise Regained and the tragic drama Samson Agonistes. Age after age, these works have inspired new controversy and exciting interpretive debates. With expert commentary to guide the reader through historical contexts and verbal details, as well as the larger political and philosophical implications, the concerns of these canonical pieces live once again for today’s audiences. The volume also contains Milton’s complete shorter poems, which include such major achievements as “Lycidas,” “A Masque Presented at Ludlow Castle, 1634,” “L’Allegro,” and “Il Penseroso,” and the author’s twenty-four influential sonnets. Thoughtfully edited and carefully designed, this is an essential publication of Milton’s classic poetry.
Praise for The Complete Poetry and Essential Prose of John Milton
“For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation, this new Modern Library volume will be the standard. It brings Milton, as a poet and a thinker, vividly alive before us.”—Robert Hass, former Poet Laureate of the United States
“A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too.”—Leo Damrosch, Harvard University
'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'
Sadowski built the interpretive framework of Sir Gawain from an eclectic theoretical base that he believes is most valuable and useful in approaching medieval literature. The main focus of the study remains the literary text itself, created by an author who communicates his view of the world through the poem.
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty . . .
-- Composed Upon Westminster Bridge,
September 3, 1802