Nan Lewis—a creative writing professor at a university in upstate New York—is driving home from a faculty holiday party when she hits a deer. Yet when she gets out of her car to look for it, the deer is gone. Eager to get home before the oncoming snowstorm, Nan is forced to leave her car at the bottom of her snowy driveway to wait out the longest night of the year…
The next morning, Nan is woken up by a police officer at her door with terrible news—one of her students, Leia Dawson, was killed in a hit-and-run on River Road the night before, and because of the damage to her car, Nan is a suspect. In the days following the accident, Nan finds herself shunned by the same community that rallied around her when her own daughter was killed in an eerily similar accident six years prior. When Nan begins finding disturbing tokens that recall the her daughter’s death, Nan suspects that the two accidents are connected.
As she digs further, she discovers that everyone around her, including Leia, has been hiding secrets. But can she uncover them, clear her name, and figure out who really killed Leia before her life is destroyed for ever?
When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.
They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.
But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, see strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…
From the author of the internationally bestselling The Lake of Dead Languages comes a gripping novel about madness, motherhood, love, and trust.
When Daphne Marist and her infant daughter, Chloe, pull up the gravel drive to the home of Daphne’s new employer, it feels like they’ve entered a whole new world. Tucked in the Catskills, the stone mansion looks like something out of a fairy tale, its lush landscaping hiding the view of the mental asylum just beyond its border. Daphne secured the live-in position using an assumed name and fake credentials, telling no one that she’s on the run from a controlling husband who has threatened to take her daughter away.
Daphne’s new life is a far cry from the one she had in Westchester where, just months before, she and her husband welcomed little Chloe. From the start, Daphne tries to be a good mother, but she’s plagued by dark moods and intrusive thoughts that convince her she’s capable of harming her own daughter. When Daphne is diagnosed with Post Partum Mood Disorder, her downward spiral feels unstoppable—until she meets Laurel Hobbes.
Laurel, who also has a daughter named Chloe, is everything Daphne isn’t: charismatic, sophisticated, fearless. They immediately form an intense friendship, revealing secrets to one another they thought they’d never share. Soon, they start to look alike, dress alike, and talk alike, their lives mirroring one another in strange and disturbing ways. But Daphne realizes only too late that being friends with Laurel will come at a very shocking price—one that will ultimately lead her to that towering mansion in the Catskills where terrifying, long-hidden truths will finally be revealed....
Financial straits and a desire for a fresh start take recently widowed Meg Rosenthal and her aloof teenage daughter, Sally, to Arcadia Falls, a tucked-away hamlet in upstate New York where Meg has accepted a teaching position at a boarding school. The creaky, neglected cottage they’ll be calling home feels like an ill omen, but Meg is determined to make the best of it. Then a shocking crisis strikes: During Arcadia’s First Night bonfire, one of Meg’s folklore students plunges to her death in a campus gorge. Sheriff Callum Reade finds the presumed accident suspicious, but then, he is a man with a dark past himself. Meg is unnerved by Reade’s interest in the girl’s death, and as long-buried secrets emerge, she must face down her own demons and the danger threatening to envelop Sally. As the past clings tight to the present, the shadows, as if in a terrifying fairy tale, grow longer and deadlier.
Lang Leav is a poet and internationally exhibiting artist. Her work expresses the intricacies of love and loss. Love & Misadventure is her first poetry collection.
Jason Strider is a twentysomething young man in the city, with an English degree from an Ivy League university, a very small apartment in the West Village, a vapid job as a receptionist at a casting agency—and no particular idea what to do with his life. On most evenings, Jason gets stoned and goes out, sometimes with his party-hearty school chum Tina and sometimes alone in the immemorial male quest to get laid or, if not, get hammered enough to really regret it the next day and be late for work.
Then one night Jason has athletic, appliance-assisted intercourse with a cute girl named Jane—and ends up lending her his Dickies jeans. Many, many e-mails and text messages later, he is unable to reconnect with her and is reduced to the plaint “I just want my pants back.” How he does, in a most unexpected way, find those pants, and how maturity and mortality come to enter his slacker’s existence, form the matter of this smart, raunchily comic, and finally affecting first novel.
The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves.
With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.
The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
Drawing on first-person interviews, unpublished memoirs, newspaper accounts, contemporary studies, government documents, and recent scholarship, Sin, Sex & Subversion argues that “deviant” sexuality was subversive, and that unique New York “outsiders” of the 1950s set the stage for the following decades and the world we know today. In each chapter, author David Rosen examines a critical moral issue through an in-depth profile of figures such as Liberace, Samuel Roth, Bettie Page, the Rosenbergs, and others. Through these individuals, Rosen shows how those who operated outside the law or who challenged popular values, even if they were silenced in their time, ended up paving the way for a new normal.
Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history—books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
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Leav has an unnerving ability to see inside the hearts and minds of her readers. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted fans from all over the world.
Lang Leav is a poet and internationally exhibiting artist.
Lang Leav's evocative poetry in a gorgeous package with ribbon marker and cloth spine is an irresistible gift for any poetry lover!
Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available.
This book also:
Reflects recent developments and trends and adheres to the ASTM, SI, and other standards
Includes chapters on automotive technology, aerospace technology and low-cost AM technologies
Provides a broad range of technical questions to ensure comprehensive understanding of the concepts covered
One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.
He fell in love.
Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.
* Poet Laureate of the United States *
* A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice *
* A New Yorker, Library Journal and Publishers Weekly Best Book of the Year *
New poetry by the award-winning poet Tracy K. Smith, whose "lyric brilliance and political impulses never falter" (Publishers Weekly, starred review)
You lie there kicking like a baby, waiting for God himself
To lift you past the rungs of your crib. What
Would your life say if it could talk?
—from "No Fly Zone"
With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.
By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote.—Ted Hughes, from the Introduction
*Finalist for the 2016 National Book Award*
Solmaz Sharif's astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America's invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter.
At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. "Let it matter what we call a thing," she writes. "Let me look at you."
Daily I sit
with the language
of our language
the CAPABILITY of LOW DOLLAR VALUE ITEMs
You are what is referred to as
--from "Personal Effects"
The prophet, Almustafa, has lived in the foreign city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition. The book is divided into chapters dealing with work, love, marriage, eating and drinking, joy and sorrow, self-knowledge, teaching, friendship, pleasure, beauty, religion, crime and punishment, reason and passion, and death.
The heart is comforted by true words, just as a thirsty man is comforted by water.
Don’t hide your heart but reveal it, so that mine might be revealed, and I might accept what I am capable of.
If the heart isn’t there, how can the body speak? If the heart doesn’t seek, how can the body seek?
Have not been born yet
They are waiting quietly
For their past to die
please give blood
Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...
The Art of Losing is the first anthology of its kind, delivering poetry with a purpose. Editor Kevin Young has introduced and selected 150 devastatingly beautiful poems that embrace the pain and heartbreak of mourning. Divided into five sections (Reckoning, Remembrance, Rituals, Recovery, and Redemption), with poems by some of our most beloved poets as well as the best of the current generation of poets, The Art of Losing is the ideal gift for a loved one in a time of need and for use by therapists, ministers, rabbis, and palliative care workers who tend to those who are experiencing loss.
Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.
Rumi's masterpieces have inspired countless people throughout the centuries, and Coleman Barks's exquisite renderings of the thirteenth-century Persian mystic are widely considered the definitive versions for our time. Barks's translations capture the inward exploration and intensity that characterize Rumi's poetry, making this unique voice of mysticism and desire contemporary while remaining true to the original poems. In this volume readers will encounter the essence of Sufism's insights into the experience of divine love, wisdom, and the nature of both humanity and God.
While Barks's stamp on this collection is clear, it is Rumi's voice that leaps off these pages with a rapturous power that leaves readers breathless. These poems express our deepest yearning for the transcendent connection with the source of the divine: there are passionate outbursts about the torment of longing for the beloved and the sweet delight that comes from union; stories of sexual adventures and of loss; poems of love and fury, sadness and joy; and quiet truths about the beauty and variety of human emotion. For Rumi, soul and body and emotion are not separate but are rather part of the great mystery of mortal life, a riddle whose solution is love. Above all else, Rumi's poetry exposes us to the delight that comes from being fully alive, urging us always to put aside our fears and take the risk of discovering our core self:No one knows what makes the soul wake up so happy! Maybe a dawn breeze has blown the veil from the face of God.
These fresh, original translations magnificently convey Rumi's insights into the human heart and its longings with his signature passion and daring, focusing on the ecstatic experience of the inseparability of human and divine love. The match between Rumi's sublime poetry and Coleman Barks's poetic art are unequaled, and here this artistic union is raised to new heights.
This edition is a revised translation by D. C. H. Rieu of the translation done by his father, E. V. Rieu, in the first Penguin Classic to be published. Contains a preface by D. C. H. Rieu and an introduction by Peter Jones. Also includes a map, explanatory footnotes, a combined glossary and index, as well as suggestions for further reading of acclaimed criticisms and references.
From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered.
Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers.In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.
Nikki self–published her first book Black Feeling, Black Talk/BlackJudgement in 1969, selling 10,000 copies; William Morrow published in 1970. Know for its iconic revolutionary phrases, it is heralded as one of the most important volumes of modern African–American poetry and is considered the seminal volume of Nikki's body of work.
My House (Morrow 1972) marks a new dimension in tone and philosphy––This is Giovanni's first foray into the autobiographical.
In The Women and the Men (Morrow 1975), Nikki displays her compassion for the people, things and places she has encountered––She reveres the ordinary and is in search of the extraordinary.
Cotton Candy on a Rainy Day (Morrow 1978) is one of the most poignant and introspective of all Giovanni's collections. These poems chronicle the drastic change that took place during the 1970s––when the dreams of the Civil Rights era seemed to have evaporated.
Those Who Ride the Night Winds (Morrow 1983) is devoted to "the day trippers and midnight cowboys," the ones who have devoted their lives to pushing the limits of the human condition and shattered the constraints of the stautus quo.
Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.
Anne Sexton breathes new life into sixteen age-old Brothers Grimm fairy tales, reimagining them as poems infused with contemporary references, feminist ideals, and morbid humor. Grounded by nods to the ordinary—a witch’s blood “began to boil up/like Coca-Cola” and Snow White’s bodice is “as tight as an Ace bandage”—Sexton brings the stories out of the realm of the fantastical and into the everyday world. Stripping away their magical sheen, she exposes the flawed notions of family, gender, and morality within the stories that continue to pervade our collective psyche.
Sexton is especially critical of what follows these tales’ happily-ever-after endings, noting that Cinderella never has to face the mundane struggles of marriage and growing old, such as “diapers and dust,” “telling the same story twice,” or “getting a middle-aged spread,” and that after being awakened Sleeping Beauty would likely be plagued by insomnia, taking “knock-out drops” behind the prince’s back. Deconstructed into vivid, visceral, and often highly amusing poems, these fairy tales reflect themes that have long fascinated Sexton—the claustrophobic anxiety of domestic life, the limited role of women in society, and a psychological strife more dangerous than any wicked witch or poisoned apple.