The curious case which I am about to place before you, is referred to, very pointedly, and more than once, in the extraordinary Essay upon the Drug of the Dark and the Middle Ages, from the pen of Doctor Hesselius.This Essay he entitles Mortis Imago, and he, therein, discusses theVinum letiferum, the Beatifica, the Somnus Angelorum, the Hypnus Sagarum, the Aqua Thessalliae, and about twenty other infusions and distillations, well known to the sages of eight hundred years ago, and two of which are still, he alleges, known to the fraternity of thieves, and, among them, as police-office inquiries sometimes disclose to this day, in practical use. The Essay, Mortis Imago, will occupy, as nearly as I can at present calculate, two volumes, the ninth and tenth, of the collected papers of Dr. Martin Hesselius. This Essay, I may remark in conclusion, is very curiously enriched by citations, in great abundance, from medieval verse and prose romance, some of the most valuable of which, strange to say, are Egyptian. I have selected this particular statement from among many cases equally striking, but hardly, I think, so effective as mere narratives; in this irregular form of publication, it is simply as a story that I present it.

This carefully crafted ebook: “CARMILLA (Gothic Classic)” is formatted for your eReader with a functional and detailed table of contents. Carmilla is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). Le Fanu presents the story as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is often anthologized and has been adapted many times in film and other media. It is a one of the earliest works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories".

Lucas Davenport confronts an old nemesis, now a powerful U.S. senator, in this thrilling #1 New York Times-bestselling new novel in the Prey series.

Lucas Davenport had crossed paths with her before.

A rich psychopath, Taryn Grant had run successfully for the U.S. Senate, where Lucas had predicted she'd fit right in. He was also convinced that she'd been responsible for three murders, though he'd never been able to prove it. Once a psychopath had gotten that kind of rush, though, he or she often needed another fix, so he figured he might be seeing her again.

He was right. A federal marshal now, with a very wide scope of investigation, he's heard rumors that Grant has found her seat on the Senate intelligence committee, and the contacts she's made from it, to be very...useful. Pinning those rumors down was likely to be just as difficult as before, and considerably more dangerous.

But they had unfinished business, he and Grant. One way or the other, he was going to see it through to the end.

There were tenants at last in Malory; and the curiosity of the honest residents of Cardyllian, the small and antique town close by, was at once piqued and mortified by the unaccountable reserve of these people.

For four years, except from one twisted chimney in the far corner of the old house, no smoke had risen from its flues. Tufts of grass had grown up between the paving-stones of the silent stable-yard, grass had crept over the dark avenue, which, making a curve near the gate, is soon lost among the sombre trees that throw a perpetual shadow upon it; the groves of nettles had spread and thickened among their trunks; and in the signs of neglect and decay, the monastic old place grew more than ever triste.

The pretty little Welsh town of Cardyllian stands near the shingle of a broad estuary, beyond which tower the noble Cambrian mountains. High and dim, tier above tier, undulating hills, broken by misty glens, and clothed with woods, rise from the opposite shore, and are backed, range behind range, by the dim outlines of Alpine peaks and slopes, and flanked by purple and gold-tinted headlands, rising dome-like from the sea.

INTRODUCTION. In the following narrative, I have endeavoured to give as nearly as possible the "ipsissima verba" of the valued friend from whom I received it, conscious that any aberration from her mode of telling the tale of her own life, would at once impair its accuracy and its effect. Would that, with her words, I could also bring before you her animated gesture, her expressive countenance, the solemn and thrilling air and accent with which she related the dark passages in her strange story; and, above all, that I could communicate the impressive consciousness that the narrator had seen with her own eyes, and personally acted in the scenes which she described; these accompaniments, taken with the additional circumstance, that she who told the tale was one far too deeply and sadly impressed with religious principle, to misrepresent or fabricate what she repeated as fact, gave to the tale a depth of interest which the events recorded could hardly, themselves, have produced. I became acquainted with the lady from whose lips I heard this narrative, nearly twenty years since, and the story struck my fancy so much, that I committed it to paper while it was still fresh in my mind, and should its perusal afford you entertainment for a listless half hour, my labour shall not have been bestowed in vain. I find that I have taken the story down as she told it, in the first person, and, perhaps, this is as it should be. She began as follows.

The New York Times Bestseller
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For the first time, the startling full story of the disastrous war on drugs--propelled by moving human stories, revolutionary insight into addiction, and fearless international reporting.

What if everything you think you know about addiction is wrong? One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not be able to. As he grew older, he realized he had addiction in his family. Confused, unable to know what to do, he set out on a three-year, 30,000-mile journey to discover what really causes addiction--and what really solves it.

He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their war on drugs--with extraordinary results.

His discoveries led him to give a TED talk and animation which have now been viewed more than 25 million times. This is the story of a life-changing journey that showed the world the opposite of addiction is connection.

It was winter—that is, about the second week in November—and great gusts were rattling at the windows, and wailing and thundering among our tall trees and ivied chimneys—a very dark night, and a very cheerful fire blazing, a pleasant mixture of good round coal and spluttering dry wood, in a genuine old fireplace, in a sombre old room. Black wainscoting glimmered up to the ceiling, in small ebony panels; a cheerful clump of wax candles on the tea-table; many old portraits, some grim and pale, others pretty, and some very graceful and charming, hanging from the walls. Few pictures, except portraits long and short, were there. On the whole, I think you would have taken the room for our parlour. It was not like our modern notion of a drawing-room. It was a long room too, and every way capacious, but irregularly shaped.

A girl, of a little more than seventeen, looking, I believe, younger still; slight and rather tall, with a great deal of golden hair, dark grey-eyed, and with a countenance rather sensitive and melancholy, was sitting at the tea-table, in a reverie. I was that girl.

This carefully crafted ebook: “30+ GHOSTLY TALES - Sheridan Le Fanu Edition: Madam Crowl’s Ghost, Carmilla, The Ghost and the Bonesetter, Schalken the Painter, The Haunted Baronet, The Familiar, Green Tea…” is formatted for your eReader with a functional and detailed table of contents. Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories". Table of Contents: Green Tea The Familiar Mr Justice Harbottle Carmilla The Ghost and the Bone-Setter The Fortunes of Sir Robert Ardagh The Drunkard's Dream Strange Event in the Life of Schalken the Painter A Chapter in the History of a Tyrone Family The Haunted Baronet Madam Crowl's Ghost Squire Toby's Will Dickon the Devil The Child That Went with the Fairies The White Cat of Drumgunniol An Account of Some Strange Disturbances in Aungier Street Ghost Stories of Chapelizod Wicked Captain Walshawe, of Wauling Sir Dominick's Bargain Ultor de Lacy The Vision of Tom Chuff Stories of Lough Guir The Evil Guest Laura Silver Bell The Murdered Cousin The Mysterious Lodger An Authentic Narrative of a Haunted House The Dead Sexton A Debt of Honor Haunted Pichon and Sons, of the Croix Rousse The Spirit’s Whisper What Was It?

It was late in the autumn, and I was skimming along, through a rich English county, in a postchaise, among tall hedgerows gilded, like all the landscape, with the slanting beams of sunset. The road makes a long and easy descent into the little town of Gylingden, and down this we were going at an exhilarating pace, and the jingle of the vehicle sounded like sledge-bells in my ears, and its swaying and jerking were pleasant and life-like. I fancy I was in one of those moods which, under similar circumstances, I sometimes experience still—a semi-narcotic excitement, silent but delightful.

An undulating landscape, with a homely farmstead here and there, and plenty of old English timber scattered grandly over it, extended mistily to my right; on the left the road is overtopped by masses of noble forest. The old park of Brandon lies there, more than four miles from end to end. These masses of solemn and discoloured verdure, the faint but splendid lights, and long filmy shadows, the slopes and hollows—my eyes wandered over them all with that strange sense of unreality, and that mingling of sweet and bitter fancy, with which we revisit a scene familiar in very remote and early childhood, and which has haunted a long interval of maturity and absence, like a romantic reverie.

Now a major motion picture
Stephen King’s terrifying, classic #1 New York Times bestseller, “a landmark in American literature” (Chicago Sun-Times)—about seven adults who return to their hometown to confront a nightmare they had first stumbled on as teenagers…an evil without a name: It.

Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real.

They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry’s sewers.

Readers of Stephen King know that Derry, Maine, is a place with a deep, dark hold on the author. It reappears in many of his books, including Bag of Bones, Hearts in Atlantis, and 11/22/63. But it all starts with It.

“Stephen King’s most mature work” (St. Petersburg Times), “It will overwhelm you… to be read in a well-lit room only” (Los Angeles Times).

Chapter I.

AN ARRIVAL.

One of the earliest scenes I can remember with perfect distinctness is this. My sister and I, still denizens of the nursery, had come down to take our tea with good old Rebecca Torkill, the Malory housekeeper, in the room we called the cedar parlour. It is a long and rather sombre room, with two tall windows looking out upon the shadowy court-yard. There are on the wall some dingy portraits, whose pale faces peep out, as it were, through a background of black fog, from the canvas; and there is one, in better order than the others, of a grave man in the stately costume of James the First, which hangs over the mantel-piece. As a child I loved this room; I loved the half-decipherable pictures; it was solemn and even gloomy, but it was with the delightful gloom and solemnity of one of Rebecca Torkill's stories of castles, giants, and goblins.

It was evening now, with a stormy, red sky in the west. Rebecca and we two children were seated round the table, sipping our tea, eating hot cake, and listening to her oft-told tale, entitled the Knight of the Black Castle.

This knight, habited in black, lived in his black castle, in the centre of a dark wood, and being a giant, and an ogre, and something of a magician besides, he used to ride out at nightfall with a couple of great black bags, to stow his prey in, at his saddle-bow, for the purpose of visiting such houses as had their nurseries well-stocked with children. His tall black horse, when he dismounted, waited at the hall-door, which, however mighty its bars and bolts, could not resist certain magical words which he uttered in a sepulchral voice--

It is now more than fifty years since the occurrences which I am about to relate caused a strange sensation in the gay society of Dublin. The fashionable world, however, is no recorder of traditions; the memory of selfishness seldom reaches far; and the events which occasionally disturb the polite monotony of its pleasant and heartless progress, however stamped with the characters of misery and horror, scarcely outlive the gossip of a season, and (except, perhaps, in the remembrance of a few more directly interested in the consequences of the catastrophe) are in a little time lost to the recollection of all. The appetite for scandal, or for horror, has been sated; the incident can yield no more of interest or novelty; curiosity, frustrated by impenetrable mystery, gives over the pursuit in despair; the tale has ceased to be new, grows stale and flat; and so, in a few years, inquiry subsides into indifference.

Somewhere about the year 1794, the younger brother of a certain baronet, whom I shall call Sir James Barton, returned to Dublin. He had served in the navy with some distinction, having commanded one of his Majesty’s frigates during the greater part of the American war. Captain Barton was now apparently some two or three-and-forty years of age. He was an intelligent and agreeable companion, when he chose it, though generally reserved, and occasionally even moody. In society, however, he deported himself as a man of the world and a gentleman. He had not contracted any of the noisy brusqueness sometimes acquired at sea; on the contrary, his manners were remarkably easy, quiet, and even polished. He was in person about the middle size, and somewhat strongly formed; his countenance was marked with the lines of thought, and on the whole wore an expression of gravity and even of melancholy. Being, however, as we have said, a man of perfect breeding, as well as of affluent circumstances and good family, he had, of course, ready access to the best society of the metropolis, without the necessity of any other credentials. In his personal habits Captain Barton was economical. He occupied lodgings in one of the then fashionable streets in the south side of the town, kept but one horse and one servant, and though a reputed free-thinker, he lived an orderly and moral life, indulging neither in gaming, drinking, nor any other vicious pursuit, living very much to himself, without forming any intimacies, or choosing any companions, and appearing to mix in gay society rather for the sake of its bustle and distraction, than for any opportunities which it offered of interchanging either thoughts or feelings with its votaries. Barton was therefore pronounced a saving, prudent, unsocial sort of a fellow, who bid fair to maintain his celibacy alike against stratagem and assault, and was likely to live to a good old age, die rich and leave his money to a hospital.

The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works.

Chapter I.

MORTLAKE HALL.

There stands about a mile and a half beyond Islington, unless it has come down within the last two years, a singular and grand old house. It belonged to the family of Arden, once distinguished in the Northumbrian counties. About fifty acres of ground, rich with noble clumps and masses of old timber, surround it; old-world fish-ponds, with swans sailing upon them, tall yew hedges, quincunxes, leaden fauns and goddesses, and other obsolete splendours surround it. It rises, tall, florid, built of Caen stone, with a palatial flight of steps, and something of the grace and dignity of the genius of Inigo Jones, to whom it is ascribed, with the shadows of ancestral trees and the stains of two centuries upon it, and a vague character of gloom and melancholy, not improved by some indications not actually of decay, but of something too like neglect.

It is now evening, and a dusky glow envelopes the scene. The setting sun throws its level beams, through tall drawing-room windows, ruddily upon the Dutch tapestry on the opposite walls, and not unbecomingly lights up the little party assembled there.

PROLOGUE

Martin Hesselius, the German Physician

Though carefully educated in medicine and surgery, I have never practised either. The study of each continues, nevertheless, to interest me profoundly. Neither idleness nor caprice caused my secession from the honourable calling which I had just entered. The cause was a very trifling scratch inflicted by a dissecting knife. This trifle cost me the loss of two fingers, amputated promptly, and the more painful loss of my health, for I have never been quite well since, and have seldom been twelve months together in the same place.

In my wanderings I became acquainted with Dr. Martin Hesselius, a wanderer like myself, like me a physician, and like me an enthusiast in his profession. Unlike me in this, that his wanderings were voluntary, and he a man, if not of fortune, as we estimate fortune in England, at least in what our forefathers used to term "easy circumstances." He was an old man when I first saw him; nearly five-and-thirty years my senior.

In Dr. Martin Hesselius, I found my master. His knowledge was immense, his grasp of a case was an intuition. He was the very man to inspire a young enthusiast, like me, with awe and delight. My admiration has stood the test of time and survived the separation of death. I am sure it was well-founded.Here and there a case strikes me as of a kind to amuse or horrify a lay reader with an interest quite different from the peculiar one which it may possess for an expert. With slight modifications, chiefly of language, and of course a change of names, I copy the following. The narrator is Dr. Martin Hesselius. I find it among the voluminous notes of cases which he made during a tour in England about sixty-four years ago.

An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

Sir Jekyl Marlowe at the Plough Inn.

The pretty little posting station, known as the Plough Inn, on the Old London Road, where the Sterndale Road crosses it, was in a state of fuss and awe, at about five o'clock on a fine sharp October evening, for Sir Jekyl Marlowe, a man of many thousand acres, and M.P. for the county, was standing with his back to the fire, in the parlour, whose bow-window looks out on the ancient thoroughfare I have mentioned, over the row of scarlet geraniums which beautify the window-stone.

"Hollo!" cried the Baronet, as the bell-rope came down in answer to an energetic but not angry pull, and he received Mrs. Jones, his hostess, who entered at the moment, with the dismantled bell-handle still in his hand. "At my old tricks, you see. I've been doing you a mischief, hey? but we'll set it right in the bill, you know. How devilish well you look! wonderful girl, by Jove! Come in, my dear, and shut the door. Not afraid of me. I want to talk of ducks and mutton-chops. I've had no luncheon, and I'm awfully hungry," said the comely Baronet in a continued chuckle.

The Baronet was, by that awful red-bound volume of dates, which is one of the melancholy drawbacks of aristocracy, set down just then, and by all whom it might concern, ascertainable to be precisely forty-nine years and three months old; but so well had he worn, and so cleverly was he got up, that he might have passed for little more than forty.

In a Glass Darkly is a collection of five different tales, presented as selections from the posthumous papers of the occult detective Dr. Martin Hesselius. The title is taken from 1 Corinthians 13:12, a deliberate misquotation of the passage which describes humanity as perceiving the world "through a glass darkly". "Green Tea" - An English clergyman named Jennings confides to Hesselius that he is being followed by a demon in the form of an ethereal monkey, invisible to everyone else, which is trying to invade his mind and destroy his life. Hesselius writes letters to a Dutch colleague about the victim's condition, which gets steadily worse with time as the creature steps up its methods, all of which are purely psychological. T "The Familiar"- A sea captain, living in Dublin, is stalked by "The Watcher", a strange dwarf who resembles a person from his past. "Mr. Justice Harbottle" - A cruel judge in the Court of Common Pleas, Elijah Harbottle, finds himself under attack by vengeful spirits, and in a disturbing dream he is condemned to death by a monstrous doppelgänger. The story is set between 1746 and 1748 "The Room in the Dragon Volan” - notable mystery story, in 26 chapters, which includes the theme of premature burial. "Carmilla"- A tale of a lesbian vampire, set in Styria, Austria. This story was to greatly influence Bram Stoker in writing Dracula. Joseph Thomas Sheridan Le Fanu (1814 – 1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories".

PROLOGUE.
MARTIN HESSELIUS, THE GERMAN PHYSICIAN.

Though carefully educated in medicine and surgery, I have never practised either. The study of each continues, nevertheless, to interest me profoundly. Neither idleness nor caprice caused my secession from the honourable calling which I had just entered. The cause was a very trifling scratch inflicted by a dissecting knife. This trifle cost me the loss of two fingers, amputated promptly, and the more painful loss of my health, for I have never been quite well since, and have seldom been twelve months together in the same place.

In my wanderings I became acquainted with Dr. Martin Hesselius, a wanderer like myself, like me a physician, and like me an enthusiast in his profession. Unlike me in this, that his wanderings were voluntary, and he a man, if not of fortune, as we estimate fortune in England, at least in what our forefathers used to term "easy circumstances." He was an old man when I first saw him; nearly five-and-thirty years my senior.

In Dr. Martin Hesselius, I found my master. His knowledge was immense, his grasp of a case was an intuition. He was the very man to inspire a young enthusiast, like me, with awe and delight. My admiration has stood the test of time and survived the separation of death. I am sure it was well-founded.Here and there a case strikes me as of a kind to amuse or horrify a lay reader with an interest quite different from the peculiar one which it may possess for an expert. With slight modifications, chiefly of language, and of course a change of names, I copy the following. The narrator is Dr. Martin Hesselius. I find it among the voluminous notes of cases which he made during a tour in England about sixty-four years ago.

Please note this collection was previously published under the title of Salvation.

Cash Walker has discovered warrior wisdom at the handlebars of his lifeline--his bike: True freedom is the road, the ride, the real emotion that's worth fighting and dying for.

Willow Lane has been beaten, broken, and she's finished….until she meets the most unlikely angel imaginable. Cash looks like the devil himself, but he won't let her give up even as he won't let her go. Will he become another captor, or the salvation she's longed for?

CHAPTER I.

THE "COCK AND ANCHOR"—TWO HORSEMEN—AND A SUPPER BY THE INN FIRE.

Some time within the first ten years of the last century, there stood in the fair city of Dublin, and in one of those sinuous and narrow streets which lay in the immediate vicinity of the Castle, a goodly and capacious hostelry, snug and sound, and withal carrying in its aspect something staid and aristocratic, and perhaps in nowise the less comfortable that it was rated, in point of fashion, somewhat obsolete. Its structure was quaint and antique; so much so, that had its counterpart presented itself within the precincts of "the Borough," it might fairly have passed itself off for the genuine old Tabard of Geoffry Chaucer.

The front of the building, facing the street, rested upon a row of massive wooden blocks, set endwise, at intervals of some six or eight feet, and running parallel at about the same distance, to the wall of the lower story of the house, thus forming a kind of rude cloister or open corridor, running the whole length of the building.

About sixty years ago, and somewhat more than twenty miles from the ancient town of Chester, in a southward direction, there stood a large, and, even then, an old-fashioned mansion-house. It lay in the midst of a demesne of considerable extent, and richly wooded with venerable timber; but, apart from the somber majesty of these giant groups, and the varieties of the undulating ground on which they stood, there was little that could be deemed attractive in the place. A certain air of neglect and decay, and an indescribable gloom and melancholy, hung over it. In darkness, it seemed darker than any other tract; when the moonlight fell upon its glades and hollows, they looked spectral and awful, with a sort of churchyard loneliness; and even when the blush of the morning kissed its broad woodlands, there was a melancholy in the salute that saddened rather than cheered the heart of the beholder.

This antique, melancholy, and neglected place, we shall call, for distinctness sake, Gray Forest. It was then the property of the younger son of a nobleman, once celebrated for his ability and his daring, but who had long since passed to that land where human wisdom and courage avail naught. The representative of this noble house resided at the family mansion in Sussex, and the cadet, whose fortunes we mean to sketch in these pages, lived upon the narrow margin of an encumbered income, in a reserved and unsocial discontent, deep among the solemn shadows of the old woods of Gray Forest.

When Latin American writers burst onto the world literary scene in the now famous "Boom" of the sixties, it seemed as if an entire literature had invented itself over night out of thin air. Not only was the writing extraordinary but its sudden and spectacular appearance itself seemed magical. In fact, Latin American literature has a long and rich tradition that reaches back to the Colonial period and is filled with remarkable writers too little known in the English-speaking world. The short story has been a central part of this tradition, from Fray Bartolome de las Casas' narrative protests against the Spanish Conquistadors' abuses of Indians, to the world renowned Ficciones of Jorge Luis Borges, to the contemporary works of such masters as Carlos Fuentes, Gabriel Garcia Marquez, Rosario Ferre, and others. Now, in The Oxford Book of Latin American Short Stories, editor Roberto Gonzalez Echevarria brings together fifty-three stories that span the history of Latin American literature and represent the most dazzling achievements in the form. In his fascinating introduction, Gonzalez Echevarria traces the evolution of the short story in Latin American literature, explaining why the genre has flourished there with such brilliance, and illuminating the various cultural and literary tensions that resolve themselves in "magical realism." The stories themselves exhibit all the inventiveness, the luxuriousness of language, the wild metaphoric leaps and uncanny conjunctions of the ordinary with the fantastic that have given the Latin American short story its distinctive and unforgettable flavor: From the Joycean subtlety of Machado de Assis's "Midnight Mass," to the brutal parable of Julio Ramon Ribeyro's "Featherless Buzzards," to the startling disorientation of Alejo Carpentier's "Journey Back to the Source," (which is told backwards, because a sorcerer has waved his wand and made time flow in reverse), to the haunting reveries of Maria Luisa Bombal's "The Tree." Readers familiar with only the most popular Latin American writers will be delighted to discover many exciting new voices here, including Catalina de Erauso, Ricardo Palma, Rubin Dario, Augusto Roa Bastos, Christina Peri Rossi, along with Borges, Garcia Marquez, Fuentes, Cortazar, Vargas Llosa, and many others. Gonzalez Echevarria also provides brief and extremely helpful headnotes for the each selection, discussing the author's influences, major works, and central themes. Short story lovers will find a wealth of satisfactions here, in terrains both familiar and uncharted. But the unique strength of The Oxford Book of Latin American Short Stories is that it allows us to see the connections between writers from Peru to Puerto Rico and from the sixteenth century to the present--and thus to view in a single, unprecedented volume one of the most diverse and fertile literary landscapes in the world.

A four-part story of passion and betrayal in the Mediterranean—voted one of the Modern Library’s 100 Best Novels of the twentieth century.
 The Alexandria Quartet is a striking and sensuous masterpiece, breathing vivid life into each of its unforgettable characters and the dusty Mediterranean city in which they live. Set in Alexandria, Egypt, in the years before, during, and after World War II, the books follow the lives of a circle of friends and lovers, including sensitive Darley, passionate Justine, philosophical Balthazar, and elegant Clea. Written in Durrell’s trademark evocative prose, these four novels explore the central theme of modern love, building into a remarkable whole that the New York Times hailed as “one of the most important works of our time.” This ebook features a new introduction by Jan Morris.

This carefully crafted ebook: "60 SUPERNATURAL TALES OF HORROR: Carmilla, In a Glass Darkly, The House by the Churchyard, Madam Crowl's Ghost, Uncle Silas, Wylder's Hand, The Purcell Papers, The Haunted Baronet, Guy Deverell…” is formatted for your eReader with a functional and detailed table of contents. Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. Table of Contents: Novels & Novellas: Uncle Silas The Cock and Anchor The House by the Church-Yard Wylder's Hand Guy Deverell The Tenants of Malory Haunted Lives The Wyvern Mystery Checkmate Willing to Die The Haunted Baronet Spalatro Short Story Collections: In a Glass Darkly: Green Tea The Familiar Mr Justice Harbottle The Room in the Dragon Volant Carmilla The Purcell Papers: The Ghost and the Bone-Setter The Fortunes of Sir Robert Ardagh The Last Heir of Castle Connor The Drunkard's Dream Passage in the Secret History of an Irish Countess The Bridal of Carrigvarah Strange Event in the Life of Schalken the Painter Scraps of Hibernian Ballads Jim Sulivan's Adventures in the Great Snow A Chapter in the History of a Tyrone Family An Adventure of Hardress Fitzgerald The Quare Gander Billy Maloney's Taste of Love and Glory Other Tales: Madam Crowl's Ghost Squire Toby's Will Dickon the Devil The Child That Went with the Fairies The White Cat of Drumgunniol An Account of Some Strange Distrubances in Aungier Street Ghost Stories of Chapelizod Wicked Captain Walshawe, of Wauling Sir Dominick's Bargain Ultor de Lacy The Vision of Tom Chuff Stories of Lough Guir The Evil Guest The Watcher Laura Silver Bell The Murdered Cousin The Mysterious Lodger An Authentic Narrative of a Haunted House The Dead Sexton A Debt of Honor Devereux's Dream Catherine's Quest Haunted Pichon and Sons The Phantom Fourth The Spirit's Whisper Dr. Feversham's Story ...

"All first-rate criticism first defines what we are confronting," the late, great jazz critic Whitney Balliett once wrote. By that measure, the essays of Christopher Hitchens are in the first tier. For nearly four decades, Hitchens has been telling us, in pitch-perfect prose, what we confront when we grapple with first principles-the principles of reason and tolerance and skepticism that define and inform the foundations of our civilization-principles that, to endure, must be defended anew by every generation.

"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.

Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.

Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.

With the insight and good humor his fans appreciated in On ?Writing , Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.

SPECIAL BUNDLE OFFER FOR THE NUMBER 1 BESTSELLING BEN HOPE SERIES

Ben Hope is unstoppable, unbreakable, unforgettable. For a limited period, discover the first 6 Ben Hope novels at an unbeatable price, to celebrate publication of the seventh and most explosive book yet – The Sacred Sword.

This special offer bundle by bestselling author Scott Mariani comprises of the first six Ben Hope novels, together for the very first time:
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic

THE TOP 5 SUNDAY TIMES BESTSELLER
WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018
FOYLES NON-FICTION BOOK OF THE YEAR
BLACKWELL'S NON-FICTION BOOK OF THE YEAR
WINNER OF THE JHALAK PRIZE
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION
LONGLISTED FOR THE ORWELL PRIZE
SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

'Essential' Marlon James, Man Booker Prize-Winner 2015
'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant
'A wake-up call to a country in denial' Observer

In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: 'Why I'm No Longer Talking to White People About Race'.

Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.

#1 NEW YORK TIMES BESTSELLER •  Lee Child returns with a gripping new powerhouse thriller featuring Jack Reacher, “one of this century’s most original, tantalizing pop-fiction heroes” (The Washington Post).

BONUS: Includes a sneak peek of Lee Child’s new novel, Past Tense.

Reacher takes a stroll through a small Wisconsin town and sees a class ring in a pawn shop window: West Point 2005. A tough year to graduate: Iraq, then Afghanistan. The ring is tiny, for a woman, and it has her initials engraved on the inside. Reacher wonders what unlucky circumstance made her give up something she earned over four hard years. He decides to find out. And find the woman. And return her ring. Why not?

So begins a harrowing journey that takes Reacher through the upper Midwest, from a lowlife bar on the sad side of small town to a dirt-blown crossroads in the middle of nowhere, encountering bikers, cops, crooks, muscle, and a missing persons PI who wears a suit and a tie in the Wyoming wilderness.

The deeper Reacher digs, and the more he learns, the more dangerous the terrain becomes. Turns out the ring was just a small link in a far darker chain. Powerful forces are guarding a vast criminal enterprise. Some lines should never be crossed. But then, neither should Reacher.

Praise for The Midnight Line
 
“Puts Reacher just where we want him.”—The New York Times Book Review

“A gem.”—Chicago Tribune
 
“A timely, suspenseful, morally complex thriller, one of the best I’ve read this year . . . Child weaves in a passionately told history of opioids in American life. . . . Child’s outrage over it is only just barely contained.”—The Philadelphia Inquirer
 
“A perfect example of Lee Child’s talent . . . Lee Child is the master of plotting. . . . This is Child’s most emotional book to date. . . . This is not just a good story; it is a story with a purpose and a message.”—Huffington Post
 
“I just read the new Jack Reacher novel by Lee Child. . . . It is as good as they always are. I read every single one.”—Malcolm Gladwell

You've come to the right place for a quick and effective way to learn grammar!

Easy English Grammar Step-by-Step is based on the idea that the quickest route to learning this subject is building a solid foundation in the basics. You won't find a lot of pointless discussion; instead, you get an original, step-by-step approach to improving your grammar, with important concepts linked together by clear explanations, appropriate exercises, and helpful answers.

The first steps introduce you to the fundamentals of correct grammar, allowing you to identify common mistakes almost immediately. Gradually, a series of interconnected steps takes you from simple to more challenging concepts at your own pace, with a variety of increasingly difficult exercises to practice what you've learned. After working through these exercises, you’ll have a better grasp of the subject along with the knowledge and skills you need to master grammar with confidence.

Easy English Grammar Step-by-Step features:

A unique building-block approach to mastering grammar Down-to-earth explanations of important concepts Helpful notes to avoid common missteps Exercises to help test what you’ve learned and measure progress

"Without this testimony, we simply cannot grasp what is going on . . . Americans would do well to read [Gangster Warlords]." --The New York Times Book Review, Editor's Choice

From the author of El Narco, the shocking story of the men at the heads of cartels throughout Latin America: what drives them, what sustains their power, and how they might be brought down.

In a ranch south of Texas, the man known as The Executioner dumps five hundred body parts in metal barrels. In Brazil's biggest city, a mysterious prisoner orders hit-men to gun down forty-one police officers and prison guards in two days. In southern Mexico, a meth maker is venerated as a saint while enforcing Old Testament justice on his enemies.

A new kind of criminal kingpin has arisen: part CEO, part terrorist, and part rock star, unleashing guerrilla attacks, strong-arming governments, and taking over much of the world's trade in narcotics, guns, and humans. What they do affects you now--from the gas in your car, to the gold in your jewelry, to the tens of thousands of Latin Americans calling for refugee status in the U.S. Gangster Warlords is the first definitive account of the crime wars now wracking Central and South America and the Caribbean, regions largely abandoned by the U.S. after the Cold War. Author of the critically acclaimed El Narco, Ioan Grillo has covered Latin America since 2001 and gained access to every level of the cartel chain of command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policy-makers, Grillo provides a disturbing new understanding of a war that has spiraled out of control--one that people across the political spectrum need to confront now.

This carefully crafted ebook: “Kahlil Gibran Ultimate Collection – 21 Books in One Volume (Illustrated)” is formatted for your eReader with a functional and detailed table of contents. Khalil Gibran (1883–1931) was a Lebanese-American artist, poet, and philosopher. Regarded as a literary and political rebel, his romantic style was at the heart of the renaissance in modern Arabic literature. TABLE OF CONTENTS PROSE & POETRY Spirits Rebellious The Broken Wings A Tear And A Smile The Madman: His Parables And Poems The Forerunner The Prophet The Garden Of The Prophet (Sequel) The New Frontier Sand And Foam Jesus The Son Of Man The Earth Gods The Wanderer Your Thought And Mine History and the Nation I Believe In You My Countrymen Al-nay; Or The Flute Satan Dead Are My People You Have Your Lebanon And I Have My Lebanon PLAY Lazarus And His Beloved SKETCHES AND PAINTINGS INSPIRATIONAL QUOTES Excerpt: “Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret?” (The Prophet)

For several years, Wally Lamb, the author of two of the most beloved novels of our time, has run a writing workshop at the York Correctional Institution, Connecticut's only maximum-security prison for women. Writing, Lamb discovered, was a way for these women to face their fears and failures and begin to imagine better lives. Couldn't Keep It to Myself, a collection of their essays, was published in 2003 to great critical acclaim. With I'll Fly Away, Lamb offers readers a new volume of intimate pieces from the York workshop. Startling, heartbreaking, and inspiring, these stories are as varied as the individuals who wrote them, but each illuminates an important core truth: that a life can be altered through self-awareness and the power of the written word.

The Collins Complete Works of Oscar Wilde is the only truly complete and authoritative single-volume edition of Oscar Wilde’s works.

Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wilde’s texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.

Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.

The Wyvern Mystery is a 19th century gothic mystery. The story is about a young orphaned girl named Alice Maybell, her haunted past and the present dark atmosphere that makes a chilling and suspenseful tale. Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories".

Three Amish romance stories from bestselling author Beth Wiseman now available as an e-book collection!

A Perfect Plan

Priscilla King has been planning to marry Chester Lapp since she was sixteen years old, but when wedding plans begin immediately after he pops the question, everything starts to go terribly wrong.

A Recipe for Hope

The Amish kitchen is the heart of the home - and the ideal setting for stories of love and hope.

Always Beautiful

Becky's desperate prayers are answered, but she discovers the life she imagined for herself pales in comparison to God's plan.

Join three bestselling Regency Romance authors, Jennifer Moore, G.G. Vandagriff, and Nichole Van, for three new novellas in SPRING IN HYDE PARK:

A HAPPY ACCIDENT by Jennifer Moore. Jonathan Burles father has just died, making him the new Marquess of Spencer and the most sought after bachelor in London. An unfortunate accident leads to a forced marriage to Maryann Croft, a young woman who possesses no title, and an unexpected secret. With the unstable beginning to their marriage, finding love together seems impossible.

THE DISDAINFUL DUKE by G. G. Vandagriff. Lady Saphronia Huffington has always thought of herself as plain next to the beauty of her sister, Lady Lavinia. So when her sister becomes engaged to Lord Gilbert Caldwell and Saphronia is paired for wedding events with his brother, the granite-faced Duke of Mayfield, who is known to prefer beauties, she sharpens her wit. Thus begins a lengthy sparring contest during which the Duke realizes Saphronia is anything but plain.

AN INVISIBLE HEIRESS by Nichole Van. Miss Belle Heartstone has everything money can buy—houses, servants, carriages, clothing, jewels. A husband, however, is proving much harder to, ehr . . . purchase. Colin Radcliffe, the newly minted Marquess of Blake, is in desperate need of funds—preferably of the wife-free variety. When circumstances draw the two together, Blake might be the only man able to see beyond the Belle’s outer façade, and fall in love with the woman inside.

Other Timeless Regency Collections:
Autumn Masquerade (Available now)
A Midwinter Ball (Available now)
Summer House Party (Coming June 2016)
A Country Christmas (Coming October 2016)

This carefully crafted ebook: “The Complete Works of Fyodor Dostoyevsky: Novels, Short Stories and Autobiographical Writings” is formatted for your eReader with a functional and detailed table of contents. Fyodor Dostoyevsky (1821–1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. NOVELS: Netochka Nezvanova The Village of Stepanchikovo The Insulted and Humiliated The House of the Dead Crime and Punishment The Idiot The Possessed (Demons) The Raw Youth (The Adolescent) The Brothers Karamazov NOVELLAS: Poor Folk The Double The Landlady Uncle's Dream Notes from Underground The Gambler The Permanent Husband SHORT STORIES: The Grand Inquisitor (Chapter from The Brothers Karamazov) Mr. Prohartchin A Novel in Nine Letters Another Man's Wife or, The Husband under the Bed A Faint Heart Polzunkov The Honest Thief The Christmas Tree and The Wedding White Nights A Little Hero An Unpleasant Predicament (A Nasty Story) The Crocodile Bobok The Heavenly Christmas Tree A Gentle Spirit The Peasant Marey The Dream of a Ridiculous Man LETTERS AND MEMOIRS: Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends Pages from the Journal of an Author, Fyodor Dostoevsky BIOGRAPHY: Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky

Sports, politics, and sex collide in Hunter S. Thompson’s wildly popular ESPN.com columns. From the author of Fear and Loathing in Las Vegas and father of “Gonzo” journalism comes Hey Rube.

Insightful, incendiary, outrageously brilliant, such was the man who galvanized American journalism with his radical ideas and gonzo tactics. For over half a century, Hunter S. Thompson devastated his readers with his acerbic wit and uncanny grasp of politics and history. His reign as "The Unabomber of contemporary letters" (Time) is more legendary than ever with Hey Rube. Fear, greed, and action abound in this hilarious, thought-provoking compilation as Thompson doles out searing indictments and uproarious rants while providing commentary on politics, sex, and sports—at times all in the same column.

With an enlightening foreword by ESPN executive editor John Walsh, critics' favorites, and never-before-published columns, Hey Rube follows Thompson through the beginning of the new century, revealing his queasiness over the 2000 election ("rigged and fixed from the start"); his take on professional sports (to improve Major League Baseball "eliminate the pitcher"); and his myriad controversial opinions and brutally honest observations on issues plaguing America―including the Bush administration and the inequities within the American judicial system.

Hey Rube gives us a lasting look at the gonzo journalist in his most organic form―unbridled, astute, and irreverent.

If you enjoy fun, fast-paced Regency Romps, then this collection of Regency novellas might just be your cup of tea. Each novella has been published individually, but you get more bang for your buck when you buy the boxed set.

TO HIS LADY'S RESCUE (Novella 1)

As children, Arabella Trent and Gilbert St. John were best of friends. Wherever he led, she happily followed. Their friendship held fast until Gilbert went off to fight Napoleon and Bella stayed home. Years passed and their youthful camaraderie faded to pleasant memory.

Now Gilbert is home from the wars and Bella needs his help. From the moment she climbs in his bedroom window, he knows he's in trouble. Can this beautiful desirable young lady be the same hoydenish friend from his childhood? Can Gilbert rescue Bella from her desperate circumstances even if it means . . . marriage?

THE VISCOUNT'S SURPRISE (Novella 2)

Philomena Wheeler has been living a lie for the past twelve years. After her mother dies, she pretends to be a boy so she can work in Lady Hembrough's stables alongside her beloved papa. When she's promoted to the position of groom, her father thinks it's time to call a halt to the dangerous masquerade and wants to send Phil to his sister in York to learn to be a girl again.

Viscount Hembrough pays a rare visit to his mother in London. He's looking for a new groom and hires Phil for a one-month trial period before he returns to his horse-breeding estate in the wilds of Ireland. Under the mistaken belief that she's a he, the viscount takes Phil on a trip to inspect a promising stallion for his stables.

Will Phil be able to guard her secret while traveling with the handsome viscount? And more importantly, will she be able to guard her heart against a forbidden love?

PORTRAIT OF A GENTLEMAN (Novella 3)

Thankful for the chance to leave London and escape the unwelcome advances of an ardent suitor, Abigail Prescott accepts an invitation to Brydmoor Castle to paint the portrait of the reclusive Viscount Devlin and his small son. A young widow in straightened circumstances, she soon finds herself ensconced in his home and the object of his unwavering attention.

Nathan Holt vows never to marry again. He's done his duty and has an heir. But when Abigail Prescott comes into his vicinity, the daily presence of her in his home becomes a temptation too hard to resist. Unable to deny himself any longer, he begins his seduction of her in earnest, only to find that once will never be enough.

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