Sally Jupp was a sly and sensuous young woman who used her body and her brains to make her way up the social ladder. Now she lies across her bed with dark bruises from a strangler’s fingers forever marring her lily-white throat. Someone has decided that the wages of sin should be death...and it is up to Chief Inspector Adam Dalgliesh to find who that someone is.
Cover Her Face is P.D. James’ delightful debut novel, an ingeniously plotted mystery that immediately placed her among the masters of suspense.
Maurice Seton was a famous mystery writer—but no murder he ever invented was more grisly than his own death. When his corpse is found in a drifting dinghy with both hands chopped off at the wrists, ripples of horror spread among his bizarre circle of friends. Now it’s up to brilliant Scotland Yard inspector, Adam Dalgliesh, and his extraordinary aunt to uncover the shocking truth behind the writer’s death sentence, before the plot takes another murderous turn.
Unnatural Causes inspired Cosmopolitan to fervently hope, “if we’re lucky, there will always be an England and there will always be a P.D. James.”
On the surface, the Steen Psychiatric Clinic is one of the most reputable institutions in London. But when the administrative head is found dead with a chisel in her heart, that distinguished facade begins to crumble as the truth emerges. Superintendent Adam Dalgliesh of Scotland Yard is called in to investigate and quickly finds himself caught in a whirlwind of psychiatry, drugs, and deceit. Now he must analyze the deep-seated anxieties and thwarted desires of patients and staff alike to determine which of their unresolved conflicts has resulted in murder and stop a cunning killer before the next blow.
It begins, dramatically enough, with a trial for murder. The distinguished criminal lawyer Venetia Aldridge is defending Garry Ashe on charges of having brutally killed his aunt. For Aldridge the trial is mainly a test of her courtroom skills, one more opportunity to succeed--and she does. But now murder is in the air. The next victim will be Aldridge herself, stabbed to death at her desk in her Chambers in the Middle Temple, a bloodstained wig on her head. Enter Commander Adam Dalgliesh and his team, whose struggle to investigate and understand the shocking events cannot halt the spiral into more horrors, more murders...
A Certain Justice is P.D. James at her strongest. In her first foray into the strange closed world of the Law Courts and the London legal community, she has created a fascinating tale of interwoven passion and terror. As each character leaps into unforgettable life, as each scene draws us forward into new complexities of plot, she proves yet again that no other writer can match her skill in combining the excitement of the classic detective story with the richness of a fine novel. In its subtle portrayal of morality and human behavior, A Certain Justice will stand alongside Devices and Desires and A Taste for Death as one of P.D. James's most important, accomplished and entertaining works.
The young women of Nightingale House are there to learn to nurse and comfort the suffering. But when one of the students plays patient in a demonstration of nursing skills, she is horribly, brutally killed. Another student dies equally mysteriously, and it is up to Adam Dalgliesh of Scotland Yard to unmask a killer who has decided to prescribe murder as the cure for all ills.
On the East Anglian seacoast, a small theological college hangs precariously on an eroding shoreline and an equally precarious future. When the body of a student is found buried in the sand, the boy’s influential father demands that Scotland Yard investigate. Enter Adam Dalgliesh, a detective who loves poetry, a man who has known loss and discovery. The son of a parson, and having spent many happy boyhood summers at the school, Dalgliesh is the perfect candidate to look for the truth in this remote, rarified community of the faithful–and the frightened. And when one death leads to another, Dalgliesh finds himself steeped in a world of good and evil, of stifled passions and hidden pasts, where someone has cause not just to commit one crime but to begin an unholy order of murder. . . .
“Gracefully sculpted prose and [a] superbly executed mystery . . . Death in Holy Orders is among [James’s] most remarkable and accomplished Dalgliesh novels.”
–The Philadelphia Inquirer
“An elegant work about hope, death, and the alternately redemptive and destructive nature of love.”
–The Miami Herald
“Absorbing . . . [James’s] plotting and characterization [are] impeccable.”
“P. D. James is in top form.”
–The Boston Globe
Open the exclusive dossier at the back of this book, featuring P. D. James’ essay on penning the perfect detective novel.
When a brilliant forensic scientist is found murdered in his own laboratory, Scotland Yard is called to the scene. The victim, a well-respected, authoritative member of the scientific community, was unpleasant to and greatly disliked by those who worked closest to him, leaving detectives with a wealth of suspects and murderous motives. P.D. James’ beloved detective Adam Dalgliesh is the one man who can sort through the lies, chasing down the truth to the book’s powerful climax.
P.D. James deftly weaves another tale of intrigue in Death of an Expert Witness. Engaging and thrilling, she takes readers along with her troubled detective on a case rife with psychological thrills.
Murders present meet murders past in P.D. James’s latest harrowing, thought-provoking thriller.
Commander Adam Dalgliesh is already acquainted with the Dupayne--a museum dedicated to the interwar years, with a room celebrating the most notorious murders of that time--when he is called to investigate the killing of one of the family trustees. He soon discovers that the victim was seeking to close the museum against the wishes of the fellow trustees and the Dupayne's devoted staff. Everyone, it seems, has something to gain from the crime. When it becomes clear that the murderer has been inspired by the real-life crimes from the murder room--and is preparing to kill again--Dalgliesh knows that to solve this case he has to get into the mind of a ruthless killer.
From the Trade Paperback edition.
Commander Adam Dalgliesh and his team are confronted with a puzzle of impenetrable complexity. A murder has taken place in the offices of the Peverell Press, a venerable London publishing house located in a dramatic mock-Venetian palace on the Thames. The victim is Gerard Etienne, the brilliant but ruthless new managing director, who had vowed to restore the firm's fortunes. Etienne was clearly a man with enemies—a discarded mistress, a rejected and humiliated author, and rebellious colleagues, one of who apparently killed herself a short time earlier. Yet Etienne's death, which occurred under bizarre circumstances, is for Dalgliesh only the beginning of the mystery, as he desperately pursues the search for a killer prepared to strike and strike again.
Cheverell Manor is a beautiful old house in Dorset, which its owner, the famous plastic surgeon George Chandler-Powell, uses as a private clinic. When the investigative journalist, Rhoda Gradwyn, arrives to have a disfiguring facial scar removed, she has every expectation of a successful operation and a peaceful week recuperating. But the clinic houses an implacable enemy and within hours of the operation Rhoda is murdered. Commander Dalgliesh and his team are called in to investigate a case complicated by old crimes and the dark secrets of the past. But Before Rhoda's murder is solved, a second horrific death adds to the complexities of one of Dalgliesh's most perplexing and fascinating cases.
It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball.
Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery.
Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.
Combe Island off the Cornish coast is a restful haven for the elite. But when one of its distinguished visitors is found hanging from the island’s famous lighthouse in what appears to have been a murder, the peace is shattered. Commander Adam Dalgliesh is called in to handle the sensitive case, but at a difficult time for him and his depleted team. He is uncertain about his future with his girlfriend Emma Lavenham; his principle detective Kate Miskin is going through an emotional crisis; and the ambitious Sergeant Francis Benton-Smith is not happy about having a female boss. After a second brutal killing, the whole investigation is jeopardized, and Dalgliesh is faced with a danger even more insidious than murder.
Featuring the famous Commander Adam Dalgliesh, Devices and Desires is a thrilling and insightfully crafted novel of fallible people caught in a net of secrets, ambitions, and schemes on a lonely stretch of Norfolk coastline.
Commander Dalgliesh of Scotland Yard has just published a new book of poems and has taken a brief respite from publicity on the remote Larksoken headland on the Norfolk coast in a converted windmill left to him by his aunt. But he cannot so easily escape murder. A psychotic strangler of young women is at large in Norfolk, and getting nearer to Larksoken with every killing. And when Dalgliesh discovers the murdered body of the Acting Administrative Officer on the beach, he finds himself caught up in the passions and dangerous secrets of the headland community and in one of the most baffling murder cases of his career.
From the Trade Paperback edition.
Handsome Cambridge dropout Mark Callender died hanging by the neck with a faint trace of lipstick on his mouth. When the official verdict is suicide, his wealthy father hires fledgling private investigator Cordelia Gray to find out what led him to self-destruction. What she discovers instead is a twisting trail of secrets and sins, and the strong scent of murder.
Here, interwoven with reflections on her writing career and the craft of crime novels, are vivid accounts of episodes in her own past — of school days in 1920s and 1930s Cambridge . . . of the war and the tragedy of her husband's madness . . . of her determined struggle to support a family alone. She tells about the birth of her second daughter in the midst of a German buzz-bomb attack; about becoming a civil servant (and laying the groundwork for her writing career by working in the criminal justice system); about her years of public service on such bodies as the Arts Council and the BBC's Board of Governors, culminating in entry to the House of Lords. Along the way, with warmth and authority, she offers views on everything from author tours to the problems of television adaptations, from book reviewing to her obsession with Jane Austen.
Written with exceptional grace, this "fragment of autobiography" has already been received with enthusiasm by British reviewers and readers. The thousands of Americans who have enjoyed P. D. James's novels will be equally charmed. Diary or memoir or both, Time to Be in Earnest is a delight.
From the Hardcover edition.
From the Paperback edition.
"Splendid, macabre," wrote the London Sunday Telegraph. "The Black Tower is a masterpiece," the London Sunday Times concurred.
P. D. James examines the genre from top to bottom, beginning with the mysteries at the hearts of such novels as Charles Dickens’s Bleak House and Wilkie Collins’s The Woman in White, and bringing us into the present with such writers as Colin Dexter and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie (“arch-breaker of rules”), Josephine Tey, Dashiell Hammett, and Peter Lovesey, among many others. She traces their lives into and out of their fiction, clarifies their individual styles, and gives us indelible portraits of the characters they’ve created, from Sherlock Holmes to Sara Paretsky’s sexually liberated female investigator, V. I. Warshawski. She compares British and American Golden Age mystery writing. She discusses detective fiction as social history, the stylistic components of the genre, her own process of writing, how critics have reacted over the years, and what she sees as a renewal of detective fiction—and of the detective hero—in recent years.
There is perhaps no one who could write about this enduring genre of storytelling with equal authority and flair: it is essential reading for every lover of detective fiction.
From the Hardcover edition.
The newly appointed Sgt. Dalgliesh is drawn into a case that is "pure Agatha Christie." . . . A "pedantic, respectable, censorious" clerk's secret taste for pornography is only the first reason he finds for not coming forward as a witness to a murder . . . A best-selling crime novelist describes the crime she herself was involved in fifty years earlier . . . Dalgliesh's godfather implores him to reinvestigate a notorious murder that might ease the godfather's mind about an inheritance, but which will reveal a truth that even the supremely upstanding Adam Dalgliesh will keep to himself. Each of these stories is as playful as it is ingeniously plotted, the author's sly humor as evident as her hallmark narrative elegance and shrewd understanding of some of the most complex--not to say the most damning--aspects of human nature. A treat for P. D. James's legions of fans and anyone who enjoys the pleasures of a masterfully wrought whodunit.
From the Hardcover edition.
"As a crime novel," wrote the London Times, Innocent Blood is "the peak of the art." "Flawlessly crafted...profoundly, masterfully moving," Cosmopolitan concurred.
Mitch Rapp’s hunt for a missing CIA asset raises the stakes for his own survival—in Vince Flynn’s “tight, right, and dynamite” (Star Tribune, Minneapolis) #1 New York Times bestseller.
The head of clandestine operations in Afghanistan has been kidnapped, his four bodyguards executed in cold blood. With the CIA plunged into crisis mode, Rapp is dispatched to find his missing friend, Joe Rickman, at all costs. He isn’t the only one looking for Rickman; an FBI special agent is at his heels, determined to blame Rapp for the bloody debacle. Rapp is, however, the only one who knows certain things about the vanished black ops master—secrets that in the wrong hands could prove disastrous. With elements of his own government undermining him—and America’s security—at every turn, Rapp must be as ruthless and deceitful as his enemies to complete this razor’s-edge mission.
Her life is devoted to justice—even for those she never knew.
In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Temperance detects an alarming pattern—and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her—her best friend and her own daughter—in mortal danger…
“A genius at building suspense” (Daily News, New York), Kathy Reichs’s Temperance Brennan books are ripe with intricate settings and memorable characters” (Milwaukee Journal Sentinel).
To erase Liza's past, her adoptive parents change her name to Celia. At age twenty-eight, a successful interior designer in Manhattan, she marries a childless sixty-year-old widower, Laurence Foster, and they have a son. Before their marriage, she reveals to him her true identity. Two years later, on his deathbed, he makes her swear never to tell anyone so that their son, Jack, will not carry the stigma of her past. Two years later, Celia is happily remarried. Her peace of mind is shattered when her new husband, Alex Nolan, surprises her with a gift -- the house in Mendham, New Jersey, where she killed her mother. On the day they move in, they find the words little lizzie's place -- beware painted on the lawn, splotches of red paint all over the house, and a skull and crossbones carved into the door.
More and more, there are signs that someone in the community knows Celia's true identity. When Georgette Grove, the real estate agent who sold the house to Alex, is brutally murdered and Celia is the first on the crime scene, she becomes a suspect. As Celia fights to prove her innocence, she is not aware that she and her son, Jack, are now the targets of a killer.
WINNER OF THE 2014 EDGAR AWARD FOR BEST NOVEL
WINNER OF THE 2014 DILYS AWARD
A SCHOOL LIBRARY JOURNAL BEST BOOK OF 2013
“That was it. That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word.”
New Bremen, Minnesota, 1961. The Twins were playing their debut season, ice-cold root beers were selling out at the soda counter of Halderson’s Drugstore, and Hot Stuff comic books were a mainstay on every barbershop magazine rack. It was a time of innocence and hope for a country with a new, young president. But for thirteen-year-old Frank Drum it was a grim summer in which death visited frequently and assumed many forms. Accident. Nature. Suicide. Murder.
Frank begins the season preoccupied with the concerns of any teenage boy, but when tragedy unexpectedly strikes his family—which includes his Methodist minister father; his passionate, artistic mother; Juilliard-bound older sister; and wise-beyond-his-years kid brother—he finds himself thrust into an adult world full of secrets, lies, adultery, and betrayal, suddenly called upon to demonstrate a maturity and gumption beyond his years.
Told from Frank’s perspective forty years after that fateful summer, Ordinary Grace is a brilliantly moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.
#1 New York Times bestselling author Patricia Cornwell's heart-stopping thriller featuring gutsy medical examiner Kay Scarpetta
In Richmond, Virginia, young lovers are dying. So far, four couples in the area have disappeared, only to be found months later as mutilated corpses. When the daughter of the president's newest drug czar vanishes along with her boyfriend, Dr. Kay Scarpetta knows time is short. Following a macabre trail of evidence that ties the present homicides to a grisly crime in the past, Kay must draw upon her own personal resources to track down a murderer who is as skilled at eliminating clues as Kay is at finding them...
Now in a new premium edition, #1 New York Times bestselling author Patricia Cornwell’s suspense fiction classic, featuring gutsy medical examiner Kay Scarpetta.
A reclusive author, Beryl Madison finds no safe haven from months of menacing phone calls—or the tormented feeling that her every move is being watched. When the writer is found slain in her own home, Kay Scarpetta pieces together the intricate forensic evidence—while unwittingly edging closer to a killer waiting in the shadows.
Take it from the top in #1 New York Times bestselling author Sue Grafton's knockout thriller that introduced detective Kinsey Millhone—and a hot new attitude—to crime fiction...
A IS FOR AVENGER
A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. A twice-divorced loner with few personal possessions and fewer personal attachments, she's got a soft spot for underdogs and lost causes.
A IS FOR ACCUSED
That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.
A IS FOR ALIBI
If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer—and sharper—than she imagined.
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
In the bitter cold of a Montreal winter, Tempe Brennan is digging for a corpse buried more than a century ago. Although Tempe thrives on such enigmas from the past, it’s a chain of contemporary deaths and disappearances that has seized her attention—and she alone is ideally placed to make a chilling connection among the seemingly unrelated events. At the crime scene, at the morgue, and in the lab, Tempe probes a mystery that sweeps from a deadly Quebec fire to startling discoveries in the Carolinas, and culminates in Montreal with a terrifying showdown—a nerve-shattering test of both her forensic expertise and her skills for survival.
A fellow named Richard Bachman wrote Blaze in 1973 on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but in late 2006 King found the original typescript of Blaze among his papers at the University of Maine's Fogler Library ("How did this get here?!"), and decided that with a little revision it ought to be published.
Blaze is the story of Clayton Blaisdell, Jr. -- of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs -- and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers. But then George is killed, and Blaze, though haunted by his partner, is on his own.
He becomes one of the most sympathetic criminals in all of literature. This is a crime story of surprising strength and sadness, with a suspenseful current sustained by the classic workings of fate and character -- as taut and riveting as Stephen King's The Girl Who Loved Tom Gordon.
What the wreckage conceals is more important than money. It is power: a list of names, a record of those who have struck a deal with the devil. Now a battle is about to commence between those who want the list to remain secret and those for whom it represents a crucial weapon in the struggle against the forces of darkness.
The race to secure the prize draws in private detective Charlie Parker, a man who knows more than most about the nature of the terrible evil that seeks to impose itself on the world, and who fears that his own name may be on the list. It lures others, too: a beautiful, scarred woman with a taste for killing; a silent child who remembers his own death; and a serial killer known as the Collector, who sees in the list new lambs for his slaughter. But as the rival forces descend upon this northern state, the woods prepare to meet them, for the forest depths hide other secrets.
Someone has survived the crash. Something has survived the crash.
And it is waiting. . . .
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.
It could be said that Jay Omega and his girlfriend, Dr. Marion Farley, represent two different approaches to the pageantry and obsession that swirl around them. Omega, as guest author and conference V.I.P., tries to tread lightly around the customs and peculiarities of the sci-fi aficionados in an effort not to offend but also to avoid becoming too involved. Marion, the professor of comparative literature, casts a more critical eye on the proceedings, giving the touted big-shots and the aspiring authors little in the way of credibility.
McCrumb tempers the satire with her choice of protagonists; by informing us that Marion actually teaches a course on science fiction and fantasy at the local university, McCrumb is sure to acknowledge that science fiction is a legitimate literary genre in her eyes. Like any other legitimate literary genre then, it has its noteworthy practitioners (Tolkein, Asimov) as well as its charlatans (Appin, Dungannon). Her target, McCrumb wants us to know, is not the works themselves but rather the obsessive culture that springs up around the works. By making the shy, bookish Jay Omega her sympathetic protagonist, McCrumb is also making it clear that her target is not simply the socially maladroit. The whole satire is directed at those who have made these escapist fantasies a true-to-life obsession.
When a night-time call to 911 from a secluded Wisconsin vacation house is cut short, offduty deputy Brynn McKenzie leaves her husband and son at the dinner table and drives up to Lake Mondac to investigate. Was it a misdial or an aborted crime report?
Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy's disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn's loyal fellow deputies and elements from Milwaukee's underside. These various forces race along inexorably toward the novel's gritty and stunning conclusion.
The Bodies Left Behind is an epic cat-and-mouse chase, told nearly in real-time, and is filled with Deaver's patented twists and turns, where nothing is what it seems, and death lingers just around the next curve on a deserted path deep in the midnight forest.
At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before."
That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again.
Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool.
Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end.
Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies.
Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life.
I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.
Leave it to Superintendent Richard Jury of Scotland Yard to suggest a connection to the murder of brassy Limehouse lady named Sadie Driver, found dead near Wapping Old Stairs…if that stone-cold body on the slipway is really Sadie. Not even her brother, Tommy, on a visit from Gravesend, can swear to it.
A spinster whose passion was bird-watching, a dotty peer who pinched pennies, and a baffling murder made the tiny village of Littlebourne a most extraordinary place. And a severed finger made a ghastly clue in the killing that led local constables from a corpse to a boggy footpath to a beautiful lady’s mansion.
But Richard Jury refused, preferring to take the less traveled route to a slightly disreputable pub, the Anodyne Necklace. There, drinks all around loosened enough tongues to link a London mugging with the Littlebourne murder and a treasure map that would chart the way to yet another chilling crime.
In a house under renovation, a plumber uncovers a cellar no one knew about and makes a grisly discovery: a decapitated chicken, animal bones, and cauldrons containing beads, feathers, and other relics of religious ceremonies. In the center of the shrine rests the skull of a teenage girl. Meanwhile, on a nearby lakeshore, the headless body of a teenage boy is found by a man walking his dog.
Forensic anthropologist Temperance Brennan is called in to investigate, and a complex and gripping tale unfolds. Nothing is clear—neither when the deaths occurred, nor where. Was the skull brought to the cellar or was the girl murdered there? Why is the boy's body remarkably well preserved? Led by a preacher turned politician, citizen vigilantes blame devil worshippers and Wiccans, and Temperance will need all of her expertise to get to the real culprit first.
John Lowery was declared dead in 1968—the victim of a Huey crash in Vietnam, his body buried long ago in North Carolina. Four decades later, Temperance Brennan is called to the scene of a drowning in Hemmingford, Quebec. The victim appears to have died while in the midst of a bizarre sexual practice. The corpse is later identified as John Lowery. But how could Lowery have died twice, and how did an American soldier end up in Canada?
Tempe sets off for the answer, exhuming Lowery’s grave in North Carolina and taking the remains to Hawaii for reanalysis—to the headquarters of JPAC, the U.S. military’s Joint POW/ MIA Accounting Command, which strives to recover Americans who have died in past conflicts. In Hawaii, Tempe is joined by her colleague and ex-lover Detective Andrew Ryan (how “ex” is he?) and by her daughter, who is recovering from her own tragic loss. Soon another set of remains is located, with Lowery’s dog tags tangled among them. Three bodies—all identified as Lowery.
And then Tempe is contacted by Hadley Perry, Honolulu’s flamboyant medical examiner, who needs help identifying the remains of an adolescent boy found offshore. Was he the victim of a shark attack? Or something much more sinister?
A complex and riveting tale of deceit and murder unfolds in this, the thirteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hit Bones now in its fifth season and in full syndication—and her most recent novel, 206 Bones, an instant New York Times bestseller—Kathy Reichs is at the top of her game.
Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end.
Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now?
Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim.
In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.
Placed in the witness protection program and sent to live in the Minneapolis area, Lacey must assume a fake identity, at least until the killer can be brought to trial. There she meets Tom Lynch, a radio talk-show host whom she tentatively begins to date -- until the strain of deception makes her break it off. Then she discovers the killer has traced her to Minneapolis. Armed with nothing more than her own courage and clues from the journal, Lacey heads back to New York, determined to uncover who's behind the deaths of the two women -- before she's the next casualty.
At once seductive and frightening, Pretend You Don't See Her is the "mistress of high tension" (The New Yorker) at her ingenious best.
Suddenly Long Piddleton had good reason to be wary of everyone! Its cozy pubs and inns with their polished pewter and blazing hearths had become scenes of the most bizarre crimes. Who were the victims? And who was the murderer? A stranger? A maniac? Or the disarmingly friendly man next door?
Just as 200,000 fans are pouring into town for Race Week, a body is found in a barrel of asphalt next to the Charlotte Motor Speedway. The next day, a NASCAR crew member comes to Temperance Brennan’s office at the Mecklenburg County Medical Examiner to share a devastating story. Twelve years earlier, Wayne Gamble’s sister, Cindi, then a high school senior and aspiring racer, disappeared along with her boyfriend, Cale Lovette. Lovette kept company with a group of right-wing extremists known as the Patriot Posse. Could the body be Cindi’s? Or Cale’s?
At the time of their disappearance, the FBI joined the investigation, only to terminate it weeks later. Was there a cover-up? As Tempe juggles multiple theories, the discovery of a strange, deadly substance in the barrel alongside the body throws everything into question. Then an employee of the Centers for Disease Control and Prevention goes missing during Race Week. Tempe can’t overlook the coincidence. Was this man using his lab chemicals for murder? Or is the explanation even more sinister? What other secrets lurk behind the festive veneer of Race Week?
A turbocharged story of secrets and murder unfolds in this, the fourteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hit Bones about to enter its seventh season and in full syndication—and her most recent novel, Spider Bones, an instant New York Times bestseller—Kathy Reichs is at the top of her game.
David Small is the new rabbi in the small Massachusetts town of Barnard’s Crossing. Although he’d rather spend his days engaged in Torah study and theological debate, the daily chores of synagogue life are all-consuming—that is, until the day a nanny’s body is found on the rain-soaked asphalt of the temple’s parking lot.
When the young woman’s purse is discovered in Rabbi Small’s car, he will have to use his scholarly skills and Talmudic wisdom—and collaborate with the Irish-Catholic police chief—to exonerate himself and find the real killer.
Blending this unorthodox sleuth’s quick intellect with thrilling action, Friday the Rabbi Slept Late is the exciting first installment of the beloved bestselling mystery series that offers a Jewish twist on the clerical mystery, a delightful discovery for fans of Father Brown and Father Dowling or readers of Faye Kellerman’s suspense novels set in the Orthodox community.
When Lincoln’s estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect—too perfect. Forensic evidence from Arthur’s home is found all over the scene of the crime, and it looks like the fate of Lincoln’s relative is sealed.
At the behest of Arthur’s wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance—despite ironclad evidence at the scenes of the crime. Rhyme’s team realizes this “perfect” evidence may actually be the result of masterful identity theft and manipulation.
An information service company—the huge data miner Strategic Systems Datacorp—seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and cover-ups, and their investigation points to one master criminal, whom they dub “522.”
When “522” learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver’s trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.
Natalie Raines, one of Broadway's brightest stars, accidentally discovers who killed her former roommate and sets in motion a series of shocking events that puts more than one life in extreme peril.
While Natalie and her roommate, Jamie Evans, were both struggling young actresses, Jamie had been involved with a mysterious married man to whom she referred only by nickname. Natalie comes face to face with him years later and inadvertently addresses him by the nickname Jamie had used. A few days later, Natalie is found in her home in Closter, New Jersey, dying from a gunshot wound.
Immediately the police suspect Natalie's theatrical agent and soon-to-be-ex-husband, Gregg Aldrich. He had long been a "person of interest" and was known to have stalked Natalie to find out if she was seeing another man. But no charges are brought against him until two years later, when Jimmy Easton, a career criminal, suddenly comes forward to claim that Aldrich had tried to hire him to kill his wife. Easton knows details about the Aldrich home that only someone who had been there -- to plan a murder, for instance -- could possibly know.
The case is a plum assignment for Emily Wallace, an attractive thirty-two-year-old assistant prosecutor. As she spends increasingly long hours preparing for the trial, a seemingly well-meaning neighbor offers to take care of her dog in her absence. Unaware of his violent past, she gives him a key to her home...
As Aldrich's trial is making headlines, her boss warns Emily that this high-profile case will reveal personal matters about her, such as the fact that she had a heart transplant. And, during the trial, Emily experiences sentiments that defy all reason and continue after Gregg Aldrich's fate is decided by the jury.
In the meantime, she does not realize that her own life is now at risk.
A compelling novel that probes the mysteries of the human heart and mind, Just Take My Heart is Mary Higgins Clark's most spellbinding tale.
A new killer has emerged, one whose methods are frighteningly similar to those used by Mosley, who is awaiting execution thousands of miles away. Leigh and her son appear to be in the assailant's scope, and it becomes clear that he is more than a copycat killer—his targets are all tied to Leigh's former life. With the clock ticking down and the victims of a new killer mounting, Leigh is forced to probe the darkest corridors of her past to protect her life and her son's. She must also confront her own feelings of responsibility: Leigh has always professed her ignorance, but how complicit was she in her husband's horrific murder spree, as it was taking place?
From a major new voice in suspense, The Killer's Wife is a story driven by psychological insight and harrowing revelations, asking how well you can ever really know the person sleeping beside you.
It is the spring of 1945. And Michael Connolly has been sent to Los Alamos to investigate the murder of a security officer on the Manhattan Project. But amid the glimmering cocktail parties and the staggering genius, Connolly will find more than he bargained for. Sleeping in a dead man's bed and making love to another man's wife, Connolly has entered the moral no-man's-land of Los Alamos. For in this place of discovery and secrecy, hope and horror, Connolly is plunged into a shadowy war with a killer—as the world is about to be changed forever....
It's psychologist Dr. Alex Delaware's job to try to unlock the terrible secret buried in Melody's memory. But as the sinister shadows in the girl's mind begin to take shape, Alex discovers that the mystery touches a shocking incident in his own past.
This connection is only the beginning, a single link in a forty-year-old conspiracy. And behind it lies an unspeakable evil that Alex Delaware must expose before it claims another innocent victim: Melody Quinn.
August 1914. Michael Clifton is mapping the land he has just purchased in California's beautiful Santa Ynez Valley, certain that oil lies beneath its surface. But as the young cartographer prepares to return home to Boston, war is declared in Europe. Michael—the youngest son of an expatriate Englishman—puts duty first and sails for his father's native country to serve in the British army. Three years later, he is listed among those missing in action.
April 1932. London psychologist and investigator Maisie Dobbs is retained by Michael's parents, who have recently learned that their son's remains have been unearthed in France. They want Maisie to find the unnamed nurse whose love letters were among Michael's belongings—a quest that takes Maisie back to her own bittersweet wartime love. Her inquiries, and the stunning discovery that Michael Clifton was murdered in his trench, unleash a web of intrigue and violence that threatens to engulf the soldier's family and even Maisie herself. Over the course of her investigation, Maisie must cope with the approaching loss of her mentor, Maurice Blanche, and her growing awareness that she is once again falling in love.
Following the critically acclaimed bestseller Among the Mad, The Mapping of Love and Death delivers the most gripping and satisfying chapter yet in the life of Maisie Dobbs.
Retired policemen from Los Angeles, the killers easily persuade the local sheriff to let them lead the search for the missing children. Now there's nowhere left for William and Annie to hide...and no one they can trust. Until they meet Jess Rawlins.
Rawlins, an old-school rancher, knows trouble when he sees it. He is only one against four men who will stop at nothing to silence their witnesses. But in this thrilling mystery novel from C.J. Box, these ex-cops don't know just how far Rawlins will go to protect William and Annie...and see that justice is done.
Blue Heaven is the winner of the 2009 Edgar Award for Best Novel.
Margaret and Steve Frawley celebrate the third birthday of their twin girls, Kelly and Kathy, with an afternoon party in their new home, a modest fixer-upper in Ridgefield, Connecticut.
The evening of the twins' birthday party, Steve and Margaret attend a black-tie dinner in New York. When they return home, the police are in the house, and they are told that the babysitter had been found unconscious, the children are gone, and a note demanding an eight-million-dollar ransom had been left in their room.
Steve Frawley's firm, a global investment company, agrees to pay the ransom. The kidnapper, who identifies himself as the "Pied Piper," makes his terms known -- on delivery of the ransom, a call will come, revealing the girls' whereabouts. The call comes, but only Kelly is in the car parked behind a deserted restaurant. The driver is dead from a gunshot wound and has left a suicide note, saying he had inadvertently killed Kathy and had dumped her body in the ocean.
At the private memorial Mass for Kathy, Kelly tugs Margaret's arm and says: "Mommy, Kathy is very scared of that lady. She wants to come home right now." More unexplainable occurrences follow, indicating that Kelly is in touch with Kathy. At first, no one except the mother believes that the twins are communicating and that Kathy is still alive. As Kelly's warnings become increasingly specific and alarming, however, FBI agents set out on a search for Kathy. The novel reaches a breathtaking climax as they close in on the Pied Piper and his accomplices, while Kathy's life hangs by a thread.
In delving into the well-documented but still unexplained phenomenon of twin telepathy, Mary Higgins Clark tells a spellbinding tale that takes us deep into the minds of her characters while lifting us to the heights of suspense.
The home is top-notch New Jersey suburban. The living room is Martha Stewart. The basement is Legos—and blood. The signs of a violent struggle. For Myron Bolitar, the disappearance of a man he once competed against is bringing back memories—of the sport he and Greg Downing had both played and the woman they both loved. Now, among the stars, the wannabes, the gamblers, and the groupies, Myron is embarking upon the strange ride of a sports hero gone wrong that just may lead to certain death. Namely, his own.
Thomas Perry exploded onto the literary scene with The Butcher’s Boy. Back in print by popular demand, this spectacular debut, from a writer of “infernal ingenuity” (The New York Times Book Review), includes a new Introduction by bestselling author Michael Connelly.
Murder has always been easy for the Butcher’s Boy—it’s what he was raised to do. But when he kills the senior senator from Colorado and arrives in Las Vegas to pick up his fee, he learns that he has become a liability to his shadowy employers. His actions attract the attention of police specialists who watch the world of organized crime, but though everyone knows that something big is going on, only Elizabeth Waring, a bright young analyst in the Justice Department, works her way closer to the truth, and to the frightening man behind it.
From the Trade Paperback edition.
It has been ten years since twenty-one-year-old Charles MacKenzie Jr. ("Mack") went missing. A Columbia University senior, about to graduate and already accepted at Duke University Law School, he walked out of his apartment on Manhattan's Upper West Side without a word to his college roommates and has never been seen again. However, he does make one ritual phone call to his mother every year: on Mother's Day. Each time, he assures her he is fine, refuses to answer her frantic questions, then hangs up. Even the death of his father, a corporate lawyer, in the tragedy of 9/11 does not bring him home or break the pattern of his calls.
Mack's sister, Carolyn, is now twenty-six, a law school graduate, and has just finished her clerkship for a civil court judge in Manhattan. She has endured two family tragedies, yet she realizes that she will never be able to have closure and get on with her life until she finds her brother. She resolves to discover what happened to Mack and why he has found it necessary to hide from them. So this year when Mack makes his annual Mother's Day call, Carolyn interrupts to announce her intention to track him down, no matter what it takes. The next morning after Mass, her uncle, Monsignor Devon MacKenzie, receives a scrawled message left in the collection basket: "Uncle Devon, tell Carolyn she must not look for me."
Mack's cryptic warning does nothing to deter his sister from taking up the search, despite the angry reaction of her mother, Olivia, and the polite disapproval of Elliott Wallace, Carolyn's honorary uncle, who is clearly in love with Olivia.
Carolyn's pursuit of the truth about Mack's disappearance swiftly plunges her into a world of unexpected danger and unanswered questions. What is the secret that Gus and Lil Kramer, the superintendents of the building in which Mack was living, have to hide? What do Mack's old roommates, the charismatic club owner Nick DeMarco and the cold and wealthy real estate tycoon Bruce Galbraith, know about Mack's disappearance? Is Nick connected to the disappearance of Leesey Andrews, who had last been seen in his trendy club? Can the police possibly believe that Mack is not only alive, but a serial killer, a shadowy predator of young women? Was Mack also guilty of the brutal murder of his drama teacher and the theft of his taped sessions with her?
Carolyn's passionate search for the truth about her brother -- and for her brother himself -- leads her into a deadly confrontation with someone close to her whose secret he cannot allow her to reveal.