Michael Kelly and his wife were classic Celtic Cubs. Then they simplified, down-sized, opted out. Now they live happily in a leaky cottage in Dunmore East, their ties with the capital severed and their careers as corporate drones abandoned.
They grow vegetables and rear an ever-expanding coterie of animals: laying hens, a cock named Roger and pigs called Charlotte and Wilbur. And they don’t hate Mondays anymore!
This is an extremely humorous, thought provoking account of one couple’s discovery that there is an alternative to the consumer driven lifestyle.
As Michael Kelly describes the hilarious hazards of rural life as well as the advantages, he demonstrates how one brave decision can transform your life.
A funny and inspiring account of the ups and downs of letting go of the Tiger.
You can see Michael talking about the changes he has made to his life here (courtesy TV3):
You can also read about Michael's continuing adventures with rural life on his website www.michaelkelly.ie.
Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag’s aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewer’s pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter’s and Doris Salcedo’s art, chosen because they’re often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richter’s Baader-Meinhof series, Kelly concludes with Salcedo’s enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art.
The ionosphere is somewhat of a battleground between the earth's neutral atmosphere and the sun's fully ionized atmosphere, in which the earth is embedded. One of the challenges of ionosphere research is to know enough about these two vast fields of research to make sense out of ionospheric phenomena. This book provides insights into how these competing sources of mass, momentum, and energy compete for control of the ionosphere.
Some of the topics discussed include the fundamentals of ionospheric plasma dynamics; equatorial plasma instabilities; high-latitude electrodynamics; and instabilities and structure in the high-latitude ionosphere. Throughout this text only the region above 90 km are discussed, ignoring the D region entirely.
This publication is a good source of information for students and individuals conducting research on earth’s ionosphere.
This tome includes selections by iconic Canadian dark fantasy and horror writers Camille Alexa, Colleen Anderson, Kevin Cockle, Gemma Files, Lisa L Hannett, Derek Künsken, Claude Lalumière, Daniel LeMoal, Catherine MacLeod, Michael Matheson, Susie Moloney, David Nickle, Ian Rogers, Douglas Smith, Simon Strantzas, Edo van Belkom, Halli Villegas, Bev Vincent, Robert J. Wiersema, and Rio Youers, with an introduction by Michael Kelly.
The few friends the author has have helped him considerably; for it not for these few friends, this book would have been written from prison as opposed to the public library.
Want to eat better, save money, work those muscles without the treadmill, know where your food comes from? This could be the new, recession-proof you! Five years ago Michael Kelly chucked in the corporate life to try his hand at ‘the good life’. It’s been the most rewarding thing he has ever done – and you could do it too. Make your back (or front) garden work for you; or maybe an allotment?
Based on his own, sometimes hilarious experiences, Michael shares what he’s learned, taking us through the year on his small home farm. Included: What to grow and when. What’s worth it? What’s not? Hens and pigs – the ups and downs Cooking and storing your bounty The health benefits – physical and mental Linking up with others - food swapping and markets, and the return of the meitheal
To occupy the obvious spare time he has on his hands now, he evaluates the worth of writing a book offering its readers an insight into the lives of everyday people who, in many instances are inflicted with life turns not necessarily induced deliberately. But never the less produce destructive spirals of despair that loom as a black dog, something they personally cannot control.
Somehow he singles out a particular client who made an indelible impression on his life. From his notes he compiles a compelling tale of a man’s life from adolescence, through puberty and adulthood.
An intriguing and complex journey, professionally describing life as we all know it with joy, humour, happiness, despair, determination, tragedy and closure.
He presents a story of human endeavour warts and all with no punch’s pulled. A story so real, one in which you the reader may at times see similar flashes of your own life. He guarantees you a laugh and a tear and an ending with a considerable twist. If you like life adventures, read this one.
More horrible than A Child Called It, more heartrending than Ugly, more repulsive than the Alastair Campbell diaries, My Godawful Life is the misery memoir to end all misery memoirs and the feel-bad book of the year.
"At last, a book to satirise the endless parade of misery memoirs. I seized upon this like manna from Heaven ... A glorious overload of dysfunction." Sue Baker, Publishing News
In this volume, renowned philosophers and art historians revisit Danto's theories of art, action, and history, and the depth of his innovation as a philosopher of culture. Essays explore the importance of Danto's philosophy and criticism for the contemporary art world, along with his theories of perception, action, historical knowledge, and, most importantly for Danto himself, the conceptual connections among these topics. Danto himself continues the conversation by adding his own commentary to each essay, extending the debate with characteristic insight, graciousness, and wit.
Contributors include Frank Ankersmit, Hans Belting, Stanley Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip Kitcher, Daniel Immerwahr, Daniel Herwitz, and Michael Kelly, testifying to the far-reaching effects of Danto's thought. Danto brought to philosophy the artist's unfettered imagination, and his ideas about postmodern culture are virtual road maps of the present art world. This volume pays tribute to both Danto's brilliant capacity to move between philosophy and contemporary culture and his pathbreaking achievements in philosophy, art history, and art criticism.
Healthy Cities: Research and Practice examines the application of the project in a number of countries. The contributors explore problems in the relationship between policy makers, communities, and academic researchers, and discuss how the Healthy Cities program affects housing policy, community development, scientific interchange and health education. In addition, the Editors, John Davies and Michael Kelly, provide a context by tracing the history of the WHO projects and discuss them in the broader context of scientific and philosohical debates about modernism and post-modernism.
The contributors are drawn from practitioners and scientists with wide experience in the area from the United Kingdom, Canada, Australia and the United States. Healthy Cities will be invaluable to all those working at community level and in government with an interest in health, as well as students of health promotion.
Each guide is an easily accessible primer to economic sectors, regions, or other components of the global stock market. While this guide is specifically on Health
Care, the basic investment methodology is applicable for analyzing any global sector, regardless of the current macroeconomic environment.
Following a top-down approach to investing, Fisher Investments on Heath Care can help you make more informed decisions within the Health Care sector. It skillfully addresses how to determine optimal times to invest in Health Care stocks and which Health Care industries have the potential to perform well in various environments.Explains some of the sector’s key macro drivers—like its defensive characteristics, economic cycles, and investor sentiment Shows how to capitalize on a wide array of macro conditions and industry-specific features to help you form an opinion on each of the industries within the sector Takes you through the major components of the industries within the global Health Care sector and reveals how they operate Offers investment strategies to help you determine when and how to overweight specific industries within the sector Outlines a five-step process to help differentiate firms in this field—designed to help you identify ones with the greatest probability of outperforming
Filled with in-depth insights, Fisher Investments on Health Care provides a framework for understanding this sector and its industries to help you make better investment decisions—now and in the future. With this book as your guide, you can gain a global perspective of the Health Care sector and discover strategies to help achieve your investing goals.
Michael Kelly reveals "The Woods' was written for an anthology seeking regional horror and ghost stories. I'd just read Hemingway's 'Hills Like White Elephant's'. Now, in no way am I comparing myself to Hemingway but I wanted to write a similarly brief tale, with only two main characters, and where the horror was off-stage. As well, the setting had to be distinctly Canadian. What, I thought, could be more Canadian than the frozen north and allusions to mythical beasts?"
MAMI WATA - Simon Kurt Unsworth
Unsworth reveals, "When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it, and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start.
"I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths.
"I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared."
THE AXHOLME TOLL - Mark Valentine
"In the following story, the book called The MS. in a Red Box really exists," the author reveals. "All of the legends about the Isle, and about Beckett's assassins, are also genuine, except (so far) that of the Toll, and their final place of rest - or unrest."
TWO STEPS ALONG THE ROAD - Terry Dowling
"Two Steps Along the Road' came out of a conversation with US editor Danel Olson," Dowling explains, "where we discussed me doing a ghost story set in Vietnam for Exotic Gothic 3, and the interesting possibilities it might provide for delivering atmosphere and an interesting perspective on familiar things.
"Before I knew it, I was blending two separate elements that were demanding attention: the notion of a root-form behind all hauntings, regardless of what form they took, and the unnerving realization that the eyes of a quite attractive teaching colleague would be truly terrifying to behold if they were set just a tad closer together.
"The ideas were intended for very different stories but, as so often happens, they decided they were meant for each other."