Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud, sticks or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of those who have come there seeking sanctuary. Among them are Guled, a former child soldier who lives for football; Nisho, who scrapes an existence by pushing a wheelbarrow and dreaming of riches; Tawane, the indomitable youth leader; and schoolgirl Kheyro, whose future hangs upon her education.
In City of Thorns, Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. Rawlence combines intimate storytelling with broad socio-political investigative journalism, doing for Dadaab what Katherinee Boo's Behind the Beautiful Forevers did for the Mumbai slums. Lucid, vivid and illuminating, City of Thorns is an urgent human story with deep international repercussions, brought to life through the people who call Dadaab home.
12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest--over ten and a half million--were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.
Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge--or deny--their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries--Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru--through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.
In Brazil, he delves behind the façade of Carnaval to discover how this 'rainbow nation' is waking up to its legacy as the world's largest slave economy.
In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro's Communist revolution in 1959.
In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves's hard fought liberation over Napoleon Bonaparte's French Empire became a double-edged sword.
In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people--far greater than the number brought to the United States--brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.
Professor Gates' journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. "Black in Latin America" is the third instalment of Gates's documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.
World’s Great Men of Color is the comprehensive guide to the most noteworthy Black personalities in world history and their significance. J.A. Rogers spent the majority of his lifetime pioneering the field of Black studies with his exhaustive research on the major names in Black history whose contributions or even very existence have been glossed over. Well-written and informative, World’s Great Men of Color is an enlightening and important historical work.
Empress has a passion for Writing Rasta books. Check out her other titles
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Frederick Douglass was born into slavery in Maryland in 1818. After his escape in 1838 he became an ardent abolitionist, and his autobiography was an instant bestseller upon publication in 1845. In it he describes with harrowing honesty his life as a slave – the cruelty he suffered at the hands of plantation owners; his struggles to educate himself in a world where slaves are deliberately kept ignorant; and ultimately, his fight for his right to freedom. A passionately written, intelligent and highly emotive indictment of slavery, his principle preoccupation was that slavery could be eradicated only through education. This text was key in helping to secure its eventual abolition.
With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.
What is a womanist? Alice Walker sets out to define the concept in this anthology of early essays and other nonfiction pieces. As she outlines it, a womanist is a person who prefers to side with the oppressed: with women, with people of color, with the poor. As a writer, Walker has always taken such people as her primary subjects, and her search for paths toward self-possession and freedom always holds out hope for the transformative power of compassion and love. Whether she’s taking on nuclear proliferation, the promise and problems of the civil rights movement, or her own creative process, Walker always brings to bear a fearless determination to tell the truth.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
Considering the effects of segregation and integration across multiple social arenas, Anderson exposes the deficiencies of racial views on both the right and the left. She reveals the limitations of conservative explanations for black disadvantage in terms of cultural pathology within the black community and explains why color blindness is morally misguided. Multicultural celebrations of group differences are also not enough to solve our racial problems. Anderson provides a distinctive rationale for affirmative action as a tool for promoting integration, and explores how integration can be practiced beyond affirmative action.
Offering an expansive model for practicing political philosophy in close collaboration with the social sciences, this book is a trenchant examination of how racial integration can lead to a more robust and responsive democracy.
Taking his title from Richard Wright’s poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
May, 1986: Selling his mother's eggs and peanuts near his village in southern Sudan, seven year old Francis Bok's life was shattered when Arab raiders on horseback, armed with rifles and long knives, burst into the quiet marketplace, murdering men and women and gathering the young children into a group. Strapped to horses and donkeys, Francis and others were taken north, into lives of slavery under wealthy Muslim farmers.
For ten years, Francis lived alone in a shed near the goats and cattle that were his responsibility. Fed with scraps from the table, slowly learning bits of an unfamiliar language and religion, the boy had almost no human contact other than his captor's family. After two failed attempts to escape-each bringing severe beatings and death threats-Francis finally escaped at age seventeen, a dramatic breakaway on foot that was his final chance. Yet his slavery did not end there, for even as he made his way toward the capital city of Khartoum, others sought to deprive him of his freedom. Determined to avoid that fate and discover what had happened to his family on that terrible day in 1986, the teenager persevered through prison and refugee camps for three more years, winning the attention of United Nations officials and being granted passage to America.
Now a student and an anti-slavery activist, Francis Bok has made it his life mission to combat world slavery. His is the first voice to speak for an estimated twenty seven million people held against their will in nearly every nation, including our own. Escape from Slavery is at once a riveting adventure, a story of desperation and triumph, and a window revealing a world that few have survived to tell.
Black has never been more beautiful, witnessed by this magnificent collection featuring accomplished dark skinned-women from all walks of life. In Dark Girls, celebrities such as Lupita Nyong'o, Vanessa Williams, Sheryl Lee Ralph, Judge Mablean Ephriam, Brandi and Karli Harvey, and over seventy-five other outstanding women share intimate insights into what their dark skin means to them.
Filled with gorgeous photographs, this thoughtful, sophisticated, alluring, and uplifting collection captures the elegance of dark skin—joyfully showcasing that we truly are beautiful for who we are.
From the Trade Paperback edition.
Linking paradigmatic events like Japanese American internment and the Black civil rights movement, Kurashige transcends the usual "black/white" dichotomy to explore the multiethnic dimensions of segregation and integration. Racism and sprawl shaped the dominant image of Los Angeles as a "white city." But they simultaneously fostered a shared oppositional consciousness among Black and Japanese Americans living as neighbors within diverse urban communities.
Kurashige demonstrates why African Americans and Japanese Americans joined forces in the battle against discrimination and why the trajectories of the two groups diverged. Connecting local developments to national and international concerns, he reveals how critical shifts in postwar politics were shaped by a multiracial discourse that promoted the acceptance of Japanese Americans as a "model minority" while binding African Americans to the social ills underlying the 1965 Watts Rebellion. Multicultural Los Angeles ultimately encompassed both the new prosperity arising from transpacific commerce and the enduring problem of race and class divisions.
This extraordinarily ambitious book adds new depth and complexity to our understanding of the "urban crisis" and offers a window into America's multiethnic future.
In a follow-up to her collection of essays, In Search of Our Mothers’ Gardens, Walker takes a look at a vast range of issues both personal and global, from her experience with the filming of The Color Purple, to the history of African-American narrative traditions, to global threats of pollution and nuclear war. Walker travels broadly and maintains an eye for detail, resulting in a captivating journey of conscience by one of the most distinctive political and artistic voices in America. Readers will find inspiration and insights in even the briefest entries of this enthralling anthology.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
Beginning with a careful documentation of the ways God entrusted people of African descent with the initial development of civilized societies, Return to Glory then directs its readers on a magnificent tour of life in America through the triumphant stories of contemporary African-Americans. These pages are filled with the glorious contributions to the development and enhancement of world culture by the black race.
As racial minorities in their political party and as political minorities within their community, black Republicans occupied an irreconcilable position—they were shunned by African American communities and subordinated by the GOP. In response, black Republicans vocally, and at times viciously, critiqued members of their race and party, in an effort to shape the attitudes and public images of black citizens and the GOP. And yet, there was also a measure of irony to black Republicans' "loneliness": at various points, factions of the Republican Party, such as the Nixon administration, instituted some of the policies and programs offered by black party members. What's more, black Republican initiatives, such as the fair housing legislation of senator Edward Brooke, sometimes garnered support from outside the Republican Party, especially among the black press, Democratic officials, and constituents of all races. Moving beyond traditional liberalism and conservatism, black Republicans sought to address African American racial experiences in a distinctly Republican way.
The Loneliness of the Black Republican provides a new understanding of the interaction between African Americans and the Republican Party, and the seemingly incongruous intersection of civil rights and American conservatism.
The twelve original essays in Black Female Sexualities reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes.
Black Female Sexualities takes not only an interdisciplinary approach—drawing from critical race theory, sociology, and performance studies—but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from Crash to Precious, from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires.
While there are now unprecedented opportunities for talented African Americans, Roy Brooks shows that lingering deficiencies remain within the black community. Exploring solutions to these social ills, Brooks identifies competing civil rights theories and perspectives, organizing them into four distinct categories--traditionalism, reformism, limited separation, and critical race theory. After examining each approach, Brooks constructs the best civil rights theory for the Obama phase of the post-civil rights era. Brooks supports his theoretical model with strong statistics that break down the major racial groups along such demographics as income and education. He factors in the cultural and structural explanations for the nation's racial divisions, and he addresses affirmative action, the failures of integration, the negative aspects of black urban culture, and the black community's limited access to resources. The book focuses on African Americans, but its lessons are relevant for other groups, including Latinos, Asians, women, and gays and lesbians.
Racial Justice in the Age of Obama maps out today's civil rights questions so that all groups can achieve equality at a time of unprecedented historical change.
More recently, however, scholars have challenged this national myth, seeking to show that race relations are characterized by exclusion, not inclusion, and that fair-skinned Brazilians continue to be privileged and hold a disproportionate share of wealth and power.
In this sociological and demographic study, Edward Telles seeks to understand the reality of race in Brazil and how well it squares with these traditional and revisionist views of race relations. He shows that both schools have it partly right--that there is far more miscegenation in Brazil than in the United States--but that exclusion remains a serious problem. He blends his demographic analysis with ethnographic fieldwork, history, and political theory to try to "understand" the enigma of Brazilian race relations--how inclusiveness can coexist with exclusiveness.
The book also seeks to understand some of the political pathologies of buying too readily into unexamined ideas about race relations. In the end, Telles contends, the traditional myth that Brazil had harmonious race relations compared with the United States encouraged the government to do almost nothing to address its shortcomings.
Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world’s money supply. This enchanting book draws on Price’s long-term ethnographic and archival research, but above all on Tooy’s teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.
achieved unheralded growth and visibility since its inception more than
eighty years ago. Moving beyond a pure spiritual movement, its aesthetic
component has influenced cultures of the Caribbean, the United
States, and others across the globe. Locating the Rastafari movement at
a literal and figurative crossroad, Barnett sets out to consider the possible
paths the movement will chart.
Rastafari in the New Millennium covers a wide range of perspectives, focusing
not only on the movement’s nuanced and complex religious ideology
but also on its political philosophy, cosmology, and unique epistemology.
Barry Chevannes’s essay addresses the concerns of death and repatriation,
highlighting the transformative challenges these issues pose to Rastafari.
Essays by Ian Boxill, Edward Te Kohu Douglas, Erin MacLeod, and Janet L.
DeCosmo, among others, offer rich accounts of the globalization of Rastafari
from New Zealand to Ethiopia, from Brazil to Zimbabwe. Drawing on new
research and global developments, the contributors, many of whom are
leading scholars in the field, reinvigorate the critical dialogue on the current
state and future direction of the Rastafari movement.
In this powerful new book, bell hooks arrests our attention from the first page. Her title--We Real Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys. And especially, black men do not love themselves. How could they? How could they be expected to love, surrounded by so much envy, desire, and hate?"
Now, with Think Like a Freak, Steven D. Levitt and Stephen J. Dubner have written their most revolutionary book yet. With their trademark blend of captivating storytelling and unconventional analysis, they take us inside their thought process and teach us all to think a bit more productively, more creatively, more rationally—to think, that is, like a Freak.
Levitt and Dubner offer a blueprint for an entirely new way to solve problems, whether your interest lies in minor lifehacks or major global reforms. As always, no topic is off-limits. They range from business to philanthropy to sports to politics, all with the goal of retraining your brain. Along the way, you’ll learn the secrets of a Japanese hot-dog-eating champion, the reason an Australian doctor swallowed a batch of dangerous bacteria, and why Nigerian e-mail scammers make a point of saying they’re from Nigeria.
Some of the steps toward thinking like a Freak:First, put away your moral compass—because it’s hard to see a problem clearly if you’ve already decided what to do about it. Learn to say “I don’t know”—for until you can admit what you don’t yet know, it’s virtually impossible to learn what you need to. Think like a child—because you’ll come up with better ideas and ask better questions. Take a master class in incentives—because for better or worse, incentives rule our world. Learn to persuade people who don’t want to be persuaded—because being right is rarely enough to carry the day. Learn to appreciate the upside of quitting—because you can’t solve tomorrow’s problem if you aren’t willing to abandon today’s dud.
Levitt and Dubner plainly see the world like no one else. Now you can too. Never before have such iconoclastic thinkers been so revealing—and so much fun to read.
For a hard-charging detective in the Pandering Investigative Team (PIT), deliverance comes in the manner of long prison sentences, humiliation, and bankruptcy for the animals who subjugate, beat, and torture women into selling their bodies, while reaping all the financial rewards. With that single-minded goal, Las Vegas detective Chris Baughman finds frustration and dead ends as he and his team work countless hours hunting down someone from his past – Mario Davis, a promising athlete whose bright future takes a sadistic U-turn. Helping Chris are two young women from Davis’ stable of ten, who reach out to Chris for rescue after Mario severely beats them. Chris picks up the chase to find and finish Mario off for good, gratis of the Las Vegas penal system.
But justice is complicated, and Chris fears the case is slipping through his fingers when the two women fear testifying against Mario. After being brutalized numerous times, there is still a shred of loyalty. No matter how frustrated Chris is, he knows he can’t ask them to put their lives at further risk. Through countless hours and too many sleepless nights, he fears Mario will go free and there will be no justice for the victims. The tough lesson Chris must face is that his job offers a different kind of deliverance and rescue that is far more powerful and encouraging.
As head of the Pandering Investigation Team and Human Trafficking Task Force, Christopher Baughman has changed the culture and scope of the crimes they investigate. He has arrested several of the wealthiest and most violent criminals in Las Vegas. This success caught the attention of investigative reporter Chris Hansen of Dateline NBC's To Catch a Predator. Chris teaches the anatomy of pandering investigations to other departments across the nation, including members of the FBI and IRS, as well as federal parole and probation officers.
The young men did not say a word as the police officers watched them nervously, their eyes fixed on the shotguns. One of the young men held a large law book in his hand…This was the Black Panther Party in ideal action. The real story—the whole story—was both more and less heroic.
So begins Black Panthers For Beginners. The late 1960s, when the Panthers captured the imagination of the nation’s youth, was a time of regulation. While their furious passage was marked by death, destruction and government sabotage, the Panthers left an instructive legacy for anyone who dares to challenge the system.
Herb Boyd has done exhaustive research, examined the claims of all parties involved, and boiled the story down to “the truth.” We believe this is the most truthful book on the market, but each Panther has his or her own story to tell. We suggest that you check out the stories of all the Black Panthers.
#1 NEW YORK TIMES BESTSELLER
Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, and more. Henrietta's cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can't afford health insurance. This phenomenal New York Times bestseller tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew.
issues in transnational religious movements in Latina/o and African
This is the first collection of essays to analyze
intersectional religious and cultural practices surrounding the deity Yemoja. In
Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts,
and the family. This book reveals how Yemoja traditions are negotiating gender,
sexuality, and cultural identities in bold ways that emphasize the shifting
beliefs and cultural practices of contemporary times. Contributors come from a
wide range of fields—religious studies, art history, literature, and
anthropology—and focus on the central concern of how different religious
communities explore issues of race, gender, and sexuality through religious
practice and discourse. The volume adds the voices of religious practitioners
and artists to those of scholars to engage in conversations about how Latino/a
and African diaspora religions respond creatively to a history of colonization.
Lu Xun was born into a family of landlords and government officials in Shaoxing, Zhejiang; the family's financial resources declined over the course of his youth. Lu aspired to take the imperial civil service exam; but, due to his family's relative poverty, was forced to attend government-funded schools teaching "Western education". Upon graduation, Lu went to medical school in Japan, but later dropped out. He became interested in studying literature, but was eventually forced to return to China due to his family's lack of funds. After returning to China, Lu worked for several years teaching at local secondary schools and colleges before finally finding a job at the national Ministry of Education.
After the 1919 May Fourth Movement, Lu Xun's writing began to exert a substantial influence on Chinese literature and popular culture. Like many leaders of the May Fourth Movement, he was primarily a leftist and liberal. He was highly acclaimed by the Chinese government after 1949, when the People's Republic of China was founded, and Mao Zedong himself was a lifelong admirer of Lu Xun's writing. Though sympathetic to socialist ideas, Lu Xun never joined the Communist Party of China.
Bush explains how racial troubles in the U.S. are symptomatic of the troubled relationship between the white and dark worlds globally. Beginning with an account of white European dominance leading to capitalist dominance by White America, The Endof White World Supremacy ultimately wonders whether, as Myrdal argued in the 1940s, the American creed can provide a pathway to break this historical conundrum and give birth to international social justice.
Written and edited by two of today's most eminent scholars of Buddhism, and more than a decade in the making, this landmark work is an essential reference for every student, scholar, or practitioner of Buddhism and for anyone else interested in Asian religion, history, or philosophy.
The most comprehensive dictionary of Buddhism ever produced in English
More than 5,000 entries totaling over a million words
The first dictionary to cover terms from all of the canonical Buddhist languages and traditions--Sanskrit, Pali, Tibetan, Chinese, Japanese, and Korean
Detailed entries on the most important terms, concepts, texts, authors, deities, schools, monasteries, and geographical sites in the history of Buddhism
Cross-references and appendixes that allow readers to find related terms and look up equivalent terms in multiple Buddhist languages
Includes a list of Buddhist lists, a timeline, and maps
Also contains selected terms and names in Thai, Burmese, Vietnamese, Lao, Khmer, Sinhalese, Newar, and Mongolian
When society denies a patient’s disease and then forbids survivors mourning rites, how does a child bear witness to a parent’s death or a lover grieve for his beloved? Looking at a range of high and popular works of grief—including elegies, eulogies, epistles to the dead, funerals, and obituaries—Woubshet identifies a unique expression of mourning that emerged in the 1980s and early 1990s in direct response to the AIDS catastrophe. What Woubshet dubs a "poetics of compounding loss" expresses what it was like for queer mourners to grapple with the death of lovers and friends in rapid succession while also coming to terms with the fact of their own imminent mortality.Â The time, consolation, and closure that allow the bereaved to get through loss were for the mourners in this book painfully thwarted, since with each passing friend, and with mounting numbers of the dead, they were provided with yet more evidence of the certain fatality of the virus inside them.
Ultimately, the book argues, these disprized mourners turned to their sorrow as a necessary vehicle of survival, placing open grief at the center of art and protest, insisting that lives could be saved through the very speech acts precipitated by death. An innovative and moving study, The Calendar of Loss illuminates how AIDS mourning confounds and traverses how we have come to think about loss and grief, insisting that the bereaved can confront death in the face of shame and stigma in eloquent ways that also imply a fierce political sensibility and a longing for justice.-- Marlon Ross, University of Virginia, author of Manning the Race: Reforming Black Men in the Jim Crow Era
From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.
In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.
Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Actor Greg Sestero, Tommy’s costar and longtime best friend, recounts the film’s bizarre journey to infamy, unraveling mysteries for fans (like, who is Steven? And what’s with that hospital on Guerrero Street?)—as well as the most important question: how the hell did a movie this awful ever get made? But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).
On a commuter train traveling from New Canaan, Connecticut, to New York’s Grand Central Station, a well-heeled white suburbanite reluctantly takes the only available seat and eventually strikes up a conversation with the black man sitting next to him. The white businessman’s verbal barrage of insensitive questions and offensive remarks incites a rage in his black neighbor that can barely be suppressed. But the offended rider is E. R. Braithwaite—former Royal Air Force pilot, Cambridge graduate, schoolteacher, social worker, diplomat, and bestselling author—and he has triumphed over prejudice and hatred throughout his truly extraordinary life and multifaceted career.
Against the backdrop of a short railway commute, E. R. Braithwaite powerfully recounts a personal history of remarkable accomplishments in the face of bigotry and hatred. Part memoir, part treatise on racial intolerance and oppression, and the ignorance that engenders them, Reluctant Neighbors is the unforgettable story of one man’s continuous struggle against injustice and his unwavering dedication to the pursuit of human dignity.
—Jerome Groopman, New York Times bestselling author of How Doctors Think
"Ariely not only gives us a great read; he also makes us much wiser."
—George Akerlof, 2001 Nobel Laureate in Economics
—New York Times Book Review
Why do our headaches persist after we take a one-cent aspirin but disappear when we take a fifty-cent aspirin? Why do we splurge on a lavish meal but cut coupons to save twenty-five cents on a can of soup?
When it comes to making decisions in our lives, we think we're making smart, rational choices. But are we?
In this newly revised and expanded edition of the groundbreaking New York Times bestseller, Dan Ariely refutes the common assumption that we behave in fundamentally rational ways. From drinking coffee to losing weight, from buying a car to choosing a romantic partner, we consistently overpay, underestimate, and procrastinate. Yet these misguided behaviors are neither random nor senseless. They're systematic and predictable—making us predictably irrational.
Julie Iromuanya has short stories and novel excerpts appearing or forthcoming in the Kenyon Review, Passages North, the Cream City Review, and the Tampa Review, among other journals. She is a finalist for the PEN/Robert W. Bingham Prize for Debut Fiction. Mr. and Mrs. Doctor is her first novel.