The study proves that Marshal Davout displayed an art of command at Abensberg-Eckmühl that ensured success for Napoleon during the early phases of his Austrian campaign of 1809. It does this through a detailed analysis of his actions throughout the five days of fighting from April 19 to April 23, 1809. The study then draws conclusions to help define the art of command from Davout’s actions.
General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers.
But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat.
The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.
Not all pioneers went west.
In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history.
Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters.
Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time.
Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.
Only, it's not quite that simple. Spanish soccer expert and historian Sid Lowe covers 100 years of rivalry, athletic beauty, and excellence. Fear and Loathing in La Liga is a nuanced, revisionist, and brilliantly informed history that goes beyond sport. Lowe weaves together this story of the rivalry with the history and culture of Spain, emphasizing that it is “never about just the soccer.” With exclusive testimonies and astonishing anecdotes, he takes us inside this epic battle, including the wounds left by the Civil War, Madrid's golden age in the fifties when they won five European cups, Johan Cruyff's Barcelona Dream Team, the doomed Galáctico experiment, and Luís Figo's “betrayal.”
By exploring the history, politics, culture, economics, and language—while never forgetting the drama on the field—Lowe demonstrates the relationship between these two soccer giants and reveals the true story behind their explosive rivalry.
With penetrating insight and with wondrous narrative skill, Sena Jeter Naslund offers an intimate, fresh, heartbreaking, and dramatic reimagining of this truly compelling woman that goes far beyond popular myth—and she makes a bygone time of tumultuous change as real to us as the one we are living in now.
In this lively and lucid volume, Andrew Hussey brings to life the urchins and artists who've left their marks on the city, filling in the gaps of a history that affected the disenfranchised as much as the nobility. Paris: The Secret History ranges across centuries, movements, and cultural and political beliefs, from Napoleon's overcrowded cemeteries to Balzac's nocturnal flight from his debts. For Hussey, Paris is a city whose long and conflicted history continues to thrive and change. The book's is a picaresque journey through royal palaces, brothels, and sidewalk cafés, uncovering the rich, exotic, and often lurid history of the world's most beloved city.
In an ideal pairing of author and subject, the magisterial historian Paul Johnson offers a vivid look at the life of the strategist, general, and dictator who conquered much of Europe. Following Napoleon from the barren island of Corsica to his early training in Paris, from his meteoric victories and military dictatorship to his exile and death, Johnson examines the origins of his ferocious ambition. In Napoleon's quest for power, Johnson sees a realist unfettered by patriotism or ideology. And he recognizes Bonaparte’s violent legacy in the totalitarian regimes of the twentieth century. Napoleon is a magnificent work that bears witness to one individual's ability to work his will on history.
Many are familiar with the story of the much-married King Henry VIII of England and the celebrated reign of his daughter, Elizabeth I. But it is often forgotten that the life of the first Tudor queen, Elizabeth of York, Henry’s mother and Elizabeth’s grandmother, spanned one of England’s most dramatic and perilous periods. Now New York Times bestselling author and acclaimed historian Alison Weir presents the first modern biography of this extraordinary woman, whose very existence united the realm and ensured the survival of the Plantagenet bloodline.
Her birth was greeted with as much pomp and ceremony as that of a male heir. The first child of King Edward IV, Elizabeth enjoyed all the glittering trappings of royalty. But after the death of her father; the disappearance and probable murder of her brothers—the Princes in the Tower; and the usurpation of the throne by her calculating uncle Richard III, Elizabeth found her world turned upside-down: She and her siblings were declared bastards.
As Richard’s wife, Anne Neville, was dying, there were murmurs that the king sought to marry his niece Elizabeth, knowing that most people believed her to be England’s rightful queen. Weir addresses Elizabeth’s possible role in this and her covert support for Henry Tudor, the exiled pretender who defeated Richard at the Battle of Bosworth and was crowned Henry VII, first sovereign of the House of Tudor. Elizabeth’s subsequent marriage to Henry united the houses of York and Lancaster and signaled the end of the Wars of the Roses. For centuries historians have asserted that, as queen, she was kept under Henry’s firm grasp, but Weir shows that Elizabeth proved to be a model consort—pious and generous—who enjoyed the confidence of her husband, exerted a tangible and beneficial influence, and was revered by her son, the future King Henry VIII.
Drawing from a rich trove of historical records, Weir gives a long overdue and much-deserved look at this unforgettable princess whose line descends to today’s British monarch—a woman who overcame tragedy and danger to become one of England’s most beloved consorts.
Praise for Elizabeth of York
“Weir tells Elizabeth’s story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.”—The New York Times Book Review
“In [Alison] Weir’s skillful hands, Elizabeth of York returns to us, full-bodied and three-dimensional. This is a must-read for Tudor fans!”—Historical Novels Review
“This bracing biography reveals a woman of integrity, who . . . helped [her husband] lay strong groundwork for the success of the new Tudor dynasty. As always in a Weir book, the tenor of the times is drawn with great color and authenticity.”—Booklist
“Weir once again demonstrates that she is an outstanding portrayer of the Tudor era, giving us a fully realized biography of a remarkable woman.”—Huntington News
From the Trade Paperback edition.
Indeed, France has captivated us for centuries. Here, in this compelling history from acclaimed historian Marshall B. Davison, is its story: from prehistory to its conquest by Julius Caesar; from its invasion by the Franks, who gave us the name we use today, to the reign of Charlemagne; from the rule of the Bourbon monarchs, who reached their apex under the Sun King, Louis XIV, to the bloody days of the French Revolution; from the ruthless rise and reign of Napoleon Bonaparte to the brutal Nazi occupation during World War II. This book is a must-read for any Francophile.
“With scrupulous scholarship based on a profound knowledge of the Hebrew, Latin, and Spanish sources, Roth sets out to shatter all existing preconceptions about late medieval society in Spain.”—Henry Kamen, Journal of Ecclesiastical History
“Scholarly, detailed, researched, and innovative. . . . As the result of Roth’s writing, we shall need to rethink our knowledge and understanding of this period.”—Murray Levine, Jewish Spectator
“The fruit of many years of study, investigation, and reflection, guaranteed by the solid intellectual trajectory of its author, an expert in Jewish studies. . . . A contribution that will be particularly valuable for the study of Spanish medievalism.”—Miguel Angel Motis Dolader, Annuario de Estudios Medievales
Three times, beginning in 1690, warfare arose between New France and New England. Settlements were destroyed, and armies clashed, yet nothing was settled. Each country regarded the Ohio Valley as its own. A small skirmish in 1754 touched off a war that spread to Europe, then to Africa, Asia, and even to islands in the Atlantic and Pacific. The fate of North America hung in the balance. This conflict, the Great War for the Empire, may well be called the first of the world wars.
Here, award-winning historian Francis Russell brings to life the vast panorama that formed the background for this struggle in which the English redcoats fought side by side with American colonists against French soldiers and their Indian allies.
In the tradition of Antony Beevor's Stalingrad, Nelson's Trafalgar presents the definitive blow-by-blow account of the world's most famous naval battle, when the British Royal Navy under Lord Horatio Nelson dealt a decisive blow to the forces of Napoleon. The Battle of Trafalgar comes boldly to life in this definitive work that re-creates those five momentous, earsplitting hours with unrivaled detail and intensity.
O'Callaghan divides his story into five compact historical periods and discusses political, social, economic, and cultural developments in each period. By treating states together, he is able to put into proper perspective the relationships among them, their similarities and differences, and the continuity of development from one period to the next. He gives proper attention to Spain's contacts with the rest of the medieval world, but his main concern is with the events and institutions on the peninsula itself. Illustrations, genealogical charts, maps, and an extensive bibliography round out a book that will be welcomed by scholars and student of Spanish and Portuguese history and literature, as well as by medievalists, as the fullest account to date of Spanish history in the Middle Ages.
Austerlitz, Borodino, Waterloo: his battles are among the greatest in history, but Napoleon Bonaparte was far more than a military genius and astute leader of men. Like George Washington and his own hero Julius Caesar, he was one of the greatest soldier-statesmen of all times.
Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century.
An award-winning historian, Roberts traveled to fifty-three of Napoleon’s sixty battle sites, discovered crucial new documents in archives, and even made the long trip by boat to St. Helena. He is as acute in his understanding of politics as he is of military history. Here at last is a biography worthy of its subject: magisterial, insightful, beautifully written, by one of our foremost historians.
From the Hardcover edition.
“One of Orwell’s very best books and perhaps the best book that exists on the Spanish Civil War.”—The New Yorker
In 1936, originally intending merely to report on the Spanish Civil War as a journalist, George Orwell found himself embroiled as a participant—as a member of the Workers’ Party of Marxist Unity. Fighting against the Fascists, he described in painfully vivid and occasionally comic detail life in the trenches—with a “democratic army” composed of men with no ranks, no titles, and often no weapons—and his near fatal wounding. As the politics became tangled, Orwell was pulled into a heartbreaking conflict between his own personal ideals and the complicated realities of political power struggles.
Considered one of the finest works by a man V. S. Pritchett called “the wintry conscience of a generation,” Homage to Catalonia is both Orwell’s memoir of his experiences at the front and his tribute to those who died in what he called a fight for common decency. This edition features a new foreword by Adam Hochschild placing the war in greater context and discussing the evolution of Orwell’s views on the Spanish Civil War.
“No one except George Orwell . . . made the violence and self-dramatization of Spain so burning and terrible.”— Alfred Kazin, New York Times
“A wise book, one that once read will never be forgotten.”—Chicago Sunday Tribune
On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change of clothes, his violin, a tin of biscuits, and some cheese. He spent the first night in a ditch, wide awake and soaking wet.
From those unlikely beginnings, Laurie Lee fashioned not just the adventure of a lifetime, but one of the finest travel narratives of the twentieth century. As I Walked Out One Midsummer Morning, written more than thirty years after the events it describes, is an elegant and irresistibly charming portrait of life on the road—first in England, where the familiar landscapes and people somehow made Lee feel far from home, and then in Spain, whose utter foreignness afforded a new kind of comfort.
In that brief period of peace, a young man was free to go wherever he wanted to in Europe. Lee picked Spain because he knew enough Spanish to ask for a glass of water. What he did not know, and what would become clear only after a year spent tramping across the beautiful and rugged countryside—from the Galician port city of Vigo, over the Sierra de Guadarrama and into Madrid, and along the Costa del Sol—was that the Spanish Republic would soon need idealistic young men like Lee as badly as he needed it.
Newly in print for the first time in years, this is the classic story of the invasion of Normandy, and a book that endures as a masterpiece of living history. A compelling tale of courage and heroism, glow and tragedy, The Longest Day painstakingly recreates the fateful hours that preceded and followed the massive invasion of Normandy to retell the story of an epic battle that would turn the tide against world fascism and free Europe from the grip of Nazi Germany.
For this new edition of The Longest Day, the original photographs used in the first 1959 edition have been reassembled and painstakingly reproduced, and the text has been freshly reset. Here is a book that is a must for any follower of history, as well as for anyone who wants to better understand how free nations prevailed at a time when darkness enshrouded the earth.
When Jean de Carrouges, a Norman knight, returns from combat in Scotland to find his wife, Marguerite, accusing Jacques LeGris, her husband’s old friend and fellow courtier, of brutally raping her, the knight takes his cause before the teenage King Charles VI. Amid LeGris’s vociferous claims of innocence and doubts about the now pregnant Marguerite’s charges (and about the paternity of her child), the deadlocked court decrees a “trial by combat” that leaves her fate, too, in the balance. For if her husband and champion loses the duel, she will be put to death as a false accuser.
Carrouges and LeGris, in full armor, eventually meet on a walled field in Paris before a massive crowd that includes the king and many nobles of the realm. A fierce fight on horseback and then on foot ensues during which both combatants suffer wounds—but only one fatal. The violent and tragic episode was notorious in its own time because of the nature of the alleged crime, the legal impasse it provoked, and the resulting trial by combat, an ancient but increasingly suspect institution that was thereafter abolished.
The dramatic true story of the knight, the squire, and the lady unfolds in 1386, during the devastating Hundred Years War between France and England, as enemy troops pillage the land, madness haunts the French court, the Great Schism splits the Church, Muslim armies threaten Christendom, and rebellion, treachery, and plague turn the lives of all into toys of Fortune. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. It is at once a moving human drama, a captivating detective story, and an engrossing work of historical intrigue.
From the Trade Paperback edition.
There is only one problem with this widely accepted account: it is a myth.
In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden features of this medieval culture by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed.
This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate’s conquest of Spain. Far from a land of tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life, and by the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities.
As professors, politicians, and pundits continue to celebrate Islamic Spain for its “multiculturalism” and “diversity,” Fernández-Morera sets the record straight—showing that a politically useful myth is a myth nonetheless.
In these pages, Robert Hughes scrolls through Barcelona's often violent history; tells the stories of its kings, poets, magnates, and revolutionaries; and ushers readers through municipal landmarks that range from Antoni Gaudi's sublimely surreal cathedral to a postmodern restaurant with a glass-walled urinal. The result is a work filled with the attributes of Barcelona itself: proportion, humor, and seny—the Catalan word for triumphant common sense.
Joan Wallach Scott, the renowned pioneer of gender studies, argues that the law is symptomatic of France's failure to integrate its former colonial subjects as full citizens. She examines the long history of racism behind the law as well as the ideological barriers thrown up against Muslim assimilation. She emphasizes the conflicting approaches to sexuality that lie at the heart of the debate--how French supporters of the ban view sexual openness as the standard for normalcy, emancipation, and individuality, and the sexual modesty implicit in the headscarf as proof that Muslims can never become fully French. Scott maintains that the law, far from reconciling religious and ethnic differences, only exacerbates them. She shows how the insistence on homogeneity is no longer feasible for France--or the West in general--and how it creates the very "clash of civilizations" said to be at the root of these tensions.
The Politics of the Veil calls for a new vision of community where common ground is found amid our differences, and where the embracing of diversity--not its suppression--is recognized as the best path to social harmony.
In Americans in Paris, tales of adventure, intrigue, passion, deceit, and survival unfold season by season, from the spring of 1940 to liberation in the summer of 1944, as renowned journalist Charles Glass tells the story of a remarkable cast of expatriates and their struggles in Nazi Paris. Before the Second World War began, approximately thirty thousand Americans lived in Paris, and when war broke out in 1939 almost five thousand remained. As citizens of a neutral nation, the Americans in Paris believed they had little to fear. They were wrong. Glass's discovery of letters, diaries, war documents, and police files reveals as never before how Americans were trapped in a web of intrigue, collaboration, and courage.
Artists, writers, scientists, playboys, musicians, cultural mandarins, and ordinary businessmen-all were swept up in extraordinary circumstances and tested as few Americans before or since. Charles Bedaux, a French-born, naturalized American millionaire, determined his alliances as a businessman first, a decision that would ultimately make him an enemy to all. Countess Clara Longworth de Chambrun was torn by family ties to President Roosevelt and the Vichy government, but her fiercest loyalty was to her beloved American Library of Paris. Sylvia Beach attempted to run her famous English-language bookshop, Shakespeare & Company, while helping her Jewish friends and her colleagues in the Resistance. Dr. Sumner Jackson, wartime chief surgeon of the American Hospital in Paris, risked his life aiding Allied soldiers to escape to Britain and resisting the occupier from the first day. These stories and others come together to create a unique portrait of an eccentric, original, diverse American community.
Charles Glass has written an exciting, fast-paced, and elegant account of the moral contradictions faced by Americans in Paris during France's dangerous occupation years. For four hard years, from the summer of 1940 until U.S. troops liberated Paris in August 1944, Americans were intimately caught up in the city's fate. Americans in Paris is an unforgettable tale of treachery by some, cowardice by others, and unparalleled bravery by a few.
More than the heroic conqueror of Western Europe, Charlemagne was an intense and thoughtful human being. His succession of five wives brought him a palace full of children. So warm was his love for his daughters that he could never bear to see them married away from the court, even though enticing alliances with other rulers were offered them.
A deeply religious man, Charlemagne became the protector of orthodox Christianity against medieval heresies. A patron of learning, he established schools and brought artists and scholars to his court to work and study. As a result, most classical literature comes down to us in copies of books made in Charlemagne's time.
Here, from National Book Award winner Richard Winston, is his remarkable story.
A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's sharp commentary on life and literature.
The Battle of Normandy was the greatest offensive campaign the world had ever seen. Millions of soldiers battling for control of Europe were thrust onto the front lines of a massive war unlike any experienced in history. But the greatest of clashes would prove to be the crucible in which the outcome of World War II would be decided.
Author John Prados tells the story of how and why the tactics and battle plans of Normandy proved so formative, and reconstructs the climactic Allied Normandy breakout from both sides of the battle lines.
From these testimonies and other primary sources, Gitlitz & Davidson have drawn a fascinating, award-winning picture of this precarious sense of Jewish identity and have re-created these recipes, which combine Christian & Islamic traditions in cooking lamb, beef, fish, eggplant, chickpeas, and greens and use seasonings such as saffron, mace, ginger, and cinnamon. The recipes, and the accompanying stories of the people who created them, promise to delight the adventurous palate and give insights into the foundations of modern Sephardic cuisine.
"No novelist has made his creations live for us more thoroughly than Carlyle has made the men of the French Revolution," observed George Eliot. In his company, the scenes of the Revolution are plainly visible, and the pages of this book offer a walk through the streets of eighteenth-century Paris with a well-informed guide. This abridged edition represents the best introduction to Carlyle's masterpiece for students and history buffs.
Ringing with the fury of two great empires locked in an epic battle, Conquest captures in extraordinary detail the Mexican and Spanish civilizations and offers unprecedented in-depth portraits of the legendary opponents, Montezuma and Cortés. Conquest is an essential work of history from one of our most gifted historians.
In 1494, award-winning author Stephen R. Bown tells the untold story of the explosive feud between monarchs, clergy, and explorers that split the globe between Spain and Portugal and made the world's oceans a battleground.
When Columbus triumphantly returned from America to Spain in 1493, his discoveries inflamed an already-smouldering conflict between Spain's renowned monarchs, Ferdinand and Isabella, and Portugal's João II. Which nation was to control the world's oceans? To quell the argument, Pope Alexander VI—the notorious Rodrigo Borgia—issued a proclamation laying the foundation for the Treaty of Tordesillas of 1494, an edict that created an imaginary line in the Atlantic Ocean dividing the entire known (and unknown) world between Spain and Portugal.
Just as the world's oceans were about to be opened by Columbus's epochal voyage, the treaty sought to limit the seas to these two favored Catholic nations. The edict was to have a profound influence on world history: it propelled Spain and Portugal to superpower status, steered many other European nations on a collision course, and became the central grievance in two centuries of international espionage, piracy, and warfare.
The treaty also began the fight for "the freedom of the seas"—the epic struggle to determine whether the world's oceans, and thus global commerce, would be controlled by the decree of an autocrat or be open to the ships of any nation—a distinctly modern notion, championed in the early seventeenth century by the Dutch legal theorist Hugo Grotius, whose arguments became the foundation of international law.
At the heart of one of the greatest international diplomatic and political agreements of the last five centuries were the strained relationships and passions of a handful of powerful individuals. They were linked by a shared history, mutual animosity, and personal obligations—quarrels, rivalries, and hatreds that dated back decades. Yet the struggle ultimately stemmed from a young woman's determination to defy tradition and the king, and to choose her own husband.
Every era must retell and reimagine the Maid of Orleans's extraordinary story in its own way, and in Joan of Arc: A Life Transfigured, the superb novelist and memoirist Kathryn Harrison gives us a Joan for our time—a shining exemplar of unshakable faith, extraordinary courage, and self-confidence during a brutally rigged ecclesiastical inquisition and in the face of her death by burning. Deftly weaving historical fact, myth, folklore, artistic representations, and centuries of scholarly and critical interpretation into a compelling narrative, she restores Joan of Arc to her rightful position as one of the greatest heroines in all of human history.
Things have been just a little awkward between Britain and France ever since the Norman invasion in 1066. Fortunately—after years of humorously chronicling the vast cultural gap between the two countries—author Stephen Clarke is perfectly positioned to investigate the historical origins of their occasionally hostile and perpetually entertaining pas de deux.
Clarke sets the record straight, documenting how French braggarts and cheats have stolen credit rightfully due their neighbors across the Channel while blaming their own numerous gaffes and failures on those same innocent Brits for the past thousand years. Deeply researched and written with the same sly wit that made A Year in the Merde a comic hit, this lighthearted trip through the past millennium debunks the notion that the Battle of Hastings was a French victory (William the Conqueror was really a Norman who hated the French) and pooh-poohs French outrage over Britain’s murder of Joan of Arc (it was the French who executed her for wearing trousers). He also takes the air out of overblown Gallic claims, challenging the provenance of everything from champagne to the guillotine to prove that the French would be nowhere without British ingenuity.
Brits and Anglophiles of every national origin will devour Clarke’s decidedly biased accounts of British triumph and French ignominy. But 1000 Years of Annoying the French will also draw chuckles from good-humored Francophiles as well as “anyone who’s ever encountered a snooty Parisian waiter or found themselves driving on the Boulevard Périphérique during August” (The Daily Mail). A bestseller in Britain, this is an entertaining look at history that fans of Sarah Vowell are sure to enjoy, from the author the San Francisco Chronicle has called “the anti-Mayle . . . acerbic, insulting, un-PC, and mostly hilarious.”
In an enviable trip through the traditional pleasures of France, Steinberger talks to top chefs-Ducasse, Gagnaire, Bocuse-winemakers, farmers, bakers, and other artisans. He visits the Elysée Palace, interviews the head of McDonald's Europe, marches down a Paris boulevard with Jose Bove, and breaks bread with the editorial director of the powerful and secretive Michelin Guide. He spends hours with some of France's brightest young chefs and winemakers, who are battling to reinvigorate the country's rich culinary heritage. Throughout, Steinberger remains an unabashed and steadfast Francophile, and his own sharp and funny reflections bring empathy to this striking portrait of a cuisine and a country in transition.
Traditionally known as a dirty, congested, and dangerous city, 19th Century Paris, France was transformed in an extraordinary period from 1848 to 1870, when the government launched a huge campaign to build streets, squares, parks, churches, and public buildings. The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opéra Garnier, was built. A very large part of what we see when we visit Paris today originates from this short span of twenty-two years.
The vision for the new Nineteenth Century Paris belonged to Napoleon III, who had led a long and difficult climb to absolute power. But his plans faltered until he brought in a civil servant, Georges-Eugène Haussmann, to take charge of the implementation. Heedless of controversy, at tremendous cost, Haussmann pressed ahead with the giant undertaking until, in 1870, his political enemies brought him down, just months before the collapse of the whole regime brought about the end of an era.
Paris Reborn is a must-read for anyone who ever wondered how Paris, the city universally admired as a standard of urban beauty, became what it is.
No modern conflict has inflamed the passions of both civilians and intellectuals as much as the Spanish Civil War of 1936–39. Burned into our collective historical consciousness, it not only prefigured the imminent Second World War but also ushered in a new and horrific form of warfare that would come to define the twentieth century. At the same time it echoed the revolutionary aspirations of millions of Europeans and Americans after the painful years of the Great Depression.
In this authoritative history, Paul Preston vividly recounts the political ideals and military horrors of the Spanish Civil War – including the controversial bombing of Guernica – and tracks the emergence of General Franco’s brutal but extraordinarily durable fascist dictatorship.
Looking closely at the theory and practice of judicial torture in France from 1600 to 1788, the year in which it was formally abolished, Silverman revisits dossiers compiled in criminal cases, including transcripts of interrogations conducted under torture, as well as the writings of physicians and surgeons concerned with the problem of pain, records of religious confraternities, diaries and letters of witnesses to public executions, and the writings of torture's abolitionists and apologists. She contends that torture was at the center of an epistemological crisis that forced French jurists and intellectuals to reconsider the relationship between coercion and sincerity, or between free will and evidence. As the philosophical consensus on which torture rested broke down, and definitions of truth and pain shifted, so too did the foundation of torture, until by the eighteenth century, it became an indefensible practice.
The Golden Empire also presents the legendary men whom King Charles V sent on perilous and unprecedented expeditions: Hernán Cortés, who ruled the “New Spain” of Mexico as an absolute monarch—and whose rebuilding of its capital, Tenochtitlan, was Spain’s greatest achievement in the sixteenth century; Francisco Pizarro, who set out with fewer than two hundred men for Peru, infamously executed the last independent Inca ruler, Atahualpa, and was finally murdered amid intrigue; and Hernando de Soto, whose glittering journey to settle land between Rio de la Palmas in Mexico and the southernmost keys of Florida ended in disappointment and death. Hugh Thomas reveals as never before their torturous journeys through jungles, their brutal sea voyages amid appalling storms and pirate attacks, and how a cash-hungry Charles backed them with loans—and bribes—obtained from his German banking friends.
A sweeping, compulsively readable saga of kings and conquests, armies and armadas, dominance and power, The Golden Empire is a crowning achievement of the Spanish world’s foremost historian.
From the Hardcover edition.
In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression.
Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape.
A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art.
Praise for In Montmartre
"Lively and engaging….[Readers] will find a fresh sense of how all these people—the geniuses and the hangers-on, the wealthy collectors and the unworldly painters—related to each other…..In [Roe’s] entertaining, ingeniously structured account Roe brings Montmatre’s hedyday back to life." —Sunday Times (London)
"With evocative imagery Roe sketches out the intensely visual spectacle on which Montmatre’s artistic community was able to draw…. Roe is particularly good at communicating the extraordinary devotion of Matisse and Picasso to their work." —Financial Times
From the Hardcover edition.
Picking up at the end of his earlier classic study, Islamic Spain, 1250 to 1500— which described the courageous efforts of the followers of Islam to preserve their secular, as well as sacred, culture in late medieval Spain—L. P. Harvey chronicles here the struggles of the Moriscos. These forced converts to Christianity lived clandestinely in the sixteenth century as Muslims, communicating in aljamiado— Spanish written in Arabic characters. More broadly, Muslims in Spain, 1500 to 1614, tells the story of an early modern nation struggling to deal with diversity and multiculturalism while torn by the fanaticism of the Counter-Reformation on one side and the threat of Ottoman expansion on the other. Harvey recounts how a century of tolerance degenerated into a vicious cycle of repression and rebellion until the final expulsion in 1614 of all Muslims from the Iberian Peninsula.
Retold in all its complexity and poignancy, this tale of religious intolerance, political maneuvering, and ethnic cleansing resonates with many modern concerns. Eagerly awaited by Islamist and Hispanist scholars since Harvey's first volume appeared in 1990, Muslims in Spain, 1500 to 1614, will be compulsory reading for student and specialist alike.
“The year’s most rewarding historical work is L. P. Harvey’s Muslims in Spain 1500 to 1614, a sobering account of the various ways in which a venerable Islamic culture fell victim to Christian bigotry. Harvey never urges the topicality of his subject on us, but this aspect inevitably sharpens an already compelling book.”—Jonathan Keats, Times Literary Supplement
"To be a Frenchman means to fight for your country and its wine."
–Claude Terrail, owner, Restaurant La Tour d’Argent
In 1940, France fell to the Nazis and almost immediately the German army began a campaign of pillaging one of the assets the French hold most dear: their wine. Like others in the French Resistance, winemakers mobilized to oppose their occupiers, but the tale of their extraordinary efforts has remained largely unknown–until now. This is the thrilling and harrowing story of the French wine producers who undertook ingenious, daring measures to save their cherished crops and bottles as the Germans closed in on them. Wine and War illuminates a compelling, little-known chapter of history, and stands as a tribute to extraordinary individuals who waged a battle that, in a very real way, saved the spirit of France.
From the Trade Paperback edition.
With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism.
Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower.
Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.
A rare source of authentic period styles, this volume will prove an excellent guide for designers, costume historians, and collectors of vintage apparel. Color images of Jazz Age fashions are few and far between, and these full-page illustrations offer clear views of trimmings, seaming, and other details. Notes on each model include information about the costume's intended season and occasion, fabrics, and accessories.
After a brief overview of Spanish film before Franco, the author proceeds to a discussion of censorship as practiced by the Franco regime. The response of directors to censorship—the “franquista aesthetic,” or “aesthetic of repression,” with its highly metaphorical, oblique style—is explored in the works of Luis Buñuel, Carlos Saura, Juan Antonio Bardem, Luis García Berlanga, and other important directors.
Virginia Higginbotham combines historical perspective with detailed critical analysis and interpretation of many famous Franco-era films. She shows how directors managed to evade the censors and raise public awareness of issues relating to the Spanish Civil War and the repressions of the Franco regime.
Film has always performed an educational function in Spain, reaching masses of poor and uneducated citizens. And sometimes, as this study also reveals, Spanish film has been ignored when the questions it raised became too painful or demanding.
The author concludes with a look at post-Franco cinema and the directions it has taken. For anyone interested in modern Spanish film, this book will be essential reading.
Franco joined the Spanish Army when he was barely fifteen years old. In 1926 he became the youngest general in Europe and, driven by an astonishing sense of his own greatness, was recognized as sole military commander of the Nationalist zone during the Spanish Civil War. His ambition was always to hold on to the power that he had secured. In practice, this meant winning the Spanish Civil War and surviving the fall of the fascist regimes of Hitler and Mussolini and the international isolation that followed their defeat.
But behind the military heroics and dexterous political footwork lay an insecure and vengeful man, wracked by contradictory impulses. Although fueled by a single-minded determination to succeed, he was full of self-doubt. A bold and sometimes inspirational soldier in Africa, he became an indecisive, hesitant military commander during the Civil War. Filled with a burning conviction that his destiny was bound up with the medieval kings of Spain and God Himself, he appeared shy, withdrawn, and humble. Ruthlessly intent on wiping out all political opposition, he denied heatedly that he was a dictator. A stubborn man, he could be remarkably flexible when it came to safeguarding his power.
Gabrielle Ashford Hodges' psychological biography considers Franco's mental state, as well as his political motivation. In doing so, it succeeds admirably in getting under the skin of Europe's most enduring dictator.
The Lost Generation made up one of the most fascinating, eccentric, and diverse group of writers ever known--Ernest Hemmingway, James Joyce, F. Scott Fitzgerald, Ezra Pound, and so many more collectively made up this artistic period in time. In this book, you will learn how and why the movement started, what it was like to be a writer in Paris, and what led to its fall.
A list of essential reading from the period is also included in the book.
To facilitate the symbolic nature of the investigation, this analysis of the evolving signification of the Bastille moves from the French Revolution to the nineteenth century to contemporary history. The narrative also shifts from France to other cultural arenas, like the modern European colonial sphere, where the overthrow of the Bastille acquired radical new signification in the decolonization period of the 1940s and 1950s. The Bastille demonstrates the potency of the interdisciplinary historical research that has characterized the end of this century, combining quantitative and qualitative approaches, and taking its methodological tools from history, sociology, linguistics, and cultural and literary studies.
Helen Castor tells afresh the gripping story of the peasant girl from Domremy who hears voices from God, leads the French army to victory, is burned at the stake for heresy, and eventually becomes a saint. But unlike the traditional narrative, a story already shaped by the knowledge of what Joan would become and told in hindsight, Castor’s Joan of Arc: A History takes us back to fifteenth century France and tells the story forwards. Instead of an icon, she gives us a living, breathing woman confronting the challenges of faith and doubt, a roaring girl who, in fighting the English, was also taking sides in a bloody civil war. We meet this extraordinary girl amid the tumultuous events of her extraordinary world where no one—not Joan herself, nor the people around her—princes, bishops, soldiers, or peasants—knew what would happen next.
Adding complexity, depth, and fresh insight into Joan’s life, and placing her actions in the context of the larger political and religious conflicts of fifteenth century France, Joan of Arc: A History is history at its finest and a surprising new portrait of this remarkable woman.
Joan of Arc: A History features an 8-page color insert.
What began as Portugal's mission to discover an unknown world soon became a quest to find Prester John, the legendary Christian priest/king presumed to be living on the far side of Islam. In an attempt to form a Christian military alliance, the search was both concluded and, in a manner, initiated by explorer P ro da Covilh in 1493 with his overland journey to the Highland court of Emperor Eskendar. This was instrumental in setting up a string of ties between the two nations - diplomatic, military, religious, cultural and (most long-lasting of all) architectural - almost three decades before Portugal's diplomatic mission of 1520.
The fascinating story contained in the stones can yet be seen in the Portuguese and "Gondarine" ruins that dot the Gojjam and Lake Tana regions; they continue to influence today's Highland architectural design. Hespeler-Boultbee examines over thirty different sites, many of which are remote and rarely visited. Fully illustrated with colour photos and drawings.
About the Author
J.J. Hespeler-Boultbee is an Art & Architectural Historian and Associate of the Institute of Ethiopian Studies, Addis Ababa University. He lived for twenty-five years in Portugal, during that time making several forays into the Ethiopian Highlands on behalf of the Department of History and CIDEHUS (Centro de Investiga o e Desenvolvimento em Ci ncias Humanas e Sociais), the research and development institute at the University of vora. For the two year period, 2007-2009, he lived in and conducted research from Bahir Dar on Lake Tana, Ethiopia, during which time he found his historical conclusions were at considerable variance with colleagues in the History Department at Bahir Dar University - disagreements which have prompted the revisions leading to this current updated and revised edition of "A Story in Stones."