The perennially bestselling, extraordinary, one-of-a-kind, “nothing short of spectacular” (Entertainment Weekly) memoir from one of the world’s most gifted storytellers—soon to be a major motion picture starring Brie Larson, Woody Harrelson, and Naomi Watts.
The Glass Castle is a remarkable memoir of resilience and redemption, and a revelatory look into a family at once deeply dysfunctional and uniquely vibrant. When sober, Jeannette’s brilliant and charismatic father captured his children’s imagination, teaching them physics, geology, and how to embrace life fearlessly. But when he drank, he was dishonest and destructive. Her mother was a free spirit who abhorred the idea of domesticity and didn’t want the responsibility of raising a family.
The Walls children learned to take care of themselves. They fed, clothed, and protected one another, and eventually found their way to New York. Their parents followed them, choosing to be homeless even as their children prospered.
The Glass Castle is truly astonishing—a memoir permeated by the intense love of a peculiar but loyal family.
Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned.
Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.
“I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin
From the Paperback edition.
What Remains is a vivid and haunting memoir about a girl from a working-class town who becomes an award-winning television producer and marries a prince, Anthony Radziwill. Carole grew up in a small suburb with a large, eccentric cast of characters. At nineteen, she struck out for New York City to find a different life. Her career at ABC News led her to the refugee camps of Cambodia, to a bunker in Tel Aviv, and to the scene of the Menendez murders. Her marriage led her into the old world of European nobility and the newer world of American aristocracy.
What Remains begins with loss and returns to loss. A small plane plunges into the ocean carrying John F. Kennedy Jr., Anthony’s cousin, and Carolyn Bessette Kennedy, Carole’s closest friend. Three weeks later Anthony dies of cancer. With unflinching honesty and a journalist’s keen eye, Carole Radziwill explores the enduring ties of family, the complexities of marriage, the importance of friendship, and the challenges of self-invention. Beautifully written, What Remains “gets at the essence of what matters,” wrote Oprah Winfrey. “Friendship, compassion, destiny.”
From their well-meaning landlady Mrs Wedderburn and her carefree daughter Mary, to the old China hands the Reverend Ely and his formidable wife, the Mas encounter all sorts in this story of unexpected love, crossed wires and antipathy.
A major contribution to the early twentieth-century conversation on Sino-British relations, Mr Ma and Son is a compelling, witty tale of cultural give-and-take from one of China's best-loved authors.
His first successful publication was Limehouse Nights (1916), a collection of stories centred on life in the poverty-stricken Limehouse district of London. Many of Burke's books feature the Chinese character Quong Lee as narrator.
LIMEHOUSE NIGHTS is a 1916 short story collection by the British writer Thomas Burke. The stories are set in and around the Chinatown that was then centred on Limehouse in the East End of London. It was a popular success and features several of Burke's best-known stories such as The Chink and the Child and Beryl and the Croucher.
"You have not read a paragraph of Thomas Burke's 'Limehouse Nights' before you realize that you are in the presence of a master tale teller. For here is a man whose qualities of greatness are so apparent that it takes not the least discernment to discover them . . .
Robert Louis Stevenson, could he have read these pellucid pages, would have reveled in them; Lafcadio Hearn, recognizing signs of his own exotic influence, perhaps, would have loved every line; O. Henry, seeing his own work in some ways resembled and in more surpassed, would have respected him as a master." --
Then Mago touched my belly button . . . She said that my umbilical cord was like a ribbon that connected me to Mami. She said, “It doesn’t matter that there’s a distance btween us now. That cord is there forever.”
When Reyna Grande’s father leaves his wife and three children behind in a village in Mexico to make the dangerous trek across the border to the United States, he promises he will soon return from “El Otro Lado” (The Other Side) with enough money to build them a dream house where they can all live together. His promises become harder to believe as months turn into years. When he summons his wife to join him, Reyna and her siblings are deposited in the already overburdened household of their stern, unsmiling grandmother.
The three siblings are forced to look out for themselves; in childish games they find a way to forget the pain of abandonment and learn to solve very adult problems. When their mother at last returns, the reunion sets the stage for a dramatic new chapter in Reyna’s young life: her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father.
In this extraordinary memoir, award-winning writer Reyna Grande vividly brings to life her tumultuous early years, capturing all the confusion and contradictions of childhood, especially one spent torn between two parents and two countries. Elated when she feels the glow of her father’s love and approval, Reyna knows that at any moment he might turn angry or violent. Only in books and music and her rich imaginary life does she find solace, a momentary refuge from a world in which every place feels like “El Otro Lado.”
The Distance Between Us captures one girl’s passage from childhood to adolescence and beyond. A funny, heartbreaking, lyrical story, it reminds us that the joys and sorrows of childhood are always with us, invisible to the eye but imprinted on the heart, forever calling out to us of those places we first called home.
Waris was born into a traditional Somali family, desert nomads who engaged in such ancient and antiquated customs as genital mutilation and arranged marriage. At twelve, she fled an arranged marriage to an old man and traveled alone across the dangerous Somali desert to Mogadishu -- the first leg of an emotional journey that would take her to London as a house servant, around the world as a fashion model, and eventually to America, where she would find peace in motherhood and humanitarian work for the U.N.
Today, as Special Ambassador for the U.N., she travels the world speaking out against the barbaric practice of female genital mutilation, promoting women's reproductive rights, and educating people about the Africa she fled -- but still deeply loves.
Desert Flower will be published simultaneously in eleven languages throughout the world and is currently being produced as a feature film by Rocket Pictures UK.
Charrière's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who would not be defeated.
“When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.”
So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible, and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies.
Perhaps it is story that accounts for Frank’s survival. Wearing rags for diapers, begging a pig’s head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance, and remarkable forgiveness.
Angela’s Ashes, imbued on every page with Frank McCourt’s astounding humor and compassion, is a glorious book that bears all the marks of a classic.
Tom Robbins’ warm, wise, and wonderfully weird novels—including Still Life With Woodpecker, Jitterbug Perfume, and Fierce Invalids Home From Hot Climates—provide an entryway into the frontier of his singular imagination. Madcap but sincere, pulsating with strong social and philosophical undercurrents, his irreverent classics have introduced countless readers to natural born hitchhiking cowgirls, born-again monkeys, a philosophizing can of beans, exiled royalty, and problematic redheads.
In Tibetan Peach Pie, Robbins turns that unparalleled literary sensibility inward, stitching together stories of his unconventional life, from his Appalachian childhood to his globetrotting adventures —told in his unique voice that combines the sweet and sly, the spiritual and earthy. The grandchild of Baptist preachers, Robbins would become over the course of half a century a poet-interruptus, an air force weatherman, a radio dj, an art-critic-turned-psychedelic-journeyman, a world-famous novelist, and a counter-culture hero, leading a life as unlikely, magical, and bizarre as those of his quixotic characters.
Robbins offers intimate snapshots of Appalachia during the Great Depression, the West Coast during the Sixties psychedelic revolution, international roving before homeland security monitored our travels, and New York publishing when it still relied on trees. Written with the big-hearted comedy and mesmerizing linguistic invention for which he is known, Tibetan Peach Pie is an invitation into the private world of a literary legend.
Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and , unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild.
Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless's short life. Admitting an interst that borders on obsession, he searches for the clues to the dries and desires that propelled McCandless. Digging deeply, he takes an inherently compelling mystery and unravels the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity , and renunciation sought by this enigmatic young man are illuminated with a rare understanding--and not an ounce of sentimentality. Mesmerizing, heartbreaking, Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's stoytelling blaze through every page.
From the Trade Paperback edition.
The illegitimate daughter of a captain in the Royal Navy and an enslaved African woman, Dido Belle was sent to live with her great-uncle, the Earl of Mansfield, one of the most powerful men of the time and a leading opponent of slavery. Growing up in his lavish estate, Dido was raised as a sister and companion to her white cousin, Elizabeth. When a joint portrait of the girls, commissioned by Mansfield, was unveiled, eighteenth-century England was shocked to see a black woman and white woman depicted as equals. Inspired by the painting, Belle vividly brings to life this extraordinary woman caught between two worlds, and illuminates the great civil rights question of her age: the fight to end slavery.
Belle includes 20 pages of black-and-white photos.
In September 1960, John Steinbeck embarked on a journey across America. He felt that he might have lost touch with the country, with its speech, the smell of its grass and trees, its color and quality of light, the pulse of its people. To reassure himself, he set out on a voyage of rediscovery of the American identity, accompanied by a distinguished French poodle named Charley; and riding in a three-quarter-ton pickup truck named Rocinante.
His course took him through almost forty states: northward from Long Island to Maine; through the Midwest to Chicago; onward by way of Minnesota, North Dakota, Montana (with which he fell in love), and Idaho to Seattle, south to San Francisco and his birthplace, Salinas; eastward through the Mojave, New Mexico, Arizona, to the vast hospitality of Texas, to New Orleans and a shocking drama of desegregation; finally, on the last leg, through Alabama, Virginia, Pennsylvania, and New Jersey to New York.
Travels with Charley in Search of America is an intimate look at one of America's most beloved writers in the later years of his life—a self-portrait of a man who never wrote an explicit autobiography. Written during a time of upheaval and racial tension in the South—which Steinbeck witnessed firsthand—Travels with Charley is a stunning evocation of America on the eve of a tumultuous decade. This Penguin Classics Deluxe Edition also features French flaps and deckle-edged paper.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
This Modern Library edition contains I Know Why the Caged Bird Sings, Gather Together in My Name, Singin’ and Swingin’ and Gettin’ Merry Like Christmas, The Heart of a Woman, All God’s Children Need Traveling Shoes, and A Song Flung Up to Heaven.
When I Know Why the Caged Bird Sings was published to widespread acclaim in 1969, Maya Angelou garnered the attention of an international audience with the triumphs and tragedies of her childhood in the American South. This soul-baring memoir launched a six-book epic spanning the sweep of the author’s incredible life. Now, for the first time, all six celebrated and bestselling autobiographies are available in this handsome one-volume edition.
Dedicated fans and newcomers alike can follow the continually absorbing chronicle of Angelou’s life: her formative childhood in Stamps, Arkansas; the birth of her son, Guy, at the end of World War II; her adventures traveling abroad with the famed cast of Porgy and Bess; her experience living in a black expatriate “colony” in Ghana; her intense involvement with the civil rights movement, including her association with Dr. Martin Luther King, Jr., and Malcolm X; and, finally, the beginning of her writing career.
The Collected Autobiographies of Maya Angelou traces the best and worst of the American experience in an achingly personal way. Angelou has chronicled her remarkable journey and inspired people of every generation and nationality to embrace life with commitment and passion.
From the Hardcover edition.
Though the children of Yamacraw Island live less than two miles from the southern mainland, they can’t name the US president or the ocean that surrounds them. Most can’t read or write. Many of the students are the descendants of slaves, handicapped by poverty and isolation.
When Pat Conroy arrives, an eager young teacher at the height of the civil rights movement, he finds a community still bound by the bitter effects of racism, but he is determined to broaden its members’ horizons and give them a voice.
In this poignant memoir, which Newsweek called “Miraculous . . . An experience of joy,” the New York Times bestselling author of The Prince of Tides plumbs his experiences as a young teacher on an isolated South Carolina island to reveal the shocking inequalities of the American education system.
In this bestselling book, Wil shares his deeply personal and difficult journey to find himself. You'll understand the rigors, and joys, of Wil's rediscovering of himself, as he comes to terms with what it means to be famous, or, ironically, famous for once having been famous. Writing with honesty and disarming humanity, Wil touches on the frustrations associated with his acting career, his inability to distance himself from Ensign Crusher in the public's eyes, the launch of his incredibly successful web site, wilwheaton.net, and the joy he's found in writing. Through all of this, Wil shares the ups and downs he encountered along the journey, along with the support and love he discovered from his friends and family.
The stories in Just a Geek include:
Wil's plunge from teen star to struggling actorDiscovering the joys of HTML, blogging, Linux, and web designThe struggle between Wesley Crusher, Starfleet ensign, and Wil Wheaton, author and bloggerGut-wrenching reactions to the 9-11 disasterMoving tales of Wil's relationships with his wife, step-children, and extended familyThe transition from a B-list actor to an A-list author
Wil Wheaton--celebrity, blogger, and geek--writes for the geek in all of us. Engaging, witty, and pleasantly self-deprecating, Just a Geek will surprise you and make you laugh.
“Family? Secrets? Sometimes I think they are the same thing.” So writes Michael Hainey in this unforgettable story of a son’s search to discover the decades-old truth about his father’s mysterious death. Hainey was a boy of six when his father, a bright and shining star in the glamorous, hard-living world of 1960s Chicago newspapers, died under mysterious circumstances. His tragic absence left behind not only a young widow and two small sons but questions about family and truth that would obsess Michael for decades.
Years later, Michael undertakes a risky journey to uncover the true story about what happened to his father. Prodding reluctant relatives and working through a network of his father’s old colleagues, Michael begins to reconcile the father he lost with the one he comes to know. At the heart of his quest is his mother, a woman of courage and tenacity—and a steely determination to press on with her life. A universal story of love and loss and the resilience of family in the face of hardship, After Visiting Friends is the account of a son who goes searching for his father, and in the journey discovers new love and admiration for his mother.
In other words, Christopher Hitchens contains multitudes. He sees all sides of an argument. And he believes the personal is political.
This is the story of his life, lived large.
And now we have 'Tis, the story of Frank's American journey from impoverished immigrant to brilliant teacher and raconteur. Frank lands in New York at age nineteen, in the company of a priest he meets on the boat. He gets a job at the Biltmore Hotel, where he immediately encounters the vivid hierarchies of this "classless country," and then is drafted into the army and is sent to Germany to train dogs and type reports. It is Frank's incomparable voice -- his uncanny humor and his astonishing ear for dialogue -- that renders these experiences spellbinding.
When Frank returns to America in 1953, he works on the docks, always resisting what everyone tells him, that men and women who have dreamed and toiled for years to get to America should "stick to their own kind" once they arrive. Somehow, Frank knows that he should be getting an education, and though he left school at fourteen, he talks his way into New York University. There, he falls in love with the quintessential Yankee, long-legged and blonde, and tries to live his dream. But it is not until he starts to teach -- and to write -- that Frank finds his place in the world. The same vulnerable but invincible spirit that captured the hearts of readers in Angela's Ashes comes of age.
As Malcolm Jones said in his Newsweek review of Angela's Ashes, "It is only the best storyteller who can so beguile his readers that he leaves them wanting more when he is done...and McCourt proves himself one of the very best." Frank McCourt's 'Tis is one of the most eagerly awaited books of our time, and it is a masterpiece.
This is Christy Brown's own story. He recounts his childhood struggle to learn to read, write, paint and finally type, with the toe of his left foot. In this manner he wrote his bestseller Down all the Days.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway’s most enduring works. Since Hemingway’s personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest’s sole surviving son, and an Introduction by grandson of the author, Seán Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway’s own early experiments with his craft.
Widely celebrated and debated by critics and readers everywhere, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.
Finding Fish shows how, out of this unlikely mix of deprivation and hope, an artist was born -- first as the child who painted the feelings his words dared not speak, then as a poet and storyteller who would eventually become one of Hollywood's most sought-after screenwriters.
A tumultuous and ultimately gratifying tale of self-discovery written in Fisher's gritty yet melodic literary voice, Finding Fish is an unforgettable reading experience.
The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan.
“I’d come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.”
So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities—smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.
By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.
At twenty-six, Cat Marnell was an associate beauty editor at Lucky, one of the top fashion magazines in America—and that’s all most people knew about her. But she hid a secret life. She was a prescription drug addict. She was also a “doctor shopper” who manipulated Upper East Side psychiatrists for pills, pills, and more pills; a lonely bulimic who spent hundreds of dollars a week on binge foods; a promiscuous party girl who danced barefoot on banquets; a weepy and hallucination-prone insomniac who would take anything—anything—to sleep.
This is a tale of self-loathing, self-sabotage, and yes, self-tanner. It begins at a posh New England prep school—and with a prescription for Attention Deficit Disorder medication Ritalin. It continues to New York, where we follow Marnell’s amphetamine-fueled rise from intern to editor through the beauty departments of NYLON, Teen Vogue, Glamour, and Lucky. We see her fight between ambition and addiction and how, inevitably, her disease threatens everything she worked so hard to achieve.
From the Condé Nast building (where she rides the elevator alongside Anna Wintour) to seedy nightclubs, from doctors’ offices and mental hospitals, Marnell shows—like no one else can—what it is like to live in the wild, chaotic, often sinister world of a young female addict who can’t say no.
Combining lightning-rod subject matter and bold literary aspirations, How to Murder Your Life is mesmerizing, revelatory, and necessary.
The father figure is Leonard, the high-living, recovering coke addict "West Coast Director of a large Italian-American finance firm" (read: mobster) who helped to keep James Frey clean in A Million Little Pieces. The son is, of course, James, damaged perhaps beyond repair by years of crack and alcohol addiction-and by more than a few cruel tricks of fate.
James embarks on his post-rehab existence in Chicago emotionally devastated, broke, and afraid to get close to other people. But then Leonard comes back into his life, and everything changes. Leonard offers his "son" lucrative—if illegal and slightly dangerous—employment. He teaches James to enjoy life, sober, for the first time. He instructs him in the art of "living boldly," pushes him to pursue his passion for writing, and provides a watchful and supportive veil of protection under which James can get his life together. Both Leonard's and James's careers flourish…but then Leonard vanishes. When the reasons behind his mysterious absence are revealed, the book opens up in unexpected emotional ways.
My Friend Leonard showcases a brilliant and energetic young writer rising to important new challenges—displaying surprising warmth, humor, and maturity—without losing his intensity. This book proves that one of the most provocative literary voices of his generation is also one of the most emphatically human.
Now Echols shares his story in full—from abuse by prison guards and wardens, to portraits of fellow inmates and deplorable living conditions, to the incredible reserves of patience, spirituality, and perseverance that kept him alive and sane while incarcerated for nearly two decades.
In these pages, Echols reveals himself a brilliant writer, infusing his narrative with tragedy and irony in equal measure: he describes the terrors he experienced every day and his outrage toward the American justice system, and offers a firsthand account of living on Death Row in heartbreaking, agonizing detail. Life After Death is destined to be a riveting, explosive classic of prison literature.
Dedicated to the daughter she never had but sees all around her, Letter to My Daughter reveals Maya Angelou’s path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: guidebook, memoir, poetry, and pure delight.
Here in short spellbinding essays are glimpses of the tumultuous life that led Angelou to an exalted place in American letters and taught her lessons in compassion and fortitude: how she was brought up by her indomitable grandmother in segregated Arkansas, taken in at thirteen by her more worldly and less religious mother, and grew to be an awkward, six-foot-tall teenager whose first experience of loveless sex paradoxically left her with her greatest gift, a son.
Whether she is recalling such lost friends as Coretta Scott King and Ossie Davis, extolling honesty, decrying vulgarity, explaining why becoming a Christian is a “lifelong endeavor,” or simply singing the praises of a meal of red rice–Maya Angelou writes from the heart to millions of women she considers her extended family.
Like the rest of her remarkable work, Letter to My Daughter entertains and teaches; it is a book to cherish, savor, re-read, and share.
“I gave birth to one child, a son, but I have thousands of daughters. You are Black and White, Jewish and Muslim, Asian, Spanish speaking, Native Americans and Aleut. You are fat and thin and pretty and plain, gay and straight, educated and unlettered, and I am speaking to you all. Here is my offering to you.”
–from Letter to My Daughter
From the Hardcover edition.
Kafka is one of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”
Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . .
Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).
Brilliantly compiled and edited, and filled with detail and anecdote, Daily Rituals is irresistible, addictive, magically inspiring.
At the age of eighteen, after one too many run-ins with the cops for drug possession, he left his upper-middle-class home in Princeton, New Jersey, for a stint at a rehab facility in Riverside, California. Instead of getting clean, he spent his year there shooting crystal meth and living as a petty criminal among not-so-petty ones until a near psychotic episode (among other things) convinced him to clean up.
In stark prose infused with heartbreaking insight, wicked humor, and complete veracity, Salant provides graphic descriptions of life on crystal meth -- the incredible sex drive, the paranoia, the cravings. He details the slang, the scams, and the psychoses, and weaves them into a narrative that is breathtakingly honest and authentic. Salant grapples with his attraction to the thuggish life, eschewing easy answers -- his parents, both therapists, were loving and supportive, and his family's subtle dysfunctions typical of almost any American family.
Exploring the allure and effects of the least understood drug of our time, Leaving Dirty Jersey is that rarity among memoirs -- a compulsively readable, superbly told story that is shocking precisely because it could happen to almost anyone.
Now, for the first time ever, Jann Wenner and Corey Seymour have interviewed the Good Doctor's friends, family, acquaintances and colleagues and woven their memories into a brilliant oral biography. From Hell's Angels leader Sonny Barger to Ralph Steadman to Jack Nicholson to Jimmy Buffett to Pat Buchanan to Marilyn Manson and Thompson's two wives, son, and longtime personal assistant, more than 100 members of Thompson's inner circle bring into vivid focus the life of a man who was even more complicated, tormented, and talented than any previous portrait has shown. It's all here in its uncensored glory: the creative frenzies, the love affairs, the drugs and booze and guns and explosives and, ultimately, the tragic suicide. As Thompson was fond of saying, "Buy the ticket, take the ride."
An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour
In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.”
Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church.
A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace.
"If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious."
—David Foster Wallace
From the Trade Paperback edition.
Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons. The Unabridged Journals of Sylvia Plath is essential reading for all who have been moved and fascinated by Plath's life and work.
Like nearly one in five people, Matt Haig suffers from depression. Reasons to Stay Alive is Matt’s inspiring account of how, minute by minute and day by day, he overcame the disease with the help of reading, writing, and the love of his parents and his girlfriend (and now-wife), Andrea. And eventually, he learned to appreciate life all the more for it.
Everyone’s lives are touched by mental illness: if we do not suffer from it ourselves, then we have a friend or loved one who does. Matt’s frankness about his experiences is both inspiring to those who feel daunted by depression and illuminating to those who are mystified by it. Above all, his humor and encouragement never let us lose sight of hope. Speaking as his present self to his former self in the depths of depression, Matt is adamant that the oldest cliché is the truest—there is light at the end of the tunnel. He teaches us to celebrate the small joys and moments of peace that life brings, and reminds us that there are always reasons to stay alive.
From the Trade Paperback edition.
Here is the story of the paradoxical genius who wrote of travel to the stars yet refused to fly in airplanes; who imagined alien universes and vast galactic civilizations while staying home to write; who compulsively authored more than 470 books yet still found the time to share his ideas with some of the great minds of our century. Here are his wide-ranging thoughts and sharp-eyed observations on everything from religion to politics, love and divorce, friendship and Hollywood, fame and mortality. Here, too, is a riveting behind-the-scenes look at the varied personalities—Campbell, Ellison, Heinlein, Clarke, del Rey, Silverberg, and others—who along with Asimov helped shape science fiction.
As unique and irrepressible as the man himself, I. Asimov is the candid memoir of an incomparable talent who entertained readers for nearly half a century and whose work will surely endure into the future he so vividly envisioned.
In America, it is soccer. But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that’s before the players even take the field.
Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby’s award-winning memoir captures the fever pitch of fandom—its agony and ecstasy, its community, its defining role in thousands of young men’s coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.
From the Trade Paperback edition.
Given his desire for privacy in the later decades of his life, he was both stranger and more interesting than one could ever have known. This is the first of two volumes of a major American biography. This volume is about Robert A. Heinlein's life up to the end of the 1940s and the mid-life crisis that changed him forever.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An NPR Best Book of 2012
Pulitzer Prize-winning novelist Richard Russo turns to memoir in this hilarious and bittersweet account of his lifelong bond with his high-strung, spirited mother—and the small town she spent her life trying to escape. Anyone familiar with Russo’s novels will recognize Gloversville—once famous for producing nine out of ten dress gloves in the United States. By the time Rick was born, ladies had stopped wearing gloves and Gloversville was on its way out. Jean Russo instilled in her son her dream of a better life elsewhere, a dream that prompted her to follow him across the country when he went to college. Their adventures and tribulations on that road trip were a preview of the hold his mother would continue to have on him as she kept trying desperately to change her life. Recounted with a clear-eyed mix of regret, nostalgia, and love, Elsewhere is a stirring tribute to the tenacious grip of the past.
Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.
The e-book includes a sample chapter from A Scanner Darkly by Philip K. Dick.
Richard Blanco’s childhood and adolescence were experienced between two imaginary worlds: his parents’ nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an “exotic” life he yearned for as much as he yearned to see “la patria.”
Navigating these worlds eventually led Blanco to question his cultural identity through words; in turn, his vision as a writer—as an artist—prompted the courage to accept himself as a gay man. In this moving, contemplative memoir, the 2013 inaugural poet traces his poignant, often hilarious, and quintessentially American coming-of-age and the people who influenced him.
A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco’s personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American. His is a singular yet universal story that beautifully illuminates the experience of “becoming;” how we are shaped by experiences, memories, and our complex stories: the humor, love, yearning, and tenderness that define a life.
CHUCK KLOSTERMAN IV consists of three parts:
Things That Are True—Profiles and trend stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, the White Stripes, Steve Nash, Morrissey, Robert Plant—all with new introductions and footnotes.
Things That Might Be True—Opinions and theories on everything from monogamy to pirates to robots to super people to guilt, and (of course) Advancement—all with new hypothetical questions and footnotes.
Something That Isn’t True At All—This is old fiction. There’s a new introduction, but no footnotes. Well, there’s a footnote in the introduction, but none in the story.
The Gilded Razor is the true story of a double life that New York Times bestselling author George Hodgman called “virtuosic.” By the age of seventeen, Sam Lansky was an all-star student with Ivy League aspirations in his final year at an elite New York City prep school. But a nasty addiction to prescription pills spiraled rapidly out of control, compounded by a string of reckless affairs with older men, leaving his bright future in jeopardy. After a terrifying overdose, he tried to straighten out. Yet as he journeyed from the glittering streets of Manhattan, to a wilderness boot camp in Utah, to a psych ward in New Orleans, he only found more opportunities to create chaos—until finally, he began to face himself.
In the vein of Elizabeth Wurtzel and Augusten Burroughs, Lansky scrapes away at his own life as a young addict and exposes profoundly universal anxieties. Told with remarkable sensitivity, biting humor, and unrelenting self-awareness, The Gilded Razor is a coming-of-age story of searing honesty and lyricism and “one of the best portraits about the implacable power of addiction” (Susan Cheever, bestselling author of Drinking in America).
I’m Your Man is an intimate and insightful appreciation of the man responsible for “Suzanne,” “Bird on a Wire,” “Hallelujah,” and so many other unforgettable, oft-covered ballads and songs. Based on Simmons’s unparalleled access to Cohen—and written with her hallmark blend of intelligence, integrity, and style—I’m Your Man is the definitive biography of a major musical artist widely considered in a league with the great Bob Dylan.
Readers of Life by Rolling Stone Keith Richards and Patti Smith’s phenomenal Just Kids will be riveted by this fascinating portrait of a singular musical icon.
So Samuel Langhorne Clemens made his excuse for late copy to the Sacramento Union, the newspaper that was underwriting his 1866 trip. If the young reporter's excuse makes perfect sense to you, join the thousands of Island lovers who have delighted in Twain's efforts when he finally did put pen to paper.
Samuel Clemens, the man known as Mark Twain, invented the American voice and became one of our greatest celebrities. His life mirrored his country's, as he grew from a Mississippi River boyhood in the days of the frontier, to a Wild-West journalist during the Gold Rush, to become the king of the eastern establishment and a global celebrity as America became an international power. Along the way, Mark Twain keenly observed the characters and voices that filled the growing country, and left us our first authentically American literature. Ron Powers's magnificent biography offers the definitive life of the founding father of our culture.
Hundreds of thousands of readers came to know Luis J. Rodriguez through his fearless classic, Always Running, which chronicled his early life as a young Chicano gang member surviving the dangerous streets of East Los Angeles. The long-awaited follow-up, It Calls You Back is the equally harrowing story of Rodriguez starting over, at age eighteen, after leaving gang life—the only life he really knew.
The book opens with Rodriguez’s final stint in jail as a teenager and follows his struggle to kick heroin, renounce his former life, and search for meaningful work. He describes with heartbreaking honesty his challenges as a father, and his difficulty leaving his rages and addictions completely behind. Even as he breaks with “la vida loca” and begins to discover success as a writer and an activist, Rodriguez finds that his past—the crimes, the drugs, the things he’d seen and done—has a way of calling him back.
When his oldest son is sent to prison for attempted murder, Rodriguez is forced to confront his shortcomings as a father, and to acknowledge how and why his own history is repeating itself, right before his eyes.
Deeply insightful and beautifully written, It Calls You Back is an odyssey through love, addiction, revolutions, and healing.
For the first time ever, take a fascinating look at the remarkable life of Barbara Taylor Bradford. Her first book, A Woman of Substance, is one of the bestselling novels of all time and has made her one of the most successful authors in the world. Yet her rise to fame and fortune was not an easy one.
Barbara came from humble beginnings in Yorkshire, the only daughter of a laborer and a nanny. From an early age, her mother Freda had marked her daughter out for glory---at any cost. This drive, ambition, and desire to triumph helped Barbara take the Yorkshire Evening Post and Fleet Street by storm. But her biggest achievement was undeniably A Woman of Substance. The novel's unforgettable heroine, Emma Harte, was a powerful, success-fuelled woman whose rise from kitchen maid to international business woman was an inspiration to women the world over. Emma's life is a testament to Barbara's imagination but here, for the first time, Piers Dudgeon unearths amazing parallels in the lives of Barbara's fictional characters and her real-life family. More remarkable still is that Barbara herself was previously completely unaware of these deeply buried secrets. In this incredible story, fact and fiction exist side by side and art unwittingly imitates life.
This is the first time Barbara Taylor Bradford has collaborated on a memoir of her amazing life. Full of revelations, it's as absorbing a read as any one of her bestsellers.