What he discovered astonished him: Jewish men and women, young and old, in Moscow, Kiev, Leningrad, Vilna, Minsk, and Tbilisi, completely cut off from the outside world, overcoming their fear of the ever-present KGB to ask Wiesel about the lives of Jews in America, in Western Europe, and, most of all, in Israel. They have scant knowledge of Jewish history or current events; they celebrate Jewish holidays at considerable risk and with only the vaguest ideas of what these days commemorate. “Most of them come [to synagogue] not to pray,” Wiesel writes, “but out of a desire to identify with the Jewish people—about whom they know next to nothing.” Wiesel promises to bring the stories of these people to the outside world. And in the home of one dissident, he is given a gift—a Russian-language translation of Night, published illegally by the underground. “‘My God,’ I thought, ‘this man risked arrest and prison just to make my writing available to people here!’ I embraced him with tears in my eyes.”
From the Trade Paperback edition.
Confronting Nazi evil is the subject of the latest installment in the mega-bestselling Killing series
As the true horrors of the Third Reich began to be exposed immediately after World War II, the Nazi war criminals who committed genocide went on the run. A few were swiftly caught, including the notorious SS leader, Heinrich Himmler. Others, however, evaded capture through a sophisticated Nazi organization designed to hide them. Among those war criminals were Josef Mengele, the “Angel of Death” who performed hideous medical experiments at Auschwitz; Martin Bormann, Hitler’s brutal personal secretary; Klaus Barbie, the cruel "Butcher of Lyon"; and perhaps the most awful Nazi of all: Adolf Eichmann.
Killing the SS is the epic saga of the espionage and daring waged by self-styled "Nazi hunters." This determined and disparate group included a French husband and wife team, an American lawyer who served in the army on D-Day, a German prosecutor who had signed an oath to the Nazi Party, Israeli Mossad agents, and a death camp survivor. Over decades, these men and women scoured the world, tracking down the SS fugitives and bringing them to justice, which often meant death.
Written in the fast-paced style of the Killing series, Killing the SS will educate and stun the reader.
The final chapter is truly shocking.
Shirer gives a clear, detailed and well-documented account of how it was that Adolf Hitler almost succeeded in conquering the world. With millions of copies in print, The Rise and Fall of the Third Reich has become one of the most authoritative books on one of mankind’s darkest hours. Shirer focuses on 1933 to 1945 in clear detail. Here is a worldwide bestseller that also tells the true story of the Holocaust, often in the words of the men who helped plan and conduct it. It is a classic by any measure.
The book has been translated into twelve languages and was adapted as a television miniseries, broadcast by ABC in 1968. This first ever e-book edition is published on the 50th anniversary of this iconic work.
At last, in a new translation, this definitive edition contains entries about Anne’s burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank’s The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne’s youthful spirit and restores the original material omitted by Anne’s father, Otto—approximately thirty percent of the diary. The elder Frank excised details about Anne’s emerging sexuality, and about the often-stormy relations between Anne and her mother.
Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years. This is Anne’s record of that time. She was thirteen when the family went into the “Secret Annex,” and in these pages, she grows to be a young woman and proves to be an insightful observer of human nature as well. A timeless story discovered by each new generation, The Diary of a Young Girl stands without peer. For young readers and adults, it continues to bring to life this young woman, who for a time survived the worst horrors the modern world had seen—and who remained triumphantly and heartbreakingly human throughout her ordeal.
The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. "In Night it is the ‘I' who speaks," writes Wiesel. "In the other two, it is the ‘I' who listens and questions."
In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.
A Play by Elie Wiesel
Translated by Marion Wiesel
Introduction by Robert McAfee Brown
Afterword by Matthew Fox
Where is God when innocent human beings suffer? This drama lays bare the most vexing questions confronting the moral imagination.
Set in a Ukranian village in the year 1649, this haunting play takes place in the aftermath of a pogrom. Only two Jews, Berish the innkeeper and his daughter Hannah, have survived the brutal Cossack raids. When three itinerant actors arrive in town to perform a Purim play, Berish demands that they stage a mock trial of God instead, indicting Him for His silence in the face of evil. Berish, a latter-day Job, is ready to take on the role of prosecutor. But who will defend God? A mysterious stranger named Sam, who seems oddly familiar to everyone present, shows up just in time to volunteer.
The idea for this play came from an event that Elie Wiesel witnessed as a boy in Auschwitz: “Three rabbis—all erudite and pious men—decided one evening to indict God for allowing His children to be massacred. I remember: I was there, and I felt like crying. But there nobody cried.”
Inspired and challenged by this play, Christian theologians Robert McAfee Brown and Matthew Fox, in a new Introduction and Afterword, join Elie Wiesel in the search for faith in a world where God is silent.
From the Trade Paperback edition.
“... Thank you for your very frank, very well written book. You have done a real service by letting the ones who are now silent and most forgotten speak ...With best regards and wishes, — A. Einstein.”
“This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilisation. Passionate, tormenting’”—New York Herald-Tribune
“It is a picture of utter hell”—Saturday Review of Literature
"From the abyss of the death camps Wiesel has come as a messenger to mankind--not with a message of hate and revenge, but with one of brotherhood and atonement."
--From the citation for the 1986 Nobel Peace Prize
Gerda's serene and idyllic childhood is shattered when Nazis march into Poland on September 3, 1939. Although the Weissmanns were permitted to live for a while in the basement of their home, they were eventually separated and sent to German labor camps. Over the next few years Gerda experienced the slow, inexorable stripping away of "all but her life." By the end of the war she had lost her parents, brother, home, possessions, and community; even the dear friends she made in the labor camps, with whom she had shared so many hardships, were dead.
Despite her horrifying experiences, Klein conveys great strength of spirit and faith in humanity. In the darkness of the camps, Gerda and her young friends manage to create a community of friendship and love. Although stripped of the essence of life, they were able to survive the barbarity of their captors. Gerda's beautifully written story gives an invaluable message to everyone. It introduces them to last century's terrible history of devastation and prejudice, yet offers them hope that the effects of hatred can be overcome.
A profoundly and unexpectedly intimate, deeply affecting summing up of his life so far, from one of the most cherished moral voices of our time.
Eighty-two years old, facing emergency heart surgery and his own mortality, Elie Wiesel reflects back on his life. Emotions, images, faces and questions flash through his mind. His family before and during the unspeakable Event. The gifts of marriage and children and grandchildren that followed. In his writing, in his teaching, in his public life, has he done enough for memory and the survivors? His ongoing questioning of God—where has it led? Is there hope for mankind? The world’s tireless ambassador of tolerance and justice has given us this luminous account of hope and despair, an exploration of the love, regrets and abiding faith of a remarkable man.
Edith Hahn was an outspoken young woman in Vienna when the Gestapo forced her into a ghetto and then into a slave labor camp. When she returned home months later, she knew she would become a hunted woman and went underground. With the help of a Christian friend, she emerged in Munich as Grete Denner. There she met Werner Vetter, a Nazi Party member who fell in love with her. Despite Edith's protests and even her eventual confession that she was Jewish, he married her and kept her identity a secret.
In wrenching detail, Edith recalls a life of constant, almost paralyzing fear. She tells how German officials casually questioned the lineage of her parents; how during childbirth she refused all painkillers, afraid that in an altered state of mind she might reveal something of her past; and how, after her husband was captured by the Soviets, she was bombed out of her house and had to hide while drunken Russian soldiers raped women on the street.
Despite the risk it posed to her life, Edith created a remarkable record of survival. She saved every document, as well as photographs she took inside labor camps. Now part of the permanent collection at the Holocaust Memorial Museum in Washington, D.C., these hundreds of documents, several of which are included in this volume, form the fabric of a gripping new chapter in the history of the Holocaust—complex, troubling, and ultimately triumphant.
Souls on Fire is not a simple chronological history of Hasidism, nor is it a comprehensive book on its subject. Rather, Elie Wiesel has captured the essence of Hasidism through tales, legends, parables, sayings, and deeply personal reflections. His book is a testimony, not a study. Hasidism is revealed from within and not analyzed from the outside. "Listen attentively," Elie Wiesel's grandfather told him, "and above all, remember that true tales are meant to be transmitted—to keep them to oneself is to betray them." Wiesel does not merely tell us, but draws, with the hand of a master, the portraits of the leaders of the movement that created a revolution in the Jewish world. Souls on Fire is a loving, personal affirmation of Judaism, written with words and with silence. The author brings his profound knowledge of the Bible, the Talmud, Kabbala, and the Hasidic tale and song to this masterpiece, showing us that Elie Wiesel is perhaps our generation's most fervid "soul on fire."
While imprisoned in a Nazi concentration camp, Simon Wiesenthal was taken one day from his work detail to the bedside of a dying member of the SS. Haunted by the crimes in which he had participated, the soldier wanted to confess to--and obtain absolution from--a Jew. Faced with the choice between compassion and justice, silence and truth, Wiesenthal said nothing. But even years after the way had ended, he wondered: Had he done the right thing? What would you have done in his place?
In this important book, fifty-three distinguished men and women respond to Wiesenthal's questions. They are theologians, political leaders, writers, jurists, psychiatrists, human rights activists, Holocaust survivors, and victims of attempted genocides in Bosnia, Cambodia, China and Tibet. Their responses, as varied as their experiences of the world, remind us that Wiesenthal's questions are not limited to events of the past.
Doriel, a European expatriate living in New York, suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die in an accident, together with his father, soon after. Doriel was a child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books—but it is enough. Doriel’s parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk.
Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Thérèse Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. Despite Doriel’s initial resistance, Dr. Goldschmidt helps to bring him to a crossroads—and to a shocking denouement.
In Doriel’s journey into the darkest regions of the soul, Elie Wiesel has written one of his most profoundly moving works of fiction, grounded always by his unparalleled moral compass.
From the Hardcover edition.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.
Tales from the Secret Annex is a complete collection of Anne Frank's lesser-known writings: short stories, fables, personal reminiscences, and an unfinished novel. Here, too, are portions of the diary originally withheld from publication by her father. By turns fantastical, rebellious, touching, funny, and heartbreaking, these writings reveal the astonishing range of Anne Frank's wisdom and imagination--as well as her indomitable love of life. Anne Frank's Tales from the Secret Annex is a testaments to this determined young woman's extraordinary genius and to the persistent strength of the creative spirit.
From the Paperback edition.
It is Elie Wiesel’s unique gift to make the lives and tales of these great teachers as compelling now as they were in a different time and place. In the tradition of Hasidism itself, he leaves others to struggle with questions of justice, mercy, and vengeance, providing us instead with eternal truths and unshakable faith.
From the Trade Paperback edition.
On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air.
Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.
A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin’s Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him?
A mysterious nighttime caller directs Raphael’s search to the Mountain Clinic, a unique asylum for patients whose delusions spring from the Bible. Amid patients calling themselves Adam, Cain, Abraham, Joseph, Jeremiah, and God, Raphael searches for Pedro’s truth and the meaning of his own survival in a novel that penetrated the mysteries of good, evil, and madness.
Elhanan's story compels his son to go to the Romanian village where the crime that continues to haunt his father was committed. There he encounters the improbable wisdom of a gravedigger who leads him to the grave of his grandfather and to the truths that bind one generation to another.
From the Trade Paperback edition.
Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.
Here, too, as a tribute to the dead and an exhortation to the living are landmark speeches, among them his powerful testimony at the Klaus Barbie trial, his impassioned plea to President Reagan not to visit a German S.S. cemetery, and the speech he gave in Oslo in acceptance of the Nobel Peace Prize, in which he voices his hope that "the memory of evil will serve as a shield against evil."
WINNER of the NAACP Image Award for Outstanding Literary Work (Fiction)
2017 Hurston/Wright Legacy Award Nominee (Fiction)!
A Washington Post Notable Book of 2016
"Simply miraculous...As her saga becomes ever more spellbinding, so does the reader's astonishment at the magic she creates. This is a story about the triumph of the human spirit over bigotry, intolerance and cruelty, and at the center of The Book of Harlan is the restorative force that is music."
"McFadden's writing breaks the heart--and then heals it again. The perspective of a black man in a concentration camp is unique and harrowing and this is a riveting, worthwhile read."
"The Book of Harlan is an incredible read. Bernice McFadden...has created an amazing novel that speaks to lesser known aspects of the African-American experience and illuminates the human heart and spirit. Her spare prose is rich in details that convey deep emotions and draw the reader in. This fictional narrative of Harlan Elliot's life is firmly grounded amidst real people and places--prime historical fiction, and the best book I have read this year."
--Historical Novels Review, Editors' Choice
"McFadden packs a powerful punch with tight prose and short chapters that bear witness to key events in early twentieth-century history: both World Wars, the Great Depression, and the Great Migration. Partly set in the Jim Crow South, the novel succeeds in showing the prevalence of racism all across the country--whether implemented through institutionalized mechanisms or otherwise. Playing with themes of divine justice and the suffering of the righteous, McFadden presents a remarkably crisp portrait of one average man's extraordinary bravery in the face of pure evil."
--Booklist, Starred review
"Through this character portrait of Harlan, McFadden has constructed a vivid, compelling narrative that makes historical fiction an accessible, literary window into the African-American past and some of the contemporary dilemmas of the present."
"McFadden's impressive achievement offers us a window into the often very difficult lives of African Americans from the Jim Crow era up to the present--and, unexpectedly, in wartime Germany. Highly recommended for showing us that however badly black citizens have historically been treated, black lives matter."
The Book of Harlan opens with the courtship of Harlan's parents and his 1917 birth in Macon, Georgia. After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he eventually becomes a professional musician. When Harlan and his best friend, trumpeter Lizard Robbins, are invited to perform at a popular cabaret in the Parisian enclave of Montmartre--affectionately referred to as "The Harlem of Paris" by black American musicians--Harlan jumps at the opportunity, convincing Lizard to join him.
But after the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald--the notorious concentration camp in Weimar, Germany--irreparably changing the course of Harlan's life. Based on exhaustive research and told in McFadden's mesmeric prose, The Book of Harlan skillfully blends the stories of McFadden's familial ancestors with those of real and imagined characters.
This haunting novel takes place in the days following the Six-Day War. A Holocaust survivor visits the newly reunited city of Jerusalem. At the Western Wall he encounters the beggars and madmen who congregate there every evening, and who force him to confront the ghosts of his past and his ties to the present. Weaving together myth and mystery, parable and paradox, Wiesel bids the reader to join him on a spiritual journey back and forth in time, always returning to Jerusalem.
A true story in which the keepers of the Warsaw Zoo saved hundreds of people from Nazi hands. After their zoo was bombed, Polish zookeepers Jan and Antonina Zabinski managed to save over three hundred people from the Nazis by hiding refugees in the empty animal cages. With animal names for these "guests," and human names for the animals, it's no wonder that the zoo's code name became "The House Under a Crazy Star." Best-selling naturalist and acclaimed storyteller Diane Ackerman combines extensive research and an exuberant writing style to re-create this fascinating, true-life story—sharing Antonina's life as "the zookeeper's wife," while examining the disturbing obsessions at the core of Nazism. Winner of the 2008 Orion Award.
“Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: ‘What is God doing and where is His justice?’ Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores ‘the distant and haunting figures that molded him’: Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man’s greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning “cried out” against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin’s time to ‘underline the implausibility’ of his trial, and thus become the accuser. Wiesel’s concern with the imponderables of fate seems to move from strength to strength” (Kirkus Reviews).
Gamaliel tries, unsuccessfully, to find a place for himself in Europe. After a failed marriage, he moves to New York, where he works as a ghostwriter, living through the lives of others. Eventually he falls in with a group of exiles, including a rabbi––a mystic whose belief in the potential for grace in everyday life powerfully counters Gamaliel’s feelings of loss and dispossession. When Gamaliel is asked to help draw out an elderly, disfigured Hungarian woman who may be his beloved Ilonka, he begins to understand that a real life in the present is possible only if he will reconcile with his past.
From the Trade Paperback edition.
Eastern Europe, 1944: Three women believe they are pregnant, but are torn from their husbands before they can be certain. Rachel is sent to Auschwitz, unaware that her husband has been shot. Priska and her husband travel there together, but are immediately separated. Also at Auschwitz, Anka hopes in vain to be reunited with her husband. With the rest of their families gassed, these young wives are determined to hold on to all they have left—their lives, and those of their unborn babies. Having concealed their condition from infamous Nazi doctor Josef Mengele, they are forced to work and almost starved to death, living in daily fear of their pregnancies being detected by the SS.
In April 1945, as the Allies close in, Priska gives birth. She and her baby, along with Anka, Rachel, and the remaining inmates, are sent to Mauthausen concentration camp on a hellish seventeen-day train journey. Rachel gives birth on the train, and Anka at the camp gates. All believe they will die, but then a miracle occurs. The gas chamber runs out of Zyklon-B, and as the Allied troops near, the SS flee. Against all odds, the three mothers and their newborns survive their treacherous journey to freedom.
On the seventieth anniversary of Mauthausen’s liberation from the Nazis by American soldiers, renowned biographer Wendy Holden recounts this extraordinary story of three children united by their mothers’ unbelievable—yet ultimately successful—fight for survival.
From the Trade Paperback edition.
This is the story of No. 22483, who had been shipped from Belgium to Buchenwald. This is an account of what No. 22483 saw and felt during his calvary from Antwerp to the Malin distribution camp in France and from there to the extermination camp of Buchenwald.
To say that this book contains the scenes of a twentieth-century Inferno may sound commonplace. Yet, every page of this book reminds one of Dante’s Inferno, with one exception: the Inferno the author writes about consumed the lives not of the sinful whom divine justice cast into the immortality of suffering.
This Inferno was thronged by millions, many of whom were babies and little children, mothers and young women who had hoped to become mothers. It was thronged with people who deserved their fates because they were men in the sense that God meant them to be. They were in Inferno because they were strong men and brave, the real heroes of our days. They were doomed because the Nazi super-race set up a different scale of values which regarded heroism as the greatest of sins and considered depravity the greatest of virtues. Reading this book one feels that the titanic Dante himself would have been staggered by the demented criminality the judges of the just displayed.
This is the story of No. 22483 of Buchenwald, one of the millions who were doomed and one of the few who escaped. Throughout, the writing is poignant, vibrant with humanity, a cry “de profundis” and a vow that it must never happen again. This book should be long remembered.
From the Trade Paperback edition.
Now dedicated to helping those subjected to tyranny throughout the world, Buergenthal writes his story with a simple clarity that highlights the stark details of unimaginable hardship. A LUCKY CHILD is a book that demands to be read by all.
The matriarch Sarah, fiercely guarding her son, Isaac, against the negative influence of his half-brother Ishmael; Samson, the solitary hero and protector of his people, whose singular weakness brought about his tragic end; Isaiah, caught in the middle of the struggle between God and man, his messages of anger and sorrow counterbalanced by his timeless, eloquent vision of a world at peace; the saintly Rabbi Yehoshua ben Levi, who by virtue of a lifetime of good deeds was permitted to enter heaven while still alive and who tried to ensure a similar fate for all humanity by stealing the sword of the Angel of Death.
Elie Wiesel tells the stories of these and other men and women who have been sent by God to help us find the godliness within our own lives. And what interests him most about these people is their humanity, in all its glorious complexity. They get angry—at God for demanding so much, and at people, for doing so little. They make mistakes. They get frustrated. But through it all one constant remains—their love for the people they have been charged to teach and their devotion to the Supreme Being who has sent them. In these tales of battles won and lost, of exile and redemption, of despair and renewal, we learn not only by listening to what they have come to tell us, but by watching as they live lives that are both grounded in earthly reality and that soar upward to the heavens.
From the Hardcover edition.
In a surprising account that powerfully revises history, Wendy Lower uncovers the role of German women on the Nazi eastern front—not only as plunderers and direct witnesses, but as actual killers. Lower, drawing on twenty years of archival research and fieldwork, presents startling evidence that these women were more than “desk murderers” or comforters of murderous German men: they went on “shopping sprees” and romantic outings to the Jewish ghettos; they were present at killing-field picnics, not only providing refreshment but also shooting Jews. And Lower uncovers the stories of SS wives with children of their own whose brutality is as chilling as any in history.
Hitler’s Furies challenges our deepest beliefs: women can be as brutal as men, and the evidence can be hidden for seventy years.
“Disquieting . . . Earlier books about the Holocaust have offered up poster girls of brutality and atrocity . . . [Lower’s] insight is to track more mundane lives, and to argue for a vastly wider complicity.” —New York Times
“An unsettling but significant contribution to our understanding of how nationalism, and specifically conceptions of loyalty, are normalized, reinforced, and regulated.” —Los Angeles Review of Books
Passionate and fierce, this story of a father's legacy to his son revisits some of the most dramatic events of our century, and confirms yet again Elie Wiesel's stature as "a writer of the highest moral imagination" (San Francisco Chronicle).
Jankiel Wiernik was a Jewish property manager in Warsaw when the Nazis invaded Poland and was forced into the ghetto in 1940. Despite surviving the horrors of the ghetto at the advanced age of 52, he was sent to a fate worse than death at the notorious death camp at Treblinka, which he immortalized in his memoirs.
“On his arrival at Treblinka aboard the Holocaust train from Warsaw, Wiernik was selected to work rather than be immediately killed. Wiernik’s first job with the Sonderkommando required him to drag corpses from the gas chambers to mass graves. Wienik was traumatized by his experiences. He later wrote in his book: “It often happened that an arm or a leg fell off when we tied straps around them in order to drag the bodies away.” He remembered the horrors of the enormous pyres, where “10,000 to 12,000 corpses were cremated at one time.” He wrote: “The bodies of women were used for kindling” while Germans “toasted the scene with brandy and with the choicest liqueurs, ate, caroused and had a great time warming themselves by the fire.” Wiernik described small children awaiting so long in the cold for their turn in the gas chambers that “their feet froze and stuck to the icy ground” and noted one guard who would “frequently snatch a child from the woman’s arms and either tear the child in half or grab it by the legs, smash its head against a wall and throw the body away.” At other times “children were snatched from their mothers’ arms and tossed into the flames alive.”
“Wiernik escaped Treblinka during the revolt of the prisoners on “a sizzling hot day” of August 2, 1943. A shot fired into the air signalled that the revolt was on. Wiernik wrote that he “grabbed some guns” and, after spotting an opportunity to make a break for the woods, an axe...”
A plane en route from New York to Tel Aviv is forced down by bad weather. A nearby house provides refuge for five of its passengers: Claudia, who has left her husband and found new love; Razziel, a religious teacher who was once a political prisoner; Yoav, a terminally ill Israeli commando; George, an archivist who is hiding a Holocaust secret that could bring down a certain politician; and Bruce, a would-be priest turned philanderer.
Their host—an enigmatic and disquieting man who calls himself simply the Judge—begins to interrogate them, forcing them to face the truth and meaning of their lives. Soon he announces that one of them—the least worthy—will die.
The Judges is a powerful novel that reflects the philosophical, religious, and moral questions that are at the heart of Elie Wiesel’s work.
From the Hardcover edition.
—Daily Telegraph (London)
“One Girl’s Story of Survival,” Clara’s War is based on Clara Kramer’s diary of her years spent hiding in an underground bunker with seventeen other people during the Nazi occupation of Poland. In the classic vein of The Diary of Anne Frank—a heart-wrenching and inspiring story of a life lived in fear and cramped quarters—Clara’s War is a true story of the Holocaust as told by a remarkable young girl who lived to bear witness.
In 1943, with Lvov's 150,000 Jews having been exiled, killed, or forced into ghettos and facing extermination, a group of Polish Jews daringly sought refuge in the city's sewer system. The last surviving member this group, Krystyna Chiger, shares one of the most intimate, harrowing and ultimately triumphant tales of survival to emerge from the Holocaust. The Girl in the Green Sweater is Chiger's harrowing first-person account of the fourteen months she spent with her family in the fetid, underground sewers of Lvov.
The Girl in the Green Sweater is also the story of Leopold Socha, the group's unlikely savior. A Polish Catholic and former thief, Socha risked his life to help Chiger's underground family survive, bringing them food, medicine, and supplies. A moving memoir of a desperate escape and life under unimaginable circumstances, The Girl in the Green Sweater is ultimately a tale of intimate survival, friendship, and redemption.
For fifty years the sole survivor keeps his oath—until he meets a man whose life depends on hearing the story, and one man’s loyalty to the dead confronts head-on another’s reason to go on living.
One of Wiesel’s strongest early novels, this timeless parable about the Jews and their enemies, about hate, family, friendship, and silence, is as powerful, haunting, and significant as it was when first published in 1973.
In 1944, on the morning of her twenty-third birthday, Isabella Leitner and her family were deported to Auschwitz, the Nazi extermination camp. There, she and her siblings relied on one another’s love and support to remain hopeful in the midst of the great evil surrounding them.
In Fragments of Isabella, Leitner reveals a glimpse of humanity in a world of darkness. Hailed by Publishers Weekly as “a celebration of the strength of the human spirit as it passes through fire,” this powerful and luminous Pulitzer Prize–nominated memoir, written thirty years after the author’s escape from the Nazis, has become a classic of holocaust literature and human survival.
This ebook features rare images from the author’s estate.
In Zalmen, or The Madness of God, Wiesel gives his Rabbi that strength, the courage to voice his oppression and isolation, and the result is a passionate cry. This play illuminates not only the plight of the Soviet Jew, but the anguish of individuals everywhere who must survive—and yet long for something more than mere survival.
(Adapted for the stage by Marion Wiesel.)
“This memoir is heartbreaking. I hope it will be read by Jews and non-Jews alike.”—Elie Wiesel, author of Night
Her name is Alicia. She was thirteen when she began saving the lives of people she did not know—while fleeing the Nazis through war-ravaged Poland.
Her family cruelly wrenched from her, Alicia rescued other Jews from the Gestapo, led them to safe hideouts, and lent them her courage and hope. Even the sight of her mother's brutal murder could not quash this remarkable child's faith in human goodness—or her determination to prevail against overwhelming odds.
After the war, Alicia continued to risk her life, leading Polish Jews on an underground route to freedom in Palestine. She swore on her brother's grave that if she survived, she would speak for her silenced family. This book is the eloquent fulfillment of that oath.
Praise for Alicia
“Profoundly observed . . . remarkably lived . . . ferocious bravery.”—The New York Times Book Review
“As exciting as it is inspirational. In fact, a good bit of Alicia: My Story reads as if it were written by one of our better writers of fiction.”—The Pittsburgh Press
“A compelling voice, lucid prose . . . a luminous testimony to the heroism and humanity of one remarkable person.”—San Francisco Chronicle
“Straightforward . . . energizing and inspirational.”—Newsday
Finalist for the 2017 RBC Taylor Prize
More than 70 years after the Nazi camps were liberated by the Allies, a new Canadian Holocaust memoir details the rural Hungarian deportations to Auschwitz-Birkenau, back-breaking slave labour in Auschwitz I, the infamous “death march” in January 1945, the painful aftermath of liberation, a journey of physical and psychological healing.
Tibor “Max” Eisen was born in Moldava, Czechoslovakia into an Orthodox Jewish family. He had an extended family of sixty members, and he lived in a family compound with his parents, his two younger brothers, his baby sister, his paternal grandparents and his uncle and aunt. In the spring of1944--five and a half years after his region had been annexed to Hungary and the morning after the family’s yearly Passover Seder--gendarmes forcibly removed Eisen and his family from their home. They were brought to a brickyard and eventually loaded onto crowded cattle cars bound for Auschwitz-Birkenau. At fifteen years of age, Eisen survived the selection process and he was inducted into the camp as a slave labourer.
One day, Eisen received a terrible blow from an SS guard. Severely injured, he was dumped at the hospital where a Polish political prisoner and physician, Tadeusz Orzeszko, operated on him. Despite his significant injury, Orzeszko saved Eisen from certain death in the gas chambers by giving him a job as a cleaner in the operating room. After his liberation and new trials in Communist Czechoslovakia, Eisen immigrated to Canada in 1949, where he has dedicated the last twenty-two years of his life to educating others about the Holocaust across Canada and around the world.
The author will be donating a portion of his royalties from this book to institutions promoting tolerance and understanding.
These massive crimes have been generally overlooked or underestimated by Holocaust historians, who have focused on the gas chambers. In this painstaking account, Pulitzer Prize-winning author Richard Rhodes profiles the eastern campaign’s architects as well as its “ordinary” soldiers and policemen, and helps us understand how such men were conditioned to carry out mass murder. Marshaling a vast array of documents and the testimony of perpetrators and survivors, this book is an essential contribution to our understanding of the Holocaust and World War II.
It’s 1975, and Shaltiel Feigenberg—professional storyteller, writer and beloved husband—has been taken hostage: abducted from his home in Brooklyn, blindfolded and tied to a chair in a dark basement. His captors, an Arab and an Italian, don’t explain why the innocent Shaltiel has been chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories—to himself and to the men who hold his fate in their hands.
With beauty and sensitivity, Wiesel builds the world of Shaltiel’s memories, haunted by the Holocaust and a Europe in the midst of radical change. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s—these are the stories that unfold in Shaltiel’s captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors.
Impassioned, provocative and insistently humane, Hostage is both a masterly thriller and a profoundly wise meditation on the power of memory to connect us to the past and our shared need for resolution.
Despite personal success, Yedidyah—a theater critic in New York City, husband to a stage actress, father to two sons—finds himself increasingly drawn to the past. As he reflects on his life and the decisions he’s made, he longingly reminisces about the relationships he once had with the men in his family (his father, his uncle, his grandfather) and the questions that remain unanswered. It’s a feeling that is further complicated when Yedidyah is assigned to cover the murder trial of a German expatriate named Werner Sonderberg. Sonderberg returned alone from a walk in the Adirondacks with an elderly uncle, whose lifeless body was soon retrieved from the woods. His plea is enigmatic: “Guilty . . . and not guilty.”
These words strike a chord in Yedidyah, plunging him into feelings that bring him harrowingly close to madness. As Sonderberg’s trial moves along a path of dizzying yet revelatory twists and turns, Yedidyah begins to understand his own family’s hidden past and finally liberates himself from the shadow it has cast over his life.
With his signature elegance and thoughtfulness, Elie Wiesel has given us an enthralling psychological mystery, both vividly dramatic and profoundly emotional.
From the Hardcover edition.
For nearly four decades, fans have welcomed the star of television’s number-one daytime show, The Young and the Restless, into their living rooms. While they’ve come to know and love the suave Victor Newman, few truly know the man behind the character, the supremely talented Eric Braeden. I'll Be Damned is his story—a startling and uplifting true tale of war, deprivation, determination, fame, and social commitment that spans from Nazi Germany to modern Hollywood.
Braeden’s journey from a hospital basement in Kiel to the soundstages of Los Angeles has taught him more about joy, heartbreak, fear, dignity, loss, love, loneliness, exhilaration, courage, persecution, and profound responsibility to the global community than he could have hoped to learn in several lifetimes. Growing up in the years after Germany’s defeat, Braeden knew very little about the atrocities of his parents’ generation, until he arrived in America as a teenager—a discovery that horrified and transformed him. Trying to redress the wrongs of his homeland, he has dedicated his life to humanitarian work—even forming the German American Culture Society—working for decades to show the world that what we share as humans is far more important than what separates us from one another.
Told with openness, candor, humor, heart, and occasional raw vulnerability, I’ll Be Damned reveals a man committed to making the world a better, more loving place. Filled with sixteen pages of photos from his decorated life and career, I’ll Be Damned will be a treasured keepsake for Y&R fans, and is an inspiring testament to the goodness within us all.
From Elie Wiesel, winner of the Nobel Peace Prize, comes a magical book that introduces us to the towering figure of Rashi—Rabbi Shlomo Yitzchaki—the great biblical and Talmudic commentator of the Middle Ages.
Wiesel brilliantly evokes the world of medieval European Jewry, a world of profound scholars and closed communities ravaged by outbursts of anti-Semitism and decimated by the Crusades. The incomparable scholar Rashi, whose phrase-by-phrase explication of the oral law has been included in every printing of the Talmud since the fifteenth century, was also a spiritual and religious leader: His perspective, encompassing both the mundane and the profound, is timeless.
Wiesel’s Rashi is a heartbroken witness to the suffering of his people, and through his responses to major religious questions of the day we see still another side of this greatest of all interpreters of the sacred writings.
Both beginners and advanced students of the Bible rely on Rashi’s groundbreaking commentary for simple text explanations and Midrashic interpretations. Wiesel, a descendant of Rashi, proves an incomparable guide who enables us to appreciate both the lucidity of Rashi’s writings and the milieu in which they were formed.
From the Hardcover edition.
The camp where I stayed for several years has received less publicity than the larger and more smoothly run DACHAU and RAVENSBRÜCK camps where mass extermination was carried out with cold efficiency.
Our camp was called BRZEZINKI, in German BIRKENAU. Some prisoners nicknamed it RAJSKO. In literal translation this means “HEAVEN-LIKE”.
In Brzezinki-Birkenau, mass murder was carried out on such a fantastic scale that the executioners had set up five crematories. Almost all the inmates were destroyed and only a few lived long enough to greet their liberators. Except for one book written by a Polish woman thus far, no report has been graved on flintstone by any of the liberated Polish Jobs.
I am not a writer and my story will be a plain and frank account of things which I have witnessed and experienced in nine prisons and in three concentration camps, from which I was miraculously saved by God. It is not my aim to evoke your pity, nor to arouse your wrath against the Germans. I wish only to help you to realize what happens when man rejects God and when his passions become his sole master. He will then commit every kind of inhuman crime, whereas if he follows the Golden Rule he will withstand the most ruthless pressure and even in the midst of inhuman sufferings will desperately cling to his faith.
I wish to stir the conscience of statesmen so that they may unify their efforts in preventing a repetition of the crimes committed in the name of an omnipotent and evil deity—the STATE.”-Foreword