discusses how these forces contribute to the creation of, and conflict over, national, community and personal identities;
examines how museums use inclusion and exclusion in their collections, exhibitions, objects and interpretive material as a way of selectively constructing collective memories.
This book will be an important resource for museum professionals, as well as scholars interested in the effects of politics on museums and interpretations of the past.
The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.
In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.
Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis.
With a new Preface by Carla Hayden, Librarian of Congress
A lavishly illustrated history of America's game, from the unparalleled collections of the Library of Congress.
“One of the most seductively designed books about the sport to come our way. … A book like this, so rich and deep in material. … brings baseball history to multifaceted life and reminds us that baseball is the sport that celebrates its history more than any other. … This book itself is a form of time-traveling—a pleasurable, often surprising and aesthetic trip.”—San Diego Union-Tribune
Baseball, the sport that helped reunify the country in the years after the Civil War, remains the National Pastime. The Library of Congress houses the world's largest baseball collection, documenting the history of the game and providing a unique look at America since the late 1700s. Now Baseball Americana presents the best of the best from that treasure trove. From baseball's biggest stars to street urchins, from its most newsworthy stories to sandlot and Little League games, the book examines baseball's hardscrabble origins, rich cultural heritage, and uniquely American character.
The more than 350 fabulous illustrations—many never before published—featured first-generation, vintage photographic and chromolithographic baseball cards; photographs of famous players and ballparks; and newspaper clippings, cartoons, New Deal photographs, and baseball advertisements. Packed with images that will surprise and thrill even the most expert collector, Baseball Americana is a gift for every baseball fan.
In The Intrepid Art Collector, Lisa Hunter shows you how to start a fine art collection without spending a fortune. This accessible, jargon-free resource contains up-to-date information on the most popular original art—everything from photography and posters to African art and animation—including where to find it and how to buy it at a fair price. Easy-to-use checklists help you evaluate original art and steer clear of clever fakes. In addition, Hunter has interviewed top dealers, curators, arts lawyers, and appraisers to bring you the best advice on:
• Advantages to buying real art instead of reproductions
• Determining if a piece of art is fairly priced
• Predicting if an artist’s work will go up in value
• Techniques for negotiating a price with a dealer
• Developing your artistic taste, so you’ll know if you’ll still love your purchase ten years down the road
• How to preserve art in your home
• Resources, websites, and magazines that will help you learn more about the market and where to find different types of art
From the Trade Paperback edition.
We have arranged the 12 chapters of the album from the coldest winter temperature to the warmest, so that after shivering through the Arctic snows it is possible to warm up under the bright winter sun of the cities of the Golden Ring.
You can watch with your own eyes as winter gradually comes to Yakutia, Kamchatka, Lake Baikal, Siberia, White Sea region and the Golden Ring cities.
From a young age, Gary Cieradkowski had a passion for baseball’s unheralded heroes. Inspired by his father and their shared love of the sport, Cieradkowski began creating “outsider” baseball cards, as a way to tell the little-known stories of baseball’s many unsung heroes—alongside some of baseball’s greatest players before they were famous. The League of Outsider Baseball is a tribute to all of those who’ve played the game, known and unknown.
Shining a light into the dark corners of baseball history—from Mickey Mantle’s minor league days to Negro League greats like Josh Gibson and Leon Day; to people that most never knew played the game, such as Frank Sinatra, who had his own ball club in 1940s Hollywood; bank robber John Dillinger, who was a promising shortstop and took time out between robberies to attend Cubs games; and even a few US presidents—this book is a rich, visual tribute to America’s pastime.
Meticulously researched, beautifully illustrated using a unique, vintage baseball-card-style, and filled with a colorful and rich cast of characters, this book is a prized collector’s item and will be cherished by fans of all ages.
This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed.
The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist.
Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
A career in illustration represented an ideal opportunity for women in post-Victorian society. Every well-bred girl was schooled in the arts of sketching and drawing, and by working at home, a woman's modesty could remain uncompromised. Successful competition in a world dominated by male artists, however, called for determination as well as talent. This compilation celebrates the accomplishments of twenty-two female illustrators, including Elenore Abbott, Mabel Lucie Attwell, Elizabeth Shippen Green, Ruth Mary Hallock, Jessie Marion King, Dorothy Lathrop, Ida Rentoul Outhwaite, Margaret Winifred Tarrant, and others.
With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach.
Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.
Illustrated throughout with full colour images reproduced to the highest possible quality, this book is based on years of painstaking research into the visual and optical properties of pigments.
Now combined with the Pigment Dictionary, the most thorough reference to pigment names and synonyms avaiable, the Pigment Compendium is a major addition to the study and understanding of historic pigments.
G. Martin Moeller, Jr., blends informed, concise descriptions with engaging commentary on each landmark, revealing often-surprising details of the buildings' history and design. Every entry is accompanied by a photograph and includes the structure's location, its architects and designers, and the corresponding dates of completion. Each entry is keyed to an easy-to-read map at the beginning of the tour.
From the imposing monuments of Capitol Hill and the Mall to the pastoral suburban enclaves of Foxhall and Cleveland Park, from small memorials to vast commercial and institutional complexes, this guide shows us a Washington that is at once excitingly fresh and comfortably familiar.
This book explores this Mexican tradition — the artists, their works, the social and political background, and the relationship of the modern painters to European and Mexican historical tradition. Helm, an important collector who knew most of the artists, writes informally yet with deep understanding about the major figures — Orozco, Rivera, and Siqueiros — as well as over 40 others little known outside their native Mexico.
He ably ties together such diverse influences as the Revolution and the regime of Obregón, the Siqueiros Syndicate and its power in getting artists to pool resources and works for a powerful national style, Rivera's strong political beliefs and their effect on his work, Orozco's deep empathy, the development of the young artists, the effects of low wages and bohemian existence on artistic production, links to Indian art, the rediscovery of fresco technique, important patrons, the religious and anti-religious forces in the early works, and much more. In addition, 95 works by 37 artists are reproduced, showing the range and best works of modern Mexican painting.
MacKinley Helm was in a uniquely favorable position to write about these artists, and his book is now considered the best introduction to the art and artists of Mexico during the great artistic movements of the '20s and '30s. Collectors, artists, and others who have felt the lack of solid information about this important Western tradition will find this book gives clear insight into the conflicts, personalities, and important works that have developed into modern Mexican art.
This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.
The papers present diverse new research and practice in the field, and open up debate about the role, design and process of exhibition interpretation in museums, art galleries and historic sites. The authors represent both academics and practitioners, and are affiliated with high quality institutions of broad geographical scope. The result is a strong, consistent representation of current thinking across the theory, methodology and practice of interpretation design for learning in museums.
The contributors focus on the principles and practice of management in the 1990s, covering such crucial aeas as the management of contract and field archaeology, heritage management, marketing, law and information technology. The resulting volume is important and informative reading for archaeologists and heritage managers, as well as planners, policy makers and environmental consultants.
Viewed through a microscope, some gemstones and crystal specimens
reveal amazing photogenic inclusions and surface features that could
well be mistaken for abstract art.
With the use of various
lighting techniques and careful composition, gemmologist and
photographer Anthony de Goutière has photomicrographed many of these
unusual and artistic scenes. The author hopes to inspire other
gemmologists to search for and photograph the elusive beauty of gemstone
Contributors cover a wide range of issues including:conservation practice the monitoring and control of light relative humidity and atmospheric pollution packing, handling and transportation of collections storage and access to collections biological infestation disaster planning.
Including material and sources that have, up until now, not easily been available, students of museum studies and proffessionals within the industry now have this invaluable aid to their work.
Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion.
Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.
When Richard Thompson, creator of the cartoon strip Cul de Sac, learned that he had Parkinson’s disease, the entire cartoon community was moved. From other cartoonists to fans, the urge to “do something” was overwhelming. Enter Chris Sparks, friend of and webmaster for Richard, who came up with the idea of joining the Team Fox effort. Having read two of Michael J. Fox’s books, he knew about the foundation, which made him think of creating a Team Cul de Sac to honor Richard and to raise money for and awareness about PD. He set up the team with the foundation and began the quest to create a book that contributors would donate their original art to be included in the book and to be auctioned off later. All of the auction’s and a portion of the book's profits will be donated to Team Fox.
The response to Chris’s call for art has been impressive. From indie cartoonists to noted syndicated, editorial, and magazine cartoonists to graphic novel artists, illustrators, and sheer Cul de Sac fans, the assortment of cartoon styles paying homage to Cul de Sac and Richard Thompson in Team Cul de Sac is truly inspiring.
A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.
‘Curate’ is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde?
In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation – where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become ‘curating.’ Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise?
David Balzer has contributed to publications including the Believer, Modern Painters, Artforum.com, and The Globe and Mail, and is the author of Contrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.
Boggle at the enormity of space, get nostalgic at childhood memories or be dumbstruck by the International Museum of Toilets... Whether you're a history buff, tech-head or have an inexplicable fascination with clowns, you'll find world-class collections here to pique your interest.
Never drag your heels around a dull museum again!
Then & now // History museumsAcropolis Museum // Greece British Museum // UK Forbidden City // China Goethe House & Goethe Museum // Germany Imperial War Museum // UK Museum of Alchemists & Magicians of Old Prague // Czech Republic Museum of Mummies of Guanajuato // Mexico National Museum of Anthropology // Mexico Old Operating Theatre Museum & Herb Garret // UK Prison Gate Museum // The Netherlands Sir John Soane's Museum // UK Styrian Armoury // Austria Torture Museum // The Netherlands Vasa Museum // Sweden Viking Ship Museum // Norway Whitney Plantation // USA
The world around us // Natural history museumsKunstkamera // Russia 6 Messner Mountain Museum // Italy Sarawak State Museum // Malaysia Smithsonian Institution // USA
Human creativity // Art & culture museumsAmerican Classic Arcade Museum // USA Belgian Brewers Museum // Belgium Burlesque Hall of Fame // USA Coffee Museum // Brazil Erawan Museum // Thailand Ghibli Museum // Japan Grammy Museum // USA The Green Vault // Germany Museum of Childhood // UK Musical Instruments Museum // USA Soumaya Museum // Mexico Vodka Museum // Russia
Things that go // Science & technology museumsBicycle Museum of America // USA Big Hole & Open Mine Museum // South Africa Exploratorium // USA National Maritime Museum // France National Rail Museum // UK New Mexico Museum of Space History // USA New York City Fire Museum // USA Pencil Museum // UK Porsche Museum // Germany Sewer Museum // France Sulabh International Museum of Toilets // India
Peculiar passions // Quirky museumsAvanos Hair Museum // Turkey Clown Hall of Fame & Research Centre // USA Cupnoodles Museum // Japan Gopher Hole Museum // Canada International Cryptozoology Museum // USA Museum of Broken Relationships // Croatia Watermelon Museum // China
About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in.
TripAdvisor Travelers' Choice Awards 2012, 2013, 2014, and 2015 winner in Favorite Travel Guide category
'Lonely Planet guides are, quite simply, like no other.' - New York Times
'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)
Note: The digital edition of this book is missing some of the images found in the physical edition
While Wilfred Thesiger’s own classic writings (including ‘The Marsh Arabs’, ‘Arabian Sands’, ‘Desert’, Marsh and Mountain’, ‘The Life of My Choice’ and ‘My Kenya Days’) comprehensively cover his classic journeys amongst the Marsh Arabs in southern Iraq, or across the Empty Quarter in Arabia, they fail conspicuously to shed light on his character and motives, which have remained an enigma.
Maitland’s biography had Thesiger’s support before he died in 2003, and has been written with full access, granted to no one else, to the rich Thesiger archive – vivid, intimate family correspondence, and his own letters, diaries and notebooks which are far more confiding than his scrupulously edited published accounts. Maitland investigates in depth Thesiger’s parents and family influences; his wartime experiences and the ethos of conflict; his philosophy as a hunter and conservationist; his development as a writer and photographer; his close friendships with the Arabs and Africans amongst whom he lived; and his sexuality. In all, this major biography of a great and unusual man will take its place on the shelf of outstanding lives of the great explorers.
Cartouches in the style of Louis XIII; stone balustrades; arabesques; roof cornices; Renaissance-era drawing-room cabinets; Elizabethan chimney pieces; plus friezes for textiles and wallpaper, decorative scutcheons, mirror frames, and much more. These versatile royalty-free illustrations are equally suitable for immediate use, adaptation, and inspiration.
JACKIE: The Clothes of Camelot is a richly illustrated history of those magical years when the Kennedys captivated a nation and the world. Her glamour was electric, her style imaginative, and the effect was brilliant. Jacqueline Kennedy's fashions from the White House years, over two hundred outfits, are illustrated with three hundred photographs, in both black and white and color, many previously unpublished or rarely seen. Also included are photographs of jewelry and accessories as well as memorabilia, all exploring the continuing impact of Jackie's fashion sensibility on our culture.
The range of illustrations and text is broad, including:
Early Fashion Influences
The Inauguration Ensembles
Gowns for State Events
The Wardrobe for State Visits Abroad
Private Living and Casual Wear
French Designers: Haute Couture in the White House
Mrs. Onassis and the Post-Camelot Years
JACKIE: The Clothes of Camelot is a striking portrait of an unforgettable fashion legend.
Over the years, Wright has allowed almost no commercial access to his work; his photographs have been available to only the musicians he's worked with and a handful of record company executives… until now.
Organized as a passport, Passport Photos is a unique work, taking as its object of analysis and engagement the lived experience of post-coloniality--especially in the United States and India. The book is a collage, moving back and forth between places, historical moments, voices, and levels of analysis. Seeking to link cultural, political, and aesthetic critiques, it weaves together issues as diverse as Indian fiction written in English, signs put up by the border patrol at the U.S.-Tijuana border, ethnic restaurants in New York City, the history of Indian indenture in Trinidad, Native Americans at the Superbowl, and much more.
The borders this book crosses again and again are those where critical theory meets popular journalism, and where political poetry encounters the work of documentary photography. The argument for such border crossings lies in the reality of people's lives. This thought-provoking book explores that reality, as it brings postcolonial theory to a personal level and investigates global influences on local lives of immigrants.
The graffiti scene in China is small and the best work is confined to semi-sanctioned areas, often set in rusting industrial areas. For the small size of the scene, a huge amount of incredible art packs these tiny plots of land.
The photos in this book were taken between Spring of 2013 and Spring of 2014.
All of the photos in Beijing were taken in and around 798 Art Zone in the Chaoyang District of the city. This spot of refurbished military factories has been transformed into an arts district that contains many art galleries, studios, shops and schools.
The photos in the Shanghai set were taken in the 50 Moganshan Lu area near Suzhou Creek. This area used to be home to many factories and warehouses that have since been converted to art galleries, studios and cafes. The graffiti wall pictured has since been demolished to make way for a business district.
Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come. Hans Ulrich Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art—and at the world—in a new way.
This book offers an accessible and engaging synopsis of a topic that has not previously been covered. By focusing on an area of study that has changed substantially in the last decade, Public History: A Practical Guide presents a comprehensive outline of the practice of 'public history', and provides ideas for future methodological approaches as well as a reference point for planning professional development in order to gain future employment in these sectors.
In the current economic climate, students need to understand the potential use of history beyond university; this book contains the tools and advice needed for them to get one step ahead in terms of knowledge, skills and experience.
What separates a masterpiece from a piece of junk? Thanks to the BBC's Antiques Roadshow and its American spin-off, everyone is searching garage sales and hunting online for hidden gems, wondering whether their attics contain trash or treasures. In The Art Detective, Philip Mould, one of the world's foremost authorities on British portraiture and an irreverent and delightful expert for the Roadshow, serves up his secrets and his best stories, blending the technical details of art detection and restoration with juicy tales peopled by a range of eccentric collectors, scholars, forgers, and opportunists.
Peppered with practical advice, each chapter focuses on one particular painting and the mystery that surrounds it. Mould is our trusty detective, tracking down clues, uncovering human foibles and following hunches until the truth is revealed. Mould is known for his ability to crack the toughest puzzles and whether he's writing about a fake Norman Rockwell, a hidden Rembrandt, or a lost Gainsborough, he brings both the art and the adventure to life. The Art Detective is memoir, mystery, art history, and brilliant yarn all rolled into one.
This holistic approach will be immensely helpful to museums in meeting the needs and expectations of visitors and building their audience.
This book features:includes chapter introductions and discussion sections supporting case studies to show how ideas are put into practice a lavish selection of tables, figures and plates to support and illustrate the discussion boxes showing ideas, models and planning suggestions to guide development an up-to-date bibliography of landmark research.
The Engaging Museum offers a set of principles that can be adapted to any museum in any location and will be a valuable resource for institutions of every shape and size, as well as a vital addition to the reading lists of museum studies students.
Attractive patterns range from decorations for churches, drawing rooms, nurseries, and everything in between, including halls, galleries, and corners. The elaborate borders, friezes, and festoons include exquisite images of children, animals, birds, rosettes, and heraldic designs. These finely detailed, royalty-free patterns are an invaluable resource, perfect for adding a distinctive note to fabrics, stained glass, wallpaper, and a host of other art and craft projects. Browsers and devotees of the Art Nouveau style will also appreciate this treasury of striking stencil designs.
Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps.
Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output.
Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures.
Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers.
Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more.
Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton.
Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
From the Hardcover edition.
Working initially from Graburn’s definition of tourist art, as the art of one culture made specifically for the consumption of another, Tourism Art and Souvenirs sheds light on important aspects of the souvenir that have not been widely discussed. The most recent research is used to consider how the souvenir is designed and consumed, consumer expectations and influence on the character of the souvenir, how the souvenir maker is consumed by the tradition of heritage and how products become successful as souvenirs. The title also investigates the language involved in the representation of place and the recording of experience through the souvenir, developing a method that expresses the descriptive data of individual souvenir artefacts graphically so the patterns of language may be analysed.
Enhancing the understanding of material culture in tourism and therefore adding to future tourism development this volume will be of interest to upper level students, researchers and academics in tourism, culture, heritage and sustainability.
The history of the museum is one of shifting purposes and changing ideals and this volume asks if it is possible to define the 'product' which the modern museum can offer. This book explores the crucial question: Are the theories of marketing developed for manufactured goods in any way relevant to the experience of visiting a museum?
In covering one of the most highly disputed issues in the field, this book is essential reading for museum professionals, students and anyone who has dealing in the many branches of the heritage industry around the world.
The book uses case studies from England, Ireland and the US to illustrate the use of different materials and techniques on buildings ranging in age.
Written by Dr. Gerard Lynch, the leading authority in this subject area, this book will be of particular interest to architectural historians, architects working on historic buildings and building conservators.
Relatively little attention has been paid to the critical intersections between heritage and climate change. The Future of Heritage as Climates Change frames the intellectual context within which heritage and climate change can be examined, presenting cases and sub-fields in which the heritage-climate change nexus is being examined and provides synthetic analyses through five overarching themes:
The heritage of change among coastal communities: liminality and the politics of engagement
Dwelling materials: processes and possibilities;
Environmental heritage: meanings of the past – prospects for the future;
Blurring the boundaries of nature and culture: the politics of anticipation;
Climate change and heritage practice: adaptation and resilience.
The Future of Heritage as Climates Changeprovides scholars, managers, policy makers and students with a much needed examination of heritage and climate change to help make critical decisions in the next several decades.