"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.
Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.
Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
The Book Behind the Viral TED Talk
For the first time, the startling full story of the disastrous war on drugs--propelled by moving human stories, revolutionary insight into addiction, and fearless international reporting.
What if everything you think you know about addiction is wrong? One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not be able to. As he grew older, he realized he had addiction in his family. Confused, unable to know what to do, he set out on a three-year, 30,000-mile journey to discover what really causes addiction--and what really solves it.
He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their war on drugs--with extraordinary results.
His discoveries led him to give a TED talk and animation which have now been viewed more than 25 million times. This is the story of a life-changing journey that showed the world the opposite of addiction is connection.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wilde’s texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.
Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.
Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. This text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original.
Shakespeare's use of his poetic dramatic structure, especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story, has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.
Romeo and Juliet has been adapted numerous times for stage, film, musical and opera. During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's operatic adaptation omitted much of the action and added a happy ending. Performances in the 19th century, including Charlotte Cushman's, restored the original text, and focused on greater realism. John Gielgud's 1935 version kept very close to Shakespeare's text, and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted in versions as diverse as George Cukor's comparatively faithful 1936 production, Franco Zeffirelli's 1968 version, Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet and the 2013non-Shakespearian adaptation by Carlo Carlei.
TO HIS LADY'S RESCUE (Novella 1)
As children, Arabella Trent and Gilbert St. John were best of friends. Wherever he led, she happily followed. Their friendship held fast until Gilbert went off to fight Napoleon and Bella stayed home. Years passed and their youthful camaraderie faded to pleasant memory.
Now Gilbert is home from the wars and Bella needs his help. From the moment she climbs in his bedroom window, he knows he's in trouble. Can this beautiful desirable young lady be the same hoydenish friend from his childhood? Can Gilbert rescue Bella from her desperate circumstances even if it means . . . marriage?
THE VISCOUNT'S SURPRISE (Novella 2)
Philomena Wheeler has been living a lie for the past twelve years. After her mother dies, she pretends to be a boy so she can work in Lady Hembrough's stables alongside her beloved papa. When she's promoted to the position of groom, her father thinks it's time to call a halt to the dangerous masquerade and wants to send Phil to his sister in York to learn to be a girl again.
Viscount Hembrough pays a rare visit to his mother in London. He's looking for a new groom and hires Phil for a one-month trial period before he returns to his horse-breeding estate in the wilds of Ireland. Under the mistaken belief that she's a he, the viscount takes Phil on a trip to inspect a promising stallion for his stables.
Will Phil be able to guard her secret while traveling with the handsome viscount? And more importantly, will she be able to guard her heart against a forbidden love?
PORTRAIT OF A GENTLEMAN (Novella 3)
Thankful for the chance to leave London and escape the unwelcome advances of an ardent suitor, Abigail Prescott accepts an invitation to Brydmoor Castle to paint the portrait of the reclusive Viscount Devlin and his small son. A young widow in straightened circumstances, she soon finds herself ensconced in his home and the object of his unwavering attention.
Nathan Holt vows never to marry again. He's done his duty and has an heir. But when Abigail Prescott comes into his vicinity, the daily presence of her in his home becomes a temptation too hard to resist. Unable to deny himself any longer, he begins his seduction of her in earnest, only to find that once will never be enough.
KEYWORDS: Anthology, Regency boxed set, romance collection, bundle, ebook bundle, romance bundle, box set, boxed set, series romance
In We Love You More, we learn about the many different ways that Michael Jackson affected people from all walks of life. The participants talk about how Michaels music, creativity and pubic example affected their lives and helped them to be better people. The contributions are a wonderful cathartic output to help to come to terms with the loss of Michaels huge talent. They will not only comfort those who have written them, but those who read them. People will learn about the experiences they have in common, with people throughout the world, who followed Michaels career, his music, his good deeds and the example he set for this generation and generations to come.
The book will also be of comfort to Michaels own family. They will see that the spirit of Michael will continue in people everywhere and in many ways and for many reasons. Its also fascinating to learn what people have to say about different songs and what they meant to their lives. Im impressed by the diverse elements in the book from eulogies, to memories to poems and beautiful drawings and paintings and even photo montages at the end. Mr. Henning youve done a wonderful service to the Michael Jackson fan community and I commend you.
Sincerely yours, Larry Nimmer
From the author of El Narco, the shocking story of the men at the heads of cartels throughout Latin America: what drives them, what sustains their power, and how they might be brought down.
In a ranch south of Texas, the man known as The Executioner dumps five hundred body parts in metal barrels. In Brazil's biggest city, a mysterious prisoner orders hit-men to gun down forty-one police officers and prison guards in two days. In southern Mexico, a meth maker is venerated as a saint while enforcing Old Testament justice on his enemies.
A new kind of criminal kingpin has arisen: part CEO, part terrorist, and part rock star, unleashing guerrilla attacks, strong-arming governments, and taking over much of the world's trade in narcotics, guns, and humans. What they do affects you now--from the gas in your car, to the gold in your jewelry, to the tens of thousands of Latin Americans calling for refugee status in the U.S. Gangster Warlords is the first definitive account of the crime wars now wracking Central and South America and the Caribbean, regions largely abandoned by the U.S. after the Cold War. Author of the critically acclaimed El Narco, Ioan Grillo has covered Latin America since 2001 and gained access to every level of the cartel chain of command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policy-makers, Grillo provides a disturbing new understanding of a war that has spiraled out of control--one that people across the political spectrum need to confront now.
A Perfect Plan
Priscilla King has been planning to marry Chester Lapp since she was sixteen years old, but when wedding plans begin immediately after he pops the question, everything starts to go terribly wrong.
A Recipe for Hope
The Amish kitchen is the heart of the home - and the ideal setting for stories of love and hope.
Becky's desperate prayers are answered, but she discovers the life she imagined for herself pales in comparison to God's plan.
Hau ofa s essays criss-cross Oceania, creating a navigator s star chart of discussion and debate. Spurning the arcana of the intellectual establishments where he was schooled, Hau ofa has crafted a distinctive often lyrical, at times angry voice that speaks directly to the people of the region and the general reader. He conveys his thoughts from diverse standpoints: university-based analyst, essayist, satirist and humorist, and practical catalyst for creativity. According to Hau ofa, only through creative originality in all fields of endeavor can the people of Oceania hope to strengthen their capacity to engage the forces of globalization.
Our Sea of Islands, The Ocean in Us, Pasts to Remember, and Our Place Within, all of which are included in this collection, outline some of Hau ofa s ideas for the emergence of a stronger and freer Oceania. Throughout he expresses his concern with the environment and suggests that the most important role that the people of the sea can assume is as custodians of the Pacific, the vast area of the world s largest body of water.
One of the most celebrated English writers ever, Lawrence Durrell was a bestselling author whose vivid metafictions pushed the boundaries of modern literature. The cosmopolitan provocateur transcended borders, ideologies, and time in his work, and he’s at the height of his powers in the Avignon Quintet.
More formally daring than the Alexandria Quartet, these sweeping and stylish novels set before, during, and after World War II loosely center on the race to uncover a treasure buried by the Knights Templar. Each reveals a seemingly disparate piece of the puzzle. In Monsieur, it’s the bittersweet return to southern France by a British doctor; in Livia, it’s two sisters driven apart by the rise of Nazism in Europe. In Constance, a Freudian analyst struggles for clarity in a world on fire; in Sebastian, she reconnects with the charismatic cult leader she knew in the deserts of Egypt. And in Quinx, long-buried plots reemerge as the past and future are funneled into the present.
Durrell himself described the Avignon Quintet as a “quincunx,” a series of novels “roped together like climbers on a rockface, but all independent.” Together they form a powerful meditation on the search for meaning in a world of chaos and brutality.
In the enchanting novella FORGOTTEN KISSES by Cindy Roland Anderson, costume designer Madison Taylor has no love lost when the male lead playing Sir Lancelot in a TV series is fired. She couldn’t stand working with him anyway. But when she discovers who his replacement is, her heart nearly stops. Caleb Matthews is one of the hottest male actors ever… and not to mention Madison’s former boyfriend. When things got too serious between them, everything fell apart. And now, Madison must play nice or lose her job. She just has to forget all of the reasons she’d fallen for him in the first place.
In THE LAST CHRISTMAS, a sweet romance novella by Annette Lyon, Meredith only has to make it through the Christmas holiday pretending that she and her husband Eric aren’t on the verge of divorce. She doesn’t want to ruin the holiday for her two grown daughters and their boyfriends. But when Eric hurries home after weeks of living in a motel to unpack before their daughters arrive, he starts pressing Meredith with questions about why she filed for divorce. The last thing Meredith wants to do it give Eric a second chance, but it seems that Eric is not willing to let her go without trying to win her back.
In Julie Coulter Bellon’s captivating novella TRUTH OR DARE After a year of recovery, wounded war veteran Jonah Harrison comes home for Christmas. No longer the outgoing high school track star, he just wants to be left alone, away from well-meaning friends and neighbors. But when a blizzard strands him with Cami Jackson—the girl who once knew him best—he can’t hide anything from her, no matter how much he wants to. Cami has a wounded heart of her own, though, and it might take a Christmas miracle for them to find the healing they both long for and the courage to reach for a chance at love.
In the charming novella HOLIDAY BUCKET LIST by Sarah M. Eden, Celeste Lagorio has officially given up on Christmas. A single mother, with her children grown and unable to return for the holiday, Celeste determines to take a break from everything. When her single neighbor and almost-best-friend, Mike Durham, discovers her non-plans, they discuss things they’ve always wanted to do, but never had time. Mike and Celeste put together a friendly competition of checking off the things on their bucket list, all the while drawing closer and discovering they have more in common than they thought.
In CHRISTMAS EVERY DAY, a delightful novella by Heather B. Moore, Monica is on the verge of buying her dream store, but when she tells her boyfriend, he turns it into an embarrassing public argument. Heartbroken, but determined to follow her dream, she goes to her employer’s Christmas party to play Mrs. Claus, only to be paired with someone unexpected. A young Mr. Claus who is the complete opposite of her ex-boyfriend in all the most important ways. Yet, Monica is not sure she can risk opening her heart again.
In Jennifer Griffith’s exciting novella FIRST (AND LAST) CHRISTMAS DATE, pilot Juliet Law has been in a holding pattern, dating the wrong guy, until she gets a holiday shake-up: old flame Tag McClintock e-mails her to ask for second date—after ten years. Their first date, back in high school, had been an unmitigated disaster culminating with Pepto Bismol and the police. Still, Juliet would have gone out with Tag again the next day—and the next—had he asked. So now that he’s finally popping up in her in-box again, Juliet must decide whether to say yes to the date, even if it puts her at risk of another decade of carrying a torch for Tag McClintock. Will their second date be their last?
Like the visitor wandering through the city streets, the reader will be constantly surprised by the visions encountered in this mosaic of writings—a textual space brimming with life and crowded with flâneurs, flirtatious students, Indian dancers,
food vendors, fortune tellers, political activists, and peasant protesters.
The essays included in this anthology were written by a panoply of writers, from well-known authors like Carlos Monsiváis and Jorge Ibagüengoitia to younger figures like Fabrizio Mejía Madrid and Juieta García González, all of whom are experienced practitioners of the city. The texts collected in this anthology are among the most striking examples of this concomitant "theory and practice" of Mexico City, that most delirious of megalopolises.
“[An] exciting literary journey . . .”—Carolyn Malloy, Multicultural Review
ABOUT THE BOOK
Whether you seek to gain, observe, or protect yourself from domination by the forces of power in the world, Robert Greene’s comprehensive tome on this intriguing subject is in many ways a groundbreaking work of literature. The 48 Laws of Power synthesizes the thoughts of a host of history’s most influential thinkers including Machiavelli, Sun-tzu, Carl von Clausewitz and others. Not only is it rich in the history of power politics and warfare spanning three millennia, the book has real-life relevance to those contending with the affect on our lives in modern times. Greene’s 48 laws demonstrate how qualities such as prudence, cunning, stealth and subtlety, and a complete lack of mercy or compassion for one’s enemies come into play with humanity’s power dynamic.
It’s apparent that those who feel powerless in today’s globalized economy driven by the politics of big-money capitalism are a target audience of this book. The preface begins: “The feeling of having no power over people and events is generally unbearable to us—when we feel helpless we feel miserable.” Very much like the social and political pressures contained within an old royal court, a duplicitous game of non-overt power moves is the key to success in the current power paradigm.
In Where I Was From, Didion turns what John Leonard has called “her sonar ear, her radar eye” onto her own work, as well as that of such California writers as Frank Norris and Jack London and Henry George, to examine how the folly and recklessness in the very grain of the California settlement led to the California we know today–a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government, a dependent colony of those political and corporate owners who fly in for the annual encampment of the
Bohemian Club. Here is the one writer we always want to read on California showing us the startling contradictions in its–and in America’s–core values.
Joan Didion’s unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of our greatest writers.
From the Hardcover edition.
To anyone who glanced casually inside the detention room the young man sitting there did not seem very formidable. In height he might have been a little above average, but not enough to make him noticeable. His brown hair was cropped conservatively; his unlined boy's face was not one to be remembered--unless one was observant enough to note those light-gray eyes and catch a chilling, measuring expression showing now and then for an instant in their depths.
Neatly and inconspicuously dressed, in this last quarter of the twentieth century his like was to be found on any street of the city ten floors below--to all outward appearances. But that other person under the protective coloring so assiduously cultivated could touch heights of encased and controlled fury which Murdock himself did not understand and was only just learning to use as a weapon against a world he had always found hostile.
He was aware, though he gave no sign of it, that a guard was watching him. The cop on duty was an old hand--he probably expected some reaction other than passive acceptance from the prisoner. But he was not going to get it. The law had Ross sewed up tight this time. Why didn't they get about the business of shipping him off? Why had he had that afternoon session with the skull thumper? Ross had been on the defensive then, and he had not liked it. He had given to the other's questions all the attention his shrewd mind could muster, but a faint, very faint, apprehension still clung to the memory of that meeting.
Cash Walker has discovered warrior wisdom at the handlebars of his lifeline--his bike: True freedom is the road, the ride, the real emotion that's worth fighting and dying for.
Willow Lane has been beaten, broken, and she's finished….until she meets the most unlikely angel imaginable. Cash looks like the devil himself, but he won't let her give up even as he won't let her go. Will he become another captor, or the salvation she's longed for?
As has been said, The Hill, which had been built to be the Tellurian headquarters of the Triplanetary Service and which was now the headquarters of the half-organized Solarian Patrol, was—and is—a truncated, alloy-sheathed, honey-combed mountain. But, since human beings do not like to live eternally underground, no matter how beautifully lighted or how carefully and comfortably air-conditioned the dungeon may be, the Reservation spread far beyond the foot of that gray, forbidding, mirror-smooth cone of metal. Well outside that farflung Reservation there was a small city; there were hundreds of highly productive farms; and, particularly upon this bright May afternoon, there was a Recreation Park, containing, among other things, dozens of tennis courts.
One of these courts was three-quarters enclosed by stands, from which a couple of hundred people were watching a match which seemed to be of some little local importance. Two men sat in a box which had seats for twenty, and watched admiringly the pair who seemed in a fair way to win in straight sets the mixed-doubles championship of the Hill.
"Fine-looking couple, Rod, if I do say so myself, as well as being smooth performers." Solarian Councillor Virgil Samms spoke to his companion as the opponents changed courts. "I still think, though, the young hussy ought to wear some clothes—those white nylon shorts make her look nakeder even than usual. I told her so, too, the jade, but she keeps on wearing less and less."...
The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans.
The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.
The fascination Ancient Egypt holds in our minds has many sources, but at the heart of it lie hieroglyphics. This extraordinary writing system was for many years seen as the ultimate challenge and puzzle before finally being cracked in the 1820s. Preserved carved in stone or inked on papyri, hieroglyphic writings give a unique insight into an awe-inspiring but also deeply mysterious culture.
Toby Wilkinson has translated a rich selection of pieces, ranging from accounts of battles to hymns to stories to royal proclamations. This book is both very enjoyable and an essential resource for anyone wanting to study one of humankind's great civilizations.
H. A. Geuerber's The Myths of the Norsemen is a classic collection of stories retold from Norse mythology. Beginning with the Norse myth of creation and following through the sagas of more than twenty gods, heroes and villains, The Myths of the Norsemen recounts the rich mythological tradition of the Norse people. Of the more familiar characters in this collection one might immediately recognize the stories of Odin and Thor. These stories are brought together with less familiar Norse myths. Readers both young and old will delight in these classic tales of adventure and fantasy.
Crikey, the world according to Clarkson's been a funny old place of late . . .
For a while, Jeremy could be found in his normal position as the tallest man on British television but, more recently, he appears to have been usurped by a pretend elephant.
But on paper the real Jeremy remains at the helm. That's as it should be. For nearly thirty years he has been fearlessly leading the charge as one the best comic writers in the country. And in 2015, he shows no sign of slowing down.
So, whether it's pondering
If Jesus might have been better off being born in New Zealand
Why reflexive pronoun abuse is the worst thing in the world
How Pam Ayres's head trumps Gordon Gecko's underpants
Or what a television presenter with time on his hands gets up to
Jeremy is still trying to make sense of all the big stuff.
Circumstances change. Nothing's forever. But As I Was Saying provides glorious proof that Jeremy remains as funny, puzzled, excitable, outspoken, insightful and thought-provoking as ever. As if you ever doubted it . . .
Praise for Clarkson:
'Brilliant... laugh-out-loud' Daily Telegraph
'Outrageously funny... will have you in stitches' Time Out
'Very funny . . . I cracked up laughing on the tube' Evening Standard
Conan Doyle wrote the story in 1886, and it was published the following year. The book's title derives from a speech given by Holmes to Doctor Watson on the nature of his work, in which he describes the story's murder investigation as his "study in scarlet": "There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it." (A "study" is a preliminary drawing, sketch or painting done in preparation for a finished piece.)
The story, and its main characters, attracted little public interest when it first appeared. Only 11 complete copies of the magazine in which the story first appeared, Beeton's Christmas Annual for 1887, are known to exist now and they have considerable value. Although Conan Doyle wrote 56 short stories featuring Holmes, A Study in Scarlet is one of only four full-length novels in the original canon. The novel was followed by The Sign of the Four, published in 1890. A Study in Scarlet was the first work of detective fiction to incorporate the magnifying glass as an investigative tool.
A young woman is accompanied home one night by a reclusive student, and finds herself lured into a flat full of eerie Egyptian artefacts…
A man suspects his young wife’s obsession with picnicking every weekend in the city’s parks hides a darker motive…
At first, Tokyo appears in these stories as it does to many outsiders: a city of bewildering scale, awe-inspiring modernity, peculiar rules, unknowable secrets and, to some extent, danger. Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place – a naïve book collector, mistaken for a French speaker, is drawn into a world he never knew existed; a woman seeking psychiatric help finds herself in a taxi with an older man wanting to share his own peculiar revelations; a depressed divorcee accepts an unexpected lunch invitation to try Thai food for the very first time… The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’
Insightful, incendiary, outrageously brilliant, such was the man who galvanized American journalism with his radical ideas and gonzo tactics. For over half a century, Hunter S. Thompson devastated his readers with his acerbic wit and uncanny grasp of politics and history. His reign as "The Unabomber of contemporary letters" (Time) is more legendary than ever with Hey Rube. Fear, greed, and action abound in this hilarious, thought-provoking compilation as Thompson doles out searing indictments and uproarious rants while providing commentary on politics, sex, and sports—at times all in the same column.
With an enlightening foreword by ESPN executive editor John Walsh, critics' favorites, and never-before-published columns, Hey Rube follows Thompson through the beginning of the new century, revealing his queasiness over the 2000 election ("rigged and fixed from the start"); his take on professional sports (to improve Major League Baseball "eliminate the pitcher"); and his myriad controversial opinions and brutally honest observations on issues plaguing America―including the Bush administration and the inequities within the American judicial system.
Hey Rube gives us a lasting look at the gonzo journalist in his most organic form―unbridled, astute, and irreverent.
With the insight and good humor his fans appreciated in On ?Writing , Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.
The Genesis of Demons.
Decline of Demons.
Generalisation of Demons.
The Serpent in India.
The Dragon’s Eye.
The Dragon’s Breath.
The Second Best.
Ahriman: The Divine Devil.
Viswámitra: The Theocratic Devil.
Elohim and Jehovah.
The Consuming Fire.
Paradise and the Serpent.
War in Heaven.
War on Earth.
Job and the Divider.
The Prince of this World.
Trial of the Great.
The Man of Sin.
The Holy Ghost.
The Pride of Life.
The Curse on Knowledge.
Faust and Mephistopheles.
The Wild Huntsman.
Le Bon Diable.
Thoughts and Interpretations.