Creatively Supernatural!Offering a launching pad for you to burst into the realm of creative expression—that fun, fantasy world where the Creator is waiting to welcome you. There is a connection between creativity, your identity, the Church, and the world—and it is an important connection. Creativity is tied to all believers’ identity, all who are made in the image of the Creator, all who are born to create! Overflowing with many thrilling, modern-day testimonies, Born to Create emphasizes the magnitude of both craft—practice and excellence—as well as anointing. Many who have been freed to embrace their creative ideas and passions, whether in the art fields, business, or education, share their amazing stories with you. Their freedom allowed them to powerfully release healing, the prophetic, and the knowledge of God’s love into the marketplace. Live creatively, friends. If someone falls into sin, forgivingly restore him, saving your critical comments for yourself. You might be needing forgiveness before the day’s out. Stoop down and reach out to those who are oppressed. Share their burdens, and so complete Christ’s law… (Galatians 6:1 The Message). You will learn how the supernatural can be activated through what you create, and you will explore hindrances from understanding your creative destiny—your true identity.
You can experience God’s presence and healing power through dance.
Encountering God Through Dance equips believers to worship Jesus in wholehearted devotion—to express love without fear or shame.
What people are saying:
Encountering God Through Dance is the wonderful journey of a radical lover of God…and a manual for instruction and inspiration. —Bill Johnson, Senior Pastor, Bethel Church
This is by far the most refreshing book I have read in a long time. Saara Taina has given her life to a core area of life that is far too marginalized in many churches. —Marc A. Dupont, Mantle of Praise Ministries, Inc.
Rarely do you see a book that offers passion, testimonies, and biblical expertise so that others can be fully equipped. —Theresa Dedmon, Director of Prophetic Arts, Bethel Church
We have personally experienced the breakthrough power of the dance many, many times in Succat Hallel, our 24/7 worship room that overlooks Mount Zion in Jerusalem. —Rick and Patti Ridings, Succat Hallel
The author’s personal journey of devotion through dance has taken her worldwide. She wraps her exciting travels with a solid biblical framework for the importance of dance in the Kingdom of God—on earth, today!
Special training emphasis on how to minister in the anointing by applying spiritual disciplines, walking in purity, holiness and the fear of the Lord are all included in this life changing arts course. You will quickly discover that “the dance” is the very last thing God requires of the movement artist.
Some of the training topics that will be covered are:
-Preparing for War, Introduction to Dance
-Building Team Unity
-Spiritual Requirements for the Dancer
-The Ministry of Dance and the Prophetic
-Weapons of War! (Dance, Tambourines, Flags, Streamers etc)
-Evangelism and the Arts
-Conditioning the Temple of God through Fitness and Nutrition and much more!
God is raising up and calling forth a worship warrior Bride to make an impact in this generation.
It’s time to enlist...HE WANTS YOU!
But God chose the foolish things of the world to shame the wise....
1 Corinthians 1:27
Bible verses—an enduring source of guidance, peace, and rejuvenation—are here given a very special treatment in colorful letterpress illustrations that bring each phrase to life in a fresh and meaningful way. The verses are drawn from seven translations (including the New International Version, The New Revised Standard Version, and The King James Bible) and arranged in order, beginning with Genesis 1:1. These selections include 100 of the most distinctly meaningful passages of the Old and New Testament, made even more powerful through the transformative lens of art.
Like a contemporary update on medieval illuminated manuscripts, the book combines the timeless words of the Bible with timely artwork—in this case, hand-lettering and illustration in a variety of beautiful styles and remarkable aesthetics from 25 contemporary artists. It’s a new and vibrant way to experience the living word.
The Alchemist is a Brazilian novel about a shepherd named Santiago, an 18-year-old youth who abandons his life in Spain to embark upon an epic treasure hunt across Africa. Making several unexpected stops along the way, he uncovers profound truths about himself, the world, and the kingdom of God, which are fundamentally connected. Ultimately, he finds the treasure, but along the way he also finds love and personal fulfillment.
At 16, Santiago, who had been studying to become a priest, had defied his parents’ wishes and set off to travel across Andalusia with a herd of sheep. The story picks up two years later. The boy has been leading his sheep all this time. Lovesick, he’s thinking about settling down with the daughter of a merchant he met the year before. As he contemplates the future, he feels anxious, hopeful, and full of questions…
PLEASE NOTE: This is summary and analysis of the book and NOT the original book.
Inside this Instaread Summary of The Alchemist:
Summary of the book
Analysis of the Themes and Author’s Style
About the Author
With Instaread, you can get the key takeaways, summary and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.
Many individuals—including believers—don’t know whether God speaks to His children. In How to Hear the Voice of God, author Ernest J. Murat shows that He does. Murat provides a step-by-step guide on how to hear God’s voice. You’ll discover what God sounds like, as well as His plan and purpose and how they affect you. You’ll also learn how to use what He tells us.
How to Hear the Voice of God will enhance your spiritual life. Experience growing faith as you learn to communicate with God, and most important, how to listen to Him. It will make a tremendous difference in your life.
This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
This book explores this Mexican tradition — the artists, their works, the social and political background, and the relationship of the modern painters to European and Mexican historical tradition. Helm, an important collector who knew most of the artists, writes informally yet with deep understanding about the major figures — Orozco, Rivera, and Siqueiros — as well as over 40 others little known outside their native Mexico.
He ably ties together such diverse influences as the Revolution and the regime of Obregón, the Siqueiros Syndicate and its power in getting artists to pool resources and works for a powerful national style, Rivera's strong political beliefs and their effect on his work, Orozco's deep empathy, the development of the young artists, the effects of low wages and bohemian existence on artistic production, links to Indian art, the rediscovery of fresco technique, important patrons, the religious and anti-religious forces in the early works, and much more. In addition, 95 works by 37 artists are reproduced, showing the range and best works of modern Mexican painting.
MacKinley Helm was in a uniquely favorable position to write about these artists, and his book is now considered the best introduction to the art and artists of Mexico during the great artistic movements of the '20s and '30s. Collectors, artists, and others who have felt the lack of solid information about this important Western tradition will find this book gives clear insight into the conflicts, personalities, and important works that have developed into modern Mexican art.
The Virgin of Guadalupe is a brilliant art book that celebrates a popular cultural icon, a venerable symbol of compassion, hope, and humility--and one of the most popular pieces of ancient art ever created. Featuring color photographs, bilingual English and Spanish captions, and an evocative essay, the book includes lyrical quotes from Aztec legends, miraculous apparitions, storied histories, and colorful folklore.
John Annerino is the photographer and author of sixteen distinguished photography books, including the award-winning Desert Light, Indian Country, Vanishing Borderlands, Canyons of the Southwest, The Wild Country of Mexico, and Roughstock: The Toughest Events in Rodeo. His work has also appeared in National Geographic Adventure, LIFE, Newsweek, People, Scientific American, Time, and Travel & Leisure. He lives in Tucson, Arizona.
Fiqh-us-Sunnah Volume 1 is about Fiqh ruling on Rules and Regulations of Purification and Prayer that goes back to the Qur'an and Sunnah and As-Sayyid Sabiq has dealt with all four madhahib objectively, with no preferential treatment to any. The author presents and discusses a variety of viewpoints on the various matters of practice.
This book collects all 241 plates — long out of print — that Doré executed for the Bible. In these plates, reproduced from outstanding early editions, the artist not only captures the dramatic intensity of the Scriptures, but sustains it longer than any other single artist was able to do. In addition, Doré reimagined all the scenes, so that what he produced was not a mere reworking of what centuries of other artists had already done, but a new and fresh visual interpretation of the Bible.
Each plate is accompanied by the verses from the Authorized (King James) Version of the Bible that the scene depicts, and an Introduction by Millicent Rose covers Doré's life and art in general. This is a sumptuous book that everyone, from those interested in Scripture to lovers of great art, will be proud to possess.
* A modern day David and Goliath (The Battle is the Lord’s)
* Being mindful of the company we keep (The Wizard of Eden)
* Suicide (After Winter Must Come Spring)
* AIDS (The Scarlet Letters)
* Emotional Healing (Heal Me)
* A Battlefield in the Mind (The Whatever Zone)
* The Benefits of Worship (T-B.O.W.)
* Dealing with frustration (Overtime)
* Spiritual boot camp (You’re in the Army Now)
* A back alley meeting between a Pharisee and a disciple (Sealed with a Kiss)
These quality skits are easy to perform and are ideal for adult and youth drama teams
Zen doodle, that is! In Zen Doodle: Tons of Tangles, you'll find gorgeous images of the best doodle art from around the world. This collection of drawings and painted canvases from dozens of contributors features thousands of tangle patterns and doodle designs to inspire you to doodle anything and everything.
Create a mythical, doodled beast or abstract work of art. Draw an inspirational tangled card for a friend or add doodled intrigue to your art journal with patterned shapes. Zen Doodle provides you with the first steps toward creating unique tangled art, including traditional tiles, letterforms, Zendalas, landscapes, four-tile ensembles, paper quilts and more!
Inside you'll find: More than 100 pieces of Zen doodled art from 42 artists. Step-by-step instruction to help you begin your own Zen doodles. Four chapters of doodle inspiration: Abstracts, Shapes & Objects, Animals & Beasts, and Friendship & Love.
Isn't it time you take your tangles to the next level?
In Zen Doodle Oodles of Doodles, you'll find even more stunning doodle art from all around the world. With more than 100 original designs, you're sure to love these gorgeous patterns brimming with the latest tangles and techniques that will inspire your doodling dreams. Then take your tangles to the next level with step-by-step instructions for creating everything from traditional doodle tiles to Zendala, to your favorite tangled art; it's all here!
You'll also discover the stories behind each creative tangle and immerse yourself into a world of doodle intrigue. So what are you waiting for? It's time to get your doodle on!100+ Zen doodled art pieces from 48 artistsStep-by-step instructions to help you on your doodling journeyFeaturing a special Spotlight Artist section where you can get up close and personal with some of your favorite Zen doodle artists
Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as "Gorgons, and Hydras, and Chimeras dire."
The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.
The first *sketch, - *The Beginning of Art, - introduces the rest that go on to explore further the human, artistic, and theological implications of a wounded innocence. Each *sketch - reflects on a particular human work of art. Some are conventional works of art. Others may never find their way into a museum but, then, that is one of the implications coming out of this book. A museum does not define what a work of art is, its human depth does. In these deeply studied yet spiritually written reflections on each work of art, it is hoped that the reader will find his and her own creative depth described, perhaps even revealed.
A Wounded Innocence is both inspiring and informative. Readers will learn about art, spirituality, and theology, and will find themselves inspired to look at works of art, and even to produce a work of art. It sets a new way of doing theology that is at the same time spiritual. More importantly, Garcia-Rivera describes a theology of art.
Chapters are *The Beginning of Art, - *The End of Art, - *Human Freedom and Artistic Creativity, - *Heaven-with-Us, - *The Human Aspect of Atonement, - *The Tyger and the Lamb, - and *A Wounded Innocence. - Includes black and white art.
Alejandro R. Garcia-Rivera, PhD, is associate professor of systematic theology at the Jesuit School of Theology at Berkeley. The author of numerous articles, he also wrote a Catholic Press Association award-winning book on theology and aesthetics titled The Community of the Beautiful (The Liturgical Press).
This is a publication that combines in an enhanced eBook the following: the unabridged Biblical text, illustrations, audio with the recited text, background music and soundtrack effects, different video with introductions, links to social media and Pop-up windows with Biblical commentaries. These illustrations have been painted in purpose for this collection and they follow concrete theological directions made by the author who interprets the Bible and analyzes its symbology, its historical background and its Biblical sense and meaning. These digital tools make easier and enjoyable the reading of the Bible.
Eduardo de J. Douglas offers a detailed critical analysis and historical contextualization of the manuscripts to argue that colonial economic, political, and social concerns affected both the content of the three Tetzcocan pictorial histories and their archaizing pictorial form. As documents composed by indigenous people to assert their standing as legitimate heirs of the Aztec rulers as well as loyal subjects of the Spanish Crown and good Catholics, the Tetzcocan manuscripts qualify as subtle yet shrewd negotiations between indigenous and Spanish systems of signification and between indigenous and Spanish concepts of real property and political rights. By reading the Tetzcocan manuscripts as calculated responses to the changes and challenges posed by Spanish colonization and Christian evangelization, Douglas's study significantly contributes to and expands upon the scholarship on central Mexican manuscript painting and recent critical investigations of art and political ideology in colonial Latin America.
As Moteuczoma's fame transcends Aztec visual and oral culture, Hajovsky brings together a vast body of evidence, including Nahuatl language and poetry, indigenous pictorial manuscripts and written narratives, and archaeological and sculptural artifacts. The kaleidoscopic assortment of sources casts Moteuczoma as a divine king who, while inheriting the fame of past rulers, saw his own reputation become entwined with imperial politics, ideological narratives, and eternal gods. Hajovsky also reflects on posthumous narratives about Moteuczoma, which created a very different sense of his fame as a conquered subject. These contrasting aspects of fame offer important new insights into the politics of personhood and portraiture across Aztec and colonial-period sources.
This first volume of the Critical Documents of 20th-Century Latin American and Latino Art series published by the International Center for the Arts of the Americas at the Museum of Fine Arts, Houston, presents 168 crucial texts written by influential artists, critics, curators, journalists, and intellectuals whose writings shed light on questions relating to what it means to be "Latin American" and/or "Latino."
Reinforced within a critical framework, the documents address converging issues, including: the construct of "Latin-ness" itself; the persistent longing for a continental identity; notions of Pan–Latin Americanism; the emergence of collections and exhibitions devoted specifically to "Latin American” or "Latino" art; and multicultural critiques of Latin American and Latino essentialism. The selected documents, many of which have never before been published in English, span from the late fifteenth century to the present day. They encompass key protagonists of this comprehensive history as well as unfamiliar figures, revealing previously unknown facets of the questions and issues at play. The book series complements the thousands of seminal documents now available through the ICAA Documents of 20th-Century Latin American and Latino Art digital archive, http://icaadocs.mfah.org. Together they establish a much-needed intellectual foundation for the exhibition, collection, and interpretation of art produced in Latin America and among Latino populations in the United States.
How is music made sacred? Is it sacred already? Is all dance divine? Does all poetry reflect the divine muse within? Do all works of art speak of the highest realization? Does it really matter, or is all realization, like beauty, in “the eye of the beholder?” Possibly some of these questions may find answers in the following pages. But if not, suffice to say that where the medium is purified — where a lustral regimen has been adhered to — there, spiritualized expression will reach its zenith. When sensitive artists, seeking the highest, place their gifts and talents in action and offer the fruits of such before the world, they must first and necessarily have subjected them to purification and intensification. Any instrument, whether it be a metal tube or a fleshy tube, a wooden box with strings or a metal box containing film, a tome of writings, a paintbrush, or the human body, is always under the control of consciousness. Like different conditions of water — some fit for drinking, some for swimming, some for washing dishes and some only for carrying waste — the consciousness of human minds is also pure or impure, as the case may be. In artistic endeavor, then, as in spiritual practice, purification of what is limited or impure renders the medium fit to emanate the truth or essence of any given expression, such as inspired choreography, a masterpiece on canvas, an original composition, a unique film, or a work of literary genius — all which have the ability to transform lives. So here is the acid test with regards to true artforms, at least for the discriminating person. As is consistent with all modes of existence — with work, dreams, visions, relative experiences of all types — if they help reveal the divine essence in human nature and assist human character by way of positive accretion, then they can be said to be real, authentic, and ultimately meaningful. Otherwise, too much distraction and wasted energy plague them, as well as their host, all amounting to “vanity and vexation of human spirit."